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Ambrogio da predis Stock Photos and Images
GIRL WITH CHERRIES, by Ambrogio de Predis, 1491–95, Italian Renaissance painting, oil on wood. The artist Ambrogio de Predis, was an associate of Leonardo da Vinci. It echoes Leonardos style in the soft modeling of light over the face and figure, the graceful hands, and slight smile (BSLOC 2017 16 84) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-girl-with-cherries-by-ambrogio-de-predis-149195-italian-renaissance-170559767.htmlRMKWDJM7–GIRL WITH CHERRIES, by Ambrogio de Predis, 1491–95, Italian Renaissance painting, oil on wood. The artist Ambrogio de Predis, was an associate of Leonardo da Vinci. It echoes Leonardos style in the soft modeling of light over the face and figure, the graceful hands, and slight smile (BSLOC 2017 16 84)
Girl with Cherries, Attributed to Giovanni Ambrogio de Predis, ca. 1491–95 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-girl-with-cherries-attributed-to-giovanni-ambrogio-de-predis-ca-149195-162559361.htmlRMKCD63D–Girl with Cherries, Attributed to Giovanni Ambrogio de Predis, ca. 1491–95
Art inspired by Girl with Cherries, ca. 1491–95, Oil on wood, 19 1/4 x 14 3/4 in. (48.9 x 37.5 cm), Paintings, Attributed to Giovanni Ambrogio de Predis (Italian, Milanese, active by 1472–died after 1508), Trained in Milan, Ambrogio de Predis was associated after 1483 with Leonardo da, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-girl-with-cherries-ca-149195-oil-on-wood-19-14-x-14-34-in-489-x-375-cm-paintings-attributed-to-giovanni-ambrogio-de-predis-italian-milanese-active-by-1472died-after-1508-trained-in-milan-ambrogio-de-predis-was-associated-after-1483-with-leonardo-da-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463025847.htmlRF2HW8J5B–Art inspired by Girl with Cherries, ca. 1491–95, Oil on wood, 19 1/4 x 14 3/4 in. (48.9 x 37.5 cm), Paintings, Attributed to Giovanni Ambrogio de Predis (Italian, Milanese, active by 1472–died after 1508), Trained in Milan, Ambrogio de Predis was associated after 1483 with Leonardo da, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
GIRL WITH CHERRIES, by Ambrogio de Predis, 1491–95, Italian Renaissance painting, oil on wood. The artist Ambrogio de Predis, was an associate of Leonardo da Vinci. It echoes Leonardos style in the soft modeling of light over the face and figure, the graceful hands, and slight smile (BSLOC 2017 16 84) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-girl-with-cherries-by-ambrogio-de-predis-149195-italian-renaissance-170561083.htmlRMKWDMB7–GIRL WITH CHERRIES, by Ambrogio de Predis, 1491–95, Italian Renaissance painting, oil on wood. The artist Ambrogio de Predis, was an associate of Leonardo da Vinci. It echoes Leonardos style in the soft modeling of light over the face and figure, the graceful hands, and slight smile (BSLOC 2017 16 84)
Portrait of a Lady by Leonardo da Vinci. Leonardo di ser Piero da Vinci (1452-1519) an Italian polymath of the Renaissance. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-lady-by-leonardo-da-vinci-leonardo-di-ser-piero-da-vinci-1452-1519-an-italian-polymath-of-the-renaissance-image328349189.htmlRM2A25GMN–Portrait of a Lady by Leonardo da Vinci. Leonardo di ser Piero da Vinci (1452-1519) an Italian polymath of the Renaissance.
ANGEL PLAYING A LIRA DA BRACCIO IN THE PANEL ATTRIBUTED TO AMBROGIO DE PREDIS Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/angel-playing-a-lira-da-braccio-in-the-panel-attributed-to-ambrogio-de-predis-image462964064.htmlRF2HW5RAT–ANGEL PLAYING A LIRA DA BRACCIO IN THE PANEL ATTRIBUTED TO AMBROGIO DE PREDIS
ANGEL PLAYING A LIRA DA BRACCIO IN THE PANEL ATTRIBUTED TO AMBROGIO DE PREDIS Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/angel-playing-a-lira-da-braccio-in-the-panel-attributed-to-ambrogio-de-predis-image592788126.htmlRF2WCBR8E–ANGEL PLAYING A LIRA DA BRACCIO IN THE PANEL ATTRIBUTED TO AMBROGIO DE PREDIS
Girl with Cherries. Artist: Attributed to Giovanni Ambrogio de Predis (Italian, Milanese, active by 1472-died after 1508). Dimensions: 19 1/4 x 14 3/4 in. (48.9 x 37.5 cm). Date: ca. 1491-95. Trained in Milan, Ambrogio de Predis was associated after 1483 with Leonardo da Vinci, with whom he collaborated. The careful study of the positions of the hands and the enigmatic, slight smile both come from Leonardo's example. The painting is sometimes thought to be by another of his followers, such as Giovanni Antonio Boltraffio. The lady wears a wreath of ground ivy, suggesting her connection with hu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/girl-with-cherries-artist-attributed-to-giovanni-ambrogio-de-predis-italian-milanese-active-by-1472-died-after-1508-dimensions-19-14-x-14-34-in-489-x-375-cm-date-ca-1491-95-trained-in-milan-ambrogio-de-predis-was-associated-after-1483-with-leonardo-da-vinci-with-whom-he-collaborated-the-careful-study-of-the-positions-of-the-hands-and-the-enigmatic-slight-smile-both-come-from-leonardos-example-the-painting-is-sometimes-thought-to-be-by-another-of-his-followers-such-as-giovanni-antonio-boltraffio-the-lady-wears-a-wreath-of-ground-ivy-suggesting-her-connection-with-hu-image213112132.htmlRMPAM2KG–Girl with Cherries. Artist: Attributed to Giovanni Ambrogio de Predis (Italian, Milanese, active by 1472-died after 1508). Dimensions: 19 1/4 x 14 3/4 in. (48.9 x 37.5 cm). Date: ca. 1491-95. Trained in Milan, Ambrogio de Predis was associated after 1483 with Leonardo da Vinci, with whom he collaborated. The careful study of the positions of the hands and the enigmatic, slight smile both come from Leonardo's example. The painting is sometimes thought to be by another of his followers, such as Giovanni Antonio Boltraffio. The lady wears a wreath of ground ivy, suggesting her connection with hu
Beatrice d'Este, also known as Beatrice d’Este-Sforza, 1475 – 1497. Duchess of Bari and Milan by marriage to Ludovico Sforza. After a painting by Milanese artist Giovanni Ambrogio de Predis. Some scholars have investigated the possibility that Leonardo da Vinci may have started the painting and that his acquaintance Ambrogio de Predis finished it. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beatrice-deste-also-known-as-beatrice-deste-sforza-1475-1497-duchess-of-bari-and-milan-by-marriage-to-ludovico-sforza-after-a-painting-by-milanese-artist-giovanni-ambrogio-de-predis-some-scholars-have-investigated-the-possibility-that-leonardo-da-vinci-may-have-started-the-painting-and-that-his-acquaintance-ambrogio-de-predis-finished-it-image376313241.htmlRM2CT6FAH–Beatrice d'Este, also known as Beatrice d’Este-Sforza, 1475 – 1497. Duchess of Bari and Milan by marriage to Ludovico Sforza. After a painting by Milanese artist Giovanni Ambrogio de Predis. Some scholars have investigated the possibility that Leonardo da Vinci may have started the painting and that his acquaintance Ambrogio de Predis finished it.
A history of painting . n of theRocks in general arrangement are so slight as to prove thatone is at least an intended replica of the other ; but in spiteof the fact that the Louvre painting, if by Leonardo, isobviously earlier and less mature than the London Virgin ofthe Rocks, considerable doubt must hang about the greaterclaim to authentic certainty as regards the Louvre picture.We have seen that Ambrogio da Predis was partner inLeonardos appeal concerning the payment for it, the whichestablishes da Prediss handiwork upon the Louvre picturefor a certainty. It may be that both paintings were Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-history-of-painting-n-of-therocks-in-general-arrangement-are-so-slight-as-to-prove-thatone-is-at-least-an-intended-replica-of-the-other-but-in-spiteof-the-fact-that-the-louvre-painting-if-by-leonardo-isobviously-earlier-and-less-mature-than-the-london-virgin-ofthe-rocks-considerable-doubt-must-hang-about-the-greaterclaim-to-authentic-certainty-as-regards-the-louvre-picturewe-have-seen-that-ambrogio-da-predis-was-partner-inleonardos-appeal-concerning-the-payment-for-it-the-whichestablishes-da-prediss-handiwork-upon-the-louvre-picturefor-a-certainty-it-may-be-that-both-paintings-were-image338222693.htmlRM2AJ7ADW–A history of painting . n of theRocks in general arrangement are so slight as to prove thatone is at least an intended replica of the other ; but in spiteof the fact that the Louvre painting, if by Leonardo, isobviously earlier and less mature than the London Virgin ofthe Rocks, considerable doubt must hang about the greaterclaim to authentic certainty as regards the Louvre picture.We have seen that Ambrogio da Predis was partner inLeonardos appeal concerning the payment for it, the whichestablishes da Prediss handiwork upon the Louvre picturefor a certainty. It may be that both paintings were
Beatrice d'Este (1475-1497), c1490.Artist: Leonardo da Vinci Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beatrice-deste-1475-1497-c1490artist-leonardo-da-vinci-image262754747.htmlRMW7DEA3–Beatrice d'Este (1475-1497), c1490.Artist: Leonardo da Vinci
. A history of painting... / with a preface by Frank Brangwyn. of theRocks in general arrangement are so slight as to prove thatone is at least an intended replica of the other ; but in spiteof the fact that the Louvre painting, if by Leonardo, isobviously earlier and less mature than the London Virgin ofthe Rocks, considerable doubt must hang about the greaterclaim to authentic certainty as regards the Louvre picture.We have seen that Ambrogio da Predis was partner inLeonardos appeal concerning the payment for it, the whichestablishes da Prediss handiwork upon the Louvre picturefor a certaint Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-history-of-painting-with-a-preface-by-frank-brangwyn-of-therocks-in-general-arrangement-are-so-slight-as-to-prove-thatone-is-at-least-an-intended-replica-of-the-other-but-in-spiteof-the-fact-that-the-louvre-painting-if-by-leonardo-isobviously-earlier-and-less-mature-than-the-london-virgin-ofthe-rocks-considerable-doubt-must-hang-about-the-greaterclaim-to-authentic-certainty-as-regards-the-louvre-picturewe-have-seen-that-ambrogio-da-predis-was-partner-inleonardos-appeal-concerning-the-payment-for-it-the-whichestablishes-da-prediss-handiwork-upon-the-louvre-picturefor-a-certaint-image336712651.htmlRM2AFPGBR–. A history of painting... / with a preface by Frank Brangwyn. of theRocks in general arrangement are so slight as to prove thatone is at least an intended replica of the other ; but in spiteof the fact that the Louvre painting, if by Leonardo, isobviously earlier and less mature than the London Virgin ofthe Rocks, considerable doubt must hang about the greaterclaim to authentic certainty as regards the Louvre picture.We have seen that Ambrogio da Predis was partner inLeonardos appeal concerning the payment for it, the whichestablishes da Prediss handiwork upon the Louvre picturefor a certaint
. Leonardo da Vinci, artist, thinker and man of science;. e suggested. SignorMorelli ascribes this picture to Ambrogio de Prédis,^ whereas Dr.Bode, while insisting on Leonardos authorship, proves that the youngwoman represented was not, as has been asserted, Bianca MariaSforza, wife of the Em-peror Maximilian. For-tunately, Dr. Bodes argu-ments in favour of theauthenticity of the workare irrefutable. Thelearned Director of theBerlin Gallery shows thatAmbrogio de Prédis cer-tainly painted a portraitof Bianca Maria, whichnow forms part of theArconati - Visconti collec-tion in Paris, but that thi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leonardo-da-vinci-artist-thinker-and-man-of-science-e-suggested-signormorelli-ascribes-this-picture-to-ambrogio-de-prdis-whereas-drbode-while-insisting-on-leonardos-authorship-proves-that-the-youngwoman-represented-was-not-as-has-been-asserted-bianca-mariasforza-wife-of-the-em-peror-maximilian-for-tunately-dr-bodes-argu-ments-in-favour-of-theauthenticity-of-the-workare-irrefutable-thelearned-director-of-theberlin-gallery-shows-thatambrogio-de-prdis-cer-tainly-painted-a-portraitof-bianca-maria-whichnow-forms-part-of-thearconati-visconti-collec-tion-in-paris-but-that-thi-image370444363.htmlRM2CEK5FR–. Leonardo da Vinci, artist, thinker and man of science;. e suggested. SignorMorelli ascribes this picture to Ambrogio de Prédis,^ whereas Dr.Bode, while insisting on Leonardos authorship, proves that the youngwoman represented was not, as has been asserted, Bianca MariaSforza, wife of the Em-peror Maximilian. For-tunately, Dr. Bodes argu-ments in favour of theauthenticity of the workare irrefutable. Thelearned Director of theBerlin Gallery shows thatAmbrogio de Prédis cer-tainly painted a portraitof Bianca Maria, whichnow forms part of theArconati - Visconti collec-tion in Paris, but that thi
Search Results for Ambrogio da predis Stock Photos and Images (13)
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