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1475 1491 Stock Photos and Images

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1475 1491 Stock Photos and Images

Martin Schongauer, (artist), German, c. 1450 - 1491, A Foolish Virgin, 1475/1491, engraving, sheet (trimmed within plate mark): 15 x 11.9 cm (5 7/8 x 4 11/16 in Stock Photo
RM2DCFWXT–Martin Schongauer, (artist), German, c. 1450 - 1491, A Foolish Virgin, 1475/1491, engraving, sheet (trimmed within plate mark): 15 x 11.9 cm (5 7/8 x 4 11/16 in
Martin Schongauer, A Foolish Virgin, 1475-1491 A Foolish Virgin; 1475/1491 Stock Photo
RM2AEJY5K–Martin Schongauer, A Foolish Virgin, 1475-1491 A Foolish Virgin; 1475/1491
A Foolish Virgin, c. 1475 or 1491, Martin Schongauer, German, c. 1440/53–1491, 5 3/4 x 4 5/16 in. (14.61 x 10.95 cm) (image), Engraving, Germany, 15th century Stock Photo
RM2T91D9T–A Foolish Virgin, c. 1475 or 1491, Martin Schongauer, German, c. 1440/53–1491, 5 3/4 x 4 5/16 in. (14.61 x 10.95 cm) (image), Engraving, Germany, 15th century
The descent into the Borgste, monogramemist Wah, after monogram AG (15th century), 1475 - 1491 print Christ, a staff with a vane in hand, frees souls from a dungeon. Devilish being try to hinder Christ, but without success. This print is part of a series of prints with scenes from the suffering story, copies to prints of the monogram miss AG. Print Maker: Germanyprint Maker: Bocholt (Germany) paper engraving Christ leaving hell: he liberates patriarchs, prophets, kings and other persons from hell, among them Adam, Eve, Moses, David, and John the Baptist Stock Photo
RM2WFN7JY–The descent into the Borgste, monogramemist Wah, after monogram AG (15th century), 1475 - 1491 print Christ, a staff with a vane in hand, frees souls from a dungeon. Devilish being try to hinder Christ, but without success. This print is part of a series of prints with scenes from the suffering story, copies to prints of the monogram miss AG. Print Maker: Germanyprint Maker: Bocholt (Germany) paper engraving Christ leaving hell: he liberates patriarchs, prophets, kings and other persons from hell, among them Adam, Eve, Moses, David, and John the Baptist
Martin Schongauer, (artist), German, c. 1450 - 1491, Saint Agnes, c. 1475, engraving Stock Photo
RM2DCD2D1–Martin Schongauer, (artist), German, c. 1450 - 1491, Saint Agnes, c. 1475, engraving
Art inspired by Saint Anthony Tormented by Demons, late 15th century, Engraving; second state, Prints, Engraved by Master FVB (Netherlandish, active ca. 1475–1500), after Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW60GP–Art inspired by Saint Anthony Tormented by Demons, late 15th century, Engraving; second state, Prints, Engraved by Master FVB (Netherlandish, active ca. 1475–1500), after Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Griffin. Engraving. Location unknown. Nederlands: Griffioen. Verblijfplaats onbekend. between 1475 and 1485. Martin Schongauer  (1448–1491)   Description German painter and engraver Date of birth/death circa 1450 2 February 1491 Location of birth/death Colmar Breisach Work location Colmar, Breisach Authority control : Q155575 VIAF: 166391275 ISNI: 0000 0001 2128 7926 ULAN: 500028143 LCCN: n79021853 WGA: SCHONGAUER, Martin WorldCat 865 Martin Schongauer Griffin Stock Photo
RMMPA39J–. English: Griffin. Engraving. Location unknown. Nederlands: Griffioen. Verblijfplaats onbekend. between 1475 and 1485. Martin Schongauer  (1448–1491)   Description German painter and engraver Date of birth/death circa 1450 2 February 1491 Location of birth/death Colmar Breisach Work location Colmar, Breisach Authority control : Q155575 VIAF: 166391275 ISNI: 0000 0001 2128 7926 ULAN: 500028143 LCCN: n79021853 WGA: SCHONGAUER, Martin WorldCat 865 Martin Schongauer Griffin
Art inspired by Virgin and Child with an Apple, ca. 1475, Engraving, Sheet: 6 13/16 x 4 5/8 in. (17.3 x 11.7 cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW6WNK–Art inspired by Virgin and Child with an Apple, ca. 1475, Engraving, Sheet: 6 13/16 x 4 5/8 in. (17.3 x 11.7 cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Virgin and Child with Saint Michael and Saint Blaise 1475 Neri di Bicci 1419 - 1491 Florence Italy Italian Stock Photo
RM2E2C08G–Virgin and Child with Saint Michael and Saint Blaise 1475 Neri di Bicci 1419 - 1491 Florence Italy Italian
Art inspired by Christ Carrying the Cross, ca. 1475–80, Engraving, 11 3/8 x 16 7/8in. (28.9 x 42.9cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach), The largest and most painterly of his prints, Christ Carrying the Cross is Schongauer's masterpiece. This, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW53XF–Art inspired by Christ Carrying the Cross, ca. 1475–80, Engraving, 11 3/8 x 16 7/8in. (28.9 x 42.9cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach), The largest and most painterly of his prints, Christ Carrying the Cross is Schongauer's masterpiece. This, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Madonna with a Parrot. Dated: c. 1470/1475. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer. Stock Photo
RMPKYBW2–Madonna with a Parrot. Dated: c. 1470/1475. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.
fine arts, Schongauer, Martin (circa 1450 - 1491), painting, 'The Holy Family' ('Die Heilige Familie'), tempera on wood, 1475 - 1480, Alte Pinakothek, Munich, Stock Photo
RMGBTH8T–fine arts, Schongauer, Martin (circa 1450 - 1491), painting, 'The Holy Family' ('Die Heilige Familie'), tempera on wood, 1475 - 1480, Alte Pinakothek, Munich,
William Caxton (1422-1491), English translator and publisher, printed the first book in the English language, THE RECUYELL OF THE HISTORYES OF TROYE, 1475. Image shows Claxton holding printed page, by Louis Rhead, 1896. Stock Photo
RMBTK898–William Caxton (1422-1491), English translator and publisher, printed the first book in the English language, THE RECUYELL OF THE HISTORYES OF TROYE, 1475. Image shows Claxton holding printed page, by Louis Rhead, 1896.
religion, angel and devil, angel of the annunciation, by Martin Schongauer (circa 1445 / 1450 - 1491), 1470 - 1475, oil on canvas / spruce wood, 188 x 55 cm, detail, Musee Unterlinden, Colmar, Additional-Rights-Clearance-Info-Not-Available Stock Photo
RMT1A3DR–religion, angel and devil, angel of the annunciation, by Martin Schongauer (circa 1445 / 1450 - 1491), 1470 - 1475, oil on canvas / spruce wood, 188 x 55 cm, detail, Musee Unterlinden, Colmar, Additional-Rights-Clearance-Info-Not-Available
Christ with Instruments of the Passion - Jacopo d'Arcangelo del Sellaio. Stock Photo
RMW2GKJC–Christ with Instruments of the Passion - Jacopo d'Arcangelo del Sellaio.
St. Agnes c. 1475 Martin Schongauer (German, c. 1430–1491) Stock Photo
RF2RE4GND–St. Agnes c. 1475 Martin Schongauer (German, c. 1430–1491)
The Madonna and Child with an Apple, c. 1475, Martin Schongauer, German, c. 1450-1491, Germany, Engraving on paper, 162 × 81 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo
RF2B8Y2ER–The Madonna and Child with an Apple, c. 1475, Martin Schongauer, German, c. 1450-1491, Germany, Engraving on paper, 162 × 81 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Beatrice d'Este, 1475-1497, Wife of Lodovico Maria Sforza 1491 [reverse], 1497. Stock Photo
RM2F99X7H–Beatrice d'Este, 1475-1497, Wife of Lodovico Maria Sforza 1491 [reverse], 1497.
Academy notes . 76 A cademy Notes, 1882.. * No. 1475. 80 X 54- No. 1475. ^ coming Tragedian^ Marion Collier. On the right of the above are several small pictures to be ex-amined, not forgetting No. 1481, Carnevale! WlLLIAM LOGSDAIL ;No. 1482, Little Fish are Sweet; W. G. Daffarn ; and No. 1488, A Spy in the Camp; SEYMOUR Lucas. On the west wall are, No. 3483, NotizJiatotd-douadat; E. LONG,R.A. (Diploma work); No. 1489, Out for a Walk; G. A. Storey,A.R.A. ; No. 1490, ^5^^ Urchins; Edward Armitage, R.A.;and No. 1491, The Hon. Richard Demnan; J. Sant, R.A. [Door?^ On the north of the door are, fi Stock Photo
RM2AJDRJM–Academy notes . 76 A cademy Notes, 1882.. * No. 1475. 80 X 54- No. 1475. ^ coming Tragedian^ Marion Collier. On the right of the above are several small pictures to be ex-amined, not forgetting No. 1481, Carnevale! WlLLIAM LOGSDAIL ;No. 1482, Little Fish are Sweet; W. G. Daffarn ; and No. 1488, A Spy in the Camp; SEYMOUR Lucas. On the west wall are, No. 3483, NotizJiatotd-douadat; E. LONG,R.A. (Diploma work); No. 1489, Out for a Walk; G. A. Storey,A.R.A. ; No. 1490, ^5^^ Urchins; Edward Armitage, R.A.;and No. 1491, The Hon. Richard Demnan; J. Sant, R.A. [Door?^ On the north of the door are, fi
The descent in limbo The Passion (series title) Christ, a staff with a flag in his hand, freeing souls from a dungeon. Demonic Christ essentially trying to hold back, but without success. This print is part of a series of prints depicting scenes from the Passion, copies of pictures of Monogrammist AG. Manufacturer : printmaker: Monogrammist WAH (listed building) printmaker Martin Schongauer (school) to print from: Monogrammist AG (15th century ) Place manufacture: print maker: Germany print Author: Bocholt (Germany) Date: 1475 - 1491 Physical characteristics: engra material: paper Technique: e Stock Photo
RM2B6HTBY–The descent in limbo The Passion (series title) Christ, a staff with a flag in his hand, freeing souls from a dungeon. Demonic Christ essentially trying to hold back, but without success. This print is part of a series of prints depicting scenes from the Passion, copies of pictures of Monogrammist AG. Manufacturer : printmaker: Monogrammist WAH (listed building) printmaker Martin Schongauer (school) to print from: Monogrammist AG (15th century ) Place manufacture: print maker: Germany print Author: Bocholt (Germany) Date: 1475 - 1491 Physical characteristics: engra material: paper Technique: e
Apostle Jakobus de Minder (Judas Thaddeüs?), Monogramist Wah, After Martin Schongauer, 1475 - 1491 print The Apostle Jakobus De Lessere (Judas Thaddeüs?), Fut, with a book in hand, based on a hatcher's arch (?). This print is part of a series of twelve portraits of the apostles, mirror -image copies to prints by Martin Schongauer. Print Maker: Germanyprint Maker: Bocholt (Germany) paper engraving the apostle James the Less, first bishop of Jerusalem; possible attributes: book, fuller's club, scroll. the apostle Jude Thaddaeus; possible attributes: book, club, halberd, scroll Stock Photo
RM2WFMEB0–Apostle Jakobus de Minder (Judas Thaddeüs?), Monogramist Wah, After Martin Schongauer, 1475 - 1491 print The Apostle Jakobus De Lessere (Judas Thaddeüs?), Fut, with a book in hand, based on a hatcher's arch (?). This print is part of a series of twelve portraits of the apostles, mirror -image copies to prints by Martin Schongauer. Print Maker: Germanyprint Maker: Bocholt (Germany) paper engraving the apostle James the Less, first bishop of Jerusalem; possible attributes: book, fuller's club, scroll. the apostle Jude Thaddaeus; possible attributes: book, club, halberd, scroll
Martin Schongauer, (artist), German, c. 1450 - 1491, Saint John the Baptist, c. 1475, engraving Stock Photo
RM2DCBR58–Martin Schongauer, (artist), German, c. 1450 - 1491, Saint John the Baptist, c. 1475, engraving
Neri di Bicci (Italian, 1419-1491). 'The Coronation of the Virgin with Angels and Four Saints,' ca. 1470-1475. tempera and gold leaf on panel. Walters Art Museum (37.675): Acquired by Henry Walters with the Massarenti Collection, 1902. 37.675 922 Neri di Bicci - The Coronation of the Virgin with Angels and Four Saints - Walters 37675 Stock Photo
RMMPBEWW–Neri di Bicci (Italian, 1419-1491). 'The Coronation of the Virgin with Angels and Four Saints,' ca. 1470-1475. tempera and gold leaf on panel. Walters Art Museum (37.675): Acquired by Henry Walters with the Massarenti Collection, 1902. 37.675 922 Neri di Bicci - The Coronation of the Virgin with Angels and Four Saints - Walters 37675
Virgin and Child with Saint Michael and Saint Blaise 1475 Neri di Bicci 1419 - 1491 Florence Italy Italian Stock Photo
RM2E2C083–Virgin and Child with Saint Michael and Saint Blaise 1475 Neri di Bicci 1419 - 1491 Florence Italy Italian
The Madonna and Child with the Parrot. Artist: Martin Schongauer (German, Colmar ca. 1435/50-1491 Breisach). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAPCXD–The Madonna and Child with the Parrot. Artist: Martin Schongauer (German, Colmar ca. 1435/50-1491 Breisach). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.
The Carrying of the Cross c. 1475-1480 Martin Schongauer (German, c. 1430–1491) Stock Photo
RF2RE4GP7–The Carrying of the Cross c. 1475-1480 Martin Schongauer (German, c. 1430–1491)
Bishop’s Crosier, 1475/80, Martin Schongauer, German, c. 1450-1491, Germany, Engraving on ivory laid paper, 282 x 110 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo
RF2B8Y293–Bishop’s Crosier, 1475/80, Martin Schongauer, German, c. 1450-1491, Germany, Engraving on ivory laid paper, 282 x 110 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
The Archangel Michael Piercing the Dragon, c. 1475. Stock Photo
RM2A52DF2–The Archangel Michael Piercing the Dragon, c. 1475.
Dictionnaire historique & biographique de la Suisse : publié avec la recommandation de la Société générale suisse d'histoire et sous la direction de Marcel Godet, Henri Türler [et] Victor Attinger avec de nombreux collaborateurs de tous les cantons . , il futemprisonné de janv. à a r.1528. — IL — Guillau-me, du Petit Conseil 1475,1478 et 1491. — Sordet :Dict. mns. — Covelle :LB. — Armoriai genevois. — Galiffe mus. — RC. —Archives dÉtat Genève.III. — Edouard, * 1876 àGenève, t 1929 à Con-fignon, originaire de Beau-repaire ( Isère), nal uraliségene ois 1902, écul plu-sieurs années à Savièse( Stock Photo
RM2AN91TK–Dictionnaire historique & biographique de la Suisse : publié avec la recommandation de la Société générale suisse d'histoire et sous la direction de Marcel Godet, Henri Türler [et] Victor Attinger avec de nombreux collaborateurs de tous les cantons . , il futemprisonné de janv. à a r.1528. — IL — Guillau-me, du Petit Conseil 1475,1478 et 1491. — Sordet :Dict. mns. — Covelle :LB. — Armoriai genevois. — Galiffe mus. — RC. —Archives dÉtat Genève.III. — Edouard, * 1876 àGenève, t 1929 à Con-fignon, originaire de Beau-repaire ( Isère), nal uraliségene ois 1902, écul plu-sieurs années à Savièse(
the apostle James the Less (Jude Thaddeus), in a nutshell, with a? book in hand, resting on a hatter arc (?). This print is part of a series of twelve portraits of the apostles, mirrored copies of prints by Martin Schongauer. Manufacturer : printmaker: Monogrammist WAHprentmaker: Martin Schongauer (school) to print by Martin SchongauerPlaats manufacture: printmaker Germany Print Author: Bocholt (Germany ) Dated: 1475 - 1491 Physical features: car material: paper Technique: engra (printing process) Dimensions: sheet: h 91 mm × W 53 mm Subject: the apostle James the Less, first bishop of Jerusal Stock Photo
RM2B6B4N9–the apostle James the Less (Jude Thaddeus), in a nutshell, with a? book in hand, resting on a hatter arc (?). This print is part of a series of twelve portraits of the apostles, mirrored copies of prints by Martin Schongauer. Manufacturer : printmaker: Monogrammist WAHprentmaker: Martin Schongauer (school) to print by Martin SchongauerPlaats manufacture: printmaker Germany Print Author: Bocholt (Germany ) Dated: 1475 - 1491 Physical features: car material: paper Technique: engra (printing process) Dimensions: sheet: h 91 mm × W 53 mm Subject: the apostle James the Less, first bishop of Jerusal
Virgin and Child with an Apple, c. 1475. Martin Schongauer (German, c.1450-1491). Engraving; Stock Photo
RM2H10GYE–Virgin and Child with an Apple, c. 1475. Martin Schongauer (German, c.1450-1491). Engraving;
Martin Schongauer, (artist), German, c. 1450 - 1491, Madonna with a Parrot, c. 1470/1475, engraving Stock Photo
RM2DCA97A–Martin Schongauer, (artist), German, c. 1450 - 1491, Madonna with a Parrot, c. 1470/1475, engraving
. Christ with Instruments of the Passion . circa 1485 7 Christ with Instruments of the Passion - Jacopo d'Arcangelo del Sellaio Stock Photo
RMMYX442–. Christ with Instruments of the Passion . circa 1485 7 Christ with Instruments of the Passion - Jacopo d'Arcangelo del Sellaio
Virgin and Child with Saint Michael and Saint Blaise 1475 Neri di Bicci 1419 - 1491 Florence Italy Italian Stock Photo
RM2E2C07X–Virgin and Child with Saint Michael and Saint Blaise 1475 Neri di Bicci 1419 - 1491 Florence Italy Italian
The Nativity. Dated: c. 1470/1475. Dimensions: sheet (trimmed within plate mark): 25.6 x 16.8 cm (10 1/16 x 6 5/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer. Stock Photo
RMRENKY0–The Nativity. Dated: c. 1470/1475. Dimensions: sheet (trimmed within plate mark): 25.6 x 16.8 cm (10 1/16 x 6 5/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.
Martin Schongauer, German, 1450-1491, Temptation of Saint Anthony, between 1470 and 1475, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 12 1/4 × 9 1/8 inches (31.1 × 23.2 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo
RF2B935YP–Martin Schongauer, German, 1450-1491, Temptation of Saint Anthony, between 1470 and 1475, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 12 1/4 × 9 1/8 inches (31.1 × 23.2 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Suzanne de Bourbon (1491-1521), Duchess of Bourbon and Auvergne, ca 1493. Found in the collection of the Musée du Louvre, Paris. Stock Photo
RM2K040EX–Suzanne de Bourbon (1491-1521), Duchess of Bourbon and Auvergne, ca 1493. Found in the collection of the Musée du Louvre, Paris.
Milanese 15th Century, Beatrice d'Este, 1475-1497, Wife of Lodovico Maria Sforza 1491 (reverse), 1497 Beatrice d'Este, 1475-1497, Wife of Lodovico Maria Sforza 1491 [reverse]; 1497date Stock Photo
RM2AEKDJK–Milanese 15th Century, Beatrice d'Este, 1475-1497, Wife of Lodovico Maria Sforza 1491 (reverse), 1497 Beatrice d'Este, 1475-1497, Wife of Lodovico Maria Sforza 1491 [reverse]; 1497date
St. John the Baptist, c. 1475. Martin Schongauer (German, c.1450-1491). Engraving; Stock Photo
RM2H10HEB–St. John the Baptist, c. 1475. Martin Schongauer (German, c.1450-1491). Engraving;
Martin Schongauer, (artist), German, c. 1450 - 1491, Saint Martin Dividing His Cloak, c. 1475, engraving Stock Photo
RM2DCBT1B–Martin Schongauer, (artist), German, c. 1450 - 1491, Saint Martin Dividing His Cloak, c. 1475, engraving
Virgin and Child with Saint Michael and Saint Blaise 1475 Neri di Bicci 1419 - 1491 Florence Italy Italian Stock Photo
RM2E2C082–Virgin and Child with Saint Michael and Saint Blaise 1475 Neri di Bicci 1419 - 1491 Florence Italy Italian
Portrait of the Filippo Strozzi 1475 Florence by Benedetto da Maiano 1442 – 1497 Italian sculptor of the early Renaissance Italy ( Filippo Strozzi the Elder 1428 – 1491 Italian banker and statesman, a member of the affluent Strozzi family of Florence. ) Stock Photo
RMH7R4HB–Portrait of the Filippo Strozzi 1475 Florence by Benedetto da Maiano 1442 – 1497 Italian sculptor of the early Renaissance Italy ( Filippo Strozzi the Elder 1428 – 1491 Italian banker and statesman, a member of the affluent Strozzi family of Florence. )
The Entombment. Martin Schongauer; German, c. 1450-1491. Date: 1475-1485. Dimensions: 165 x 115 mm (sheet trimmed within plate mark). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute. Stock Photo
RMRX78JJ–The Entombment. Martin Schongauer; German, c. 1450-1491. Date: 1475-1485. Dimensions: 165 x 115 mm (sheet trimmed within plate mark). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute.
The Battle of St James the Greater at Clavijo Spain 1475 Martin Schongauer 1445-1491 Stock Photo
RMD76WC4–The Battle of St James the Greater at Clavijo Spain 1475 Martin Schongauer 1445-1491
Martin Schongauer (German, c. 1450 - 1491), Madonna with a Parrot, c. 1470-1475, engraving. Reimagined Stock Photo
RFRA90TY–Martin Schongauer (German, c. 1450 - 1491), Madonna with a Parrot, c. 1470-1475, engraving. Reimagined
The Crucifixion with Four Angels, c. 1475. Martin Schongauer (German, c.1450-1491). Engraving; Stock Photo
RM2H10TC2–The Crucifixion with Four Angels, c. 1475. Martin Schongauer (German, c.1450-1491). Engraving;
Martin Schongauer, (artist), German, c. 1450 - 1491, Virgin and Child with the Apple, c. 1470/1475, engraving Stock Photo
RM2DCEG0A–Martin Schongauer, (artist), German, c. 1450 - 1491, Virgin and Child with the Apple, c. 1470/1475, engraving
The Entombment, from The Passion. Martin Schongauer; German, c. 1450-1491. Date: 1475-1486. Dimensions: 163 x 115 mm (sheet trimmed within plate mark). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute. Stock Photo
RMRX78BD–The Entombment, from The Passion. Martin Schongauer; German, c. 1450-1491. Date: 1475-1486. Dimensions: 163 x 115 mm (sheet trimmed within plate mark). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute.
Martin Schongauer (German, c. 1450 - 1491), Madonna with a Parrot, c. 1470-1475, engraving. Reimagined Stock Photo
RFRAWATB–Martin Schongauer (German, c. 1450 - 1491), Madonna with a Parrot, c. 1470-1475, engraving. Reimagined
Christ Carrying the Cross, 1475–90. Martin Schongauer (German, c.1450-1491). Engraving; Stock Photo
RM2H10G9B–Christ Carrying the Cross, 1475–90. Martin Schongauer (German, c.1450-1491). Engraving;
Martin Schongauer, (artist), German, c. 1450 - 1491, Saint George and the Dragon, c. 1470/1475, engraving Stock Photo
RM2DCBN2T–Martin Schongauer, (artist), German, c. 1450 - 1491, Saint George and the Dragon, c. 1470/1475, engraving
The Large Bearing of the Cross. Martin Schongauer (Germany, Colmar, circa 1445-1491). Germany, circa 1475. Prints; engravings. Engraving Stock Photo
RM2J04KTW–The Large Bearing of the Cross. Martin Schongauer (Germany, Colmar, circa 1445-1491). Germany, circa 1475. Prints; engravings. Engraving
Virgin and Child with an Apple ca. 1475 Martin Schongauer German. Virgin and Child with an Apple. Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach). ca. 1475. Engraving. Prints Stock Photo
RM2HJ37FF–Virgin and Child with an Apple ca. 1475 Martin Schongauer German. Virgin and Child with an Apple. Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach). ca. 1475. Engraving. Prints
Virgin and Child with an Apple ca. 1475 Martin Schongauer German. Virgin and Child with an Apple. Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach). ca. 1475. Engraving. Prints Stock Photo
RM2HH5B5Y–Virgin and Child with an Apple ca. 1475 Martin Schongauer German. Virgin and Child with an Apple. Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach). ca. 1475. Engraving. Prints
The Tribulations of Saint Anthony. Dated: c. 1470/1475. Dimensions: sheet (trimmed to plate mark): 31.5 x 23.2 cm (12 3/8 x 9 1/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer. Stock Photo
RMRENKPG–The Tribulations of Saint Anthony. Dated: c. 1470/1475. Dimensions: sheet (trimmed to plate mark): 31.5 x 23.2 cm (12 3/8 x 9 1/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.
St. Christopher, 1475-80. Martin Schongauer (German, c.1450-1491). Engraving; image: 16.1 x 11.2 cm (6 5/16 x 4 7/16 in.); sheet: 16.1 x 11.2 cm (6 5/16 x 4 7/16 in.). Stock Photo
RM2H10J1P–St. Christopher, 1475-80. Martin Schongauer (German, c.1450-1491). Engraving; image: 16.1 x 11.2 cm (6 5/16 x 4 7/16 in.); sheet: 16.1 x 11.2 cm (6 5/16 x 4 7/16 in.).
Martin Schongauer (German, c. 1450 - 1491), The Nativity, c. 1470-1475, engraving on laid paper. Reimagined Stock Photo
RFRAWATY–Martin Schongauer (German, c. 1450 - 1491), The Nativity, c. 1470-1475, engraving on laid paper. Reimagined
Martin Schongauer, (artist), German, c. 1450 - 1491, The Nativity, Life of the Virgin, (series), c. 1470/1475, engraving Stock Photo
RM2DCFXBE–Martin Schongauer, (artist), German, c. 1450 - 1491, The Nativity, Life of the Virgin, (series), c. 1470/1475, engraving
Madonna and Child. Dated: c. 1475. Dimensions: painted surface: 53 x 41.5 cm (20 7/8 x 16 5/16 in.) overall (area once covered by engaged frame): 54.4 x 42.6 cm (21 7/16 x 16 3/4 in.) framed: 72.39 x 60.01 x 5.08 cm (28 1/2 x 23 5/8 x 2 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: BARTOLOMEO VIVARINI. VIVARINI, BARTOLOMEO. Stock Photo
RMPM966X–Madonna and Child. Dated: c. 1475. Dimensions: painted surface: 53 x 41.5 cm (20 7/8 x 16 5/16 in.) overall (area once covered by engaged frame): 54.4 x 42.6 cm (21 7/16 x 16 3/4 in.) framed: 72.39 x 60.01 x 5.08 cm (28 1/2 x 23 5/8 x 2 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: BARTOLOMEO VIVARINI. VIVARINI, BARTOLOMEO.
The Archangel Michael Piercing the Dragon, c. 1475. Martin Schongauer (German, c.1450-1491). Engraving; mat size: 49 x 36.3 cm (19 5/16 x 14 5/16 in.); platemark: 16.2 x 11.5 cm (6 3/8 x 4 1/2 in.). Stock Photo
RM2H10KPN–The Archangel Michael Piercing the Dragon, c. 1475. Martin Schongauer (German, c.1450-1491). Engraving; mat size: 49 x 36.3 cm (19 5/16 x 14 5/16 in.); platemark: 16.2 x 11.5 cm (6 3/8 x 4 1/2 in.).
Martin Schongauer (German, c. 1450 - 1491), The Nativity, c. 1470-1475, engraving on laid paper. Reimagined Stock Photo
RFRA90TD–Martin Schongauer (German, c. 1450 - 1491), The Nativity, c. 1470-1475, engraving on laid paper. Reimagined
Martin Schongauer, (artist), German, c. 1450 - 1491, The Adoration of the Magi, Life of the Virgin, (series), c. 1470/1475, engraving Stock Photo
RM2DCCFDJ–Martin Schongauer, (artist), German, c. 1450 - 1491, The Adoration of the Magi, Life of the Virgin, (series), c. 1470/1475, engraving
'Head of Christ', 1491-1510, Oil on panel, 36,9 x 30,1 cm. Author: Dieric Bouts (1415-1475). Location: CATEDRAL-CAPILLA REAL-INTERIOR, GRANADA, SPAIN. Stock Photo
RMP2KKN4–'Head of Christ', 1491-1510, Oil on panel, 36,9 x 30,1 cm. Author: Dieric Bouts (1415-1475). Location: CATEDRAL-CAPILLA REAL-INTERIOR, GRANADA, SPAIN.
St. John the Evangelist on the Isle of Patmos, 1475-80. Martin Schongauer (German, c.1450-1491). Engraving; image: 16 x 11.3 cm (6 5/16 x 4 7/16 in.); sheet: 16 x 11.3 cm (6 5/16 x 4 7/16 in.). Stock Photo
RM2H10K2N–St. John the Evangelist on the Isle of Patmos, 1475-80. Martin Schongauer (German, c.1450-1491). Engraving; image: 16 x 11.3 cm (6 5/16 x 4 7/16 in.); sheet: 16 x 11.3 cm (6 5/16 x 4 7/16 in.).
Martin Schongauer (German, c. 1450-1491), The Tribulations of Saint Anthony, c. 1470-1475, engraving on laid paper reimagined Stock Photo
RFRARNJX–Martin Schongauer (German, c. 1450-1491), The Tribulations of Saint Anthony, c. 1470-1475, engraving on laid paper reimagined
Martin Schongauer, (artist), German, c. 1450 - 1491, Virgin and Child on a Grassy Bench, c. 1475/1480, engraving Stock Photo
RM2DCEFW7–Martin Schongauer, (artist), German, c. 1450 - 1491, Virgin and Child on a Grassy Bench, c. 1475/1480, engraving
Christ Before Annas. Martin Schongauer; German, c. 1450-1491. Date: 1475-1486. Dimensions: 163 x 114 mm (sheet trimmed within plate mark). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute. Stock Photo
RMRX76A4–Christ Before Annas. Martin Schongauer; German, c. 1450-1491. Date: 1475-1486. Dimensions: 163 x 114 mm (sheet trimmed within plate mark). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute.
Martin Schongauer (German, c. 1450-1491), Saint John on Patmos, c. 1475-1480, engraving on laid paper. Reimagined Stock Photo
RFRARNMC–Martin Schongauer (German, c. 1450-1491), Saint John on Patmos, c. 1475-1480, engraving on laid paper. Reimagined
The Madonna and Child with an Apple, c. 1475, Martin Schongauer, German, c. 1450-1491, Germany, Engraving on paper, 162 × 81 mm Stock Photo
RM2A2K1ER–The Madonna and Child with an Apple, c. 1475, Martin Schongauer, German, c. 1450-1491, Germany, Engraving on paper, 162 × 81 mm
The Flagellation, from The Passion. Martin Schongauer; German, c. 1450-1491. Date: 1475-1486. Dimensions: 164 x 116 mm (sheet trimmed within plate mark). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute. Stock Photo
RMRX12R8–The Flagellation, from The Passion. Martin Schongauer; German, c. 1450-1491. Date: 1475-1486. Dimensions: 164 x 116 mm (sheet trimmed within plate mark). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute.
The hl., Maria Magdalena in Half Figure, c. 1475-1500, oil on parchment, unsigned., On the sleeves of the dress, in gold: MARI [A] (right), [M] AGDA [LENA] (left), Martin Schongauer, (Schule / school), Colmar um 1445–1491 Colmar, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo
RF2B92RH7–The hl., Maria Magdalena in Half Figure, c. 1475-1500, oil on parchment, unsigned., On the sleeves of the dress, in gold: MARI [A] (right), [M] AGDA [LENA] (left), Martin Schongauer, (Schule / school), Colmar um 1445–1491 Colmar, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Martin Schongauer, (artist), German, c. 1450 - 1491, Death of the Virgin, Life of the Virgin, (series), c. 1470/1475, engraving on laid paper Stock Photo
RM2DCFT5R–Martin Schongauer, (artist), German, c. 1450 - 1491, Death of the Virgin, Life of the Virgin, (series), c. 1470/1475, engraving on laid paper
The Baptism of Christ. Martin Schongauer; German, c. 1450-1491. Date: 1475-1495. Dimensions: 156 × 158 mm (plate/sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute. Stock Photo
RMRX5E6X–The Baptism of Christ. Martin Schongauer; German, c. 1450-1491. Date: 1475-1495. Dimensions: 156 × 158 mm (plate/sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute.
Bartolomeo Vivarini, Madonna and Child, Italian, c. 1430-1432-c. 1491 or c. 1499, c. 1475, tempera on panel reimagined Stock Photo
RFRARWWA–Bartolomeo Vivarini, Madonna and Child, Italian, c. 1430-1432-c. 1491 or c. 1499, c. 1475, tempera on panel reimagined
Bishop’s Crosier, 1475/80, Martin Schongauer, German, c. 1450-1491, Germany, Engraving on ivory laid paper, 282 x 110 mm (sheet Stock Photo
RM2A2K1DX–Bishop’s Crosier, 1475/80, Martin Schongauer, German, c. 1450-1491, Germany, Engraving on ivory laid paper, 282 x 110 mm (sheet
Martin Schongauer, (artist), German, c. 1450 - 1491, A Bishop's Crosier, c. 1475/1480, engraving on laid paper, sheet: 28.8 × 12.7 cm (11 5/16 × 5 in Stock Photo
RM2DCEMA9–Martin Schongauer, (artist), German, c. 1450 - 1491, A Bishop's Crosier, c. 1475/1480, engraving on laid paper, sheet: 28.8 × 12.7 cm (11 5/16 × 5 in
Martin Schongauer, (artist), German, c. 1450 - 1491, The Nativity, Life of the Virgin, (series), c. 1470/1475, engraving, sheet (trimmed within plate mark): 25.6 x 16.8 cm (10 1/16 x 6 5/8 in Stock Photo
RM2DCFX88–Martin Schongauer, (artist), German, c. 1450 - 1491, The Nativity, Life of the Virgin, (series), c. 1470/1475, engraving, sheet (trimmed within plate mark): 25.6 x 16.8 cm (10 1/16 x 6 5/8 in
The Betrayal of Christ, from The Passion. Martin Schongauer; German, c. 1450-1491. Date: 1475-1485. Dimensions: 164 x 117 mm (sheet trimmed within plate mark). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute. Stock Photo
RMRX5MNC–The Betrayal of Christ, from The Passion. Martin Schongauer; German, c. 1450-1491. Date: 1475-1485. Dimensions: 164 x 117 mm (sheet trimmed within plate mark). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute.
Monogrammist W. H. (Austrian active ca. 1480-1490) after Martin Schongauer (Alsatian (German) ca. 1430-1491 reimagined Stock Photo
RFRAXW6R–Monogrammist W. H. (Austrian active ca. 1480-1490) after Martin Schongauer (Alsatian (German) ca. 1430-1491 reimagined
Martin Schongauer, (artist), German, c. 1450 - 1491, Saint Christopher, c. 1475/1480, engraving on laid paper, sheet (trimmed to plate mark): 15.9 x 11.3 cm (6 1/4 x 4 7/16 in Stock Photo
RM2DCBM23–Martin Schongauer, (artist), German, c. 1450 - 1491, Saint Christopher, c. 1475/1480, engraving on laid paper, sheet (trimmed to plate mark): 15.9 x 11.3 cm (6 1/4 x 4 7/16 in
The Virgin of the Annunciation. Martin Schongauer; German, c. 1450-1491. Date: 1470-1475. Dimensions: 170 x 117 mm (sheet, trimmed to plate mark). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute. Stock Photo
RMRX5D73–The Virgin of the Annunciation. Martin Schongauer; German, c. 1450-1491. Date: 1470-1475. Dimensions: 170 x 117 mm (sheet, trimmed to plate mark). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute.
Martin Schongauer, (artist), German, c. 1450 - 1491, The Nativity, Life of the Virgin, (series), c. 1470/1475, engraving on laid paper, sheet (trimmed to plate mark): 25.4 x 16.8 cm (10 x 6 5/8 in Stock Photo
RM2DCFX9R–Martin Schongauer, (artist), German, c. 1450 - 1491, The Nativity, Life of the Virgin, (series), c. 1470/1475, engraving on laid paper, sheet (trimmed to plate mark): 25.4 x 16.8 cm (10 x 6 5/8 in
Christ before Pilate, from The Passion. Martin Schongauer; German, c. 1450-1491. Date: 1475-1486. Dimensions: 163 x 115 mm (sheet trimmed within plate mark). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute. Stock Photo
RMRX5E0Y–Christ before Pilate, from The Passion. Martin Schongauer; German, c. 1450-1491. Date: 1475-1486. Dimensions: 163 x 115 mm (sheet trimmed within plate mark). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute.
attributed to Domenico di Michelino, Italian, 1417-1491, The Trinity, 1450/1475, gold leaf and tempera on wood panel, Overall: 65 3/4 × 34 × 3 1/4 inches (167 × 86.4 × 8.3 cm Stock Photo
RM2A2PABG–attributed to Domenico di Michelino, Italian, 1417-1491, The Trinity, 1450/1475, gold leaf and tempera on wood panel, Overall: 65 3/4 × 34 × 3 1/4 inches (167 × 86.4 × 8.3 cm
The Agony in the Garden, from The Passion. Martin Schongauer; German, c. 1450-1491. Date: 1475-1486. Dimensions: 164 x 115 mm (sheet trimmed within plate mark). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute. Stock Photo
RMRX5C6W–The Agony in the Garden, from The Passion. Martin Schongauer; German, c. 1450-1491. Date: 1475-1486. Dimensions: 164 x 115 mm (sheet trimmed within plate mark). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute.
Martin Schongauer, (artist), German, c. 1450 - 1491, Saint John on Patmos, c. 1475/1480, engraving on laid paper, sheet (trimmed to plate mark): 16 x 11.3 cm (6 5/16 x 4 7/16 in Stock Photo
RM2DCBPRT–Martin Schongauer, (artist), German, c. 1450 - 1491, Saint John on Patmos, c. 1475/1480, engraving on laid paper, sheet (trimmed to plate mark): 16 x 11.3 cm (6 5/16 x 4 7/16 in
The Madonna on the Crescent Crowned by Two Angels. Martin Schongauer; German, c. 1450-1491. Date: 1470-1475. Dimensions: 173 × 110 mm (sheet trimmed to plate mark). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute. Stock Photo
RMRX4XD0–The Madonna on the Crescent Crowned by Two Angels. Martin Schongauer; German, c. 1450-1491. Date: 1470-1475. Dimensions: 173 × 110 mm (sheet trimmed to plate mark). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute.
Martin Schongauer, (artist), German, c. 1450 - 1491, The Tribulations of Saint Anthony, c. 1470/1475, engraving on laid paper, sheet (trimmed to plate mark): 31.5 x 23.2 cm (12 3/8 x 9 1/8 in Stock Photo
RM2DCFBM8–Martin Schongauer, (artist), German, c. 1450 - 1491, The Tribulations of Saint Anthony, c. 1470/1475, engraving on laid paper, sheet (trimmed to plate mark): 31.5 x 23.2 cm (12 3/8 x 9 1/8 in
St. John the Evangelist on Patmos. Martin Schongauer; German, c. 1450-1491. Date: 1475-1485. Dimensions: 160 x 113 mm (image); 163 x 117 mm (sheet). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute. Stock Photo
RMRX7BNG–St. John the Evangelist on Patmos. Martin Schongauer; German, c. 1450-1491. Date: 1475-1485. Dimensions: 160 x 113 mm (image); 163 x 117 mm (sheet). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute.
Martin Schongauer, (artist), German, c. 1450 - 1491, The Flight into Egypt, Life of the Virgin, (series), c. 1470/1475, engraving on laid paper, sheet (trimmed to platemark): 25.7 x 16.9 cm (10 1/8 x 6 5/8 in Stock Photo
RM2DCD1JX–Martin Schongauer, (artist), German, c. 1450 - 1491, The Flight into Egypt, Life of the Virgin, (series), c. 1470/1475, engraving on laid paper, sheet (trimmed to platemark): 25.7 x 16.9 cm (10 1/8 x 6 5/8 in
Christ in Limbo, from The Passion. Martin Schongauer; German, c. 1450-1491. Date: 1475-1486. Dimensions: 165 x 116 mm (sheet trimmed within plate mark). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute. Stock Photo
RMRX789E–Christ in Limbo, from The Passion. Martin Schongauer; German, c. 1450-1491. Date: 1475-1486. Dimensions: 165 x 116 mm (sheet trimmed within plate mark). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute.
Martin Schongauer, (artist), German, c. 1450 - 1491, Death of the Virgin, Life of the Virgin, (series), c. 1470/1475, engraving on laid paper, sheet (trimmed to plate mark): 25.7 × 17 cm (10 1/8 × 6 11/16 in Stock Photo
RM2DCFGBX–Martin Schongauer, (artist), German, c. 1450 - 1491, Death of the Virgin, Life of the Virgin, (series), c. 1470/1475, engraving on laid paper, sheet (trimmed to plate mark): 25.7 × 17 cm (10 1/8 × 6 11/16 in
Ornament with Owl Mocked by Day Birds. Master F.V.B. (Netherlandish, active 1475-1500); after Martin Schongauer (German, c. 1450-1491). Date: 1475-1485. Dimensions: 149 x 98 mm (image/plate); 142 x 100 mm (sheet). Engraving on cream laid paper. Origin: Netherlands. Museum: The Chicago Art Institute. Stock Photo
RMRX5J75–Ornament with Owl Mocked by Day Birds. Master F.V.B. (Netherlandish, active 1475-1500); after Martin Schongauer (German, c. 1450-1491). Date: 1475-1485. Dimensions: 149 x 98 mm (image/plate); 142 x 100 mm (sheet). Engraving on cream laid paper. Origin: Netherlands. Museum: The Chicago Art Institute.
Martin Schongauer, (artist), German, c. 1450 - 1491, Peasant Family Going to Market, c. 1470/1475, engraving on laid paper, sheet (trimmed within plate mark): 16.2 x 16 cm (6 3/8 x 6 5/16 in Stock Photo
RM2DCB0TM–Martin Schongauer, (artist), German, c. 1450 - 1491, Peasant Family Going to Market, c. 1470/1475, engraving on laid paper, sheet (trimmed within plate mark): 16.2 x 16 cm (6 3/8 x 6 5/16 in
King Henry the Eighth and Anna Bullen. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 18 9/16 x 14 11/16 in. (47.1 x 37.3 cm). Sitter: Henry VIII, King of England and Ireland (British, London 1491-1547 London); Anne Boleyn (British, ca. 1500-1536); Cardinal Thomas Wolsey (British, 1471/1475-1530). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: ca. 1728. Museum: Metropolitan Museum of Art, New York, USA. Author: William Hogarth. after William Hogarth. Stock Photo
RMR2MGA5–King Henry the Eighth and Anna Bullen. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 18 9/16 x 14 11/16 in. (47.1 x 37.3 cm). Sitter: Henry VIII, King of England and Ireland (British, London 1491-1547 London); Anne Boleyn (British, ca. 1500-1536); Cardinal Thomas Wolsey (British, 1471/1475-1530). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: ca. 1728. Museum: Metropolitan Museum of Art, New York, USA. Author: William Hogarth. after William Hogarth.
Martin Schongauer, (artist), German, c. 1450 - 1491, Death of the Virgin, Life of the Virgin, (series), c. 1470/1475, engraving on laid paper, sheet (trimmed to plate mark): 26.1 x 17.2 cm (10 1/4 x 6 3/4 in Stock Photo
RM2DCFGBR–Martin Schongauer, (artist), German, c. 1450 - 1491, Death of the Virgin, Life of the Virgin, (series), c. 1470/1475, engraving on laid paper, sheet (trimmed to plate mark): 26.1 x 17.2 cm (10 1/4 x 6 3/4 in
Virgin and Child with the Apple. Dated: c. 1470/1475. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer. Stock Photo
RMRENM5B–Virgin and Child with the Apple. Dated: c. 1470/1475. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.
Bertoldo di Giovanni, (artist), Florentine, c. 1430/1440 - 1491, Francesco Diedo, 1475, gilded bronze/After-cast, overall (diameter): 8.25 cm (3 1/4 in.), gross weight: 197.99 gr (0.436 lb.), axis: 12:00 Stock Photo
RM2DCA80K–Bertoldo di Giovanni, (artist), Florentine, c. 1430/1440 - 1491, Francesco Diedo, 1475, gilded bronze/After-cast, overall (diameter): 8.25 cm (3 1/4 in.), gross weight: 197.99 gr (0.436 lb.), axis: 12:00
Artist: Martin Schongauer, German, ca. 1440/50–1491, The Flight into Egypt, ca. 1470–1475, Engraving, Sheet: 25.9 × 16.9 cm (10 3/16 × 6 5/8in.), Made in Germany, German, 15th century, Works on Paper - Prints Stock Photo
RM2DT3B2X–Artist: Martin Schongauer, German, ca. 1440/50–1491, The Flight into Egypt, ca. 1470–1475, Engraving, Sheet: 25.9 × 16.9 cm (10 3/16 × 6 5/8in.), Made in Germany, German, 15th century, Works on Paper - Prints
Saint John on Patmos. Dated: c. 1475/1480. Dimensions: sheet (trimmed to plate mark): 16 x 11.3 cm (6 5/16 x 4 7/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer. Stock Photo
RMPMB6G3–Saint John on Patmos. Dated: c. 1475/1480. Dimensions: sheet (trimmed to plate mark): 16 x 11.3 cm (6 5/16 x 4 7/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.
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