Antonio cavallucci Stock Photos and Images

(32)See antonio cavallucci stock video clips

Quick filters:

Page 1 of 1

Antonio cavallucci Stock Photos and Images

. The Madonna Embracing the Christ Child . 18th century. Attributed to Antonio Cavallucci (1752–1795) Alternative names Antonio Cavalucci; Cavalier Cavallucci; Cavallucci Description painter Date of birth/death 21 August 1752 18 November 1795 Location of birth/death Sermoneta Rome Authority control : Q2274754 VIAF:?71784471 ISNI:?0000 0000 6630 2483 ULAN:?500031570 LCCN:?no2002114512 GND:?102430322 WorldCat Attributed to Antonio Cavallucci The Madonna Embracing the Christ Child Stock Photo

RMMMPRWK–. The Madonna Embracing the Christ Child . 18th century. Attributed to Antonio Cavallucci (1752–1795) Alternative names Antonio Cavalucci; Cavalier Cavallucci; Cavallucci Description painter Date of birth/death 21 August 1752 18 November 1795 Location of birth/death Sermoneta Rome Authority control : Q2274754 VIAF:?71784471 ISNI:?0000 0000 6630 2483 ULAN:?500031570 LCCN:?no2002114512 GND:?102430322 WorldCat Attributed to Antonio Cavallucci The Madonna Embracing the Christ Child

Apotheosis of Four Martyred Saints (Four Crowned Martyrs?), Antonio Cavallucci, 17th century Stock Photo

RMKC84DH–Apotheosis of Four Martyred Saints (Four Crowned Martyrs?), Antonio Cavallucci, 17th century

Apotheosis of Four Martyred Saints (Four Crowned Martyrs?). Artist: Antonio Cavallucci (Italian, Sermoneta 1752-1795 Rome). Dimensions: 14-3/4 x 6-1/8 in. (37.5 x 15.6 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPARW4J–Apotheosis of Four Martyred Saints (Four Crowned Martyrs?). Artist: Antonio Cavallucci (Italian, Sermoneta 1752-1795 Rome). Dimensions: 14-3/4 x 6-1/8 in. (37.5 x 15.6 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Birth of Christ, Antonio Cavallucci, Italian, 1752 - 1795, Pen and ink, brush and wash, on paper, A dramatic scene of the Birth of Jesus Christ: Mary, holding the Infant in her lap, Joseph, standing by her, two Magi kneeling before the Holy Family, two more Magi, and shepherds at the threshold are stopped in awe by a bright beam of light announcing the arrival of God the Father, seated in clouds and preceded by angels, to bless his Son. Christ's family is in a rustic shelter not far from Bethlehem, the city upon a hill in the background., Italy, 18th century, figures, Drawing Stock Photo

RM2DME41K–Birth of Christ, Antonio Cavallucci, Italian, 1752 - 1795, Pen and ink, brush and wash, on paper, A dramatic scene of the Birth of Jesus Christ: Mary, holding the Infant in her lap, Joseph, standing by her, two Magi kneeling before the Holy Family, two more Magi, and shepherds at the threshold are stopped in awe by a bright beam of light announcing the arrival of God the Father, seated in clouds and preceded by angels, to bless his Son. Christ's family is in a rustic shelter not far from Bethlehem, the city upon a hill in the background., Italy, 18th century, figures, Drawing

Attributed to Antonio Cavallucci The Madonna Embracing the Christ Child Stock Photo

RMHKMG2A–Attributed to Antonio Cavallucci The Madonna Embracing the Christ Child

RMPG7BPG–Attributed to Antonio Cavallucci The Madonna Embracing the Christ Child.

Charity withThree Children circa 1790 by Antonio Cavallucci Stock Photo

RM2RR2R4A–Charity withThree Children circa 1790 by Antonio Cavallucci

Drawing, Birth of Christ; Designed by Antonio Cavallucci; Italy; pen and ink, brush and wash, on paper Stock Photo

RM2PME8M1–Drawing, Birth of Christ; Designed by Antonio Cavallucci; Italy; pen and ink, brush and wash, on paper

The Presentation of the Virgin in the Temple; 1790/1795 Antonio Cavallucci, The Presentation of the Virgin in the Temple, 1790-1795 Stock Photo

RM2AE7045–The Presentation of the Virgin in the Temple; 1790/1795 Antonio Cavallucci, The Presentation of the Virgin in the Temple, 1790-1795

Art inspired by Apotheosis of Four Martyred Saints (Four Crowned Martyrs?), 17th century, Pen and brown ink, washed with brown ink and white. Ceiling design with semi-circular ends, 14-3/4 x 6-1/8 in. (37.5 x 15.6 cm), Drawings, Antonio Cavallucci (Italian, Sermoneta 1752–1795 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5CA3–Art inspired by Apotheosis of Four Martyred Saints (Four Crowned Martyrs?), 17th century, Pen and brown ink, washed with brown ink and white. Ceiling design with semi-circular ends, 14-3/4 x 6-1/8 in. (37.5 x 15.6 cm), Drawings, Antonio Cavallucci (Italian, Sermoneta 1752–1795 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Head of a Woman, n.d. Attributed to Antonio Cavallucci. Stock Photo

RM2KFKK20–Head of a Woman, n.d. Attributed to Antonio Cavallucci.

Apotheosis of Four Martyred Saints (Four Crowned Martyrs?) 17th century Antonio Cavallucci. Apotheosis of Four Martyred Saints (Four Crowned Martyrs?) 342315 Stock Photo

RM2HH8EE2–Apotheosis of Four Martyred Saints (Four Crowned Martyrs?) 17th century Antonio Cavallucci. Apotheosis of Four Martyred Saints (Four Crowned Martyrs?) 342315

Francesco Caetani, Duke of Sermoneta in (1738-1810), 1772. Artist: Pietro Leone Bombelli. Stock Photo

RMW7F5D7–Francesco Caetani, Duke of Sermoneta in (1738-1810), 1772. Artist: Pietro Leone Bombelli.

Portret Van Politicus Andrea Memmo, Girolamo Carattoni, After Antonio Cavallucci, Afterelica Kauffmann, 1785 - 1809 print Rome paper etching / engraving historical persons Stock Photo

RM2WD14YX–Portret Van Politicus Andrea Memmo, Girolamo Carattoni, After Antonio Cavallucci, Afterelica Kauffmann, 1785 - 1809 print Rome paper etching / engraving historical persons

'Demetrius Cantemir S. Ros Siaci Imperii, et Moldaviae Princeps', 1734. Artist: Unknown. Stock Photo

RMW7F5D9–'Demetrius Cantemir S. Ros Siaci Imperii, et Moldaviae Princeps', 1734. Artist: Unknown.

RMHT3D1C–Francesco Caetani, Duke of Sermoneta in (1738-1810), 1772. Artist: Pietro Leone Bombelli.

Sermoneta, a medieval hill village Stock Photo

RFPHPR0J–Sermoneta, a medieval hill village

RMHT3D1E–'Demetrius Cantemir S. Ros Siaci Imperii, et Moldaviae Princeps', 1734. Artist: Unknown.

Head of an Angel, late 18th century. Stock Photo

RM2T1EEDX–Head of an Angel, late 18th century.

The Presentation of the Virgin in the Temple. Dated: 1790/1795. Dimensions: sheet: 24.9 x 33.4 cm (9 13/16 x 13 1/8 in.). Medium: black chalk with pen and brown ink and brown wash, heightened with white gouache on laid paper washed light green-blue. Museum: National Gallery of Art, Washington DC. Author: Antonio Cavallucci. Stock Photo

RMR33NMT–The Presentation of the Virgin in the Temple. Dated: 1790/1795. Dimensions: sheet: 24.9 x 33.4 cm (9 13/16 x 13 1/8 in.). Medium: black chalk with pen and brown ink and brown wash, heightened with white gouache on laid paper washed light green-blue. Museum: National Gallery of Art, Washington DC. Author: Antonio Cavallucci.

Saint Benedict Joseph Labre 1795 by Antonio Cavallucci Stock Photo

RM2RR2R46–Saint Benedict Joseph Labre 1795 by Antonio Cavallucci

RFPHPR03–Sermoneta, a medieval hill village

The Presentation of the Virgin in the Temple, 1790/1795. Stock Photo

RM2K09NJ3–The Presentation of the Virgin in the Temple, 1790/1795.

A dramatic scene of the Birth of Jesus Christ: Mary, holding the Infant in her lap, Joseph, standing by her, two Magi kneeling before the Holy Family, two more Magi, and shepherds at the threshold are stopped in awe by a bright beam of light announcing the arrival of God the Father, seated in clouds and preceded by angels, to bless his Son. Christ's family is in a rustic shelter not far from Bethlehem, the city upon a hill in the background. Date: 18th century. Pen and ink, brush and wash, on paper. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photo

RM2R6EYBM–A dramatic scene of the Birth of Jesus Christ: Mary, holding the Infant in her lap, Joseph, standing by her, two Magi kneeling before the Holy Family, two more Magi, and shepherds at the threshold are stopped in awe by a bright beam of light announcing the arrival of God the Father, seated in clouds and preceded by angels, to bless his Son. Christ's family is in a rustic shelter not far from Bethlehem, the city upon a hill in the background. Date: 18th century. Pen and ink, brush and wash, on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.