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1570 before Stock Photos and Images
RMF7P8HY–The Family of Darius before Alexander. 1565–1570. oil on canvas, painting by Paolo Veronese. The painting shows Alexander the Great with the family of Darius III, the Persian king he had defeated in battle. Paolo Caliari, known as Paolo Veronese (1528 – 19 April 1588) was an Italian Renaissance painter based in Venice
RMPB0FMD–A View of Amsterdam from the north Bank of the IJ. Artist: Claes Jansz. Visscher (Dutch, Amsterdam 1586-1652 Amsterdam); Pieter Bast (Netherlandish, ca. 1570-before 1605). Dimensions: Sheet: 10 1/16 × 44 1/8 in. (25.5 × 112 cm). Date: 1611. Museum: Metropolitan Museum of Art, New York, USA.
RM2JE4E8A–Image of a faun with Bacchus on his shoulders, Cornelis Cort, after c. 1570 - before 1577, A faun stands in a niche and carries the young Bacchus on his shoulders. On the left, a tree stump on which is the skin of a goat and a pan flute., print maker: Cornelis Cort, (mentioned on object), publisher: Claude Duchet, (mentioned on object), publisher: Antonio Lafreri, (mentioned on object), Rome, after c. 1570 - before 1577, paper, engraving, h 376 mm × w 195 mm, FTZYC Doctype
RF2HW7J33–Art inspired by Ornament Print with Schweifwerk and Two (Allegorical?) Figures, ca. 1615–20, Blackwork engraving, Sheet: 5 1/2 x 7 5/16 in. (14 x 18.6 cm), Esaias von Hulsen (Dutch, Middelburg ca. 1570–before 1626 Stuttgart), This rare, intricate print shows Esaias von Hulsen at his, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7YH6–Art inspired by Square Blackwork Design in Silhouette Style with Schweifwerk and Grotesque Figures, 1617, Blackwork, Plate: 4 7/16 x 4 3/8 in. (11.2 x 11.1 cm), Esaias von Hulsen (Dutch, Middelburg ca. 1570–before 1626 Stuttgart), This sheet is part of a series of square grotesque, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2T3RBFR–Pear-shaped ornament with grotesques, Abraham de Bruyn, after Etienne Delaune, c. 1570 - before 1587 Pear-shaped ornament with grotesques. In the midd
RM2A5YY8A–The Family of Darius before Alexander. 1565–1570. oil on canvas, painting by Paolo Veronese. The painting shows Alexander the Great with the family of Darius III, the Persian king he had defeated in battle. Paolo Caliari, known as Paolo Veronese (1528 – 19 April 1588) was an Italian Renaissance painter based in Venice
RF2HW53G0–Art inspired by Entry of Maximilian II into Nuremberg, June 7, 1570, 1570, Etching and engraving, Sheet: 9 1/16 × 13 11/16 in. (23 × 34.7 cm), Prints, Jost Amman (Swiss, Zurich before 1539–1591 Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW87G3–Art inspired by Design for a Large Goblet, ca. 1570–80, Pen and black ink, washes in several grey tones, Sheet: 30 3/8 x 13 9/16 in. (77.2 x 34.5 cm), Attributed to Jost Amman (Swiss, Zurich before 1539–1591 Nuremberg), The southern part of modern-day Germany was an important center, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMTWG88B–Jacopo Tintoretto, Mary with the Child venerated by St. Mark and St. Luke, painting, before 1570
RMCX1HE7–El Greco (Domenikos Theotokopoulos), Christ Cleansing the Temple, Greek, 1541 - 1614, probably before 1570, oil on panel
RMPXA8MD–GUY FAWKES ((Guido Fawkes) 1570-1606) Signature of one of the Gunpowder Plotters of 1605, before and after torture.
RMDE7ADA–Mary with the Child, Venerated by Saint Mark and Saint Luke, before 1570. Artist: Tintoretto, Jacopo (1518-1594)
RM2A3RJA7–Simon de Vries or Simon Frisius (1570–75 – 1628/29) was a Dutch engraver. He worked in Paris, Rouen and Amsterdam before moving to the Hague in 1611
RMF7P8J2–The Family of Darius before Alexander. 1565–1570. oil on canvas, painting by Paolo Veronese. The painting shows Alexander the Great with the family of Darius III, the Persian king he had defeated in battle. Paolo Caliari, known as Paolo Veronese (1528 – 19 April 1588) was an Italian Renaissance painter based in Venice
RMPAM3NM–Entry of Maximilian II into Nuremberg, June 7, 1570. Artist: Jost Amman (Swiss, Zurich before 1539-1591 Nuremberg). Dimensions: Sheet: 9 1/16 × 13 11/16 in. (23 × 34.7 cm). Date: 1570. Museum: Metropolitan Museum of Art, New York, USA.
RM2A2K6TC–Aphrodite, c. 1570, Girolamo Campagna (Workshop of), Italian, 1549-before 1625, Italy, Bronze, dark brown patina, 28 1/2 x 6 x 7 3/4 in. (72.4 x 15.2 x 19.7 cm
RMMHJ2YD–A 19th Century view of the Dutch Church, Austin Friars before it was destroyed during the London Blitz. It was located on the site of the 13th-century Augustinian friary and after it was dissolved in 1538, it was granted to Protestant refugees for church services in 1550 by King Edward VI. By 1570, the Dutch community was the largest group of expatriates in London, half of them were Protestants who fled the Flemish Low Countries due to religious persecution. Others were skilled craftsman who came to England for economic opportunities.
RM2AE4G92–Christ Cleansing the Temple; probably before 1570 El Greco (Domenikos Theotokopoulos), Christ Cleansing the Temple, probably before 1570
RF2T3RH9D–Standard Bearer, Tambour and a Third Man, Hieronymus Wierix, after anonymous, 1563 - before 1570
RM2A5YY7F–The Family of Darius before Alexander. 1565–1570. oil on canvas, painting by Paolo Veronese. The painting shows Alexander the Great with the family of Darius III, the Persian king he had defeated in battle. Paolo Caliari, known as Paolo Veronese (1528 – 19 April 1588) was an Italian Renaissance painter based in Venice
RF2HW55A2–Art inspired by Timocleia Before Alexander, ca. 1540–45, Etching, Sheet (trimmed/oval): 12 15/16 × 8 1/2 in. (32.8 × 21.6 cm), Prints, Léon Davent (French, active 1540–56), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2EA6M5Y–Simon de Vries or Simon Frisius (1570–75 – 1628/29) was a Dutch engraver. He worked in Paris, Rouen and Amsterdam before moving to the Hague in 1611
RM2WETGPM–Diverse anjers, 1570 - before 1618 print Leaf 13 of 21 numbered sheets with title page from a series of 24. paper engraving flowers
RF2HW6BHP–Art inspired by Saint John the Baptist Appearing Before Herod, late 16th–mid 17th century, Pen and brown ink, brown-red and blue-green wash, over a sketch in black chalk (?), sheet: 6 3/4 x 8 11/16 in. (17.2 x 22.1 cm), Drawings, Augustin Braun (German, Cologne ca. 1570–1639 Cologne, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2K9YYDP–Susanna before the judges, Abraham de Bruyn, 1570 Susanne is brought before the elders, who accuse her of infidelity. As judges, they also convict her
RMFWNHD6–Tintoretto - Jacopo Robusti (1518-1594), Mary with the Child, Venerated by St Mark and St Luke, before 1570.
RM2WKT85J–Christ on the Cross with Saints Mary, John the Evangelist and Catherine of Siena; Marco Pino (Italian (Neapolitan), before 1520 - 1587/1588); about 1570; Oil on panel; 181.6 x 120.7 cm (71 1/2 x 47 1/2 in.); 73.PB.140
![Washing the Feet (from the Dusty World), 1570. A scholar on a boat in the middle ground bathes his feet in the cooling stream. The vast river scene is depicted from a high viewing point. The motif of a scholar washing his feet illustrates the phrase, "When the waters of the Canglang are clear, I wash my capstrings. When the waters of the Canglang are muddy, I wash my feet [only]" (from Songs of Chu, written before 256 BC). The passage evokes the image of the virtuous scholar-official who avoids government service when the ruler is corrupt (the rivers are muddy) and resumes service (w Stock Photo](https://c8.alamy.com/comp/2A52X51/washing-the-feet-from-the-dusty-world-1570-a-scholar-on-a-boat-in-the-middle-ground-bathes-his-feet-in-the-cooling-stream-the-vast-river-scene-is-depicted-from-a-high-viewing-point-the-motif-of-a-scholar-washing-his-feet-illustrates-the-phrase-quotwhen-the-waters-of-the-canglang-are-clear-i-wash-my-capstrings-when-the-waters-of-the-canglang-are-muddy-i-wash-my-feet-only-quot-from-songs-of-chu-written-before-256-bc-the-passage-evokes-the-image-of-the-virtuous-scholar-official-who-avoids-government-service-when-the-ruler-is-corrupt-the-rivers-are-muddy-and-resumes-service-w-2A52X51.jpg "Washing the Feet (from the Dusty World), 1570. A scholar on a boat in the middle ground bathes his feet in the cooling stream. The vast river scene is depicted from a high viewing point. The motif of a scholar washing his feet illustrates the phrase, "When the waters of the Canglang are clear, I wash my capstrings. When the waters of the Canglang are muddy, I wash my feet [only]" (from Songs of Chu, written before 256 BC). The passage evokes the image of the virtuous scholar-official who avoids government service when the ruler is corrupt (the rivers are muddy) and resumes service (w Stock Photo")
RM2A52X51–Washing the Feet (from the Dusty World), 1570. A scholar on a boat in the middle ground bathes his feet in the cooling stream. The vast river scene is depicted from a high viewing point. The motif of a scholar washing his feet illustrates the phrase, "When the waters of the Canglang are clear, I wash my capstrings. When the waters of the Canglang are muddy, I wash my feet [only]" (from Songs of Chu, written before 256 BC). The passage evokes the image of the virtuous scholar-official who avoids government service when the ruler is corrupt (the rivers are muddy) and resumes service (w
RM2RAP14X–Ormskirk Parish Church.There has been a place of worship on this site since before 1170 which is the approximate date of the oldest part of the building, the Norman window in the Chancel. The Chancel arcade dates from 1270 and the base of the spire from 1430. The great tower was completed in 1570. This is one of the only three churches with this feature of the tower and spire and is unique in having them both at the same end.
![Federico Zuccaro / 'A dignitary kneeling before a Pope, receiving a chain of office and other rewards [The Painter, Architect and Writer Giorgio Vasari being Honored by Pope Pius V (?)]'. 1570 - 1579. Wash, Pencil, Pencil ground, Grey-brown ink on yellow paper. Museum: Museo del Prado, Madrid, España. Stock Photo](https://c8.alamy.com/comp/PBCTBK/federico-zuccaro-a-dignitary-kneeling-before-a-pope-receiving-a-chain-of-office-and-other-rewards-the-painter-architect-and-writer-giorgio-vasari-being-honored-by-pope-pius-v-1570-1579-wash-pencil-pencil-ground-grey-brown-ink-on-yellow-paper-museum-museo-del-prado-madrid-espaa-PBCTBK.jpg "Federico Zuccaro / 'A dignitary kneeling before a Pope, receiving a chain of office and other rewards [The Painter, Architect and Writer Giorgio Vasari being Honored by Pope Pius V (?)]'. 1570 - 1579. Wash, Pencil, Pencil ground, Grey-brown ink on yellow paper. Museum: Museo del Prado, Madrid, España. Stock Photo")
RMPBCTBK–Federico Zuccaro / 'A dignitary kneeling before a Pope, receiving a chain of office and other rewards [The Painter, Architect and Writer Giorgio Vasari being Honored by Pope Pius V (?)]'. 1570 - 1579. Wash, Pencil, Pencil ground, Grey-brown ink on yellow paper. Museum: Museo del Prado, Madrid, España.
RM2B0JAGR–Claes Jansz. Visscher, A View of Amsterdam from the north Bank of the IJ, Claes Jansz. Visscher (Dutch, Amsterdam 1586–1652 Amsterdam), Pieter Bast (Netherlandish, ca. 1570–before 1605), 1611, Etching and engraving on four joined sheets, Sheet: 10 1/16 × 44 1/8 in. (25.5 × 112 cm), Prints
RMR569FT–'The burning of the Archbishop of Cant. D. Tho. (Thomas) Cranmer, in the towndich at Oxford, with his hand first thrust into the fire, wherewith he subscribed before'. . Book of Martyrs, an Ecclesiastical History. London, 1570. Source: 4705.h.4.(2) page 2067. Author: FOXE, JOHN.
RMKTXM38–Pontius Pilate depicted in the painting 'Christ before Pilate' by Spanish Mannerist painter Luis de Morales (ca. 1570) on display in the Real Academia de Bellas Artes de San Fernando (Royal Academy of Fine Arts of San Fernando) in Madrid, Spain.
RM2AHWF1N–Jan Sadeler, the Elder. Arrest of Christ, from Passion of Christ. 1570–1600. Flanders. Engraving in black on cream laid paper After Judas betrays him with the predetermined sign of a kiss, Christ is taken, unresisting, into custody. The apostle Peter can be seen at bottom denying that he knows Jesus for the third time before the rooster (at middle left) crows to signal dawn. The architecture of the ornate framework has changed from that of a garden to a tented building with columns where Jesus will be held prisoner.
RM2DB4KPK–'Abraham Ortelius (Abraham Ortels) (April 14, 1527 ? June 28, 1598) was a Flemish cartographer and geographer, generally recognized as the creator of the first modern atlas, the Theatrum Orbis Terrarum (Theatre of the World). He is also believed to be the first person to imagine that the continents were joined together before drifting to their present positions. In 1564 he completed a 'mappemonde', eight-leaved map of the world, which afterwards appeared in reduced form in the Theatrum. The only extant copy of this great map is in the library of the University of Basel. On May 20, 1570, Gilles
RF2B8YCTB–Aphrodite, c. 1570, Girolamo Campagna (Workshop of), Italian, 1549-before 1625, Italy, Bronze, dark brown patina, 28 1/2 x 6 x 7 3/4 in. (72.4 x 15.2 x 19.7 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RFC76F76–James Stewart 1st Earl Moray House Stewart illegitimate son King James V Regent Scotland assassination 1570 Lord assassinated
RM2RXRA1R–Chestnut Hill, Massachusetts, USA. 16th Sep, 2023. Florida State Seminoles QB Jordan Travis (13) walks out of the tunnel before an NCAA football game between the Florida State University Seminoles and the Boston College Eagles at Alumni Stadium in Chestnut Hill, Massachusetts. Erica Denhoff/CSM/Alamy Live News
RM2WEJGXA–Ranonkels, Primula and buttercups, 1570 - Before 1618 print Leaf 11 of 21 numbered sheets with title page from a series of 24. paper engraving flowers
RMB7PWF9–henry hudson the arctic explorer turned adrift by his crew off the coast of labrador 1611 Henry Hudson (1570 – 1611) was an Engl
RMMNXWJD–Mary with the Child, Venerated by St. Marc and St. Luke before 1570. 1194 Tintoretto - Mary with the Child, Venerated by St. Marc and St. Luke - Google Art Project
RMF56R47–1954 - Athens: The name child before and after treatment at the Crippled children 'center, under near East Foundation. © Keystone Pictures USA/ZUMAPRESS.com/Alamy Live News
RMHDGDW8–Indianapolis, Indiana, USA. 11th Dec, 2016. December 11th, 2016 - Indianapolis, Indiana, U.S. - Houston Texans defensive back Don Jones (20) before NFL Football game between the Houston Texans and the Indianapolis Colts at Lucas Oil Stadium. © Adam Lacy/ZUMA Wire/Alamy Live News
RM2RAP13T–Ormskirk Parish Church.There has been a place of worship on this site since before 1170 which is the approximate date of the oldest part of the building, the Norman window in the Chancel. The Chancel arcade dates from 1270 and the base of the spire from 1430. The great tower was completed in 1570. This is one of the only three churches with this feature of the tower and spire and is unique in having them both at the same end.
RMPB656A–Saint John the Baptist Appearing Before Herod. Artist: Augustin Braun (German, Cologne ca. 1570-1639 Cologne). Dimensions: sheet: 6 3/4 x 8 11/16 in. (17.2 x 22.1 cm). Date: late 16th-mid 17th century. Museum: Metropolitan Museum of Art, New York, USA.
RM2JCBDR5–Pear-shaped ornament with grotesques In the center is a warrior under a canopy, flanked by two clergymen with candle and book At bottom two rabbits Shaded background, Pear-shaped ornament with grotesques, print maker: Abraham de Bruyn, (mentioned on object), Abraham de Bruyn, (possibly), Etienne Delaune, (possibly), c. 1570 - before 1587, paper, engraving, h 78 mm × w 62 mm
RMEDT2H4–Frans Floris I (Flemish, c. 1519-1570), David Playing the Harp before Saul, 1555, chiaroscuro woodcut printed from 4 blocks
RM2AHWF1Y–Jan Sadeler, the Elder. Title Page, from Passion of Christ. 1570–1600. Flanders. Engraving in black on cream wove paper A symbolically charged heraldic arrangement—including the spear, sponge, lash, and other instruments of Christ’s Passion—occupies the bulk of this oval design. Although the rest of the sheet contains significantly more text than the Sadeler and Gheeraerts signatures seen below the image in each subsequent print, it is similar in many ways to the grotesque imagery throughout the series. The blank background here makes one marked exception, as the other scenes play out before a
RM2DCF4E0–Jean Duvet, (artist), French, 1485 - c. 1570, The Multitude Which Stands before the Throne, L'Apocalypse figurée, (series), 1546/1556, engraving
RM2DB4KRX–'Abraham Ortelius (Abraham Ortels) (April 14, 1527 ? June 28, 1598) was a Flemish cartographer and geographer, generally recognized as the creator of the first modern atlas, the Theatrum Orbis Terrarum (Theatre of the World). He is also believed to be the first person to imagine that the continents were joined together before drifting to their present positions. In 1564 he completed a 'mappemonde', eight-leaved map of the world, which afterwards appeared in reduced form in the Theatrum. The only extant copy of this great map is in the library of the University of Basel. On May 20, 1570, Gilles
RMEDT667–Aegidius Sadeler II after Roelandt Savery (Flemish, c. 1570 - 1629), Draughtsman on a Stone before a Bridge, probably c. 1609
RM2RXRA0J–Chestnut Hill, Massachusetts, USA. 16th Sep, 2023. Florida State Seminoles QB Jordan Travis (13) walks out of the tunnel before an NCAA football game between the Florida State University Seminoles and the Boston College Eagles at Alumni Stadium in Chestnut Hill, Massachusetts. Erica Denhoff/CSM (Credit Image: © Erica Denhoff/Cal Sport Media). Credit: csm/Alamy Live News
RM2WETR3G–Thousand beauty and other flowers, 1570 - Before 1618 print Leaf 10 of 21 numbered sheets with title page from a series of 24. paper engraving flowers
RFB7ARJ6–Sir Robert Bruce Cotton, 1st Baronet (22 January 1570/1 – 6 May 1631) was an English politician, founder of the famous Cotton
RMMW24NX–. Polski: Zygmunt Gonzaga Myszkowski Italiano: Zygmunt Gonzaga Myszkowski Lietuvių: Markgrafas Zigmantas Gonzaga-Miškovskis Русский: Сигизмунд Гонзага-Мышковский Українська: Зигмунт Ґонзаґа-Мишковскi . before 1615. Egidius Sadeler (1570–1629) Alternative names Aegidius Sadeler (II), Ægidius Sadeler, Egidius Sadeler, Gillis Sadeler, Jiljí Sadeler Description Flemish printmaker, draughtsman, painter and miniaturist son of Aegidius Sadeler (I) nephew of Jan Sadeler (I) nephew of Raphael Sadeler Date of birth/death circa 1570 1629 Location of birth/death Antwerp Prague Work location A
RFRARDB1–Frans Floris I (Flemish, c. 1519-1570), David Playing the Harp before Saul, 1555, chiaroscuro woodcut printed from 4 reimagined
RM2AM3KX7–Lectures delivered before the Young Men's Christian Association . in the high - est 1 Bless - ed is He that cometh in the name of. -z^ s?- the Lord. Glo - ry to Thee, O Lord, in the high - est 1 37. THE SUFFRAGES OF THE BOOK OF COMMON PRAYER. Harmonized by Thomas Talus, 1570, #lin(ster
RF2HW59X1–Art inspired by Ulysses and His Companions Fighting the Cicones Before the City of Ismaros, Study for a Destroyed Fresco in the Galerie d'Ulysee, Chateau de Fontainebleau, 1555–60, Red chalk highlighted with white gouache, on red-washed paper, 9 1/2 x 12 9/16in. (24.1 x 31.9cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2RAP148–Ormskirk Parish Church.There has been a place of worship on this site since before 1170 which is the approximate date of the oldest part of the building, the Norman window in the Chancel. The Chancel arcade dates from 1270 and the base of the spire from 1430. The great tower was completed in 1570. This is one of the only three churches with this feature of the tower and spire and is unique in having them both at the same end.
RF2HW7BWY–Art inspired by Sibyl seated before an open book upon which she rests her left hand, she twists her face away from the book and holds a vessel in her right hand, Etching, sheet: 8 7/8 x 6 9/16 in. (22.5 x 16.7 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), After, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2R8BM94–(Title Page) (from book, Indiae Orientalis, Part Seven) 1606 by Johann Israel de Bry, German, born before 1570-died Frankfurt, Germany 1611
RMPB1CNJ–Timocleia Before Alexander. Artist: Léon Davent (French, active 1540-56); After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris). Dimensions: Sheet (trimmed/oval): 12 15/16 × 8 1/2 in. (32.8 × 21.6 cm). Date: ca. 1540-45. Museum: Metropolitan Museum of Art, New York, USA.
RFRATK6N–Aegidius Sadeler II after Roelandt Savery (Flemish, c. 1570 - 1629), Draughtsman on a Stone before a Bridge, probably reimagined
RMW9FRFB–Archive image from page 65 of A profitable instruction of the. A profitable instruction of the perfite ordering of bees, with the maruellous nature, propertie, and gouernements of them: and the necessarie vses both of their honie and waxe.. CUbiodiversity1178144 Year: 1579 ( f 4-f fl-Certainc HusbandlyConfedlures of Dearth and Plentie for euer The firft Chapter. jliDfirtttonfitieranD marfee , tM fjoUie f|) lueatftcr i» a cape before tfte Dap pjcfente, ano tbeOape after te unms entrauncemtotbe (ifine0rie0,anDfucftelibeflaUtftetoeatl)erb€ (fojtbewoae parte) in tberet;ermcnet|)M« in gi>eptcmb
RM2B6NMA8–Geestelijke geknield voor een heilige Spiritual kneeling before a holy object type: Drawing Object number: RP-T-1958-57 (V) Description: pleading cleric kneeling before a holy her up wijst. Manufacturer : artist: Annibale Carracci (attributed to) dated: 1570 - 1609 Physical features: brush with brown material: paper Technique: brush dimensions: h 168 mm × W 198 mm
![. The encyclopedia of practical horticulture; a reference system of commercial horticulture, covering the practical and scientific phases of horticulture, with special reference to fruits and vegetables;. Gardening; Fruit-culture; Vegetable gardening. 1570 ENCYCLOPEDIA OF PRACTICAL HORTICULTURE larvae live and in which they change to pupae." The caterpillars of the fall gen- eration appear about the middle of Sep- tember, reach their growth before the leaves drop and transform to pupae, in which state they pass the winter. Either cut out and burn the nests, or, in case of early varieties, Stock Photo](https://c8.alamy.com/comp/PFY19D/the-encyclopedia-of-practical-horticulture-a-reference-system-of-commercial-horticulture-covering-the-practical-and-scientific-phases-of-horticulture-with-special-reference-to-fruits-and-vegetables-gardening-fruit-culture-vegetable-gardening-1570-encyclopedia-of-practical-horticulture-larvae-live-and-in-which-they-change-to-pupaequot-the-caterpillars-of-the-fall-gen-eration-appear-about-the-middle-of-sep-tember-reach-their-growth-before-the-leaves-drop-and-transform-to-pupae-in-which-state-they-pass-the-winter-either-cut-out-and-burn-the-nests-or-in-case-of-early-varieties-PFY19D.jpg ". The encyclopedia of practical horticulture; a reference system of commercial horticulture, covering the practical and scientific phases of horticulture, with special reference to fruits and vegetables;. Gardening; Fruit-culture; Vegetable gardening. 1570 ENCYCLOPEDIA OF PRACTICAL HORTICULTURE larvae live and in which they change to pupae." The caterpillars of the fall gen- eration appear about the middle of Sep- tember, reach their growth before the leaves drop and transform to pupae, in which state they pass the winter. Either cut out and burn the nests, or, in case of early varieties, Stock Photo")
RMPFY19D–. The encyclopedia of practical horticulture; a reference system of commercial horticulture, covering the practical and scientific phases of horticulture, with special reference to fruits and vegetables;. Gardening; Fruit-culture; Vegetable gardening. 1570 ENCYCLOPEDIA OF PRACTICAL HORTICULTURE larvae live and in which they change to pupae." The caterpillars of the fall gen- eration appear about the middle of Sep- tember, reach their growth before the leaves drop and transform to pupae, in which state they pass the winter. Either cut out and burn the nests, or, in case of early varieties,
RM2DB4J9K–'Abraham Ortelius (Abraham Ortelius) (April 14, 1527 ? June 28, 1598) was a Flemish cartographer and geographer, generally recognized as the creator of the first modern atlas, the Theatrum Orbis Terrarum (Theatre of the World). He is also believed to be the first person to imagine that the continents were joined together before drifting to their present positions. In 1564 he completed a 'mappemonde', eight-leaved map of the world, which afterwards appeared in reduced form in the Theatrum. The only extant copy of this great map is in the library of the University of Basel. On May 20, 1570, Gill
RMH4P2HN–Aegidius Sadeler II after Roelandt Savery (Flemish, c. 1570 - 1629), Draughtsman on a Stone before a Bridge, probably c. 1609
RMF5WN08–PILGRIM FATHERS PLAQUE ON PIETERSKERKHOF SHOWING THE POOR SOULS WHO DIED BEFORE THE FAMOUS VOYAGE.
RM2WETMCK–Keizerskroon, Orchid and Lelietjes-Van-Dalen, 1570-Before 1618 print Leaf 7 of 21 numbered sheets with title page from a series of 24. paper engraving flowers
RMRY60NB–David Playing the Harp before Saul, 1555. Frans Floris (Dutch, 1519-1570). Chiaroscuro woodcut; sheet: 33.4 x 47.9 cm (13 1/8 x 18 7/8 in
RMMY42K5–. Polski: Zygmunt Gonzaga Myszkowski Italiano: Zygmunt Gonzaga Myszkowski Lietuvių: Markgrafas Zigmantas Gonzaga-Miškovskis Русский: Сигизмунд Гонзага-Мышковский Українська: Зигмунт Ґонзаґа-Мишковскi . before 1615. Egidius Sadeler (1570–1629) Alternative names Aegidius Sadeler (II), Ægidius Sadeler, Egidius Sadeler, Gillis Sadeler, Jiljí Sadeler Description Flemish printmaker, draughtsman, painter and miniaturist son of Aegidius Sadeler (I) nephew of Jan Sadeler (I) nephew of Raphael Sadeler Date of birth/death circa 1570 1629 Location of birth/death Antwerp Prague Work location A
RM2DCFR6J–Aegidius Sadeler II, (artist), Flemish, c. 1570 - 1629, Roelandt Savery, (artist after), Dutch, 1576 - 1639, Draughtsman on a Stone before a Bridge, Six Mountainous Landscapes in Tyrol, (series), probably c. 1609, engraving
RMP5BH95–N/A. Deutsch: Einnahme der Schanze IJseloord Nederlands: Inname van de schans IJsseloord . between 1566 and 1570. Frans Hogenberg (before 1540–1590) Alternative names Franz Hogenberg, Frans Hogenbergh, Frans Hogenberch Description Flemish engraver and cartographer Date of birth/death before 1540 1590 Location of birth/death Mechelen Cologne Work period 1568-1588 Work location Antwerp (1568), London (1568), Cologne (1570-1585), Hamburg (1585-1588), Denmark (1588) Authority control : Q959748 VIAF: 100197099 ISNI: 0000 0001 1839 1431 ULAN: 500000956 LCCN: n50043890 WGA: HOGENBERG, Fr
RM2AGEJ6H–. Sketches of great painters for young people. e Leper was painted byVeronese in 1570, and it is now in the Church of St.Sebastian, where he gained such success when he firstwent to Venice. For the Church of St. John and St. Paul Veronesepainted the Feast at the House of Simon. Because ofthis picture Veronese was brought to trial before thegrand inquisitors, in 1573. During the trial, the artistwas called upon to explain why he had introduced into asacred picture heretical Germans with halberds, dwarfs,buffoons, parrots, dogs, and various other details. Hewas ordered to change the figure of a
RMMXA0D1–. Herzog Johann Friedrich von Württemberg Feder in Grau laviert eingescannt aus: Die Renaissance im deutschen Südwesten zwischen Reformation und Dreißigjährigem Krieg. Eine Ausstellung des Landes Baden-Württemberg, Heidelberger Schloss, 21. Juni - 19 Oktober 1986 . before 1628. Esaias van Hulsen (1570–1624) Description Dutch engraver Date of birth/death 1570 1624 Location of birth/death Middelburg Stuttgart Work location Frankfurt (1612); Nuremberg; Stuttgart (1613 - 1626) Authority control : Q19753310 VIAF: 61539586 ISNI: 0000 0000 8140 2466 ULAN: 500057104 LCCN: n79103078 GND: 117
RMB7PXK6–arrest guy fawkes parliament cellars firework night plot gunpowder traitor conspirator plotter guards London treason Guy Fawkes
RMPAM5GW–Henri d'Albret (1503-55), King of Navarre. Artist: Léonard Limosin (ca. 1505-1575/1577). Culture: French, Limoges. Dimensions: 7 1/2 x 5 5/8 in. (19.1 x 14.3 cm). Date: 1556. Léonard Limosin was the greatest enamel painter working in the style of the School of Fontainebleau, Italian Mannerists and French artists active at the French court from about 1530 to 1570. Limosin's enameled portraits are numerous, and he has been ranked, along with Jean Clouet (1486-1540) and Corneille de Lyon (before 1500-1574), as the best portrait painter of Renaissance France. This plaque, one of at least six b
RFRA8JE4–Aegidius Sadeler II after Roelandt Savery (Flemish, c. 1570 - 1629), Draughtsman on a Stone before a Bridge, probably reimagined
RM2B6KB09–Three title images for JF Oltmans' The Loevestein in 1570 Print of a plate with three images of fictitious events on Loevestein, made on behalf of a novel by JF Oltmans. Two of the pictures were used on the title page of the edition 1853. Manufacturer : printmaker Dirk Jurriaan Sluyter Place manufacture: Amsterdam Date: on or before 1853 Physical characteristics: etching and engra material: paper Technique: etching / engra (printing process) Dimensions: plate edge: H 135 mm × W 225 mm
![. The Victoria history of the county of Hertford. Natural history. EDWINSTREE HUNDRED Wyntonesfield and Coldsinethescroft.' Peppercorn appears as the name of a family of villein tenants on the manor in the 15 th century,' and in 1570 there was a house called Peppercorns in the parish in which Andrew Kyng of Meesden, yeoman, lived.'" Before the Conquest MEESDEN was MANOR held by Alward, a man of Archbishop Stigand. It was one of the manors acquired under William I by the Bishop of London, of whom it was held in 1086 by a tenant Payn." It was then assessed for I hide and comprised land Stock Photo](https://c8.alamy.com/comp/PG04C2/the-victoria-history-of-the-county-of-hertford-natural-history-edwinstree-hundred-wyntonesfield-and-coldsinethescroft-peppercorn-appears-as-the-name-of-a-family-of-villein-tenants-on-the-manor-in-the-15-th-century-and-in-1570-there-was-a-house-called-peppercorns-in-the-parish-in-which-andrew-kyng-of-meesden-yeoman-livedquot-before-the-conquest-meesden-was-manor-held-by-alward-a-man-of-archbishop-stigand-it-was-one-of-the-manors-acquired-under-william-i-by-the-bishop-of-london-of-whom-it-was-held-in-1086-by-a-tenant-paynquot-it-was-then-assessed-for-i-hide-and-comprised-land-PG04C2.jpg ". The Victoria history of the county of Hertford. Natural history. EDWINSTREE HUNDRED Wyntonesfield and Coldsinethescroft.' Peppercorn appears as the name of a family of villein tenants on the manor in the 15 th century,' and in 1570 there was a house called Peppercorns in the parish in which Andrew Kyng of Meesden, yeoman, lived.'" Before the Conquest MEESDEN was MANOR held by Alward, a man of Archbishop Stigand. It was one of the manors acquired under William I by the Bishop of London, of whom it was held in 1086 by a tenant Payn." It was then assessed for I hide and comprised land Stock Photo")
RMPG04C2–. The Victoria history of the county of Hertford. Natural history. EDWINSTREE HUNDRED Wyntonesfield and Coldsinethescroft.' Peppercorn appears as the name of a family of villein tenants on the manor in the 15 th century,' and in 1570 there was a house called Peppercorns in the parish in which Andrew Kyng of Meesden, yeoman, lived.'" Before the Conquest MEESDEN was MANOR held by Alward, a man of Archbishop Stigand. It was one of the manors acquired under William I by the Bishop of London, of whom it was held in 1086 by a tenant Payn." It was then assessed for I hide and comprised land
Search Results for 1570 before Stock Photos and Images (448)
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