Quick filters:
Page 1 of 25
11 5 16 x 17 3 8 Stock Photos and Images
RMPAAYGG–Studies for a Ceiling (recto and verso). Artist: Michel Corneille the Younger (French, Paris 1642-1708 Paris). Dimensions: 11 5/16 x 17 3/8 in. (28.8 x 44.1 cm). Former Attribution: Formerly attributed to Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596-1669 Rome). Date: n.d.. This sheet of energetic sketches has been attributed to the French seventeenth-century painter Michel Corneille the Younger, a successful and prolific decorator of royal residences. The artist studied in Italy and trained under Pierre Mignard (French, 1613-1676) and Charles Le Brun (French, 1619-1690). Corn
RM2B0C7K1–Unknown Artist, Beggars Plaquette, 1600-1700, bronze, silver, 6 13/16 in. x 4 5/8 in. (17.3 cm. x 11.8 cm.)
RF2HW571G–Art inspired by Studies for a Ceiling (recto and verso), n.d., Pen and dark brown ink over traces of leadpoint (recto); pen and dark brown ink over leadpoint (verso), 11 5/16 x 17 3/8 in. (28.8 x 44.1 cm), Drawings, Michel Corneille the Younger (French, Paris 1642–1708 Paris), This, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2PMD61C–Drawing, Damascus, Syria, Seen from the Northwest, Part 2; Frederic Edwin Church (American, 1826–1900); Syria; grpahite, brush and white gouache on light paper; Sheet: 28.8 x 44.1 cm (11 5/16 x 17 3/8 in.)
RMMMMHJT–. English: Samuel Finley Breese Morse, American, 1791 - 1872 Captain Demaresque of Gloucester, Massachusetts Oil on panel 36.5 x 28.5 cm. (14 3/8 x 11 1/4 in.) frame: 44 × 37 × 3 cm (17 5/16 × 14 9/16 × 1 3/16 in.) Museum purchase y1951-3 . Unknown date. Samuel Morse 6 1925, Morse, Samuel F.B., Captain Demaresque of Gloucester, Massachusetts
RMRJF151–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
RM2A6052R–Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher
RMRBYBT4–382968 Artist and publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Aesacus and Hesperie, Vide Ovid Metamorphosis, Book XI (Liber Studiorum, part XIII, plate 66), January 1, 1819, Etching and mezzotint; third state of six (Finberg), plate: 7 1/16 x 10 3/16 in. (17.9 x 25.9 cm) sheet: 8 5/16 x 11 1/2 in. (21.1 x 29.2 cm).
RF2RAYT3P–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin
RM2H0YNFY–Brocade, 1800s. India, Surat, 19th century. Brocade; silk and cotton; overall: 28.8 x 17.2 cm (11 5/16 x 6 3/4 in.).
RM2RE92XA–'Francis Seymour Haden, Harry Kelly's, Putney, 1865, etching with drypoint on laid paper, plate: 11.1 x 17.4 cm (4 3/8 x 6 7/8 in.) sheet: 17.5 x 22.4 cm (6 7/8 x 8 13/16 in.), Gift of the Estate of Leo Steinberg, 2011.139.27'
RMKNMR76–Earring MET sf17-193-2s1 465517 Frankish, Earring, 7th century, Silver, Overall: 2 11/16 x 3/16 in. (6.8 x 0.5 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.2)
RMP9DWGH–A Harvest of Death; Timothy H. O'Sullivan, American, about 1840 - 1882, Print by Alexander Gardner, American, born Scotland, 1821 - 1882; negative July 4, 1863; print 1866; Albumen silver print; Image: 17.8 x 22.1 cm (7 x 8 11/16 in.), Mount: 30.5 x 39.1 cm (12 x 15 3/8 in.); 84.XO.1232.1.36
RM2M95T11–London UK 17 January 2023 Attributed to Manuel Chili, called Caspicara, The Four Fates of Man: Death, Soul in Hell, Soul in Purgatory, Soul in Heaven, c. 1775. Polychrome wood, glass and metal. 17.9 x 11.8 x 8.4 cm, 17.9 × 14.5 × 8 cm, 16.9 × 11.1 × 12.3 cm, 17.6 × 11 × 12.3 cm. On loan from The Hispanic Society of America, New York, NY. Spain and the Hispanic World : Treasures from the Hispanic Society Museum & Library runs at the Royal Academy of Arts from 21 January – 10 April 2023.Paul Quezada-Neiman/Alamy Live News
RMDE2NF3–Black-Figure Kylix; Attributed to Hunt Painter, Greek (Lakonian), active 565 - 530 B.C.; Sparta, Greece, Europe; about 540 B.C.
RMPG2267–. The surgical anatomy of the horse ... Horses. Plate X,—Transverse Section of Middle Third of Metatarsal Region of Left Hind Limb I. Tendon of extensor pedis muscle. 2, Large metatarsal bone. 3. Large metatarsal artery. 4. Internal small metatarsal bone. 5. External ditto. 6. Internal plantar interosseous artery. 7. External ditto. 8. Deep meta- tarsal vein. g. Suspensory ligament. 10 and 11. Internal and external metatarsal veins. 12 and 13. Small unnamed arteries descending with plantar nerves. 14 and 15. Internal and external plantar nerves. 16. Tendon of flexor perforans. 17. Tendon of fl
![[Group of 6 Early Stereograph Views of Birmingham, England]. Artist: Unknown (British). Dimensions: Mounts: 8.5 x 17 cm (3 3/8 x 6 11/16 in.). Date: 1860s-80s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PANYKF/group-of-6-early-stereograph-views-of-birmingham-england-artist-unknown-british-dimensions-mounts-85-x-17-cm-3-38-x-6-1116-in-date-1860s-80s-museum-metropolitan-museum-of-art-new-york-usa-PANYKF.jpg "[Group of 6 Early Stereograph Views of Birmingham, England]. Artist: Unknown (British). Dimensions: Mounts: 8.5 x 17 cm (3 3/8 x 6 11/16 in.). Date: 1860s-80s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
RMPANYKF–[Group of 6 Early Stereograph Views of Birmingham, England]. Artist: Unknown (British). Dimensions: Mounts: 8.5 x 17 cm (3 3/8 x 6 11/16 in.). Date: 1860s-80s. Museum: Metropolitan Museum of Art, New York, USA.
RM2B0C7K3–Unknown Artist, Beggars Plaquette, 1600-1700, bronze, silver, 6 13/16 in. x 4 5/8 in. (17.3 cm. x 11.8 cm.)
RF2HTXHG9–Art inspired by St. Gangulphus, 1650, Engraving and etching, sheet: 17 1/16 x 11 5/8 in. (43.3 x 29.6 cm), Prints, C. Visscher, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2PMHKDY–Bandbox (USA); block-printed paper, pasteboard, distemper, oil pigments; 45 x 39 x 29.5 cm (17 11/16 x 15 3/8 x 11 5/8 in.)
RMMP9NKD–. English: Creation Date: ca. 1725 Creation Place: India State-Province: Jammu & Kashmir Media & Support: Opaque watercolor and gold on paper Display Dimensions: 6 7/8 in. x 11 3/16 in. (17.5 cm x 28.4 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1466 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 1 October 2001, 16:13:03. English: thesandiegomuseumofartcollection 1241 Vishnu puja (6125148898)
RM2DE4M63–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
RMW037N2–Archive image from page 178 of Die Corycaeinen Mit Berücksichtigung aller. Die Corycaeinen. Mit Berücksichtigung aller bekannten Arten diecorycaeinenmi00dahl Year: 1912 Plankton-Expedition G.f.l. Taf.x. 16.1 8. 23. 2.9.17.2.18. 70.3. 25. 19.11 A 5.12. 26. 20. 13.6.Z7. 21.1 f-. 28.7.15.22. Ilg.l-28Mddhlgez. Verlag von Lipswst Tisdia-j Kid iLäpzig. LWi.Ans!.v. E.A.FunktjLeipzig,
RF2RAYT3H–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin
RM2H11EB0–Cottages, 1870–71. Jean-François Millet (French, 1814-1875). Pen and brown ink and graphite; sheet: 11.8 x 17.3 cm (4 5/8 x 6 13/16 in.).
RM2REDRFC–'Hubert François Gravelot, An Ornamental Trophy, 0, graphite, incised for transfer on laid paper; laid down, sheet: 7.4 x 5.3 cm (2 15/16 x 2 1/16 in.) support: 27.9 x 20 cm (11 x 7 7/8 in.), Gift of Arthur L. Liebman, 1992.87.17'
RMKNYK11–Bell Beaker MET dp30489 465685 Frankish, Bell Beaker, 6th?7th century, Glass, Overall: 4 5/16 x 2 3/8 in. (11 x 6.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.347)
RMKKFR7Y–Jean (Hans) Arp. (French, born Germany (Alsace). 1886-1966). Eierschläger (Egg Beater), plate 6 from 7 Arpaden von Hans Arp. 1923. One from a portfolio of seven lithographs, composition (irreg.): 16 7/8 x 11 5/16' (42.9 x 28.7 cm); sheet: 17 3/4 x 13 3/4' (45.1 x 34.9 cm). Publisher: Merzverlag(Kurt Schwitters), Hannover, Germany. Printer: unknown. Edition: 50. Gift of J. B. Neumann. © 2008 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
RMPFK1M5–. Cytological and genetic studies of sterility in inbred and hybrid maize. Sterility in plants; Corn; Corn; Hybrid corn; Hybrid corn. Sterility In lvl>i'Cil (ind riijhrid Maize 715 Tablk 7. Progeny of Plants Heterozygous for Inversion on Chromosome 1. No. of plants No of semi- Percent with Type of cross witho Lit inversion sterile plants Total inversion Hybrid ear open-polinatec 4-8 X R4 11 s' 19 42.1 540 X 4-8 22 18' 40 45.0 187-2 X 4-8A 15 14^ 29 48.3 Iowa Hybrid 13 22 3 25 12.0 Selfed ears from 187-2 X 4-8A 2 15^ 17 88.2 10 6 16 37.5 5 7 12 58.3 3 9 12 75.0 Heterozygous inversion X or on
RMPAB3HK–St. Gangulphus. Artist: C. Visscher. Dimensions: sheet: 17 1/16 x 11 5/8 in. (43.3 x 29.6 cm). Series/Portfolio: Saints of North and South Netherlands. Date: 1650. Museum: Metropolitan Museum of Art, New York, USA.
RM2B0H0PE–Paul de Lamerie, English, 1688–1751, Inkstand, 1730–32, Silver, 5 15/16 x 8 11/16 x 6 3/4 in. (15.1 x 22.1 x 17.1 cm
RF2HTYKDP–Art inspired by Right Leaf of a Diptych, 14th century, French, Ivory, Overall: 6 11/16 x 4 5/16 x 3/8 in. (17 x 11 x 1 cm), Ivories, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2PME653–Printer's Sample Book (USA); Manufactured by Old Pacific Print Works; leather, paper, cotton and wool; Overall: 17.4 x 11 x 3.9 cm (6 7/8 x 4 5/16 x 1 9/16 in.)
RMP01HMT–Painting; oil on canvas; overall: 32.2 x 25.3 cm (12 11/16 x 9 15/16 in.) framed: 52.7 x 43.2 x 5.7 cm (20 3/4 x 17 x 2 1/4 in.); 8 Divertissement A13430
RMW608JK–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
RMT2458J–Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229
RF2RAYT45–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin
RM2H10X6N–Male Figure, by 1931. Execution Totokro Master. Wood; overall: 44.8 x 9.3 x 7.7 cm (17 5/8 x 3 11/16 x 3 1/16 in.).
!['David Lucas after John Constable, River Stour, Suffolk, 1830, mezzotint on laid paper [proof], plate: 17.5 x 25 cm (6 7/8 x 9 13/16 in.) sheet: 21 x 28.9 cm (8 1/4 x 11 3/8 in.), Paul Mellon Fund, 2001.118.24' Stock Photo](https://c8.alamy.com/comp/2RE9HA3/david-lucas-after-john-constable-river-stour-suffolk-1830-mezzotint-on-laid-paper-proof-plate-175-x-25-cm-6-78-x-9-1316-in-sheet-21-x-289-cm-8-14-x-11-38-in-paul-mellon-fund-200111824-2RE9HA3.jpg "'David Lucas after John Constable, River Stour, Suffolk, 1830, mezzotint on laid paper [proof], plate: 17.5 x 25 cm (6 7/8 x 9 13/16 in.) sheet: 21 x 28.9 cm (8 1/4 x 11 3/8 in.), Paul Mellon Fund, 2001.118.24' Stock Photo")
RM2RE9HA3–'David Lucas after John Constable, River Stour, Suffolk, 1830, mezzotint on laid paper [proof], plate: 17.5 x 25 cm (6 7/8 x 9 13/16 in.) sheet: 21 x 28.9 cm (8 1/4 x 11 3/8 in.), Paul Mellon Fund, 2001.118.24'
RMKNYJAN–Earring MET sf17-193-2s1 465517 Frankish, Earring, 7th century, Silver, Overall: 2 11/16 x 3/16 in. (6.8 x 0.5 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.2)
![. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 Stock Photo](https://c8.alamy.com/comp/PFE8G1/denkschriften-sterreichische-akademie-der-wissenschaften-22-a-hu-a-tek-1-abo-boer-beob-beobachter-argelander-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-amp-x-411-55quot-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-16-62-0-28-56-5-41-41-6-31-55-1-57-27-PFE8G1.jpg ". Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 Stock Photo")
RMPFE8G1–. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27
RMPA9215–Design for a Ceiling with Cove Showing. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 17 5/16 x 11 3/4 in. (44 x 29.8 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.
RM2B0GFD7–Maker's mark M, a line across, English, Tankard, 1577/78, Parcel-gilt silver, 8 3/16 x 7 1/16 x 4 5/16 in. (20.8 x 17.9 x 11 cm
RF2HW0MHK–Art inspired by Rhomboidal palette, Predynastic Period, ca. 3850–2960 B.C., From Egypt, Greywacke, 3 11/16 x 6 7/8 in. (9.3 x 17.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2PMBWM4–Sample Book, Wallpaper-Sears Roebuck and Co.; Distributed by Sears, Roebuck and Co. (United States); USA; machine-printed paper; Overall: 17 x 22.5 x 1.3 cm (6 11/16 x 8 7/8 x 1/2 in.)
RMP01HYN–Painting; oil on paper; overall: 29 x 44 cm (11 7/16 x 17 5/16 in.) framed: 42.2 x 59.4 x 5.4 cm (16 5/8 x 23 3/8 x 2 1/8 in.); 9 Forest Interior with a Painter, Civita Castellana C16164
RMT2244G–Archive image from page 50 of Die Waldungen des Königreichs Sachsen Die Waldungen des Königreichs Sachsen inbezug auf Boden, Bestand und Besitz nach dem Stande des Jahres 1900 diewaldungendesk00mammuoft Year: 1905 9{ e ö i c t I äcfcr unb ®ärten n äBteieu III fficibcii IV aSfin- bct(ie V Sottttn VI ®cwäücr VII Steinbrüche uiii). VIII Ãblanb ha a IX 8u önentlicen aroetfcn 6eft gl. X @t<6äube ujlB. Âefamt» fläche Scmerfungen bet SkBietoertDaltungcn lia ;i ha a lui ' a ha ' a lia a ha| a ha a ha a ha a ha a 1. 2. 3. 4. 5. C. 1 7. 8. i). lU. 11. 12. 13. U. 16. 16. 1 17. IS. 19.
RM2H11D0T–Ruby Vase, 1800s. Bohemia, 19th century. Glass; diameter: 27.2 cm (10 11/16 in.); overall: 40 x 17.5 cm (15 3/4 x 6 7/8 in.).
RM2REDN7Y–'Henry Edridge, Woman Seated at a Table, Holding a Letter, 0, watercolor over graphite, Overall (approximate): 34.3 x 24.2 cm (13 1/2 x 9 1/2 in.) support: 40.5 x 30.2 cm (15 15/16 x 11 7/8 in.), Ailsa Mellon Bruce Collection, 1970.17.150'
RMKNYJHN–Finger Ring MET sf17-193-261s4 465587 Byzantine, Finger Ring, 7th century, Electrum, Overall: 11/16 x 3/16 in. (1.8 x 0.5 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.261)
![. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3 Stock Photo](https://c8.alamy.com/comp/PFE8FW/denkschriften-sterreichische-akademie-der-wissenschaften-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-amp-x-411-55quot-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-16-62-0-28-56-5-41-41-6-31-55-1-57-27-1-37-71-1-19-21-40-16-59-10-2-56-8-95-34-94-2-57-76-3-23-25-3-3-PFE8FW.jpg ". Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3 Stock Photo")
RMPFE8FW–. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3
RMPATH3G–Design for a Pen and Ink Stand. Artist: Anonymous, French, 19th century. Dimensions: sheet: 11 3/16 x 17 5/8 in. (28.4 x 44.7 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.
RM2B0BXBM–Unknown Artist, Funerary Stele, 1342 BC-1197 BC, stone (alabaster), 8 7/16 in. x 6 11/16 in. x 2 3/16 in. (21.5 cm. x 17 cm. x 5.5 cm.)
RF2HW00YX–Art inspired by Jug, 13th–14th century, French, Earthenware, glaze, Overall: 6 11/16 x 4 15/16 x 5 3/8 in. (17 x 12.6 x 13.6 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2PMKADD–Fragment; cotton; Warp x Weft (selvedge on one side): 45 x 31 cm (17 11/16 x 12 3/16 in.) Repeat H (straight): 22.5 x 17.8 cm (8 7/8 x 7 in.)
RMP01HYR–Painting; oil on paper; overall: 29.5 x 44.5 cm (11 5/8 x 17 1/2 in.) framed: 42.6 x 57.5 x 5.6 cm (16 3/4 x 22 5/8 x 2 3/16 in.); 9 Forest Interior with a Waterfall, Papigno C16037
RMT23C62–Archive image from page 92 of Diptera Argentine (1900) Diptera Argentine dipteraargentine01shan Year: 1900 R. C. Shannon y E. del Ponte 721 El dorado 1 44 » Varón 2 25 » » 3 23 » » 4 10 » » 5 23 >â > » 6 32 » » 7 19 » >; 8 49 » » 9 17 » » 10 50 » Mujer 11 25 » Varón 12 2 i: » » 13 9 » » 14 10 » » 15 12 » » 16 ? » X- 17 27 » >â / 18 10 meses » 19 14 años Ã-- 20 10 ?â » 21 31 » Mujer 22 10 » » 23 12 » Varón 24 9 » >> 25 10 » » 1 y2 mes 2 meses 5 años 3 meses 2 » 2 » 2 » 2 4 4 2 4 4 4 4 » 2 meses 1 mes 1 » 2 meses 4 » 4 años 3
RM2H1026K–Teapot, c. 1750-70. Meissen Porcelain Factory (German). Porcelain; overall: 12 x 43.5 x 19.5 cm (4 3/4 x 17 1/8 x 7 11/16 in.).
RM2REDY2G–'Jacob Gole after Adriaen van Ostade, Adriaen van Ostade, c. 1700, mezzotint in red on laid paper, plate: 23 x 17.2 cm (9 1/16 x 6 3/4 in.) sheet: 27.2 x 21.5 cm (10 11/16 x 8 7/16 in.), Ailsa Mellon Bruce Fund, 2002.39.2'
RMKNYJHT–Finger Ring MET sf17-193-261s3 465587 Byzantine, Finger Ring, 7th century, Electrum, Overall: 11/16 x 3/16 in. (1.8 x 0.5 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.261)
RMPFFXNM–. Decapoda natantia of the coasts of Ireland. Decapoda (Crustacea). AND IRISH DECAPODA NATANTIA. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 o o -*3 'â *3 o o u (H < < <*- J >» ce d ^ ^ u (1 cS o o O o O O a u a a eg PQ ID ed ^ s eft fcf 9i a c8 C o m â¢So â¢^ <11 Oi a a 09 ^ in a et cn 5 73 -2 0) in d c3 ^ X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
RMPA94A8–Design for the Entrance of the Loggia of the Villa of Pope Julius. Artist: Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710-1727). Dimensions: 11-9/16 x 17-5/8 in. (29.3 x 44.8 cm). Date: 1710-27. Museum: Metropolitan Museum of Art, New York, USA.
RM2B0H09B–Robert Hennell I and David Hennell II, English, working in partnership 1795–1802, Sugar Basket, 1795/96, Silver, 7 x 6 3/16 x 4 5/8 in. (17.8 x 15.7 x 11.7 cm
RF2HTXHBP–Art inspired by Pilgrim from a sublunar world, 1891, Lithograph, sheet: 17 11/16 x 12 3/8 in. (45 x 31.5 cm), Prints, Odilon Redon (French, Bordeaux 1840–1916 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2PMED48–Mount; gilt bronze; L x W (c): 45 x 21.5 cm (17 11/16 x 8 7/16 in.) L x W (d): 26.3 x 14 cm (10 3/8 x 5 1/2 in.)
RMMMMGK4–. English: Gilles Rousselet (1614-1686, French) 'Hercules Sitting on a Burning Pyre on Mt. Eta' - Engraving after Reni Guido, image size 15 5/16 x 11 3/16 in, plate size 17 x 11 5/8 in . 17th century. Gilles Rousselet Hercules Sitting on a Burning Pyre on Mt. Eta by Gilles Rousselet
RM2H1024K–Teapot, c. 1750-70. Meissen Porcelain Factory (German). Porcelain; overall: 12 x 43.5 x 19.5 cm (4 3/4 x 17 1/8 x 7 11/16 in.).
RM2RAGHCH–'Albert Besnard, Going to Bed (Le coucher), 1913, etching in black on laid paper, plate: 11 x 13.8 cm (4 5/16 x 5 7/16 in.) sheet: 14.6 x 17.7 cm (5 3/4 x 6 15/16 in.), Gift of Mr. and Mrs. Daniel Bell, in Honor of the 50th Anniversary of the National Gallery of Art, 1990.95.30'
RMKNYJHP–Finger Ring MET sf17-193-261s1 465587 Byzantine, Finger Ring, 7th century, Electrum, Overall: 11/16 x 3/16 in. (1.8 x 0.5 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.261)
RMPAR0BF–Bowl. Culture: Olmec (?). Dimensions: H. 3 7/16 x W. 7 x D. 4 5/8 in. (8.7 x 17.8 x 11.7 cm). Date: 3rd century B.C.-A.D. 4th century. Museum: Metropolitan Museum of Art, New York, USA.
RM2A2TX4X–Landscape, John Elwood Bundy (American, 1853-1933), 1900, oil on paper, 9-11/16 x 6-3/4 in. (paper) 17-1/4 x 14-1/4 x 1-5/8 in. (framed), Signed and dated, l.l.: J. E. Bundy, 1900, American Painting and Sculpture to 1945
RF2HTXT6H–Art inspired by L'Église de St. Nicolas, 1823, Lithograph, sheet: 17 11/16 x 12 3/8 in. (45 x 31.5 cm), Prints, Théodore Gericault (French, Rouen 1791–1824 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2PMCY4P–Fragment (France); linen warp, cotton weft; Warp x Weft: 28.5 x 17.5 cm (11 1/4 x 6 7/8 in.) Repeat H x W: 3 x 3 cm (1 3/16 x 1 3/16 in.)
RMMW5MD2–. English: Samuel Finley Breese Morse, American, 1791 - 1872 Captain Demaresque of Gloucester, Massachusetts Oil on panel 36.5 x 28.5 cm. (14 3/8 x 11 1/4 in.) frame: 44 × 37 × 3 cm (17 5/16 × 14 9/16 × 1 3/16 in.) Museum purchase y1951-3 . Unknown date. Samuel Morse 6 1925, Morse, Samuel F.B., Captain Demaresque of Gloucester, MassachusettsFXD
RM2H1026T–Lid for a Teapot, c. 1750-70. Meissen Porcelain Factory (German). Porcelain; overall: 12 x 43.5 x 19.5 cm (4 3/4 x 17 1/8 x 7 11/16 in.).
RM2RFHKNE–'Jean-Baptiste-Camille Corot, A Lake in the Tyrol (Un lac du Tyrol), 1863, etching in red-brown on wove paper, image: 11.5 x 17.3 cm (4 1/2 x 6 13/16 in.) sheet: 18.1 x 27.2 cm (7 1/8 x 10 11/16 in.), Ailsa Mellon Bruce Fund, 1984.70.1'
RMKNMRD6–Finger Ring MET sf17-193-261s5 465587 Byzantine, Finger Ring, 7th century, Electrum, Overall: 11/16 x 3/16 in. (1.8 x 0.5 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.261)
RMPAB1RA–Factory Design Book of French Porcelain. Designer: Designed by Haviland & Co. (American and French, 1864-1931). Dimensions: Overall: 17 13/16 x 11 7/8 x 2 1/16 in. (45.2 x 30.2 x 5.3 cm). Date: 1850. Museum: Metropolitan Museum of Art, New York, USA.
RM2HB28XY–Noblewoman, Encaustic on wood, Egypt, ca. 150 C.E., Roman Period, 17 5/16 x 11 5/16 x 1/8 in., 44 x 28.7 x 0.3 cm, earrings, Egyptian, Encaustic, Encaustic on wood, fayoum portrait, Fayum Portrait, female, funerary, Mummy Portrait, nobility, part, portrait, Roman, woman
RF2HW4NNW–Art inspired by Group of 6 Early Stereograph Views of Birmingham, England, 1860s–80s, Albumen silver prints, Mounts: 8.5 x 17 cm (3 3/8 x 6 11/16 in.), Photographs, Unknown (British, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2PMEJ9Y–Textile; silk, metal; A/ H x W: 46.3 × 45 cm (18 1/4 × 17 11/16 in.) B/ H x W: 46 × 11 cm (18 1/8 × 4 5/16 in.); 1971-91-4-a,b
RMMMNFTX–. English: Samuel Finley Breese Morse, American, 1791 - 1872 Captain Demaresque of Gloucester, Massachusetts Oil on panel 36.5 x 28.5 cm. (14 3/8 x 11 1/4 in.) frame: 44 × 37 × 3 cm (17 5/16 × 14 9/16 × 1 3/16 in.) Museum purchase y1951-3 . Unknown date. Samuel Morse 6 1925, Morse, Samuel F.B., Captain Demaresque of Gloucester, MassachusettsFXD
RM2H10WDR–Head, c. 600-900. Mexico, Classic Veracruz, 7th-10th Century. Earthenware; overall: 17 x 13.5 x 8.9 cm (6 11/16 x 5 5/16 x 3 1/2 in.).
RM2RER716–'Johann Sebastian Müller after Samuel Wale, Vauxhall Gardens shewing the Grand Walk at the Entrance of the Garden and the Orchestra with Musick Playing, 1751, etching and engraving on laid paper, plate: 28.2 x 41.5 cm (11 1/8 x 16 5/16 in.) sheet: 32.6 x 45.3 cm (12 13/16 x 17 13/16 in.), Ailsa Mellon Bruce Fund, 1996.69.4'
RMKNYJHW–Finger Ring MET sf17-193-261s5 465587 Byzantine, Finger Ring, 7th century, Electrum, Overall: 11/16 x 3/16 in. (1.8 x 0.5 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.261)
![[Jerusalem]. Artist: John Anthony (British, born France, 1823-1901). Dimensions: Image: 13.6 x 17 cm (5 3/8 x 6 11/16 in.) Mount: 27.9 x 37.3 cm (11 x 14 11/16 in.). Date: 1857. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PB1BNT/jerusalem-artist-john-anthony-british-born-france-1823-1901-dimensions-image-136-x-17-cm-5-38-x-6-1116-in-mount-279-x-373-cm-11-x-14-1116-in-date-1857-museum-metropolitan-museum-of-art-new-york-usa-PB1BNT.jpg "[Jerusalem]. Artist: John Anthony (British, born France, 1823-1901). Dimensions: Image: 13.6 x 17 cm (5 3/8 x 6 11/16 in.) Mount: 27.9 x 37.3 cm (11 x 14 11/16 in.). Date: 1857. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
RMPB1BNT–[Jerusalem]. Artist: John Anthony (British, born France, 1823-1901). Dimensions: Image: 13.6 x 17 cm (5 3/8 x 6 11/16 in.) Mount: 27.9 x 37.3 cm (11 x 14 11/16 in.). Date: 1857. Museum: Metropolitan Museum of Art, New York, USA.
RM2B0KM20–Bust of Christ crowned with thorns, Italian, probably Milan, mid–late 17th century, Italian, probably Milan, Heliotrope, Overall: 2 15/16 x 2 5/16 x 11/16 in. (7.4 x 6 x 1.8 cm); 74.3 x 59.5 x 17.7 mm, Lapidary Work-Gems
RF2HTX0KX–Art inspired by The Flat-iron, 1903, Photogravure, 17.0 x 8.4 cm. (6 11/16 x 3 5/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2PMBRJG–Print, Piccadilly Looking Toward the City; Thomas Shotter Boys (English, 1803 – 1874); England; lithograph; Sheet: 37.3 x 50.3 cm (14 11/16 x 19 13/16 in.) Image: 31.9 x 43.5 cm (12 9/16 x 17 1/8 in.)
RMMY8TG0–. English: Samuel Finley Breese Morse, American, 1791 - 1872 Captain Demaresque of Gloucester, Massachusetts Oil on panel 36.5 x 28.5 cm. (14 3/8 x 11 1/4 in.) frame: 44 × 37 × 3 cm (17 5/16 × 14 9/16 × 1 3/16 in.) Museum purchase y1951-3 . Unknown date. Samuel Morse 5 1925, Morse, Samuel F.B., Captain Demaresque of Gloucester, MassachusettsFXD
RM2H1300N–Andiron, c. 1790-1800. France, 18th century. Bronze and gilded bronze; overall: 39.1 x 43.9 x 11.5 cm (15 3/8 x 17 5/16 x 4 1/2 in.).
RM2RE902N–'Jacobus Houbraken after Sir Anthony van Dyck, Algernon Percy, Earl of Northumberland, 1738, engraving and etching on laid paper, plate: 37.5 x 23.6 cm (14 3/4 x 9 5/16 in.) sheet: 44.2 x 30.1 cm (17 3/8 x 11 7/8 in.), Gift of Henry and Judith Rice Millon, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.203.5'
Search Results for 11 5 16 x 17 3 8 Stock Photos and Images (2,477)
Page 1 of 25