The Rt. Hon. William Pitt (1759-1806) by Horace Hone (1754-1825), miniature painter, son of Nathaniel Hone. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-rt-hon-william-pitt-1759-1806-by-horace-hone-1754-1825-miniature-104967552.html
RMG2NK54–The Rt. Hon. William Pitt (1759-1806) by Horace Hone (1754-1825), miniature painter, son of Nathaniel Hone.
Horace Hone, Unknown man, painting, 1797, Watercolor on ivory, Height, 6.3 cm (2.4 inches), Signed, HH 1797 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horace-hone-unknown-man-painting-1797-watercolor-on-ivory-height-63-cm-24-inches-signed-hh-1797-image261313916.html
RMW53TFT–Horace Hone, Unknown man, painting, 1797, Watercolor on ivory, Height, 6.3 cm (2.4 inches), Signed, HH 1797
Portrait Miniature of Sir William Forbes by Horace Hone Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-miniature-of-sir-william-forbes-by-horace-hone-142963125.html
RMJ8GEWW–Portrait Miniature of Sir William Forbes by Horace Hone
The twin sons of John Toler (1745-1831), 1st Earl of Norbury, by Horace Hone Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-twin-sons-of-john-toler-1745-1831-1st-earl-of-norbury-by-horace-134919065.html
RMHRE2J1–The twin sons of John Toler (1745-1831), 1st Earl of Norbury, by Horace Hone
RMPCB96H–454 Okänd dam (Horace Hone) - Nationalmuseum - 24888
Portrait Miniature of Sir William Forbes by Horace Hone. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-miniature-of-sir-william-forbes-by-horace-hone-image355938984.html
RM2BK2BPG–Portrait Miniature of Sir William Forbes by Horace Hone.
William Pitt the Younger. Portrait of the British Prime Minister. After a miniature by Horace Hone. 28 May 1759–23 January 1806 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-william-pitt-the-younger-portrait-of-the-british-prime-minister-after-83366667.html
RMERHK0Y–William Pitt the Younger. Portrait of the British Prime Minister. After a miniature by Horace Hone. 28 May 1759–23 January 1806
Portrait of a young woman leaning on her arms crossed Attribué à Horace Hone (1754-1825). Portrait d'une jeune femme appuyée sur ses bras croisés. Aquarelle et gouache sur ivoire. Paris, musée Cognacq-Jay. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-young-woman-leaning-on-her-arms-crossed-attribu-horace-hone-1754-1825-portrait-dune-jeune-femme-appuye-sur-ses-bras-croiss-aquarelle-et-gouache-sur-ivoire-paris-muse-cognacq-jay-image350182277.html
RM2B9M51W–Portrait of a young woman leaning on her arms crossed Attribué à Horace Hone (1754-1825). Portrait d'une jeune femme appuyée sur ses bras croisés. Aquarelle et gouache sur ivoire. Paris, musée Cognacq-Jay.
Okänd dam 1788 by Horace Hone Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oknd-dam-1788-by-horace-hone-image559675626.html
RM2REFBY6–Okänd dam 1788 by Horace Hone
Gentleman in a Blue Coat. Artist: Horace Hone, British, born ca. 1754–1825 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gentleman-in-a-bluecoat-artist-horace-hone-british-born-ca-17541825-image463205351.html
RM2HWGR47–Gentleman in a Blue Coat. Artist: Horace Hone, British, born ca. 1754–1825
Horace Walpole - portrait. English author and politician, - after portrait by Nathaniel Hone. 24 September 1717 - 2 March 1797 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-horace-walpole-portrait-english-author-and-politician-after-portrait-83363325.html
RMERHENH–Horace Walpole - portrait. English author and politician, - after portrait by Nathaniel Hone. 24 September 1717 - 2 March 1797
Horace Hone, 1756–1825, British, A Young Boy, 1806. Gouache and watercolor on ivory. boy , child , portrait Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horace-hone-17561825-british-a-young-boy-1806-gouache-and-watercolor-on-ivory-boy-child-portrait-image398346504.html
RM2E4270T–Horace Hone, 1756–1825, British, A Young Boy, 1806. Gouache and watercolor on ivory. boy , child , portrait
Horace Hone, Unknown man, painting, 1797, Watercolor on ivory, Height, 6.3 cm (2.4 inches), Signed, HH 1797, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horace-hone-unknown-man-painting-1797-watercolor-on-ivory-height-63-cm-24-inches-signed-hh-1797-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349935819.html
RF2B98XKR–Horace Hone, Unknown man, painting, 1797, Watercolor on ivory, Height, 6.3 cm (2.4 inches), Signed, HH 1797, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Horace Hone, 1756–1825, British, Thomas Quincey, 1793. Oil on ivory. portrait. Quincey, Thomas Penson De (1785–1859), essayist Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horace-hone-17561825-british-thomas-quincey-1793-oil-on-ivory-portrait-quincey-thomas-penson-de-17851859-essayist-image398345858.html
RM2E4265P–Horace Hone, 1756–1825, British, Thomas Quincey, 1793. Oil on ivory. portrait. Quincey, Thomas Penson De (1785–1859), essayist
Portrait miniatures; . THE RT. HON. WILLLIAM PITTBY HORACE HONE FROM THE COLLECTION OF LADY MARIA PONSONBY PLATE XXXII I. MISS VINCENTBY VASLET OF BATH FROM THE COLLECTION OF LORD HOTHFIELD PLATE XXXIV Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-miniatures-the-rt-hon-willliam-pittby-horace-hone-from-the-collection-of-lady-maria-ponsonby-plate-xxxii-i-miss-vincentby-vaslet-of-bath-from-the-collection-of-lord-hothfield-plate-xxxiv-image342780386.html
RM2AWJYTJ–Portrait miniatures; . THE RT. HON. WILLLIAM PITTBY HORACE HONE FROM THE COLLECTION OF LADY MARIA PONSONBY PLATE XXXII I. MISS VINCENTBY VASLET OF BATH FROM THE COLLECTION OF LORD HOTHFIELD PLATE XXXIV
Horace Hone, 1756–1825, British, Gentleman in a Blue Coat, 1781. Watercolor on ivory. coat , cravat , gentleman , man , nobility , portrait , ruffle , wig Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horace-hone-17561825-british-gentleman-in-a-blue-coat-1781-watercolor-on-ivory-coat-cravat-gentleman-man-nobility-portrait-ruffle-wig-image398345426.html
RM2E425JA–Horace Hone, 1756–1825, British, Gentleman in a Blue Coat, 1781. Watercolor on ivory. coat , cravat , gentleman , man , nobility , portrait , ruffle , wig
Portrait of Lady Grace Anna Newenham, 1784. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-lady-grace-anna-newenham-1784-image330113834.html
RM2A51YFP–Portrait of Lady Grace Anna Newenham, 1784.
Portrait of Lady Grace Anna Newenham, 1784. Horace Hone (British, 1756-1825). Watercolor on ivory; framed: 9 x 7.6 cm (3 9/16 x 3 in.); sight: 7.6 x 6 cm (3 x 2 3/8 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-lady-grace-anna-newenham-1784-horace-hone-british-1756-1825-watercolor-on-ivory-framed-9-x-76-cm-3-916-x-3-in-sight-76-x-6-cm-3-x-2-38-in-image448116505.html
RM2H11D4W–Portrait of Lady Grace Anna Newenham, 1784. Horace Hone (British, 1756-1825). Watercolor on ivory; framed: 9 x 7.6 cm (3 9/16 x 3 in.); sight: 7.6 x 6 cm (3 x 2 3/8 in.).
Lady Mary Elizabeth Nugent, afterwards marchioness of Buckingham and in her own right, Baroness Nugent (ob 1812) by Horace Hone (1754-1825), miniature painter, son of Nathaniel Hone. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lady-mary-elizabeth-nugent-afterwards-marchioness-of-buckingham-and-104967553.html
RMG2NK55–Lady Mary Elizabeth Nugent, afterwards marchioness of Buckingham and in her own right, Baroness Nugent (ob 1812) by Horace Hone (1754-1825), miniature painter, son of Nathaniel Hone.
Horace Hone, Unknown lady, painting, 1788, Watercolor on ivory, Height, 7.5 cm (2.9 inches), Monogram, G P, to reverse, Signed, HH 1788 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horace-hone-unknown-lady-painting-1788-watercolor-on-ivory-height-75-cm-29-inches-monogram-g-p-to-reverse-signed-hh-1788-image261313915.html
RMW53TFR–Horace Hone, Unknown lady, painting, 1788, Watercolor on ivory, Height, 7.5 cm (2.9 inches), Monogram, G P, to reverse, Signed, HH 1788
Unknown man, formerly known as Horatio ('Horace') Walpole, 4th Earl of Orford by Nathaniel Hone Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-unknown-man-formerly-known-as-horatio-horace-walpole-4th-earl-of-orford-134782383.html
RMHR7T8F–Unknown man, formerly known as Horatio ('Horace') Walpole, 4th Earl of Orford by Nathaniel Hone
Portrait of Lady Grace Anna Newenham, 1784. Horace Hone (British, 1756-1825). Watercolor on ivory; framed: 9 x 7.6 cm (3 9/16 x 3 in.); sight: 7.6 x 6 cm (3 x 2 3/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-lady-grace-anna-newenham-1784-horace-hone-british-1756-1825-watercolor-on-ivory-framed-9-x-76-cm-3-916-x-3-in-sight-76-x-6-cm-3-x-2-38-in-image240397549.html
RMRY31EN–Portrait of Lady Grace Anna Newenham, 1784. Horace Hone (British, 1756-1825). Watercolor on ivory; framed: 9 x 7.6 cm (3 9/16 x 3 in.); sight: 7.6 x 6 cm (3 x 2 3/8 in
RMPCB96M–454 Okänd man (Horace Hone) - Nationalmuseum - 24889
Thomas Quincey, Horace Hone, 1756–1825, British, 1793, Oil on ivory, Frame: 3 x 2 1/4 x 3/8 inches (7.6 x 5.7 x 1 cm) and Image: 2 1/2 x 2 inches (6.4 x 5.1 cm), portrait Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-quincey-horace-hone-17561825-british-1793-oil-on-ivory-frame-3-x-2-14-x-38-inches-76-x-57-x-1-cm-and-image-2-12-x-2-inches-64-x-51-cm-portrait-image389614500.html
RM2DHTD7G–Thomas Quincey, Horace Hone, 1756–1825, British, 1793, Oil on ivory, Frame: 3 x 2 1/4 x 3/8 inches (7.6 x 5.7 x 1 cm) and Image: 2 1/2 x 2 inches (6.4 x 5.1 cm), portrait
Portrait of a Woman, called Mrs. Close, 1786. Horace Hone (British, 1756-1825). Watercolor on ivory in an ormolu frame; framed: 8.9 x 7.5 cm (3 1/2 x 2 15/16 in.); sight: 6.5 x 5.2 cm (2 9/16 x 2 1/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-woman-called-mrs-close-1786-horace-hone-british-1756-1825-watercolor-on-ivory-in-an-ormolu-frame-framed-89-x-75-cm-3-12-x-2-1516-in-sight-65-x-52-cm-2-916-x-2-116-in-image240417122.html
RMRY3XDP–Portrait of a Woman, called Mrs. Close, 1786. Horace Hone (British, 1756-1825). Watercolor on ivory in an ormolu frame; framed: 8.9 x 7.5 cm (3 1/2 x 2 15/16 in.); sight: 6.5 x 5.2 cm (2 9/16 x 2 1/16 in
Thomas Quincey 1793 by Horace Hone Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-quincey-1793-by-horace-hone-image559675621.html
RM2REFBY1–Thomas Quincey 1793 by Horace Hone
A Young Boy, Horace Hone, 1756–1825, British, 1806, Gouache and watercolor on ivory, Image: 2 7/8 x 2 1/4 inches (7.3 x 5.7 cm) and Frame: 4 1/8 x 3 1/2 x 5/8 inches (10.5 x 8.9 x 1.6 cm), boy, child, portrait Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-young-boy-horace-hone-17561825-british-1806-gouache-and-watercolor-on-ivory-image-2-78-x-2-14-inches-73-x-57-cm-and-frame-4-18-x-3-12-x-58-inches-105-x-89-x-16-cm-boy-child-portrait-image389614503.html
RM2DHTD7K–A Young Boy, Horace Hone, 1756–1825, British, 1806, Gouache and watercolor on ivory, Image: 2 7/8 x 2 1/4 inches (7.3 x 5.7 cm) and Frame: 4 1/8 x 3 1/2 x 5/8 inches (10.5 x 8.9 x 1.6 cm), boy, child, portrait
Gentleman in a Blue Coat, Horace Hone, 1756–1825, British, 1781, Watercolor on ivory, Frame: 2 1/4 x 1 5/8 x 1/2 inches (5.7 x 4.1 x 1.3 cm) and Image: 1 7/8 x 1 1/2 inches (4.8 x 3.8 cm), coat, cravat, gentleman, man, nobility, portrait, ruffle, wig Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gentleman-in-a-blue-coat-horace-hone-17561825-british-1781-watercolor-on-ivory-frame-2-14-x-1-58-x-12-inches-57-x-41-x-13-cm-and-image-1-78-x-1-12-inches-48-x-38-cm-coat-cravat-gentleman-man-nobility-portrait-ruffle-wig-image389674337.html
RM2DHY5GH–Gentleman in a Blue Coat, Horace Hone, 1756–1825, British, 1781, Watercolor on ivory, Frame: 2 1/4 x 1 5/8 x 1/2 inches (5.7 x 4.1 x 1.3 cm) and Image: 1 7/8 x 1 1/2 inches (4.8 x 3.8 cm), coat, cravat, gentleman, man, nobility, portrait, ruffle, wig
Horace Hone, Unknown lady, painting, 1788, Watercolor on ivory, Height, 7.5 cm (2.9 inches), Monogram, G P, to reverse, Signed, HH 1788, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horace-hone-unknown-lady-painting-1788-watercolor-on-ivory-height-75-cm-29-inches-monogram-g-p-to-reverse-signed-hh-1788-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349935818.html
RF2B98XKP–Horace Hone, Unknown lady, painting, 1788, Watercolor on ivory, Height, 7.5 cm (2.9 inches), Monogram, G P, to reverse, Signed, HH 1788, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
View of the Church of Drumcondra near Dublin, To James Gandon & Samuel Walker Esq. Mr. Horace Hone & Richd Edw. Mercier who attended the funeral of the late Francis Grose Esq. to the Church of Drumdondra near Dublin where his remains were deposited 18 May 1791 (title on object), Antiquities in Ireland (series title), View of the church of Drumcondra with the cemetery in the foreground. A figure walks through the cemetery., print maker: Sparrow, publisher: S. Hooper, London, 17-Sep-1791, paper, etching, height 152 mm × width 200 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-church-of-drumcondra-near-dublin-to-james-gandon-samuel-walker-esq-mr-horace-hone-richd-edw-mercier-who-attended-the-funeral-of-the-late-francis-grose-esq-to-the-church-of-drumdondra-near-dublin-where-his-remains-were-deposited-18-may-1791-title-on-object-antiquities-in-ireland-series-title-view-of-the-church-of-drumcondra-with-the-cemetery-in-the-foreground-a-figure-walks-through-the-cemetery-print-maker-sparrow-publisher-s-hooper-london-17-sep-1791-paper-etching-height-152-mm-width-200-mm-print-image599478902.html
RM2WR8HCP–View of the Church of Drumcondra near Dublin, To James Gandon & Samuel Walker Esq. Mr. Horace Hone & Richd Edw. Mercier who attended the funeral of the late Francis Grose Esq. to the Church of Drumdondra near Dublin where his remains were deposited 18 May 1791 (title on object), Antiquities in Ireland (series title), View of the church of Drumcondra with the cemetery in the foreground. A figure walks through the cemetery., print maker: Sparrow, publisher: S. Hooper, London, 17-Sep-1791, paper, etching, height 152 mm × width 200 mm, print
Portrait miniatures; . LIEUTENANT LYGON BY JOHN SMART, JUN. (1S03I ,0M THE COLLECTION OF LADY MARIA PONSONBY PLATE XXXII. LADY MARY ELIZABETH NUGENT. AFTERWARDS MAR-CHIONESS OF BUCKINGHAM, AND IN HER OWN RIGHT,BARONESS NUGENT (OB. 1 81 2)BY HORACE HONE FROM THE COLLECTION OF LORD HOTHFIELD Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-miniatures-lieutenant-lygon-by-john-smart-jun-1s03i-0m-the-collection-of-lady-maria-ponsonby-plate-xxxii-lady-mary-elizabeth-nugent-afterwards-mar-chioness-of-buckingham-and-in-her-own-rightbaroness-nugent-ob-1-81-2by-horace-hone-from-the-collection-of-lord-hothfield-image342781161.html
RM2AWK0T9–Portrait miniatures; . LIEUTENANT LYGON BY JOHN SMART, JUN. (1S03I ,0M THE COLLECTION OF LADY MARIA PONSONBY PLATE XXXII. LADY MARY ELIZABETH NUGENT. AFTERWARDS MAR-CHIONESS OF BUCKINGHAM, AND IN HER OWN RIGHT,BARONESS NUGENT (OB. 1 81 2)BY HORACE HONE FROM THE COLLECTION OF LORD HOTHFIELD
Mrs. Siddons, Print made by Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), after Nathaniel Hone RA, 1718–1784, Irish, Published by Horace Hone, Dublin, 1756–1825, British, 1785, Stipple engraving and etching in brown ink on medium, slightly textured, cream laid paper, Sheet: 10 1/8 x 7 3/4 inches (25.7 x 19.7 cm), Plate: 8 7/8 x 6 3/4 inches (22.5 x 17.1 cm), and Image: 3 7/8 x 3 1/8 inches (9.8 x 7.9 cm), actress, arm, armor, belt, buckle, crest, crest, dress, fichu, fish, hand, oval, portrait, shield, sword, wig, woman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mrs-siddons-print-made-by-francesco-bartolozzi-ra-17281815-italian-active-in-britain-176499-after-nathaniel-hone-ra-17181784-irish-published-by-horace-hone-dublin-17561825-british-1785-stipple-engraving-and-etching-in-brown-ink-on-medium-slightly-textured-cream-laid-paper-sheet-10-18-x-7-34-inches-257-x-197-cm-plate-8-78-x-6-34-inches-225-x-171-cm-and-image-3-78-x-3-18-inches-98-x-79-cm-actress-arm-armor-belt-buckle-crest-crest-dress-fichu-fish-hand-oval-portrait-shield-sword-wig-woman-image389762272.html
RM2DJ35N4–Mrs. Siddons, Print made by Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), after Nathaniel Hone RA, 1718–1784, Irish, Published by Horace Hone, Dublin, 1756–1825, British, 1785, Stipple engraving and etching in brown ink on medium, slightly textured, cream laid paper, Sheet: 10 1/8 x 7 3/4 inches (25.7 x 19.7 cm), Plate: 8 7/8 x 6 3/4 inches (22.5 x 17.1 cm), and Image: 3 7/8 x 3 1/8 inches (9.8 x 7.9 cm), actress, arm, armor, belt, buckle, crest, crest, dress, fichu, fish, hand, oval, portrait, shield, sword, wig, woman
Portrait of a Woman, called Mrs. Close, 1786. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-woman-called-mrs-close-1786-image330113531.html
RM2A51Y4Y–Portrait of a Woman, called Mrs. Close, 1786.
Portrait of a Woman, called Mrs. Close, 1786. Horace Hone (British, 1756-1825). Watercolor on ivory in an ormolu frame; framed: 8.9 x 7.5 cm (3 1/2 x 2 15/16 in.); sight: 6.5 x 5.2 cm (2 9/16 x 2 1/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-woman-called-mrs-close-1786-horace-hone-british-1756-1825-watercolor-on-ivory-in-an-ormolu-frame-framed-89-x-75-cm-3-12-x-2-1516-in-sight-65-x-52-cm-2-916-x-2-116-in-image448118774.html
RM2H11G1X–Portrait of a Woman, called Mrs. Close, 1786. Horace Hone (British, 1756-1825). Watercolor on ivory in an ormolu frame; framed: 8.9 x 7.5 cm (3 1/2 x 2 15/16 in.); sight: 6.5 x 5.2 cm (2 9/16 x 2 1/16 in.).
RMMX10B0–B0938 454 Okänd dam (Horace Hone) - Nationalmuseum - 24888
Okänd man 1797 by Horace Hone Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oknd-man-1797-by-horace-hone-image559675627.html
RM2REFBY7–Okänd man 1797 by Horace Hone
Portrait miniatures; . LADY MARY ELIZABETH NUGENT. AFTERWARDS MAR-CHIONESS OF BUCKINGHAM, AND IN HER OWN RIGHT,BARONESS NUGENT (OB. 1 81 2)BY HORACE HONE FROM THE COLLECTION OF LORD HOTHFIELD. THE RT. HON. WILLLIAM PITTBY HORACE HONE FROM THE COLLECTION OF LADY MARIA PONSONBY PLATE XXXII I Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-miniatures-lady-mary-elizabeth-nugent-afterwards-mar-chioness-of-buckingham-and-in-her-own-rightbaroness-nugent-ob-1-81-2by-horace-hone-from-the-collection-of-lord-hothfield-the-rt-hon-willliam-pittby-horace-hone-from-the-collection-of-lady-maria-ponsonby-plate-xxxii-i-image342780976.html
RM2AWK0HM–Portrait miniatures; . LADY MARY ELIZABETH NUGENT. AFTERWARDS MAR-CHIONESS OF BUCKINGHAM, AND IN HER OWN RIGHT,BARONESS NUGENT (OB. 1 81 2)BY HORACE HONE FROM THE COLLECTION OF LORD HOTHFIELD. THE RT. HON. WILLLIAM PITTBY HORACE HONE FROM THE COLLECTION OF LADY MARIA PONSONBY PLATE XXXII I
Horace Southwick George Augustus Baker Jr. (American, 1821-1880). Horace Southwick, 1877. Oil on canvas, 21 1/8 x 17 3/16 in. (53.7 x 43.7 cm). These two paintings are from a group of family portraits commissioned by the Brooklyn businessman John Southwick from George Baker, Jr., a prominent portraitist in New York. Baker’s contemporaries credited his success to his early work as a miniature painter, a craft he learned from his father. Such training helped the younger Baker hone his skills at modeling the human figure, creating delicate color effects, and fostering a sense of intimacy in full Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horace-southwick-george-augustus-baker-jr-american-1821-1880-horace-southwick-1877-oil-on-canvas-21-18-x-17-316-in-537-x-437-cm-these-two-paintings-are-from-a-group-of-family-portraits-commissioned-by-the-brooklyn-businessman-john-southwick-from-george-baker-jr-a-prominent-portraitist-in-new-york-bakers-contemporaries-credited-his-success-to-his-early-work-as-a-miniature-painter-a-craft-he-learned-from-his-father-such-training-helped-the-younger-baker-hone-his-skills-at-modeling-the-human-figure-creating-delicate-color-effects-and-fostering-a-sense-of-intimacy-in-full-image504687347.html
RM2M92DT3–Horace Southwick George Augustus Baker Jr. (American, 1821-1880). Horace Southwick, 1877. Oil on canvas, 21 1/8 x 17 3/16 in. (53.7 x 43.7 cm). These two paintings are from a group of family portraits commissioned by the Brooklyn businessman John Southwick from George Baker, Jr., a prominent portraitist in New York. Baker’s contemporaries credited his success to his early work as a miniature painter, a craft he learned from his father. Such training helped the younger Baker hone his skills at modeling the human figure, creating delicate color effects, and fostering a sense of intimacy in full
RMMX10B6–B0939 454 Okänd man (Horace Hone) - Nationalmuseum - 24889
Portrait of a Gentleman 1807 by Horace Hone Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-gentleman-1807-by-horace-hone-image559675625.html
RM2REFBY5–Portrait of a Gentleman 1807 by Horace Hone
Miniatures, ancient and modern . Q <X «^. < oa D-J 2 O 5 Q if w hi i 5 *«; ^ C^ 52 ? m ^^ o ^ *? > 50 r «!! :id ^ •i -< NATHANIEL HONE 149 of George III, the seal which was stolen fromLord Thurlows house in 1784 and never re-covered. Nathaniel Hone, r.a. (1718-84), an Irish-man, painted portraits in oils, but shortlytook to enamels as being more suited to hispowers. Hones enamels are not particularly good.He was a foundation member of the RoyalAcademy. His son Horace, a.r.a., also workedin enamels with considerable success. John Plott (1732-1803) was a pupil ofRichard Wilson, and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/miniatures-ancient-and-modern-q-ltx-lt-oa-d-j-2-o-5-q-if-w-hi-i-5-c-52-m-o-gt-50-r-!!-id-i-lt-nathaniel-hone-149-of-george-iii-the-seal-which-was-stolen-fromlord-thurlows-house-in-1784-and-never-re-covered-nathaniel-hone-ra-1718-84-an-irish-man-painted-portraits-in-oils-but-shortlytook-to-enamels-as-being-more-suited-to-hispowers-hones-enamels-are-not-particularly-goodhe-was-a-foundation-member-of-the-royalacademy-his-son-horace-ara-also-workedin-enamels-with-considerable-success-john-plott-1732-1803-was-a-pupil-ofrichard-wilson-and-image338363395.html
RM2AJDNXY–Miniatures, ancient and modern . Q <X «^. < oa D-J 2 O 5 Q if w hi i 5 *«; ^ C^ 52 ? m ^^ o ^ *? > 50 r «!! :id ^ •i -< NATHANIEL HONE 149 of George III, the seal which was stolen fromLord Thurlows house in 1784 and never re-covered. Nathaniel Hone, r.a. (1718-84), an Irish-man, painted portraits in oils, but shortlytook to enamels as being more suited to hispowers. Hones enamels are not particularly good.He was a foundation member of the RoyalAcademy. His son Horace, a.r.a., also workedin enamels with considerable success. John Plott (1732-1803) was a pupil ofRichard Wilson, and
Horace Southwick George Augustus Baker Jr. (American, 1821-1880). Horace Southwick, 1877. Oil on canvas, 21 1/8 x 17 3/16 in. (53.7 x 43.7 cm). These two paintings are from a group of family portraits commissioned by the Brooklyn businessman John Southwick from George Baker, Jr., a prominent portraitist in New York. Baker’s contemporaries credited his success to his early work as a miniature painter, a craft he learned from his father. Such training helped the younger Baker hone his skills at modeling the human figure, creating delicate color effects, and fostering a sense of intimacy in full Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horace-southwick-george-augustus-baker-jr-american-1821-1880-horace-southwick-1877-oil-on-canvas-21-18-x-17-316-in-537-x-437-cm-these-two-paintings-are-from-a-group-of-family-portraits-commissioned-by-the-brooklyn-businessman-john-southwick-from-george-baker-jr-a-prominent-portraitist-in-new-york-bakers-contemporaries-credited-his-success-to-his-early-work-as-a-miniature-painter-a-craft-he-learned-from-his-father-such-training-helped-the-younger-baker-hone-his-skills-at-modeling-the-human-figure-creating-delicate-color-effects-and-fostering-a-sense-of-intimacy-in-full-image504687364.html
RM2M92DTM–Horace Southwick George Augustus Baker Jr. (American, 1821-1880). Horace Southwick, 1877. Oil on canvas, 21 1/8 x 17 3/16 in. (53.7 x 43.7 cm). These two paintings are from a group of family portraits commissioned by the Brooklyn businessman John Southwick from George Baker, Jr., a prominent portraitist in New York. Baker’s contemporaries credited his success to his early work as a miniature painter, a craft he learned from his father. Such training helped the younger Baker hone his skills at modeling the human figure, creating delicate color effects, and fostering a sense of intimacy in full
RMMW594C–B0938 454 Okänd dam (Horace Hone) - Nationalmuseum - 24888
A Young Boy 1806 by Horace Hone Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-young-boy-1806-by-horace-hone-image559675619.html
RM2REFBXY–A Young Boy 1806 by Horace Hone
Horace Southwick George Augustus Baker Jr. (American, 1821-1880). Horace Southwick, 1877. Oil on canvas, 21 1/8 x 17 3/16 in. (53.7 x 43.7 cm). These two paintings are from a group of family portraits commissioned by the Brooklyn businessman John Southwick from George Baker, Jr., a prominent portraitist in New York. Baker’s contemporaries credited his success to his early work as a miniature painter, a craft he learned from his father. Such training helped the younger Baker hone his skills at modeling the human figure, creating delicate color effects, and fostering a sense of intimacy in full Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horace-southwick-george-augustus-baker-jr-american-1821-1880-horace-southwick-1877-oil-on-canvas-21-18-x-17-316-in-537-x-437-cm-these-two-paintings-are-from-a-group-of-family-portraits-commissioned-by-the-brooklyn-businessman-john-southwick-from-george-baker-jr-a-prominent-portraitist-in-new-york-bakers-contemporaries-credited-his-success-to-his-early-work-as-a-miniature-painter-a-craft-he-learned-from-his-father-such-training-helped-the-younger-baker-hone-his-skills-at-modeling-the-human-figure-creating-delicate-color-effects-and-fostering-a-sense-of-intimacy-in-full-image504687376.html
RM2M92DW4–Horace Southwick George Augustus Baker Jr. (American, 1821-1880). Horace Southwick, 1877. Oil on canvas, 21 1/8 x 17 3/16 in. (53.7 x 43.7 cm). These two paintings are from a group of family portraits commissioned by the Brooklyn businessman John Southwick from George Baker, Jr., a prominent portraitist in New York. Baker’s contemporaries credited his success to his early work as a miniature painter, a craft he learned from his father. Such training helped the younger Baker hone his skills at modeling the human figure, creating delicate color effects, and fostering a sense of intimacy in full
RMMW594E–B0939 454 Okänd man (Horace Hone) - Nationalmuseum - 24889
The twin sons of John Toler (1745-1831), 1st Earl of Norbury, by . before 1825 98 The twin sons of John Toler (1745-1831), 1st Earl of Norbury, by Horace Hone Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-twin-sons-of-john-toler-1745-1831-1st-earl-of-norbury-by-before-1825-98-the-twin-sons-of-john-toler-1745-1831-1st-earl-of-norbury-by-horace-hone-image206728425.html
RMP09861–The twin sons of John Toler (1745-1831), 1st Earl of Norbury, by . before 1825 98 The twin sons of John Toler (1745-1831), 1st Earl of Norbury, by Horace Hone
Gentleman in a Blue Coat 1781 by Horace Hone Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gentleman-in-a-blue-coat-1781-by-horace-hone-image559675622.html
RM2REFBY2–Gentleman in a Blue Coat 1781 by Horace Hone
Portrait of a Woman, Said to Be Lady Agnes Anne Wrothesley 1791 by Horace Hone Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-woman-said-to-be-lady-agnes-anne-wrothesley-1791-by-horace-hone-image559675623.html
RM2REFBY3–Portrait of a Woman, Said to Be Lady Agnes Anne Wrothesley 1791 by Horace Hone
Portrait d'une jeune femme appuyée sur ses bras croisés circa 1790 by Horace Hone Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-dune-jeune-femme-appuye-sur-ses-bras-croiss-circa-1790-by-horace-hone-image559675629.html
RM2REFBY9–Portrait d'une jeune femme appuyée sur ses bras croisés circa 1790 by Horace Hone
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