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Fortunato duranti Stock Photos and Images
RF2HTXDDW–Art inspired by O Bella Giovane, n.d., Pen and brown ink, brush and brown wash, 7 1/2 x 10 1/4 in. (19 x 26 cm), Drawings, Fortunato Duranti (Italian, 1787–1863, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB0KF2–Congregation in a Temple. Artist: Fortunato Duranti (Italian, 1787-1863). Dimensions: 7 1/2 x 10 9/16in. (19.1 x 26.8cm). Date: 1787-1863. Museum: Metropolitan Museum of Art, New York, USA.
RM2AE54XX–An Allegory of Truth and Falsehood (verso); 1835/1845 Fortunato Duranti, An Allegory of Truth and Falsehood (verso), 1835-1845
RM2P6JP4T–Fortunato Duranti, Figure Carrying a Torch and Other Figures and Horses, 1797-1863, pen and brown-gray ink over graphite on paper.
RM2PMJY6R–Drawing, Woman with Child; Fortunato Duranti (Italian, 1787 - 1863); Designed by Filipo Agricola (Italian, 1776 - 1857); Italy; graphite, pen and ink, brush and watercolor on paper
RMKC9MFP–The Dead Christ Mourned by the Magdalen Who Venerates His Side Wound., Fortunato Duranti, 1787–1863
RF2HW50YG–Art inspired by Congregation in a Temple, 1787–1863, Pen and brown ink with graphite on thin paper, 7 1/2 x 10 9/16in. (19.1 x 26.8cm), Drawings, Fortunato Duranti (Italian, 1787–1863, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMR33HYR–An Allegory of Truth and Falsehood (verso). Dated: 1835/1845. Dimensions: sheet: 19.8 x 26.2 cm (7 13/16 x 10 5/16 in.). Medium: pen and brown ink with brown wash (verso). Museum: National Gallery of Art, Washington DC. Author: Fortunato Duranti.
RM2AE551A–Falsehood Is the Cause of All Evil (recto); An Allegory of Truth and Falsehood (verso); 1835/1845 Fortunato Duranti, Falsehood Is the Cause of All Evil (recto); An Allegory of Truth and Falsehood (verso), 1835-1845
RM2PMC4H5–Drawing, Christ Child with Rosary; Fortunato Duranti (Italian, 1787 - 1863); Italy; graphite, pen and ink, brush and watercolor on paper
RM2HH7GY0–Congregation in a Temple 1787–1863 Fortunato Duranti Italian. Congregation in a Temple 334674
RMKC9MG0–The Dead Christ Mourned by the Magdalen Who Venerates the Wounds on His Feet, Fortunato Duranti, 1787–1863
RF2HW5DCX–Art inspired by The Dead Christ Mourned by the Magdalen Who Venerates the Wounds on His Feet, 1787–1863, Pen and brown ink, brush and gray-brown wash, highlighted with white gouache, 8 3/4 × 12 1/4 in. (22.2 × 31.1 cm), Drawings, Fortunato Duranti (Italian, 1787–1863, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2DM9DFC–Classical Exterior Scene with Beasts, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink on paper, Classical Exterior Scene with Beasts, Rome, Italy, 1820–1850, Drawing
RMPB1G75–The Dead Christ Mourned by the Magdalen Who Venerates the Wounds on His Feet. Artist: Fortunato Duranti (Italian, 1787-1863). Dimensions: 8 3/4 × 12 1/4 in. (22.2 × 31.1 cm). Date: 1787-1863. Museum: Metropolitan Museum of Art, New York, USA.
RM2DM8AK9–Allegorial Painting; Head of the Virgin, Fortunato Duranti, Italian, 1787 - 1863, Pen and bistre ink, brush and ink wash on paper, Rome, Italy, 1800-1825, Drawing
RM2W44YM8–The Dead Christ Mourned by the Magdalen Who Venerates His Side Wound 2000 by Fortunato Duranti
RM2AHW225–Fortunato Duranti. Madonna and Child with Saint John. 1706–1863. Italy. Pen and brown ink, with brush and brown wash, over black chalk, on cream laid paper
RM2PMG7BC–Drawing, Thetis and Cupid Riding Fish; Fortunato Duranti (Italian, 1787 - 1863); Italy; graphite on paper; 30.7 × 21.8 cm (12 1/16 × 8 9/16 in.)
RM2HH973E–The Dead Christ Mourned by the Magdalen Who Venerates the Wounds on His Feet 1787–1863 Fortunato Duranti Italian. The Dead Christ Mourned by the Magdalen Who Venerates the Wounds on His Feet 343167
RF2HW59E6–Art inspired by The Dead Christ Mourned by the Magdalen Who Venerates His Side Wound., 1787–1863, Pen and brown ink, brush and gray-brown wash, highlighted with white gouache on cream paper, sheet: 8 1/2 x 12 1/4 in. (21.6 x 31.1 cm), Drawings, Fortunato Duranti (Italian, 1787–1863, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Falsehood Is the Cause of All Evil [La bugia e causa di tutti mali] (recto). Dated: 1835/1845. Dimensions: sheet: 19.8 x 26.2 cm (7 13/16 x 10 5/16 in.). Medium: pen and ink with wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Fortunato Duranti. Stock Photo](https://c8.alamy.com/comp/R3714D/falsehood-is-the-cause-of-all-evil-la-bugia-e-causa-di-tutti-mali-recto-dated-18351845-dimensions-sheet-198-x-262-cm-7-1316-x-10-516-in-medium-pen-and-ink-with-wash-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-fortunato-duranti-R3714D.jpg "Falsehood Is the Cause of All Evil [La bugia e causa di tutti mali] (recto). Dated: 1835/1845. Dimensions: sheet: 19.8 x 26.2 cm (7 13/16 x 10 5/16 in.). Medium: pen and ink with wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Fortunato Duranti. Stock Photo")
RMR3714D–Falsehood Is the Cause of All Evil [La bugia e causa di tutti mali] (recto). Dated: 1835/1845. Dimensions: sheet: 19.8 x 26.2 cm (7 13/16 x 10 5/16 in.). Medium: pen and ink with wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Fortunato Duranti.
RM2DM84YW–The Virgin and Child Enthroned, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and ink on paper, The Virgin and Child enthroned with figures above., Rome, Italy, 1820–1850, Drawing
RM2W45021–The Dead Christ Mourned by the Magdalen Who Venerates the Wounds on His Feet 2000 by Fortunato Duranti
RM2DMA9C5–Sketches, Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, graphite on paper, Various sketches depicting the Virgin and Child., Rome, Italy, 1820–1850, Drawing
RM2PMJ1Y7–Drawing, Study of a Head of a Young Man in Renaissance Attire; Fortunato Duranti (Italian, 1787 - 1863); Italy; charcoal on paper; 22.7 × 20.5 cm (8 15/16 × 8 1/16 in.)
RM2DM8NPB–Urban Scene with Cleric and Supplicant Figures, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, Urban Scene with Cleric and Supplicant Figures., Rome, Italy, 1820–1850, Drawing
RM2HH5HJ1–The Dead Christ Mourned by the Magdalen Who Venerates His Side Wound. 1787–1863 Fortunato Duranti Italian. The Dead Christ Mourned by the Magdalen Who Venerates His Side Wound.. Fortunato Duranti (Italian, 1787–1863). 1787–1863. Pen and brown ink, brush and gray-brown wash, highlighted with white gouache on cream paper. Drawings
RM2R6F1Y5–Urban Scene with Cleric and Supplicant Figures. Graphite on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.
RM2DM8NB3–Sketch, Classical Man, Woman, and Child, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink on paper, Sketch, Classical Man, Woman, and Child., Rome, Italy, 1820–1850, Drawing
RM2DMAKCP–Soldiers or Workers in Landscape, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Solders or workers in landscape., Rome, Italy, 1820–1850, Drawing
RM2DM7AP3–Sketch, Deposition (?) with Heavenly Figures, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, graphite, on paper, Sketch, Deposition (?) with Heavenly Figures., Rome, Italy, 1820–1850, Drawing
RM2R6ET83–Classical Exterior Scene with Beasts. pen and ink on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.
RM2DM8Y5Y–The Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite, impressed lines on paper, The Virgin walks through the country, supporting the Child. Framing line., Rome, Italy, 1820–1850, Drawing
RM2DMAYGN–Urban Scene with Supplicant Figures and Monument, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, graphite on paper, Urban Scene with Supplicant Figures and Monument., Rome, Italy, 1820–1850, Drawing
RM2DM7F55–Sketch, Figures with Equestrian Monuments, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketch, Figures with Equestrian Monuments., Rome, Italy, 1820–1850, Drawing
RM2R6EMXC–Sketch, Deposition (?) with Heavenly Figures. Date: 1820-1850. Pen and ink, graphite, on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.
RM2DM9K77–The Virgin Mother and Joseph Travelling, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, The Virgin Mother and Joseph Travelling, Rome, Italy, 1820–1850, Drawing
RM2DMA46E–The Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite, impressed lines on paper, The Virgin walks toward the left, carrying the Child in her left arm., Rome, Italy, 1820–1850, Drawing
RM2DM9JDY–Sketch, Hercules Slaying the Lion (?), Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and wash on paper, Sketch, Hercules Slaying the Lion (?)., Rome, Italy, 1820–1850, Drawing
RM2R6EX26–The Virgin and Child enthroned with figures above. Graphite, pen and ink on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.
RM2DM8A3A–The Assumption of the Virgin, Fortunato Duranti, Italian, 1787 - 1863, Graphite, impressed lines on paper, Angels convey the upright Virgin into Heaven. The sarcophagus is outlined. Framing line., Rome, Italy, 1820–1850, Drawing
RM2R6EKXT–Sketch, Classical Man, Woman, and Child. pen and ink on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.
RM2DM9MKB–Sketch, Centaur with Woman and Child, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketch, Centaur (or Ichthyocentaur) with Woman and Child., Rome, Italy, 1820–1850, Drawing
RMKC9MFY–O Bella Giovane, n.d., Pen and brown ink, brush and brown wash, 7 1/2 x 10 1/4 in. (19 x 26 cm), Drawings, Fortunato Duranti
RM2R6EMRW–Urban Scene with Supplicant Figures and Monument. Pen and ink, graphite on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.
RM2DMCEF1–Sketch, Classical Scene with Hermes and Other Figures, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and wash on paper, Sketch, Classical Scene with Hermes and Other Figures., Rome, Italy, 1820–1850, Drawing
RM2DMAM62–Classicized Interior Scene with Virgin and Child (?), Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, black chalk on paper, Classicized Interior Scene with Virgin and Child (?)., Rome, Italy, 1820–1850, Drawing
RM2DM8CY9–The Loan, Fortunato Duranti, Italian, 1787 - 1863, Bistre pen and ink on paper, Three figures of young men, shown half-length, within a lunette. Inscription below., Rome, Italy, 1820–1850, Drawing
RM2DMA6J5–The Virgin and Child with Worshippers in Classical Interior, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and wash on paper, The Virgin and Child enthroned with Worshippers in Classical Interior., Rome, Italy, 1820–1850, Drawing
RM2DM8HHC–Sketch, Pastoral Scene with Figures in Landscape, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketch, Pastoral Scene with Figures in Landscape, Rome, Italy, 1820–1850, Drawing
RM2R6ET36–Various sketches depicting the Virgin and Child. Pen and ink, graphite on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.
RM2DM8HHX–Sketch, Figure in Classical Throne with Attributes of Christianity or War, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, Sketch, Figure in Classical Throne with Attributes of Christianity or War., Rome, Italy, 1820–1850, Drawing
RM2R6EP5W–Classicized Interior Scene with Virgin and Child (?). Pen and ink, black chalk on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.
RM2DM8HHT–Sketch, Classical Male Figure in Landscape, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketch, Classical Male Figure in Landscape., Rome, Italy, 1820–1850, Drawing
RM2DMA75P–Exterior with Classical Architecture and Figures with Musical Instruments, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Exterior with Classical Architecture and Figures with Musical Instruments., Rome, Italy, 1820–1850, Drawing
RM2DMC6KP–Sketch, Figure on Donkey Heralded by Musicians and Worshippers, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and wash on paper, Sketch, Figure on Donkey Heralded by Musicians and Worshippers., Rome, Italy, 1820–1850, Drawing
RM2DMAPPA–Sketch, Seated Allegory in Architectural Setting, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and wash, black chalk on paper, Sketch, Seated Allegory in Architectural Setting., Rome, Italy, 1820–1850, Drawing
RM2R6ETY1–Sketch, Classical Scene with Hermes and Other Figures. Pen and ink, brush and wash on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.
RM2DMAY0H–Sketch, Allegory in Architectural Setting with Sculpted Bust, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketch, Allegory in Architectural Setting with Sculpted Bust, Rome, Italy, 1820–1850, Drawing
RM2R6EN6J–The Virgin walks toward the left, carrying the Child in her left arm. Date: 1820-1850. Graphite, impressed lines on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.
RM2DMAKBP–The Angel Leading Tobias Homewards, Fortunato Duranti, Italian, 1787 - 1863, Brush and gray-brown watercolor on paper, Tobias and the Angel are turned toward left. The boy has the fish in his arms; half-figures., Rome, Italy, 1820–1850, Drawing
RM2R6EYMP–The Virgin walks through the country, supporting the Child. Framing line. Date: 1820-1850. Graphite, impressed lines on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.
RM2DMAJ9D–Sketch, Funereal or Deathbed Scene in Classical Interior, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketch, Funereal or Deathbed Scene in Classical Interior, Rome, Italy, 1820–1850, Drawing
RM2DM8NNY–Sketches, Allegorical Figures, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink on paper, Two sketches of allegorical figures; at left, Christian attributes; at right, two tablets (?). Inscription on verso., Rome, Italy, 1820–1850, Drawing
RM2R6ERN0–Sketch, Figure on Donkey Heralded by Musicians and Worshippers. Pen and ink, brush and wash on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.
RM2DM8K9K–Sketch, Enthroned Figure with Figures Fighting over Child, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketch, Enthroned Figure with Figures Fighting over Child, Rome, Italy, 1820–1850, Drawing
RM2R6EGKB–The Virgin Mother and Joseph Travelling. Pen and ink, brush and sepia wash on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.
RM2DM8XC4–Sketch, Exterior Scene with Figures at Work or in Combat, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brown and black chalk on paper, Sketch, Exterior Scene with Figures at Work or in Combat., Rome, Italy, 1820–1850, Drawing
RM2DMA9CC–The Virgin with the Child, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and dark brown watercolor on paper, The halffigure of the Virgin is seen frontally, supporting the back of the Child. He is bending downwards, somewhat to the left., Rome, Italy, 1820-1850, Drawing
RM2R6EFNF–Sketch, Figures with Equestrian Monuments. Pen and ink, brush and sepia wash on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.
RM2DM9RFT–Sketch, Exterior Scene with Draped Figures and Classical Architecture, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketch, Exterior Scene with Draped Figures and Classical Architecture, Rome, Italy, 1820–1850, Drawing
RM2R6F044–Sketch, Figure in Classical Throne with Attributes of Christianity or War. Graphite on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.
RM2DM8NAG–Venus and Cupid, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, Standing in profile, toward right. Her left hand is reaching for a bunch of grapes, the right is raised. Cupid is riding upon her shoulders., Rome, Italy, 1820–1825, Drawing
RM2R6EM74–The Virgin and Child enthroned with Worshippers in Classical Interior. Pen and ink, brush and wash on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.
RM2DM90P1–Saint Francis Receiving the Stigmata, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, Kneeling toward the right. The friar is in the middle ground at right. Framing graphite line. Parts of outline are deeply impressed., Rome, Italy, 1820–1850, Drawing
RM2DMC8XM–A Flying Putto Supporting a Lyre with His Right Shoulder, and a Wreath with His Left One, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and ink on paper, Seen in profile, turned toward left., Rome, Italy, 1820–1850, Drawing
RM2DM7MFA–Sketch, Two Figures in Landscape with Architecture in Background, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketch, Two Figures in Landscape with Architecture in Background, Rome, Italy, 1820–1850, Drawing
RM2R6F29C–Sketch, Hercules Slaying the Lion (?). Pen and ink, brush and wash on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.
RM2DM8MEW–Sketch, Three Figures in Architectural Setting with Helmet and Shield, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketch, Three Figures in Architectural Setting with Helmet and Shield, Rome, Italy, 1820–1850, Drawing
RM2R6EPE6–Sketch, Classical Male Figure in Landscape. Pen and ink, brush and sepia wash on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.
RM2DM9JET–Saint or Ecclesiastic Figure Administering Communion, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, Saint or Ecclesiastic Figure Administering Communion. Putti fly above, attendants at lower left, and worshippers at right receiving the bread., Rome, Italy, 1820–1850, Drawing
RM2DMAEWW–Sketch of the Virgin, the Infant, and St. John, Fortunato Duranti, Italian, 1787 - 1863, Brush and dark brown and sepia wash on paper, The Virgin, sitting. The Infant is leaving her to embrace St. John, standing at right. Framing line., Rome, Italy, 1815-1830, Drawing
RM2R6EHAW–Sketch, Funereal or Deathbed Scene in Classical Interior. Pen and ink, brush and sepia wash on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.
RM2DMB0YT–A Cleric with Halo, Nun in Habit, and Small Angel, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash, graphite on paper, A Cleric with Halo, Nun in Habit, and Small Angel., Rome, Italy, 1820–1850, Drawing
RM2R6F0W5–Sketch, Exterior Scene with Figures at Work or in Combat. Date: 1820-1850. Pen and ink, brown and black chalk on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.
RM2DMBB98–Putto on a Sea Elephant, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, The putto holds a helmet with his left hand. Framing ink lines. Narrow paper margins., Rome, Italy, 1820-1850, Drawing
RM2DM9KPH–Christ Child with Rosary, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and ink, brush and watercolor on paper, The Christ Child sits on his mother’s lap and hands a rosary to an angel. Design for a painting., Rome, Italy, 1820–1830, figures, Drawing
RM2DMA5WA–Sketches, The Virgin Enthroned and the Virgin and Child Enthroned, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketches. Above, the Virgin Enthroned, below, Virgin and Child Enthroned with classical elements and angels., Rome, Italy, 1820–1850, Drawing
RM2DM8GXX–The Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite, impressed lines on paper, The Virgin is standing upon clouds, seen frontally. She has her arms around the Child, who stands upon her veil, blown in spirals around her., Rome, Italy, 1820–1850, Drawing
RM2DMA5AF–Sketches, The Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Various sketches of the Virgin and Child; that in lower right (perpendicular orientation) being the most complete. Architectural sketch on verso., Rome, Italy, 1820–1850, Drawing
RM2DMNBN1–Woman with Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and ink, brush and watercolor on paper, Woman seated on a molded floor, turned toward the left, with the child in her lap, who grasps her head cloth., Rome, Italy, ca. 1820, figures, Drawing
RM2DM8E09–Interior Scene with Mary, Fortunato Duranti, Italian, 1787 - 1863, Pen and brown and black ink, brush and sepia wash on paper, The Virgin Mary kneels on a stairway before a monument near which an angel stands. Classical interior., Rome, Italy, 1820–1850, Drawing
Search Results for Fortunato duranti Stock Photos and Images (305)
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