Quick filters:
Page 1 of 3
Adriaen hanneman Stock Photos and Images
RMPAM148–Portrait of a Woman. Artist: Adriaen Hanneman (Dutch, The Hague 1603/4-1671 The Hague). Dimensions: 31 1/2 x 25 in. (80 x 63.5 cm). Date: ca. 1653. Hanneman was a highly successful portraitist in The Hague, where his Dutch version of Van Dyck's style ideally suited the court city's cosmopolitan patrons. This portrait of an elegant young woman dates from about 1653. The detailed passages of lace were probably painted by an assistant. Museum: Metropolitan Museum of Art, New York, USA.
RM2WN47FP–Possibly a portrait of Charles II when Prince of Wales, by Adriaen Hanneman 1604 -1671 The Netherlands, Dutch, Holland,Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
RMD43CMR–Adriaen Hanneman, Portrait of a Gentleman. Circa 1655 Oil on canvas. Museu Nacional d'Art de Catalunya, Barcelona, Spain
RMEDYHEN–Adriaen Hanneman, Dutch (c. 1603-1604-1671), Henry, Duke of Gloucester, c. 1653, oil on canvas
RM2B0JE9B–Adriaen Hanneman, Portrait of a Woman, Adriaen Hanneman (Dutch, The Hague 1603/4–1671 The Hague), ca. 1653, Oil on canvas, 31 1/2 x 25 in. (80 x 63.5 cm), Paintings
RF2HK5G2B–Inspired by Portrait of a man, Adriaen Hanneman, c. 1637, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMF7P2BR–Painting titled 'Portrait of a Gentleman' by Adriaen Hanneman (1604-1671) Dutch Golden Age painter best-known today for his portraits of the exiled British royal court. Dated 17th Century
RMMNY9YT–. English: Portrait of Wendela Bicker, wife of Johan de Witt . 1659. Adriaen Hanneman (circa 1604–1671) Alternative names Adriaen Haddeman, Adryaen Hanneva Description Dutch painter, draughtsman and ornamental painter Date of birth/death circa 1604 11 July 1671 (buried) Location of birth/death The Hague The Hague Work period 1625-1671 Work location The Hague (ca. 1619-1626), London (1626-1638), The Hague (1638-1671) Authority control : Q864279 VIAF: 71667745 ISNI: 0000 0001 1669 4092 ULAN: 500005407 LCCN: nr90018270 WGA: HANNEMAN, Adriaen WorldCat 1255 Wendela Bicker
RMT7YFG9–Oliver Cromwell in armour, portrait painting by the circle of Adriaen Hanneman, 17th Century
RM2WEBPWG–Constantijn Huygens and his children by Adriaen Hanneman His five children Constantijn II (t.r.; 1628-1697), Christiaen (b.l.; 1629-1695), Lodewijk (b.r.; 1631-1699), Philips (t.l.;1633-1699) and Suzanne (t.c.; 1637-1725)
RM2BPE0JX–Portrait of Adriaen Hanneman, Dutch Golden Age painter best known for his portraits of the exiled British royal court, c.1603-1671. Adrian Hanneman. Copperplate engraving by Alexander Bannerman after a 1656 self-portrait by Hanneman from Horace Walpole’s Anecdotes of Painting in England, London, 1765.
RMREPGYP–Self Portrait. Dating: 1656. Measurements: h 81.5 cm × w 64 cm; d 6.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Adriaen Hanneman.
RM2H4HM4G–John Mordaunt, 1st Viscount Mordaunt, 1626-1675. English royalist conspirator for the Restoration of King Charles II. In parade armour and collar. Mezzotint engraving by Robert Dunkarton after Adriaen Hanneman from Richard Earlom and Charles Turner's Portraits of Characters Illustrious in British History Engraved in Mezzotinto, published by S. Woodburn, London, 1814.
RM2WN47FG–Possibly a portrait of Charles II when Prince of Wales, by Adriaen Hanneman 1604 -1671 The Netherlands, Dutch, Holland,Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
RMD6M5XK–Adriaen Hanneman, Portrait of a Gentleman. Circa 1655 Oil on canvas. Museu Nacional d'Art de Catalunya, Barcelona, Spain
RMW3GYJK–Circle of Anthony van Dyck; attributed to Adriaan Hanneman - Portrait of Adriaen Hanneman (1601-1671)
RMW58555–Self Portrait, Self-portrait of the painter Adriaen Hanneman. Bust to the left, sitting in a chair with the left arm over the back of the chair., Adriaen Hanneman, 1656, canvas, oil paint (paint), h 81.5 cm × w 64 cm d 6.5 cm
RF2HK5DFG–Inspired by Portrait of Constantijn Huygens 1596-1687 and his five children, Adriaen Hanneman, 1640, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMP20K7P–The 17thC English diarist, John Evelyn (1620-1706) by follower of Adriaen Hanneman, oil on canvas, c.1650
RMBA7RRM–Frederick William, 16.2.1620 - 9.7.1688, 'Great Elector' of Brandenburg 1.12.1640 - 9.5.1688, half length, wood engraving after painting by Adriaen Hanneman (um 1603 - 1671), , Artist's Copyright has not to be cleared
RMP5KC8C–N/A. English: Amalia von Hesse-Kassel (1626-1693) was the daughter of William V, Landgrave of Hesse-Kassel and Amalia Elizabeth von Hanau-Münzenberg. In 1648 she married Henry Charles de la Trémoille, Prince of Taranto, son of Duke Henry de Trémoille and of Thouars and Maria de la Tour d’Auvergne . 1656. Adriaen Hanneman (circa 1604–1671) Alternative names Adriaen Haddeman, Adryaen Hanneva Description Dutch painter, draughtsman and ornamental painter Date of birth/death circa 1604 11 July 1671 (buried) Location of birth/death The Hague The Hague Work period 1625-1671 Work location
RMT7YFG8–Oliver Cromwell in armour, portrait painting (detail) by the circle of Adriaen Hanneman, 17th Century
RMMP40KH–Johan de Witt (1625-1675), Grand Pensionary of Holland *oil on canvas *74.2 x 60 cm . English: Johan de Witt (1625-1672), Grand Pensionary of Holland oil on canvas 74.2 x 60 cm . 17th century. Workshop of Adriaen Hanneman (circa 1604–1671) Alternative names Adriaen Haddeman, Adryaen Hanneva Description Dutch painter, draughtsman and ornamental painter Date of birth/death circa 1604 11 July 1671 (buried) Location of birth/death The Hague The Hague Work period 1625-1671 Work location The Hague (ca. 1619-1626), London (1626-1638), The Hague (1638-1671) Authority control : Q864
RM2WBD5JH–King Charles II of England (1630-1685), portrait painting in oil on canvas after Adriaen Hanneman, before 1699
RMMP3R93–Pieter de Groot / 1615-1678 *oil on canvas *80.5 64 cm *1652-1660 . Pieter de Groot / 1615-1678 . between 1652 and 1660. Circle of Adriaen Hanneman (circa 1604–1671) Alternative names Adriaen Haddeman, Adryaen Hanneva Description Dutch painter, draughtsman and ornamental painter Date of birth/death circa 1604 11 July 1671 (buried) Location of birth/death The Hague The Hague Work period 1625-1671 Work location The Hague (ca. 1619-1626), London (1626-1638), The Hague (1638-1671) Authority control : Q864279 VIAF: 71667745 ISNI: 0000 0001 1669 4092 ULAN: 500005407 LCCN: nr900182
RMPNBBC9–Portrait of a Man. Date/Period: 1655. Painting. Oil on canvas Oil. Height: 822 mm (32.36 in); Width: 654 mm (25.74 in). Author: HANNEMAN, ADRIAEN. Adriaen Hanneman.
RM2MGW3ME–Posthumous portrait of Maria Henrietta Stuart I (1631-1661) with a servant by Adriaen Hanneman The Netherlands, Dutch, Holland, (Married with stadtholder William II and died when she was only 29 years old )
RF2T3RG2M–Portrait of Adriaen Hanneman, Robert van Voerst, after Anthony van Dyck, 1625 - 1636 Portrait of the painter Adriaen Hanneman.
RM2WD15CF–Portrait of Willem de Groot, Hendrik Bary, after Adriaen Hanneman, 1657 - 1707 print paper engraving
RM2DCHD1N–painting, Adriaen Hanneman, 1656, Signature front, top left: An 1656 Adr: Hanneman. F, canvas, oil paint, 77.5 x 62cm, man's portrait, Portrait of a man; Mr. Willem Paets. Half-figure against a green background, three-quarters turned to the right, looking at the viewer, hands visible. He wears brown hair down to the shoulder and is dressed in black robe with small flat white collar with tassels. The back of the painting shows the name and functions of the person depicted. Signed, 1937
RF2HK5FDK–Inspired by Posthumous portrait of Mary I Stuart 1631-1660 with a servant, Adriaen Hanneman, c. 1664, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RM2DCFFMT–Adriaen Hanneman, (painter), Dutch, c. 1603/1604 - 1671, Henry, Duke of Gloucester, c. 1653, oil on canvas, overall: 104.8 x 87 cm (41 1/4 x 34 1/4 in.), framed: 128.91 x 111.13 x 11.43 cm (50 3/4 x 43 3/4 x 4 1/2 in.), In this three-quarter-length portrait, Henry, Duke of Gloucester, confidently counters the viewer’s scrutiny. He wears a gleaming breastplate that covers a richly brocaded gold doublet with split sleeves; his right hand rests on a staff while his left hand covers the hilt of a gold-topped rapier
RMHRDNY7–Circle of Anthony van Dyck; attributed to Adriaan Hanneman - Portrait of Adriaen Hanneman (1601-1671) - 61.1 - Minneapolis Institute of Arts
RF2KA0JAG–Portrait of Jacob baron van Wassenaer lord of Obdam, Theodor Matham, after Adriaen Hanneman, 1658 - 1676 Portrait of Jacob baron van Wassenaer lord of
RMREPDRK–Cornelis van Aerssen (1600-62), Lord of Sommelsdijk, Colonel of Cavalry. Dating: 1658. Measurements: h 124 cm × w 99 cm; d 7.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Adriaen Hanneman.
RMMPR58M–'Prinz Wilhelm II. V. Nassau-Oranien 1626-1650. - Gemälde von Hanemann', 1934. Creator: Unknown.
![. St. Nicholas [serial] . THE DE VINNE PRESS, NEW YORK.. PORTRAIT OF A CHILD. FROM A PAINTING BY ADRIAEN HANNEMAN. IN THE ROYAL MUSEUM AT THE HAGUE.(ENGRAVED FOR RT. NICHOLAS BY T. JOHNSON.) ST. NICHOLAS. Vol. XVIII. APRIL, 1891. No. 6. THE GATES ON GRANDFATHERS FARM. By Mary Hallock Foote. Little Eastern children, transplanted in theirbabyhood to the far West, have to leave behindthem grandfathers and grandmothers, and allthe dear old places associated with those bestfriends of childhood. Of our Canon children, Jack was the onlyone who could remember grandfathers house;although Polly had roma Stock Photo](https://c8.alamy.com/comp/2CDAEDP/st-nicholas-serial-the-de-vinne-press-new-york-portrait-of-a-child-from-a-painting-by-adriaen-hanneman-in-the-royal-museum-at-the-hagueengraved-for-rt-nicholas-by-t-johnson-st-nicholas-vol-xviii-april-1891-no-6-the-gates-on-grandfathers-farm-by-mary-hallock-foote-little-eastern-children-transplanted-in-theirbabyhood-to-the-far-west-have-to-leave-behindthem-grandfathers-and-grandmothers-and-allthe-dear-old-places-associated-with-those-bestfriends-of-childhood-of-our-canon-children-jack-was-the-onlyone-who-could-remember-grandfathers-housealthough-polly-had-roma-2CDAEDP.jpg ". St. Nicholas [serial] . THE DE VINNE PRESS, NEW YORK.. PORTRAIT OF A CHILD. FROM A PAINTING BY ADRIAEN HANNEMAN. IN THE ROYAL MUSEUM AT THE HAGUE.(ENGRAVED FOR RT. NICHOLAS BY T. JOHNSON.) ST. NICHOLAS. Vol. XVIII. APRIL, 1891. No. 6. THE GATES ON GRANDFATHERS FARM. By Mary Hallock Foote. Little Eastern children, transplanted in theirbabyhood to the far West, have to leave behindthem grandfathers and grandmothers, and allthe dear old places associated with those bestfriends of childhood. Of our Canon children, Jack was the onlyone who could remember grandfathers house;although Polly had roma Stock Photo")
RM2CDAEDP–. St. Nicholas [serial] . THE DE VINNE PRESS, NEW YORK.. PORTRAIT OF A CHILD. FROM A PAINTING BY ADRIAEN HANNEMAN. IN THE ROYAL MUSEUM AT THE HAGUE.(ENGRAVED FOR RT. NICHOLAS BY T. JOHNSON.) ST. NICHOLAS. Vol. XVIII. APRIL, 1891. No. 6. THE GATES ON GRANDFATHERS FARM. By Mary Hallock Foote. Little Eastern children, transplanted in theirbabyhood to the far West, have to leave behindthem grandfathers and grandmothers, and allthe dear old places associated with those bestfriends of childhood. Of our Canon children, Jack was the onlyone who could remember grandfathers house;although Polly had roma
RM2WG8D1N–Portrait of Adriaen Hanneman, Robert van Voerst, After Anthony Van Dyck, 1625 - 1636 print Portrait of the painter Adriaen Hanneman. London paper engraving
RF2HKKMWW–Art inspired by Portrait of a man, Adriaen Hanneman, c. 1637, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPNDHEM–Portrait of a Man. Date/Period: 1655. Painting. Oil on canvas Oil. Height: 822 mm (32.36 in); Width: 654 mm (25.74 in). Author: HANNEMAN, ADRIAEN. Adriaen Hanneman.
RM2B6Y9A3–Karel Stuart (1630-85), prins van Wales De latere koning Karel II van Engeland, SK-A-4369 Charles Stuart (1630-85), Prince of Wales. The later King Charles II of England Property Type: miniature (painting) Item number: SK-A-4369 Inscriptions / Brands: signature and date bottom right: 'NThach F165 ..' Description: Portrait of Charles Stuart (1630-85), Prince of Wales. The later King Charles II of England. Bust right in armor. In an original by Adriaen Hanneman. Part of the collection portretminiaturen. Manufacturer : painter: Nathaniel Thachschilder: Adriaen Hanneman (copy to) Date: 1650 - 165
RM2CDG7AP–. Gazette des beaux-arts . s de la garde civique de Botterdam), P. Molijn, lesWeenix, les Molenaer, les Moucheron, les Saftleven, les Netscher, les Verschuring,van Toi (un portrait de G. Dov), Emanuel de Witte et Hendrik van Yliet, les peintresdintérieurs de temples ; de Vries, Mathias Withoos, van der Poel, le peintre dincendies ;Juriaan Pool, le mari de Bachel Buijsch; parmi les Flamands, Snyders, Jordaens, Fyt,van Utrecht, Teniers, Gryef, les Zegers, Adriaen Hanneman (un portrait de Jan deWitt), le sectateur de van Dyck, etc.; sans compter une tête de Faust par Ary Schefferet deux tableaux
RM2WD41ND–Portrait of Adriaen Hanneman, Robert van Voerst, After Anthony Van Dyck, 1625 - 1636 print Portrait of the painter Adriaen Hanneman. London paper engraving
RF2HKKGER–Art inspired by Portrait of Constantijn Huygens 1596-1687 and his five children, Adriaen Hanneman, 1640, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2JC211N–Portrait of Willem de Groot, print maker: Hendrik Bary, after: Adriaen Hanneman, 1657 - 1707, paper, engraving, h 170 mm × w 130 mm
RMRERWKT–William III (1650-1702), Prince of Orange, as a Child. Dating: 1654. Measurements: h 133 cm × w 94 cm; d 7 cm. Museum: Rijksmuseum, Amsterdam. Author: Adriaen Hanneman (mentioned on object). Adriaen Hanneman.
RMP02CB7–. Portrait of a Gentleman . circa 1655 17 Adriaen Hanneman ( ) - Portrait of a Gentleman - Google Art Project
RMMMJXMH–Portrait of William III, Prince of Orange, at the age of four.. 1654. Adriaen Hanneman William III Prince of Orange 1654
RMMMKW0G–. English: John Mordaunt, 1st Viscount Mordaunt (1626-1675) by William Faithorne, after Adriaen Hanneman, line engraving, 1660s (1648) 1stViscountMordaunt
RMMNYC7K–Portrait of William Hamilton, 2nd Duke of Hamilton Unknown date, but author died in 1671. 1265 William Hamilton, 2nd Duke of Hamilton by Adriaen Hanneman
RM2WECHPR–Portrait of Adriaen Hanneman, Robert van Voerst, After Anthony Van Dyck, 1625 - 1636 print Portrait of the painter Adriaen Hanneman. London paper engraving
RF2HKKK8H–Art inspired by Posthumous portrait of Mary I Stuart 1631-1660 with a servant, Adriaen Hanneman, c. 1664, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HB6XGW–Portrait of William III, Prince of Orange, Portrait of William III. In the lower margin his name and title., anonymous, after: Adriaen Hanneman (mentioned on object), Netherlands, printer: Bradford, 1850 - 1949, photographic support, height 138 mm × width 88 mm
RM2T6D3DG–Portrait of Adriaen Hanneman, Dutch Golden Age painter best known for his portraits of the exiled British royal court, c.1603-1671. Adrian Hanneman. Copperplate engraving by Alexander Bannerman after a 1656 self-portrait by Hanneman from Horace Walpoles Anecdotes of Painting in England, London, 1765.
Search Results for Adriaen hanneman Stock Photos and Images (207)
Page 1 of 3