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1615 16 Stock Photos and Images
RMKCDDBC–Standing cup, 1615–16, British, London, Silver gilt, Height: 9 1/8 in. (23.2 cm), Metalwork-Silver
RF2HTW72K–Art inspired by Standing cup, 1615–16, British, London, Silver gilt, Height: 9 1/8 in. (23.2 cm), Metalwork-Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMNX82M–English: Suffer the Little Children to Come Unto Me 1615-16. 1150 Suffer the Little Children to Come Unto Me
RMPAKP7G–Standing Female Figure with an Anchor ('Spes'). Artist: Hinrich Degener (German, Hamburg, ca. 1615/16). Date: 1600-1630. Museum: Metropolitan Museum of Art, New York, USA.
RM2JMYNNJ–Bocholt Johann von, Stadtweinhaus, Münster (without dat.): Facade of the gable house from 1615/16 (late Renaissance) with column portal and rich figurative ornamentation. Photo, 31.6 x 24.9 cm (including scan edges)
RM2DJ4M0C–Close up of a James 1st Unite 1615-16 reverse gold coin, National Civil War Centre, Newark Museum, Newark, Notts, UK.
RMJ4KP45–Germany, North Rhine-Westphalia, Münster, theatre director's market, town wine tavern, in 1615 - 16, lighting, evening Europe, town, centre, Marktstrasse, shopping street, pedestrian area, shops, buildings, structure, Renaissance, architectural style, architecture, place of interest, evening tuning
RMPY4AG0–Venus and Cupid 1615 by Giulio Cesare Procaccini (1574–1625 16-17th Century, Italy, Italian.
RMKWDJFK–ACROBATS, 1880s, Japanese painting, ink and color on paper. Acrobats perform using bamboo poles and other props for balancing acts. In the cities of the Edo period (1615–1868), Japanese elites would sponsor such troupes for public entertainment. Poems on the scroll humorously compare acrobatic feats with daily life (BSLOC 2017 16 11)
RMCR7MW2–Philip William, 4.10.1615 - 12.9.1690, Elector Palatinate 16.5.1685 - 12.9.1690, entry to Duesseldorf, 1653, copper engraving, 17th century,
RMKWDM6E–ACROBATS, 1880s, Japanese painting, ink and color on paper. Acrobats perform using bamboo poles and other props for balancing acts. In the cities of the Edo period (1615–1868), Japanese elites would sponsor such troupes for public entertainment. Poems on the scroll humorously compare acrobatic feats with daily life (BSLOC 2017 16 11)
RM2B6WJ10–Ixion misleid door Zeus en Hera Ixion omhelst de wolk Nephele, die de gedaante van Hera heeft aangenomen Ixion tricked by Zeus and HeraIxion embraces cloud Nephele, which takes the form of Hera assumed object type: Drawing Object number: RP-T-1999-12 Inscriptions / Brands: inscription: 'L. O. brand Thomas Lawrence (L.2445); M. O. Benjamin West brand (L.419); r.o. AV. v.d. L. .. 16 Manufacture Creator (?) Artist: Pieter Claesz. Soutman (rejected attribution) artist Pieter van Sompel (attributed to) artist: Peter Paul Rubens (to) Date: approx 1615 Physical features: black chalk, pen and black in
RMKC8DBX–Descent from the Cross, 1615–16, Pen and brown ink, brush and brown wash on buff paper, 12 1/2 x 9 1/4in. (31.8 x 23.5cm
RF2HK6787–Inspired by Suffer the Little Children to Come Unto Me, Jacob Jordaens, Flemish, 1593–1678, 1615–16, Oil on panel, Made in Antwerp, Antwerpen province, Belgium, Europe, Paintings, 41 x 66 7/8 in. (104.1 x 169.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMP91W7–The champion of virtue (Mars) crowned by the goddess of victory circa 1615/16. 799 Le Triomphe de la vertu - Rubens
RMPB1D4A–Descent from the Cross. Artist: Pasquale Ottino (Pasqualotto) (Italian, Verona 1578-1630 Verona). Dimensions: 12 1/2 x 9 1/4in. (31.8 x 23.5cm). Date: 1615-16. Museum: Metropolitan Museum of Art, New York, USA.
RMR05X4H–Elizabeth of France (1602-1644), consort of King Philip IV of Spain, as a young girl. Portrait by Bartolome Gonzalez, oil on canvas, c.1615-16
RM2JMYNP1–Bocholt Johann von, Stadtweinhaus, Münster (1906): Facade of the Giebelhaus from 1615/16 (late Senaissance) with column portal and rich figurative ornamentation, on the left another gable house and right T. Photo, 37.5 x 40.5 cm (including scan edge )
RMJ4KP0H–Germany, North Rhine-Westphalia, Münster, theatre director's market, town wine tavern, in 1615 - 16, street cafe of Europe, town, centre, Marktstrasse, shopping street, pedestrian area, shops, buildings, structure, Renaissance, architectural style, architecture, place of interest, cafe, bar, restaurant, guests, gastronomy, summer
RM2BDM039–H Baumann (nach M. Merian) - Tübingen im 16. Jahrhundert - kolFederzeichnung 1860 Inv.1615 (SW161).
RM2HKYP8R–'Marguerite de France (1553-1615) (Marguerite de Valois, surnommee Margot ) admirant la tete coupee de son amant Joseph Boniface de La Mole (1526-1574) qu'elle aurait fait embaumee apres son execution pour la conserver dans un cabinet derriere son lit a l'Hotel de Nesle (French princess Margaret of Valois admiring La Mole's embalmed head kept it in a jewelled casket) Gravure du 19eme siecle Collection privee
RMCR7MTM–Philip William, 4.10.1615 - 12.9.1690, Elector Palatinate 16.5.1685 - 12.9.1690, portrait, copper engraving, 17th century, Artist's Copyright has not to be cleared
RM2A2K4B7–Ten Landscapes: Walled River Town to the Left of a River, 1615/16, Esaias van de Velde I, Dutch, c. 1587-1630, Holland, Engraving in black on ivory laid paper, 87 x 177 mm (image/plate), 97 x 187 mm (sheet
RF2HK4BAY–Inspired by Isabella Clara Eugenia, Infanta of Spain, Jan Muller, Dutch, 1571-1628, Engraving on laid paper, 1615, 16 7/16 x 11 9/16 in., 41.8 x 29.4 cm, elite, historic person, historical painting, royal, ruler, wealth, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMNTNR0–. Study of soldiers for Conversion of Saul. circa 1615-16. Raphael (1483–1520) Alternative names Raffaello Santi, Raffaello de Urbino, Rafael Sanzio de Urbino, Raffael Description painter and architect Date of birth/death 6 April 1483 6 April 1520 Location of birth/death Urbino Rome Work location Florence, Rome, Perugia Authority control : Q5597 VIAF: 64055977 ISNI: 0000 0001 2136 483X ULAN: 500023578 LCCN: n79041756 NLA: 35442294 WorldCat 1042 Raphael - Study of Soldiers
RMPAB0N9–The Transfiguration with Christ flanked by two saints and with the Apostles below. Artist: Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome). Dimensions: Sheet: 16 1/8 × 10 13/16 in. (41 × 27.5 cm). Date: 1570-1615. Museum: Metropolitan Museum of Art, New York, USA.
RMKFTDMT–Suffer the Little Children to Come Unto Me (Mark 10:13-16) by Jacques Jordaens (1593-1678), oil on canvas, 1615-6
RM2T7N2PE–Peter Paul Rubens The defeat of the Sanherib. Feder in brown around oder kurz after 1615/16
RMJ4KKW5–Germany, North Rhine-Westphalia, Münster, theatre director's market, town wine tavern, in 1615 - 16, street cafe of Europe, town, centre, Marktstrasse, shopping street, pedestrian area, shops, buildings, structure, Renaissance, architectural style, architecture, place of interest, cafe, bar, restaurant, guests, gastronomy, summer
RF2WN5YR0–Rubens Pieter Paul - Saint Ives of Treguier, Patron of Lawyers, Defender of Widows and Orphans (1615 16)
RMBA7P9K–Frederick William, 16.2.1620 - 9.7.1688, 'Great Elector' of Brandenburg 1.12.1640 - 9.5.1688, full length, with wife Luise Henriette, wood engraving after painting by Pieter Nason (1615 - 1680), , Artist's Copyright has not to be cleared
RM2HB2TPB–Suffer the Little Children to Come Unto Me, Jacob Jordaens, Flemish, 1593–1678, 1615–16, Oil on panel, Made in Antwerp, Antwerpen province, Belgium, Europe, Paintings, 41 x 66 7/8 in. (104.1 x 169.9 cm
RF2HK61BM–Inspired by Farm Beyond a Canal, from the series 'Ten Oblong Landscapes', Esaias van de Velde, Dutch, 1587–1630, 1615–16, Etching, Made in Netherlands, Europe, Prints, image: 3 1/4 x 6 3/4 in. (8.3 x 17.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMYH0F5–. English: Jahangir and His Vizier, I'timad al-Daula, Folio from the Shah Jahan Album ca. 1615 . 16 April 2012. Anonymous 265 Jahangir and His Vizier, I'timad al-Daula, Folio from the Shah Jahan Album ca. 1615
RMPB1BKM–The Martyrdom of Saint Cristina di Bolsena with God the Father above. Artist: Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome). Dimensions: Sheet: 17 in. × 11 11/16 in. (43.2 × 29.7 cm). Date: 1570-1615. Museum: Metropolitan Museum of Art, New York, USA.
RM2HHH3AP–Standing cup 1615–16 British, London. Standing cup. British, London. 1615–16. Silver gilt. Metalwork-Silver
RMH41EY9–Germany, North Rhine-Westphalia, Münster, theatre director's market, town wine tavern, in 1615-16, facade, detail, Europe, town, centre, Marktstrasse, shopping street, pedestrian area, building, structure, architecture, architectural style, Renaissance, place of interest
RM2T8N2G4–Winter landscape with skaters, Esaias van de Velde (Amsterdam 1587 - 1630 Den Haag), 1615/16, drawing, pen and brown ink on reddish-tinted paper, 7.4 x 17.1 cm, r.r. Duke Albert of Saxe-Teschen
RF2HTXD98–Art inspired by Descent from the Cross, 1615–16, Pen and brown ink, brush and brown wash on buff paper, 12 1/2 x 9 1/4in. (31.8 x 23.5cm), Drawings, Pasquale Ottino (Pasqualotto) (Italian, Verona 1578–1630 Verona, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMXB66P–. English: Jahangir and His Vizier, I'timad al-Daula, Folio from the Shah Jahan Album ca. 1615 . 16 April 2012. Anonymous 306 Jahangir and His Vizier, I'timad al-Daula, Folio from the Shah Jahan Album ca. 1615
RMPA82PT–The Holy Family with Saint Anne and the young Saint John the Baptist. Artist: Attributed to Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome). Dimensions: Sheet: 11 in. × 8 7/16 in. (28 × 21.5 cm). Date: 1570-1615. Museum: Metropolitan Museum of Art, New York, USA.
RM2T7N2AR–Esaias van de Velde Dorfstraße with a dilapidated mill. Feder in brown, on reddish tinted paper 1615/16 , 1615/1616
RM2T8N2GN–Village street with a ruined mill, Esaias van de Velde (Amsterdam 1587 - 1630 The Hague), 1615/16, drawing, pen and ink in brown, on reddish-tinted paper, 7.3 x 17.1 cm, r. and Duke Albert of Saxe-Teschen
RF2HKMEM1–Art inspired by Suffer the Little Children to Come Unto Me, Jacob Jordaens, Flemish, 1593-1678, 1615-16, Oil on panel, Made in Antwerp, Antwerpen province, Belgium, Europe, Paintings, 41 x 66 7/8 in. (104.1 x 169.9 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMWECP9–. English: Jahangir and His Vizier, I'timad al-Daula, Folio from the Shah Jahan Album ca. 1615 . 16 April 2012. Anonymous 305 Jahangir and His Vizier, I'timad al-Daula, Folio from the Shah Jahan Album ca. 1615
RMPAAP6T–A winged figure of Fame standing facing left and sounding a trumpet. Artist: Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome). Dimensions: Sheet: 12 15/16 × 7 1/16 in. (32.9 × 18 cm). Date: 1570-1615. Museum: Metropolitan Museum of Art, New York, USA.
RM2T7N2BN–Esaias van de Velde Winter landscape with ice skating runners. Feder in brown on reddish tinted paper 1615/16 , 1615/1616
RM2T8N3A6–The defeat of Sennacherib, Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), around or shortly after 1615/16, drawing, pen and ink in brown, 21.8 x 31.4 cm, l. and Mariette (L. 1852); right and Duke Albert of Saxe-Teschen, r.r. '42
RF2HKJTD7–Art inspired by Isabella Clara Eugenia, Infanta of Spain, Jan Muller, Dutch, 1571-1628, Engraving on laid paper, 1615, 16 7/16 x 11 9/16 in., 41.8 x 29.4 cm, elite, historic person, historical painting, royal, ruler, wealth, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMP02C39–. Depicted person: Ulrik, prince of Denmark (1611-1633) . circa 1615 16 Ulrik Prince of Denmark
RMPAB3JX–Venus on a half-shell, holding fabric over her head. Artist: Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome). Dimensions: Sheet: 8 7/16 × 5 11/16 in. (21.4 × 14.5 cm). Date: 1570-1615. Museum: Metropolitan Museum of Art, New York, USA.
RM2T7JWA5–Giovanni Francesco Barbieri gen. il Guercino Maria in a half -figure with Jesus and the John boy. Reddel, feather, laviest before 1615/16
RM2HB1JA2–Isabella Clara Eugenia, Infanta of Spain, Jan Muller, Dutch, 1571-1628, Engraving on laid paper, 1615, 16 7/16 x 11 9/16 in., 41.8 x 29.4 cm, elite, historic person, historical painting, royal, ruler, wealth
RF2HKM7DX–Art inspired by Farm Beyond a Canal, from the series 'Ten Oblong Landscapes', Esaias van de Velde, Dutch, 1587–1630, 1615–16, Etching, Made in Netherlands, Europe, Prints, image: 3 1/4 x 6 3/4 in. (8.3 x 17.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMP00TBW–. (later Charles I) . Charles, Prince of Wales . 1615 16 Charles, Prince of Wales (later Charles I) by Isaac Oliver
RMPAPPEC–Virgin and Child Enthroned with Two Musical Angels. Artist: after Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp); Jan (Johannes) Wierix (Netherlandish, Antwerp 1549-1615 Brussels). Dimensions: sheet: 11 x 7 5/16 in. (28 x 18.5 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
RM2T7N2BP–Esaias van de Velde Fastened city on the water. Feder in brown, lavated, on reddish -brown tinted paper; Complemented in the 19th century left and right on the box 1615/16 , 1615/1616
RM2HB2PR3–Farm Beyond a Canal, from the series 'Ten Oblong Landscapes', Esaias van de Velde, Dutch, 1587–1630, 1615–16, Etching, Made in Netherlands, Europe, Prints, image: 3 1/4 x 6 3/4 in. (8.3 x 17.1 cm
RF2HW58G4–Art inspired by Standing Female Figure with an Anchor ('Spes'), 1600–1630, Pen and brown ink, gray wash, heightened with white, Drawings, Hinrich Degener (German, Hamburg, ca. 1615/16, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMP02C36–. Infant Christ and St. John the Babtist in a landscape. after 1615 16 Wildens Infant Christ and St. John
RMPB5711–A winged figure of Fame standing facing left and sounding a trumpet. Artist: After Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome). Dimensions: Sheet: 11 1/8 × 7 15/16 in. (28.2 × 20.1 cm). Date: 1570-1615. Museum: Metropolitan Museum of Art, New York, USA.
RM2HHH94W–Descent from the Cross 1615–16 Pasquale Ottino (Pasqualotto) Italian. Descent from the Cross. Pasquale Ottino (Pasqualotto) (Italian, Verona 1578–1630 Verona). 1615–16. Pen and brown ink, brush and brown wash on buff paper. Drawings
RM2T8N2HB–Fortified City on the Water, Esaias van de Velde ( (Inv: Jan van de), Amsterdam 1587 - 1630 Den Haag), 1615/16, Drawing, pen and ink in brown, washed, on paper tinted reddish brown; added to the cardboard left and right in the 19th century, 7.3 x 16.7 cm, r. and Duke Albert of Saxe-Teschen
RF2HTTD19–Art inspired by Pair of Candlesticks, Momoyama period (1573–1615), 16th century, Japan, Negoro ware, red lacquer, H.16 1/2 in. (41.9 cm), Lacquer, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMMJWRY–. Nederlands: Paulus Lesire, Portret van Willem Craeyvanger, 1651 Portrait of Willem Craeyvanger (1615/16 – after 1666). 8 February 2010, 18:03:53. 01.craeyvanger
RMPARTN0–Allegorical Figure of Religion (recto); Study of a Griffon and of a Seated Figure (verso). Artist: Attributed to Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome). Dimensions: 7-13/16 x 5-1/8 in. (19.8 x 13.0 cm). Date: 1553-1615. Museum: Metropolitan Museum of Art, New York, USA.
RM2HHW87M–Jug 19th century, after 1615–16 original Elkington & Co. British This electrotype is after a seventeenth-century original (1615–16), in the treasury of the Kremlin, Moscow. Derived from the English monarchy Jewel House and formerly part of the 'Great Guilt Cubberd of Estate'' in 1626. Brought by Fabian Smith of the Muscovy Company for the treasury of Tsar Mikhail Fyodorovich in 1629.. Jug 186490
RM2A2J2MC–Fragment, Edo period (1615–1868), 1700/25, Japan, Damask, silk, Warp: 6 13/16 in, Weft: 5 1/16 in
RF2HW199G–Art inspired by Sake bottle with flower medallions, Edo period (1615–1868), 18th century, Japan, Stoneware (Ko-Kiyomizu ware), H. 9 7/16 in. (23.9 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMNXBDN–Sir William Davidson of Curriehill, 1615/16 - 1689. Conservator of the Staple at Veere (with his son Charles) circa 1664. 1125 Sir William Davidson of Curriehill Abraham Lambertsz van den Tempel
RMPA97XG–The Stoning of Saint Stephen. Artist: Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome); After Rosso Fiorentino (Italian, Florence 1494-1540 Fontainebleau). Dimensions: Sheet: 16 5/16 × 11 1/4 in. (41.4 × 28.5 cm). Publisher: Carlo Losi (Italian, 1757- after 1805). Date: 1575. Museum: Metropolitan Museum of Art, New York, USA.
RM2H10A21–Letter Box, 1615-1868. Japan, Edo period (1615-1868). Lacquer; overall: 23 cm (9 1/16 in.).
RM2B0JDJ8–Stencil, Japan, Edo period (1615–1868), Culture: Japan, Paper, 16 x 14 in. (40.64 x 35.56 cm), Stencils
RF2HTW1GT–Art inspired by Netsuke, Edo period (1615–1868), 18th century, Japan, Wood, H. 1 5/16 in. (3.4 cm); W. 1 1/8 in. (2.9 cm), Netsuke, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMX9W1B–. English: Govardhan. Dalliance on a Terrace 1615-20 LACMA . 16 April 2012 251 Govardhan. Dalliance on a Terrace 1615-20 LACMA
RMPANKN3–Winged genius holding a tableau, standing on a sphere with three bees. Artist: Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome). Dimensions: Sheet: 11 9/16 × 6 13/16 in. (29.4 × 17.3 cm) Plate: 11 5/16 × 6 5/8 in. (28.8 × 16.8 cm). Date: 1570-1615. Museum: Metropolitan Museum of Art, New York, USA.
RM2H0YGAM–Tobacco Pipe, early to mid-1800s. Japan, Edo period (1615-1868). Metal; overall: 19.8 cm (7 13/16 in.).
RM2B0JDT0–Stencil, Japan, Edo period (1615–1868), Culture: Japan, Paper, 18 1/4 x 16 in. (46.35 x 40.64 cm), Stencils
RF2HTW3FD–Art inspired by Netsuke, Edo period (1615–1868), 18th century, Japan, Wood, H. (open) 2 5/16 in. (5.8 cm); H. (closed) 1 7/16 in. (3.7 cm), Netsuke, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMYG1FC–. English: Govardhan. Dalliance on a Terrace 1615-20 LACMA . 16 April 2012 217 Govardhan. Dalliance on a Terrace 1615-20 LACMA
RMPAT1DC–Two seated angels, facing left, reading from a song book, from The Angels' Concert. Artist: Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome); After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499-ca. 1543 Messina). Dimensions: Sheet: 7 1/2 × 4 13/16 in. (19 × 12.2 cm). Series/Portfolio: The Angels' Concert. Date: 1583. Museum: Metropolitan Museum of Art, New York, USA.
RM2H0Y7RR–Sword Guard (Tsuba), c. 1800. Japan, Edo period (1615-1868). Iron; diameter: 8.1 cm (3 3/16 in.).
RM2B0HYAA–Altar Cloth, Japan, Momoyama period (1573–1615), Culture: Japan, Silk, 60 x 16 in. (152.4 x 40.6 cm), Textiles-Woven
RF2HTTXFE–Art inspired by Lady, in the Tosa Style, Edo period (1615–1868), 18th century, Japan, Painting on paper, 7 3/8 x 6 5/8 in. (18.7 x 16.8 cm), Paintings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMWCENG–. English: Govardhan. Dalliance on a Terrace 1615-20 LACMA . 16 April 2012 250 Govardhan. Dalliance on a Terrace 1615-20 LACMA
RMRENME8–The Little Horse (copy). Artist: After Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg); Jan (Johannes) Wierix (Netherlandish, Antwerp 1549-1615 Brussels). Dimensions: Sheet: 6 1/2 × 4 1/4 in. (16.5 × 10.8 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
![Certainly Karta tytułouwwa Civil Casimir Casimiri [] Prison French. Gedani in George Försterum, 1644 Jammer, Hans ( 16 ..), first, Georg (1615 1660) Stock Photo](https://c8.alamy.com/comp/2JAYD67/certainly-karta-tytuouwwa-civil-casimir-casimiri-prison-french-gedani-in-george-frsterum-1644-jammer-hans-16-first-georg-1615-1660-2JAYD67.jpg "Certainly Karta tytułouwwa Civil Casimir Casimiri [] Prison French. Gedani in George Försterum, 1644 Jammer, Hans ( 16 ..), first, Georg (1615 1660) Stock Photo")
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