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Engaged frame Stock Photos and Images
RMKC8KWX–The Nativity, Tempera and gold on wood, Overall, with engaged frame, 15 1/4 x 11 1/2 in. (38.7 x 29.2 cm); painted surface 13 x
RF2HTY1HM–Art inspired by Monsieur de Bellefourière, Oil on wood, Overall, with arched top and engaged frame, 18 3/8 x 13 1/8 in. (46.7 x 33.3 cm), Paintings, French Painter (dated 1521, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPA9AME–Saint Romuald. Artist: Pseudo-Palmeruccio (Italian, Gubbio, active ca. 1320-60). Dimensions: Overall, with engaged frame, 18 1/8 x 10 3/4 in. (46 x 27.3 cm). Date: possibly ca. 1320-30. Museum: Metropolitan Museum of Art, New York, USA.
RMMPAHJ9–. Madonna and Child before a Window. tempera on panel, in an engaged frame, painted surface: 73.7 by 44.1 cm . circa 1500. 871 Master of the Fiesole Epiphany Madonna and Child before a Window
RM2JNEP3J–The Crucifixion by Ambrogio Lorenzetti, Italian, c. 1345, tempera and gold on panel with engaged frame
RM2M93CKN–Virgin and Child Enthroned with Saints Benedict and Donato (?) and Four Angels Italian (Aretine School). , 1320-1330. Tempera and tooled gold on panel in an original engaged frame, 20 x 12 x 2 in. (50.8 x 30.5 x 5.1 cm). European Art 1320-1330
RM2TKFGT7–Gyzis Nikolaos (1842 - 1901) The Betrothal of the Children, 1877, Painting 19ty-20th Century, National Gallery, Athens, Greece. “Betrothal of the Children”, which exists in two variations, records a custom from Ottoman times. The parents engaged their children while still at a very young age, perhaps in order to protect them from being abducted by Turks. Arranged in a semi-circle in a village home interior,
RM2RG917N–Factory woman seated at her frame, preparing the wasp for a handloom. At the time the population of upwards of 18,000 people, with the principal portion of whom were engaged in cotton and the silk industry.
RMDPF0TE–Colourful wall painting, fresco, demons engaged in a fierce battle, Maharaja-Iena cave, Buddhist cave temple of Dambulla
RMW0N70R–This C-Span video frame shows members of the House Democrats including Rep. John Lewis (D-GA) (L) engaged in a sit-in in an attempt to force a gun control vote on the floor of the House Chambers of the U.S. Capitol Building in Washington, D.C. on June 22, 2016. Democrats are asking Speaker Paul Ryan to take up legislation on gun law reforms prior to an upcoming House recess. Photo by UPI
RM2AE91EX–Zanobi Strozzi (Italian, Florence 1412–1468 Florence)The Nativity, Tempera and gold on wood; Overall, with engaged frame, 15 1/4 x 11 1/2 in. (38.7 x 29.2 cm); painted surface 13 x 9 1/8 in. (33 x 23.2 cm) The Metropolitan Museum of Art, New York, Rogers Fund, 1924 (24.22) http://www.metmuseum.org/Collections/search-the-collections/435579
RF2A4DK0N–child looks out of a round wooden window and smiles. The boy climbed out of the round window and smiles pretty straight into the frame. Cheerful
RMKCD1FH–The Crucifixion, probably mid-1450s, Tempera on wood, gold ground, Shaped top, central panel, overall, with engaged frame, 18 x
RF2HW8RK2–Art inspired by Saint Nicholas of Bari, mid-1430s, Tempera on panel, Engaged Frame: 29.7 x 13.4 in. (75.4 x 34.0 cm), Paintings, Pietro di Giovanni d'Ambrogio (Italian, Siena 1410–1449 Siena, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAXC69–Head of Christ. Artist: European Painter (before 1500). Dimensions: Overall, with engaged frame, 19 3/8 x 14 1/8 in. (49.2 x 35.9 cm); painted surface 16 3/4 x 12 1/2 in. (42.5 x 31.8 cm). Museum: Metropolitan Museum of Art, New York, USA.
RMMNX664–. English: SCHOOL OF TYROL, CIRCA 1500 THE RISEN CHRIST FLANKED BY THE VIRGIN AND ST. JOHN THE EVANGELIST WITH TWO ANGELS tempera on panel, engaged frame 32.4 by 23.5 cm. . 29 January 2013, 14:31:00. 1105 SCHOOL OF TYROL, CIRCA 1500 THE RISEN CHRIST
RF2K9YX10–In an oval frame, decorated with ornaments, a representation of a young man on a falcon hunt. In the background, boys are engaged in hunting, sports a
RM2HJ4CDA–Tabernacle frame second quarter 14th century Italian, Siena The shallow molding profile of this engaged frame provides a gentle transition to the punched borders of the painting, a 'Madonna and Child'' formerly attributed to Naddo Ceccarelli (fl. 1340s). The compressed ogee molding is refined with two lines of punching above and below it that echo the punched haloes and drapery of the Madona and Child. The summary acanthus leaves on the gabled outline of the frame are like a ripple of light surmounting the painting. In the nineteenth century this panel was attached to two rectangular panels al
RM2TKFKFC–Gyzis Nikolaos (1842 - 1901) The Betrothal of the Children, 1877, Painting 19ty-20th Century, National Gallery, Athens, Greece. “Betrothal of the Children”, which exists in two variations, records a custom from Ottoman times. The parents engaged their children while still at a very young age, perhaps in order to protect them from being abducted by Turks. Arranged in a semi-circle in a village home interior,
RF2JA9WTR–JV Initials letter Wedding monogram logos collection, hand drawn modern minimalistic and floral templates for Invitation cards, Save the Date, elegant
RF2C133XB–portrait of beautiful young wedding couple posing at outdoor photo shoot holding Save the date sign
RM2K63RCK–Factory girl seated at her frame, preparing the wasp for a power-loom in a large manufacturing town in the county of Chester. At the time the population of upwards of 18,000 people, with the principal portion of whom were engaged in cotton and the silk industry.
RF2A4DKBH–child looks out of a round wooden window and smiles. The boy climbed out of the round window and smiles pretty straight into the frame. Cheerful
RMKCC666–Portrait of a Young Man, Oil on wood, Overall, with arched top and engaged frame, 13 x 10 1/8 in. (33 x 25.7 cm); painted
RF2HTY2WG–Art inspired by Saint Romuald, possibly 1320s, Tempera on wood, gold ground, Overall, with engaged frame, 18 1/8 x 10 3/4 in. (46 x 27.3 cm), Paintings, Guido Palmeruccio (Guiduccio Palmerucci) (Italian, Gubbio, active 1315–49, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB213X–Portrait of a Man of the Moncheaux Family. Artist: Northern French Painter (dated 1605). Dimensions: Overall, with engaged frame, 10 3/4 x 8 3/8 in. (27.3 x 21.3 cm); painted surface 9 x 6 3/4 in. (22.9 x 17.1 cm). Museum: Metropolitan Museum of Art, New York, USA.
RMPCA40D–Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Siena 1398–1482 Siena) The Blessed Ambrogio Sansedoni (1220–1286), 1447–65 Tempera on wood, gold ground; Overall, with engaged frame, 20 5/8 x 7 in. (52.4 x 17.8 cm); painted surface 19 1/4 x 4 7/8 in. (48.9 x 12.4 cm) The Metropolitan Museum of Art, New York, Robert Lehman Collection, 1975 (1975.1.56) http://www.metmuseum.org/Collections/search-the-collections/458996 246 Giovanni di Paolo - Blessed Ambrogio Sansedoni (Metropolitan Museum of Art 1975.1.56)
RM2HHWFJT–Madonna and Child 1370s Paolo di Giovanni Fei Italian This independent panel of the Madonna nursing her child is among the masterpieces of fourteenth-century Sienese painting. It transforms a common, maternal activity into an icon of devotion and is painted with Fei's special feeling for decorative richness and technical refinement. The engaged frame is original, as are the gold-backed, glass medallions with images of the Annunciation, saints, and the head of Christ—a technique known as verre églomisé. The picture may originally have stood on an altar or hung in a domestic interior.. Madonna a
RM2TKFMXM–Gyzis Nikolaos (1842 - 1901) The Betrothal of the Children, 1877, Painting 19ty-20th Century, National Gallery, Athens, Greece. “Betrothal of the Children”, which exists in two variations, records a custom from Ottoman times. The parents engaged their children while still at a very young age, perhaps in order to protect them from being abducted by Turks. Arranged in a semi-circle in a village home interior,
RF2HMKN36–BQ Initials letter Wedding monogram logos collection, hand drawn modern minimalistic and floral templates for Invitation cards, Save the Date, elegant
RMKCC665–Monsieur de Bellefourière, Oil on wood, Overall, with arched top and engaged frame, 18 3/8 x 13 1/8 in. (46.7 x 33.3 cm
RF2HW8GJ2–Art inspired by The Coronation of the Virgin, and Saints, 1394, Tempera on wood, gold ground, Overall, with shaped top and engaged frame, 78 3/8 x 76 in. (199.1 x 193 cm), Paintings, Giovanni di Tano Fei (Italian, Florentine, active 1384–1405, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAAB7B–The Exultation of Saint Nicholas of Tolentino. Artist: Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Siena 1398-1482 Siena). Dimensions: Overall, with engaged frame, 19 1/8 x 14 1/4 in. (48.6 x 36.2 cm). Date: ca. 1450. Museum: Metropolitan Museum of Art, New York, USA.
RMMP6M88–Pietro di Giovanni d'Ambrogio (Italian, Siena 1410–1449 Siena) Saint Nicholas of Bari, mid-1430s Tempera on panel; Engaged Frame: 29.7 x 13.4 in. (75.4 x 34.0 cm) Painted Surface: 9 5/8 x 2 15/16 in. (24.5 x 7.5 cm) The Metropolitan Museum of Art, New York, Robert Lehman Collection, 1975 (1975.1.28B) http://www.metmuseum.org/Collections/search-the-collections/459258 Saint Nicholas of Bari . Saint Nicholas of Bari . 1430s. 995 Pietro di Giovanni d'Ambrogio. Saint Nicholas of Bari, mid 1430's Met.museum N-Y
RM2HHW3H1–Engaged cassetta frame on a polyptych panel ca. 1380 Siena Siena Information on Niccolò di Buonaccorso (active 1356, d. 1388) is sparse, but this 'Coronation of the Virgin' is thought to be part of a portable altarpiece he painted circa1380. Two other panels with scenes from the life of the Virgin in a similar style and size and with similar frames are in the Uffizi, Florence and the National Gallery, London. The engaged frame on the Lehman panel has an intact patina. The London frame, unfortunately, no longer has its original surface. On all three frames there is no frieze between the ogee on
RM2TKFJ5R–Gyzis Nikolaos (1842 - 1901) The Betrothal of the Children, 1877, Painting 19ty-20th Century, National Gallery, Athens, Greece. “Betrothal of the Children”, which exists in two variations, records a custom from Ottoman times. The parents engaged their children while still at a very young age, perhaps in order to protect them from being abducted by Turks. Arranged in a semi-circle in a village home interior,
RF2JA9WRF–LR Initials letter Wedding monogram logos collection, hand drawn modern minimalistic and floral templates for Invitation cards, Save the Date, elegant
RMKCC5J6–Saint Romuald, possibly 1320s, Tempera on wood, gold ground, Overall, with engaged frame, 18 1/8 x 10 3/4 in. (46 x 27.3 cm
RF2HW8RJP–Art inspired by Saint Michael, mid-1430s, Tempera on wood with silver, gold ground, Engaged Frame: 11 11/16 x 5 1/4 in. (29.7 x 13.4 cm), Paintings, Pietro di Giovanni d'Ambrogio (Italian, Siena 1410–1449 Siena, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB1NW9–Saint Nicholas of Bari. Artist: Pietro di Giovanni d'Ambrogio (Italian, Siena 1410-1449 Siena). Dimensions: Engaged Frame: 29.7 x 13.4 in. (75.4 x 34.0 cm) Painted Surface: 9 5/8 x 2 15/16 in. (24.5 x 7.5 cm). Date: mid-1430s. Museum: Metropolitan Museum of Art, New York, USA.
RMMP6M89–Pietro di Giovanni d'Ambrogio (Italian, Siena 1410–1449 Siena) Saint Michael, mid-1430s Tempera on wood with silver, gold ground; Engaged Frame: 11 11/16 x 5 1/4 in. (29.7 x 13.4 cm) Painted Surface: 9 5/8 x 2 15/16 in. (24.5 x 7.5 cm.) The Metropolitan Museum of Art, New York, Robert Lehman Collection, 1975 (1975.1.28A) http://www.metmuseum.org/Collections/search-the-collections/459257 St Michael mid 1430s. 995 Pietro di Giovanni d'Ambrogio. mid 1430's St Michael. Met.museum N-Y
RM2M925WW–Madonna of Humility Sano di Pietro (Italian, Sienese, 1405-1481). Madonna of Humility, early 1440s. Tempera and tooled gold and silver on panel with engaged frame, 20 7/8 x 14 1/4 in. (53 x 36.2 cm). This early Madonna is unusual in Sano’s prolific career in that it shows not only the graceful linear forms that characterize Sienese painting, but also the powerful effect of Florentine realism in the pliant muscularity of the Child and the sense of observed reality in the head of the Madonna. The Madonna of Humility refers to images of the Virgin seated modestly on the ground (usually, as here,
RM2RH9JC6–Allegory of Painting 1675–79 by Jacob Toorenvliet 1640 – 1719 Leiden 1675–79medium oil on copper Dutch, The Netherlands, Holland. Jacob Toorenvliet’s oeuvre is that of common people engaged in everyday activities, but on at least six occasions he painted abstract allegories,
RF2JAA081–TE Initials letter Wedding monogram logos collection, hand drawn modern minimalistic and floral templates for Invitation cards, Save the Date, elegant
RMKCD054–The Crucifixion, ca. 1315, Tempera on panel, Left wing, overall, with engaged frame, 15 1/8 x 10 5/8 in. (38.4 x 27 cm); right
RF2HW8PYG–Art inspired by Madonna and Child Enthroned with Two Donors, 1315–30, Tempera on wood, gold ground, Overall, with engaged frame, 20 3/4 x 11 3/4 in. (52.7 x 29.8 cm), Paintings, Goodhart Ducciesque Master (Italian, Siena, active ca. 1315–30, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAC1RX–Saint Michael. Artist: Pietro di Giovanni d'Ambrogio (Italian, Siena 1410-1449 Siena). Dimensions: Engaged Frame: 11 11/16 x 5 1/4 in. (29.7 x 13.4 cm) Painted Surface: 9 5/8 x 2 15/16 in. (24.5 x 7.5 cm.). Date: mid-1430s. Museum: Metropolitan Museum of Art, New York, USA.
RMMW5BR4–. English: Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Siena 1398–1482 Siena) The Blessed Ambrogio Sansedoni, 1447–65, Tempera on wood, gold ground; Overall, with engaged frame, 20 5/8 x 7 in. (52.4 x 17.8 cm); painted surface 19 1/4 x 4 7/8 in. (48.9 x 12.4 cm) The Metropolitan Museum of Art, New York, Robert Lehman Collection, 1975 (1975.1.56) http://www.metmuseum.org/Collections/search-the-collections/458996 . between 1447 and 1465. Giovanni di Paolo (1403–1482) Alternative names Giovanni di Paolo di Grazia; Giovanni Di Paolo Di Grazi; Giovanni dal Poggio; Giovanni; Gi
RF2PRAEG6–Text caption presenting Are You In. Business showcase Asking if you are engaged compromise with a certain cause Blank Frame Decorated With Abstract Modernized Forms Flowers And Foliage.
RM2M925W2–Madonna of Humility Sano di Pietro (Italian, Sienese, 1405-1481). Madonna of Humility, early 1440s. Tempera and tooled gold and silver on panel with engaged frame, 20 7/8 x 14 1/4 in. (53 x 36.2 cm). This early Madonna is unusual in Sano’s prolific career in that it shows not only the graceful linear forms that characterize Sienese painting, but also the powerful effect of Florentine realism in the pliant muscularity of the Child and the sense of observed reality in the head of the Madonna. The Madonna of Humility refers to images of the Virgin seated modestly on the ground (usually, as here,
RM2RH9JCR–Allegory of Painting 1675–79 by Jacob Toorenvliet 1640 – 1719 Leiden 1675–79medium oil on copper Dutch, The Netherlands, Holland. Jacob Toorenvliet’s oeuvre is that of common people engaged in everyday activities, but on at least six occasions he painted abstract allegories,
RF2JA9W5M–GY Initials letter Wedding monogram logos collection, hand drawn modern minimalistic and floral templates for Invitation cards, Save the Date, elegant
RMKCC637–Head of Christ, Tempera on wood, gold ground, Overall, with engaged frame, 19 3/8 x 14 1/8 in. (49.2 x 35.9 cm); painted surface
RF2HTY1HY–Art inspired by Portrait of a Young Man, Oil on wood, Overall, with arched top and engaged frame, 13 x 10 1/8 in. (33 x 25.7 cm); painted surface 10 5/8 x 8 in. (27 x 20.3 cm), Paintings, French (Burgundian?) Painter (ca. 1495, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB1K99–Virgin and Child with Saint Anne Presenting Anna van Nieuwenhove. Artist: Master of the Saint Ursula Legend (Netherlandish, active late 15th century). Culture: Netherlandish. Dimensions: Overall, with engaged frame 23 5/8 x 17 3/4 in. (59.9 x 45 cm); painted surface 19 5/8 x 13 1/2 in. (49.8 x 34.3 cm). Date: 1479-82. Museum: Metropolitan Museum of Art, New York, USA.
RF2K2XAPM–Hand writing sign Big Rebate. Concept meaning Huge rewards that can get when you engaged to a special promo Frame Decorated With Colorful Flowers And Foliage Arranged Harmoniously.
RM2M925T1–Madonna of Humility Sano di Pietro (Italian, Sienese, 1405-1481). Madonna of Humility, early 1440s. Tempera and tooled gold and silver on panel with engaged frame, 20 7/8 x 14 1/4 in. (53 x 36.2 cm). This early Madonna is unusual in Sano’s prolific career in that it shows not only the graceful linear forms that characterize Sienese painting, but also the powerful effect of Florentine realism in the pliant muscularity of the Child and the sense of observed reality in the head of the Madonna. The Madonna of Humility refers to images of the Virgin seated modestly on the ground (usually, as here,
RF2JA9X21–OM Initials letter Wedding monogram logos collection, hand drawn modern minimalistic and floral templates for Invitation cards, Save the Date, elegant
RMKCC58K–Portrait of a Man, Oil on wood, Overall, with arched top and engaged frame, 18 1/8 x 13 1/2 in. (46 x 34.3 cm); painted surface
RF2HW8PYA–Art inspired by The Exultation of Saint Nicholas of Tolentino, ca. 1450, Tempera on wood, gold ground, Overall, with engaged frame, 19 1/8 x 14 1/4 in. (48.6 x 36.2 cm), Paintings, Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Siena 1398–1482 Siena, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAKW5X–The Nativity. Artist: Maestro Daddesco (Italian, Florence, active ca. 1320-40). Dimensions: Overall, with engaged frame, 11 5/8 x 8 3/8 in. (29.5 x 21.3 cm); painted surface 8 1/2 x 6 7/8 in. (21.6 x 17.5 cm). Former Attribution: Follower of Bernardo Daddi (Italian, Florence (?) ca. 1290-1348 Florence). Date: ca. 1320-40. Museum: Metropolitan Museum of Art, New York, USA.
RF2K2XAH1–Writing displaying text Big Rebate. Word for Huge rewards that can get when you engaged to a special promo Blank frame decorated with modern science symbols displaying technology.
RM2M925WT–Madonna of Humility Sano di Pietro (Italian, Sienese, 1405-1481). Madonna of Humility, early 1440s. Tempera and tooled gold and silver on panel with engaged frame, 20 7/8 x 14 1/4 in. (53 x 36.2 cm). This early Madonna is unusual in Sano’s prolific career in that it shows not only the graceful linear forms that characterize Sienese painting, but also the powerful effect of Florentine realism in the pliant muscularity of the Child and the sense of observed reality in the head of the Madonna. The Madonna of Humility refers to images of the Virgin seated modestly on the ground (usually, as here,
RF2JA9Y31–RP Initials letter Wedding monogram logos collection, hand drawn modern minimalistic and floral templates for Invitation cards, Save the Date, elegant
RMKC7XPG–The Nativity, ca. 1320–40, Tempera on wood, gold ground, Overall, with engaged frame, 11 5/8 x 8 3/8 in. (29.5 x 21.3 cm
RF2HW8GND–Art inspired by Portrait of a Man of the Moncheaux Family, Oil on wood, Overall, with engaged frame, 10 3/4 x 8 3/8 in. (27.3 x 21.3 cm); painted surface 9 x 6 3/4 in. (22.9 x 17.1 cm), Paintings, Northern French Painter (dated 1605, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAM1RA–Madonna and Child Enthroned with Saints Peter and Paul and Angels. Artist: Lippo Vanni (Lippo Vanni di Giovanni) (Italian, Sienese, active 1341-75). Dimensions: Overall, with engaged frame, 13 1/8 x 8 5/8 in. (33.3 x 21.9 cm); painted surface 11 3/4 x 7 3/8 in. (29.8 x 18.7 cm). The panel is a characteristic work by Lippo Vanni, who was the leading illuminator in Siena in the middle of the fifteenth century. Museum: Metropolitan Museum of Art, New York, USA.
RM2M925TM–Madonna of Humility Sano di Pietro (Italian, Sienese, 1405-1481). Madonna of Humility, early 1440s. Tempera and tooled gold and silver on panel with engaged frame, 20 7/8 x 14 1/4 in. (53 x 36.2 cm). This early Madonna is unusual in Sano’s prolific career in that it shows not only the graceful linear forms that characterize Sienese painting, but also the powerful effect of Florentine realism in the pliant muscularity of the Child and the sense of observed reality in the head of the Madonna. The Madonna of Humility refers to images of the Virgin seated modestly on the ground (usually, as here,
RF2JA9RAW–AQ Initials letter Wedding monogram logos collection, hand drawn modern minimalistic and floral templates for Invitation cards, Save the Date, elegant
RMKCD5NM–The Man of Sorrows, ca. 1430, Tempera and gold on wood, Overall, with engaged frame, 21 5/8 x 15 1/4 in. (54.9 x 38.7 cm
RF2HTY1A5–Art inspired by Head of Christ, Tempera on wood, gold ground, Overall, with engaged frame, 19 3/8 x 14 1/8 in. (49.2 x 35.9 cm); painted surface 16 3/4 x 12 1/2 in. (42.5 x 31.8 cm), Paintings, European Painter (before 1500, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB3JPN–Madonna and Child with the Annunciation and the Nativity. Artist: Goodhart Ducciesque Master (Italian, Siena, active ca. 1315-30). Dimensions: Overall, with engaged frame, 12 1/8 x 8 1/4 in. (30.8 x 21 cm); painted surface 10 1/4 x 6 1/2 in. (26 x 16.5 cm). Date: ca. 1310-15. This delicately painted panel is by a close follower of Duccio and employs some of his favorite devices, such as the Child playing with the veil of the Virgin, who engages the gaze of the viewer-worshipper. Its small size made it perfect for private devotion, as it could be easily moved. The scenes of the Annunciation
RM2M925W9–Madonna of Humility Sano di Pietro (Italian, Sienese, 1405-1481). Madonna of Humility, early 1440s. Tempera and tooled gold and silver on panel with engaged frame, 20 7/8 x 14 1/4 in. (53 x 36.2 cm). This early Madonna is unusual in Sano’s prolific career in that it shows not only the graceful linear forms that characterize Sienese painting, but also the powerful effect of Florentine realism in the pliant muscularity of the Child and the sense of observed reality in the head of the Madonna. The Madonna of Humility refers to images of the Virgin seated modestly on the ground (usually, as here,
RF2JA9T6Y–CQ Initials letter Wedding monogram logos collection, hand drawn modern minimalistic and floral templates for Invitation cards, Save the Date, elegant
RMKCC685–Saint Paul, Tempera on wood, gold ground, Overall, with shaped top and engaged frame, 60 x 16 1/2 in. (152.4 x 41.9 cm); painted
RF2HTY2D5–Art inspired by Portrait of a Man, Oil on wood, Overall, with arched top and engaged frame, 18 1/8 x 13 1/2 in. (46 x 34.3 cm); painted surface 15 5/8 x 11 1/4 in. (39.7 x 28.6 cm), Paintings, Quentin Metsys (Netherlandish, Leuven 1466–1530 Kiel, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPARYG6–The Crucifixion. Artist: Segna di Buonaventura (Italian, active Siena by 1298-died 1326/31). Dimensions: Left wing, overall, with engaged frame, 15 1/8 x 10 5/8 in. (38.4 x 27 cm); right wing, overall, with engaged frame, 15 x 10 5/8 in. (38.1 x 27 cm). Date: ca. 1315. This panel and another in the Lehman Collection portraying the Madonna and Child (1975.1.1) formed a diptych (two panels hinged together so they could open and close) and would have been used for private devotion. The radiant beauty of the Virgin's court, enhanced by the ornamental detail, contrasts with the tragic drama of the
RF2K2W1Y6–Conceptual caption Too Busy. Internet Concept No time to relax no idle time for have so much work or things to do Frame Decorated With Colorful Flowers And Foliage Arranged Harmoniously.
RM2M925TH–Triptych: Madonna with Saints and Christ Blessing (Center); The Nativity and the Annunciate Angel (Left Wing); Crucifixion and the Virgin Annunciate (Right Wing) Maso di Banco (Italian, Florentine School, 1341-1346). Triptych: Madonna with Saints and Christ Blessing (Center); The Nativity and the Annunciate Angel (Left Wing); Crucifixion and the Virgin Annunciate (Right Wing), ca. 1336. Tempera and tooled gold on poplar panel in original engaged frame, Center panel: 30 1/8 x 11 3/4 in. (76.5 x 29.8 cm). This folding triptych (a painting on three panels) is filled with multiple figures and sce
RF2JA9WT2–IG Initials letter Wedding monogram logos collection, hand drawn modern minimalistic and floral templates for Invitation cards, Save the Date, elegant
RMKC8J96–Madonna and Child, about 1450, Tempera on wood, gold ground, Overall, with engaged frame, 16 3/8 x 12 1/8 in. (41.6 x 30.8 cm
RF2HW8PYM–Art inspired by The Virgin Annunciate, possibly 1445–50, Tempera and gold on wood, Overall, with engaged frame, 19 1/2 x 12 in. (49.5 x 30.5 cm); painted surface 16 1/8 x 9 1/2 in. (41 x 24.1 cm), Paintings, Andrea Delitio (Italian, Abruzzo, active ca. 1440–80, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAT1AT–Madonna and Child Enthroned with Saint John the Baptist and Another Saint. Artist: Italian (Florentine) Painter (second quarter 15th century). Dimensions: Overall, with engaged frame, 29 3/4 x 17 1/8 in. (75.6 x 43.5 cm); painted surface 17 1/8 x 14 1/4 in. (43.5 x 36.2 cm). Despite its generally poor condition, this is a work of considerable interest. The poses of the Virgin and Child are especially inventive. The picture was at one time attributed to Pesellino, but it has also been thought a Sienese work close to Domenico di Bartolo. It is probably Florentine and dates around 1440. The fram
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