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RMD3ETFP–Denis Diderot, 1713 –1784. French philosopher, art critic and writer. After the painting by Louis-Michel van Loo.
RM2B01A7M–Japan: Poster for the Proletarian Art Institute, c. 1930. During late 1920s and 1930s Japan, a new poster style developed that reflected the growing influence of the masses in Japanese society. These art posters were strongly influenced by the emerging political forces of Communism and Fascism in Europe and the Soviet Union, adopting a style that incorporated bold slogans with artistic themes ranging from Leftist socialist realism through Stateism and state-directed public welfare, to Militarism and Imperialist expansionism.
RMD2R9R9–Black Rainbow, a pyrotechnic art display by Chinese artist Cai Guo-Qiang, seen arcing over Edinburgh Castle
RF2NH6G5N–Art of old Spain. Glass jug. XVI century (left). Glass vinegary container. 18th century (right)
RMF76WDE–Jacopo Tintoretto - Female Figure in Flight - Art - Painting - XVI th century - Italian Renaissance
RMHN5NA1–Japanese art. Ink and color scroll painting 'Monkeys and Sparrows' by Mori Sosen, c.1800 (Edo Period).
RME7JN01–John Ruskin (1819-1900) English art critic circa 1885 aged 66. See description for more information.
RM2B01A37–Japan: Theatrical Poster for 'Kriemhild’s Revenge', 1925. Between the end of the First World War in 1918 and the outbreak of the Pacific War in 1941, Japanese graphic design as represented in advertsing posters, magazine covers and book covers underwent a series of changes characterised by increasing Western influence, a growing middle class, industrialisation and militarisation, as well as (initially) left wing political ideals and (subsequently) right wing nationalism and the influence of European Fascist art forms.
RMERH7XG–John Ruskin - portrait by C. W. Quinnell. JR: English art critic, philosopher and watercolourist, 8 February 1819 - 20 January
RMD2R9T8–Black Rainbow, a pyrotechnic art display by Chinese artist Cai Guo-Qiang, seen arcing over Edinburgh Castle
RF2NH6GW6–Art of Old Spain. Leather work. XVII century (Cuero labrado. Siglo XVII). Madrid, by Don Jose Weissberger.
RMMBD7JG–VOODOO ART Voodoun altar cloth with the classical mermaid symbol. By Edgar, 'La Sirene', 1993
RM2HXD4AM–Portrait of the American lawyer and art collector, John Quinn (1870-1924) by John Butler Yeats, oil on canvas, 1908
RME7JN06–John Ruskin (1819-1900) English art critic circa 1880 aged 61. See description for more information.
RM2B01PY6–Laos: Construction and industry in Laos. Revolutionary Socialist realist-style political poster on the streets of Vientiane. Socialist realism is a style of realistic art which was developed in the Soviet Union and became a dominant style in other communist countries. Socialist realism is a teleologically-oriented style having its purpose the furtherance of the goals of socialism and communism. Although related, it should not be confused with social realism, a type of art that realistically depicts subjects of social concern.
RMERHCW2–Édouard Fétis, Belgian art historian, music historian and critic. Born Bouvignes, 1812 - 31 January 1909.
RMF4HN49–Frances Morris, Head of Collections (International Art) at the Tate and author, at the Edinburgh International Book Festival 2015. Edinburgh, Scotland. 25th August 2015
RF2NH6GD7–Art of Old Spain. Aspiration (Hope). Leather work in Plateresque style, the figure in bronze. Early 16th century
RMMC85NF–GRIMOIRE The Girdle of Solomon, from 'The Art of Cyprian', mid 16th century manuscript on 'angelology'
RM2G0746J–The Art Gallery of Jan Gildemeester Jansz by Adriaan de Lelie (1755-1820), oil on panel, c. 1794-95
RME7JN04–John Ruskin (1819-1900) English art critic circa 1865 aged 46. See description for more information.
RM2B01A35–Japan: Advertising poster for the Tokyo Construction Fair, 1935. Between the end of the First World War in 1918 and the outbreak of the Pacific War in 1941, Japanese graphic design as represented in advertsing posters, magazine covers and book covers underwent a series of changes characterised by increasing Western influence, a growing middle class, industrialisation and militarisation, as well as (initially) left wing political ideals and (subsequently) right wing nationalism and the influence of European Fascist art forms.
RMWAXJ65–Poster dating from 1897 advertising the art and framing shop of N. Lembrée in Brussels. Designed by Belgium artist Theo Van Rysselberghe, 1862-1926.
RMF4FW99–Frances Morris, Head of Collections (International Art) at the Tate and author, at the Edinburgh International Book Festival 2015. Edinburgh, Scotland. 25th August 2015
RF2NH6GD6–Art of Old Spain. Vintage photo of Gothic leather covered box. Museum in Barcelona Gothic leather-covered box. XVI century
RMMC6EW6–ANGELS - Voodoo Art Voodoun altar cloth depicting an angel with the moon. By Vacris, 1994, 'Angel'
RM2A7GPRK–America Windows, stained glass windows by Marc Chagall (1887-1985), 1977. Art Institute of Chicago, Chicago, Illinois, USA.
RME7JNJ5–John Ruskin (1819-1900) English art critic circa 1870 aged 51. See description for more information.
RM2B01P0M–Korea: North Korean (DPRK) propaganda poster showing Kim Il Sung (in business suit) together with Kim Jong Il (in Mao suit) both beaming atop a mountain range, Pyongyang. Socialist Realism is a style of realistic art which developed under Socialism in the Soviet Union and became a dominant style in other communist countries. Socialist Realism is a teleologically-oriented style having as its purpose the furtherance of the goals of socialism and communism
RMERGWWB–Henry Thomas Hope: British art collector and author. His novel 'Anastasius' was considered a rival to Byron, 30 August 1769 -3
RMF4FTD4–Frances Morris, Head of Collections (International Art) at the Tate and author, at the Edinburgh International Book Festival 2015. Edinburgh, Scotland. 25th August 2015
RF2NH6GD3–Art of Old Spain. Vintage photo of Patio de las Dencellas, Alcazar, Seville. Wall tiles, Moorish star pattern (1369-1379)
RMMBD3K4–Symbols - Science. A carved Face, personification of the Art of Science. Facade of the Library and Museum, Hereford.
RM2A7GPRP–America Windows, stained glass windows by Marc Chagall (1887-1985), 1977. Art Institute of Chicago, Chicago, Illinois, USA.
RM2RCYAAH–Ivan Aivazovsky. Full name, Ivan Konstantinovich Aivazovsky, 1817 - 1900. Armenian-Russian Romantic artist famed for his marine art. After a contemporary photograph.
RM2B01D24–Pakistan/Afghanistan: Standing image of the Buddha, Gandhara Kingdom, 1st-2nd century CE. Gandhāra is noted for the distinctive Gandhāra style of Buddhist art, which developed out of a merger of Greek, Syrian, Persian and Indian artistic influence. This development began during the Parthian Period (50 BCE - 75 CE). Gandhāran style flourished and achieved its peak during the Kushan period, from the 1st to the 5th century. It declined and suffered destruction after invasion of the White Huns in the 5th century.
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