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Kauffmann drawing Stock Photos and Images
RM2G1DYH8–mourning, 'mourning woman', adapted from drawing, by Angelika Kauffmann (1741 - 1807), London, 1767, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE
RM2MW4WWY–Angelica Kauffman. Painting entitled 'Design' by the Swiss painter, Angelica Kauffmann (1741-1807), oil on canvas, 1778/80
RM2HB23EA–The Distaff, Angelica Kauffmann, Swiss, 1741-1807, Drawing in colored crayon on wove paper, 18th century, Sheet: 12 x 9 1/2 in., 30.5 x 24.1 cm, field, sheep, spinning, woman, woman artist
RF2HK4WX2–Inspired by The Distaff, Angelica Kauffmann, Swiss, 1741-1807, Drawing in colored crayon on wove paper, 18th century, Sheet: 12 x 9 1/2 in., 30.5 x 24.1 cm, field, sheep, spinning, woman, woman artist, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMTW9EKP–The bereaved friendship, pencil drawing by archduchess Maria clementine of Austria (1777-1801) based on etching by angélique Kauffmann. with handwritten inscription, Additional-Rights-Clearance-Info-Not-Available
RMEM4XTN–Angelika Kauffmann (Chur 1741 – 1807 Rome ) Portrait of Thomas Read 1775 Swiss born Austrian Neoclassical painter
RMDE1505–fashion, accessories, 'Grund zum Bleiben' (Reason to Stay), drawing by Hugo Kauffmann (1844 - 1915), 19th century, Additional-Rights-Clearences-Not Available
RM2T8HK0A–ANGELICA KAUFFMANN, lady in full figure on a staircase, sheet, 349 x 217 mm, black chalk, heightened with white, on blue paper, lady in full figure on a staircase, ANGELICA KAUFFMANN, 19TH CENTURY, DRAWING, black chalk, heightened with white, on blue paper, CHALK, PAPER, CHALK DRAWING, WHITE HIGHLIGHTING, GERMAN, FIGURE STUDY, COSTUME STUDY, DESIGN FOR A PAINTING
RM2WJAJBA–Portrait of Margaret Bingham, Countess of Lucan (1740 – 27 February 1814), after a painting by Angelica Kauffmann, R.A. Black and White Illustration from the Connoisseur, an Illustrated Magazine for Collectors Voll 3 (May-Aug 1902) published in London.
RMBDT03N–Altar painting by Angelica Kauffmann, Parish Church in Schwarzenberg, Bregenz Forest, Bregenzerwald, Vorarlberg, Austria, Europe
RFHTT0AX–Maria Anna Angelika Kauffmann, 1741 1807, usually known in English as Angelica Kauffman, a Swiss Neoclassical painter who had a successful career in London and Rome, reproduction of a woodcut from the year 1880, digital improved
RMP284X5–. 'Special Illumination on the Cathedral Plaza in Milan, Italy, for the visit of Wilhelm I of Germany in 1875'. From 'L'Illustration' ( http://www.lillustration.com ), 1875. Drawing by Charles Fichot (1817-1903) & Paul-Adolphe Kauffmann (1849-1935?), engraving by Joseph Burn-Smeeton (floruit 1840-1880) and his pupil and later partner Auguste Tilly (18..-1898) (signed as Smeeton-Tilly). . 1875. Charles Fichot; Paul-Adolphe Kauffmann; Joseph Burn-Smeeton; Auguste Tilly. 124 Fichot, Charles 1817-1903 & Kauffmann, Paul-Adolphe 1849-1935 - Da L'illustration, 1875 - Special Illumination on the
RMPAM897–Female Figure Seated Beside an Urn. Artist: circle of Angelica Kauffmann (Swiss, Chur 1741-1807 Rome). Dimensions: 4 7/8 x 7 5/16 in. (12.4 x 18.6 cm). Date: 1800. Museum: Metropolitan Museum of Art, New York, USA.
RMDB7H2T–geography / travel, France, Paris, gastronomy, sale of onion soup in front of the market halls, after original drawing by P.Kauffmann, wood engraving, 1880, Additional-Rights-Clearences-Not Available
RM2GMG68T–Traveling musicians playing in a tavern, painting by Hugo Wilhelm Kauffmann (1844-1915) was a German painter. Old 19th century engraved illustration from La Ilustración Artística 1882
RFPR9B9B–19th century illustration of a portrait of Winckleman. After drawing by Angelica Kauffmann. Johann Joachim Winckelmann (1717 – 1768) was a German art
RM2B01CB4–Vietnam: A richly caparisoned elephant of the royal court at Hue. Engraving by Paul Adolphe Kauffmann (8 July 1849 - 20 February 1940), 1878. Huế originally rose to prominence as the capital of the Nguyễn Lords, a feudal dynasty which dominated much of southern Vietnam from the 17th to the 19th century. In 1775 when Trịnh Sâm captured it, it was known as Phú Xuân. In 1802, Nguyễn Phúc Ánh (later Emperor Gia Long) succeeded in establishing his control over the whole of Vietnam, thereby making Huế the national capital. Huế was the national capital until 1945.
RM2EKP8Y8–Peloptro William Tomkins (1760-1840); Angelica Kauffmann (1741-1807), sketch of the figure on the drawing Recto, 1st Half of 19th Century
RF2HKK5HW–Art inspired by The Distaff, Angelica Kauffmann, Swiss, 1741-1807, Drawing in colored crayon on wove paper, 18th century, Sheet: 12 x 9 1/2 in., 30.5 x 24.1 cm, field, sheep, spinning, woman, woman artist, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2WJ6F1G–Portrait of Lady Rushout and her Daughter after Angelica Kauffmann, R.A. Colour Illustration from the Connoisseur, an Illustrated Magazine for Collectors Voll 3 (May-Aug 1902) published in London.
RM2T8HKW9–ANGELICA KAUFFMANN, Virgil reads the Aeneid to Augustus and Octavia, ca. 1788, sheet, 198 x 274 mm, black and white chalk on grey-coated ribbed laid paper, Virgil reads the Aeneid to Augustus and Octavia, ANGELICA KAUFFMANN, 18TH CENTURY, DRAWING, Black and white chalk on grey-coated, ribbed handmade paper, CHALK, CLOTHED PAPER, CRAFT PAPER, CHALK DRAWING, GERMAN, FIGURE STUDY, COMPOSITION STUDY, DESIGN FOR A PAINTING, verso inscribed in the middle, in pencil
RM2X1BN1W–The bereaved friendship, pencil drawing by archduchess Maria clementine of Austria (1777-1801) based on etching by angélique Kauffmann. with handwritten inscription, - 17930101 PD0078 - Rechteinfo: Rights Managed (RM)
RMBDRYY8–Apostle St. Barnabas, painting by Angelica Kauffmann, Parish Church in Schwarzenberg, Bregenz Forest, Bregenzerwald, Vorarlberg
RFHTT02N–Maria Anna Angelika Kauffmann, 1741 ? 1807, usually known in English as Angelica Kauffman, was a Swiss Neoclassical painter, reproduction of a woodcut from the year 1880, digital improved
RMMWH2E6–. English: 'The Official Reception in the Royal Palace in Milan, Italy, of Wilhelm I of Germany, in 1875' (notably, in the 'Sala delle Cariatidi', later demolished by a bombing during World War 2). From 'L'Illustration' ( http://www.lillustration.com ), 1875. Drawing by Charles Fichot (1817-1903) & Paul-Adolphe Kauffmann (1849-1935?), engraving by Joseph Burn-Smeeton (floruit 1840-1880) and his pupil and later partner Auguste Tilly (18..-1898). . 1875. Charles Fichot; Paul-Adolphe Kauffmann; Joseph Burn-Smeeton; Auguste Tilly. 414 MI - 1875 - Da L'illustration, 1875 - Visita Guglielmo II a M
RFT3BAHX–Maria Anna Angelika Kauffmann, 1741-1807, usually known in English as Angelica Kauffman was a Swiss Neoclassical painter who had a successful career i
RMT0B4HB–'Sinking Boat'. Album 'The Gold Book of Lorraine'. France, 1893. Dimensions: 16x10,5 cm. Museum: State Hermitage, St. Petersburg. Author: Kauffmann. FELIX ELIE REGAMEY.
RMP7MH6Y–Duchess Amalia of Weimar. After the painting by Angelika Kauffmann, by A. Weger, Angelika Kauffmann, A Weger 1910
RFR1KWNE–Digital improved reproduction, Maria Anna Angelika Kauffmann, 1741-1807, usually known in English as Angelica Kauffman was a Swiss Neoclassical painter who had a successful career in London and Rome
RF2DGA13T–Angelika Kauffmann, Maria Anna Angelica Catharina Kauffmann, October 30, 1741 - November 5, 1807, a well-known Swiss-Austrian painter of Classicism / Angelika Kauffmann, Maria Anna Angelica Catharina Kauffmann, 30. Oktober 1741 - 5. November 1807, eine bekannte schweizerisch-österreichische Malerin des Klassizismus, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert
RF2T4CGKB–Maria Anna Angelika Kauffmann, 1741 bis 1807, im Englischen meist als Angelica Kauffman bekannt, war eine Schweizer Malerin des Neoklassizismus, Reproduktion eines Holzschnitts aus dem Jahr 1880, digital verbessert / Maria Anna Angelika Kauffmann, 1741 bis 1807, usually known in English as Angelica Kauffman, was a Swiss Neoclassical painter, reproduction of a woodcut from the year 1880, digital improved
RMBDT048–Apostles, St. Andrew and St. Thaddeus, paintings by Angelica Kauffmann, Stations of the Cross paintings by Joseph Kauffmann, Pa
RM2T8HN7H–HUGO KAUFFMANN, after JAKOB ZUERCHTEGOTT DIELMANN, seated old woman, 1860, sheet, 89 x 52 mm, pencil on vellum paper, drawn on rag cardboard, seated old woman, HUGO KAUFFMANN, inventor, after JAKOB ZUERCHTEGOTT DIELMANN, 19TH CENTURY, DRAWING, pencil on Vellum paper, drawn on rag cardboard, GRAPHITE-CLAY MIXTURE, VELVET PAPER, PENCIL DRAWING, GERMAN, COPY, Signed, dated and inscribed lower right, in pencil, Hugo Kauffmann 60 / after Dielmann
RFR2XGT4–Old engraved portrait of Johan Johachim Winckelmann (1717 – 1768), German art historian. After A. Kauffmann, publ. on Magasin Pittoresque, Paris, 184
RM2ARB8AC–Angelica Kauffmann ( 1741–1807 ) , Portrait of Lady Emma Hamilton ( 1765–1815 ) 1791 ( 0,36 x 0,42)
RF2T3RM8A–Portret van Giovanni Volpato, Giuseppe Dala, after Angelica Kauffmann, 1798 - 1860, vintage engraved.
RMMXCD4T–. English: 'The Official Reception in the Royal Palace in Milan, Italy, of Wilhelm I of Germany, in 1875' (notably, in the 'Sala delle Cariatidi', later demolished by a bombing during World War 2). From 'L'Illustration' ( http://www.lillustration.com ), 1875. Drawing by Charles Fichot (1817-1903) & Paul-Adolphe Kauffmann (1849-1935?), engraving by Joseph Burn-Smeeton (floruit 1840-1880) and his pupil and later partner Auguste Tilly (18..-1898). . 1875. Charles Fichot; Paul-Adolphe Kauffmann; Joseph Burn-Smeeton; Auguste Tilly. 415 MI - 1875 - Da L'illustration, 1875 - Visita Guglielmo II a M
RF2T62N48–Reproduction of pictures depicting female painters kept in Uffizi gallery, Florence. After L. de Moulignon, publ. on Magasin Pittoresque, Paris, 1849
RMRXHCPN–Juno and the Peacock. Angelica Kauffmann; Swiss, 1741-1807. Date: 1770. Dimensions: 210 x 163 mm. Etching on paper. Origin: Switzerland. Museum: The Chicago Art Institute.
RMP7MH6H–Johann Joachim Winckelmann (1717-1768), German archaeologist, librarian, antiquarian and art writer of the Enlightenment, in the 47th year of his life. After the painting by Angelika Kauffmann, engraved by Rudolf Rahn, 1910
RF2T4CH21–Maria Anna Angelika Kauffmann, 1741 - 1807, im Englischen meist als Angelica Kauffman bekannt, eine Schweizer Malerin des Neoklassizismus, die in London und Rom erfolgreich tätig war, Reproduktion eines Holzschnitts aus dem Jahr 1880, digital verbessert / Maria Anna Angelika Kauffmann, 1741 1807, usually known in English as Angelica Kauffman, a Swiss Neoclassical painter who had a successful career in London and Rome, reproduction of a woodcut from the year 1880, digital improved
RF2AKT5TH–Maria Anna Angelika Kauffmann, 1741-1807, usually known in English as Angelica Kauffman was a Swiss Neoclassical painter who had a successful career in London and Rome / Maria Anna Angelika Kauffmann, 1741-1807, im Englischen meist als Angelica Kauffmann bekannt, war eine Schweizer Malerin des Neoklassizismus, die eine erfolgreiche Karriere in London und Rom hatte, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert
RM2T8HN79–HUGO KAUFFMANN, after JAKOB ZUERCHTEGOTT DIELMANN, Old woman on the house steps, 1860, sheet, 67 x 76 mm, pencil on vellum paper, drawn on rag cardboard, Old woman on the house steps, HUGO KAUFFMANN, inventor, after JAKOBFürCHTEGOTT DIELMANN, 19TH CENTURY, DRAWING, pencil on vellum paper, drawn on rag cardboard, GRAPHITE-CLAY MIXTURE, VELVET PAPER, PENCIL DRAWING, GERMAN, COPY, Signed, dated and inscribed lower right, in pencil, Hugo Kauffmann 60 / after Dielmann
RF2HJX631–Maria Anna Angelika Kauffmann, 1741-1807, usually known in English as Angelica Kauffman was a Swiss Neoclassical painter who had a successful career in London and Rome / Maria Anna Angelika Kauffmann, 1741-1807, im Englischen meist als Angelica Kauffmann bekannt, war eine Schweizer Malerin des Neoklassizismus, die eine erfolgreiche Karriere in London und Rom hatte, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert
RF2HGH88W–Augusta mit ihrem erstgeborenen Sohn Karl Georg August, Gemälde von Angelika Kauffmann, 1767 / Augusta with her firstborn son Karl Georg August, painting by Angelika Kauffmann, 1767, Historisch, historical, digital improved reproduction of an original artwork from the time / digital restaurierte Reproduktion einer Originalvorlage aus der damaligen Zeit, genaues Originaldatum nicht bekannt
RMPH3F07–Image from page 283 of 'Paris depuis ses origines jusqu'en l'an 3000 . Illustré . par P. Kauffmann, etc' .
RMP7YHBP–English: The great review of the Army Plaza (nowadays Parco Sempione) in Milan, Italy, for Wilhelm I of Germany, in 1875'. From 'L'Illustration', 1875. Drawing by Paul-Adolphe Kauffmann (1849-1935), engraving by Joseph Burn-Smeeton (floruit 1840-1880) and his pupil and later partner Auguste Tilly (18..-1898) (signed as Smeeton-Tilly). . 1875 298 P. Kauffmann & Joseph Burn Smeeton e Auguste Tilly (+1898) - The great review of the Army Plaza for Wilhelm II of Germany, in Milan (1875) - L'illustration, 1875
RMRXMATE–The Muse. Angelica Kauffmann; Swiss, 1741-1807. Date: 1766. Dimensions: 195 x 155 mm (image); 215 x 165 mm (plate); 235 x 185 mm (sheet). Etching with aquatint, on ivory laid paper. Origin: Switzerland. Museum: The Chicago Art Institute.
RMP6PG48–Johann Joachim Winckelmann (1717-1768), German archaeologist, librarian, antiquarian and art writer of the Enlightenment, in the 47th year of his life. After the painting by Angelika Kauffmann, engraved by Rudolf Rahn, 1910
RM2T8HN7C–HUGO KAUFFMANN, after JAKOBFürchtegott DIELMANN, grandmother, sewing, and child, 1860, sheet, 74 x 76 mm, pencil and watercolor on vellum paper, drawn on rag cardboard, grandmother, sewing, and child, HUGO KAUFFMANN, inventor, after JAKOBFürchtegott DIELMANN, 19TH CENTURY, DRAWING, pencil and watercolor on vellum paper, drawn on ragboard, GRAPHITE-CLAY MIXTURE, WATERCOLOR, VELVET PAPER, PENCIL DRAWING, WATERCOLOR, BRUSH DRAWING, GERMAN, COPY, Signed, dated and inscribed lower right, in pencil, Hugo Kauffmann 60 / according to Dielmann
RMPH3FBC–Image from page 291 of 'Paris depuis ses origines jusqu'en l'an 3000 . Illustré . par P. Kauffmann, etc' .
![. A March 20 1800 pin-up type print (or one of the 'fancy pieces in aquatint and stipple depicting pretty girls in flimsy dresses [which] formed a large part of the business of many printsellers at the turn of the nineteenth century', as it's described in the book English Prints for the Collector by Stephen Calloway). Engraved by J.C. Stadler and Piercy Roberts after a drawing by Adam Buck (Adam Buck and Angelica Kauffmann were apparently two of the most popular early 19th-century 'pinup' artists, though that word hadn't yet come into use then). Caption at bottom: 'SOPHIA WESTERN: Adorned wit Stock Photo](https://c8.alamy.com/comp/MMRFDX/a-march-20-1800-pin-up-type-print-or-one-of-the-fancy-pieces-in-aquatint-and-stipple-depicting-pretty-girls-in-flimsy-dresses-which-formed-a-large-part-of-the-business-of-many-printsellers-at-the-turn-of-the-nineteenth-century-as-its-described-in-the-book-english-prints-for-the-collector-by-stephen-calloway-engraved-by-jc-stadler-and-piercy-roberts-after-a-drawing-by-adam-buck-adam-buck-and-angelica-kauffmann-were-apparently-two-of-the-most-popular-early-19th-century-pinup-artists-though-that-word-hadnt-yet-come-into-use-then-caption-at-bottom-sophia-western-adorned-wit-MMRFDX.jpg ". A March 20 1800 pin-up type print (or one of the 'fancy pieces in aquatint and stipple depicting pretty girls in flimsy dresses [which] formed a large part of the business of many printsellers at the turn of the nineteenth century', as it's described in the book English Prints for the Collector by Stephen Calloway). Engraved by J.C. Stadler and Piercy Roberts after a drawing by Adam Buck (Adam Buck and Angelica Kauffmann were apparently two of the most popular early 19th-century 'pinup' artists, though that word hadn't yet come into use then). Caption at bottom: 'SOPHIA WESTERN: Adorned wit Stock Photo")
RMMMRFDX–. A March 20 1800 pin-up type print (or one of the 'fancy pieces in aquatint and stipple depicting pretty girls in flimsy dresses [which] formed a large part of the business of many printsellers at the turn of the nineteenth century', as it's described in the book English Prints for the Collector by Stephen Calloway). Engraved by J.C. Stadler and Piercy Roberts after a drawing by Adam Buck (Adam Buck and Angelica Kauffmann were apparently two of the most popular early 19th-century 'pinup' artists, though that word hadn't yet come into use then). Caption at bottom: 'SOPHIA WESTERN: Adorned wit
RMMMH8H8–. Act three, scene three from Goethe's Iphigenia in Tauris. Drawing. Première of final version of play in Weimar in 1802. Goethe, playing Orestes, seated in the centre. . 1802. Angelica Kauffman (1741–1807) Alternative names Angelika Kauffmann, Maria Anna Angelika Katharina Kauffmann, Angelika Katharina Kauffmann Description Swiss-British painter Date of birth/death 30 October 1741 5 November 1807 Location of birth/death Chur Rome Work location London, Rome, Schwarzenberg Authority control : Q123098 VIAF:?95148968 ISNI:?0000 0001 2321 3306 ULAN:?500115055 LCCN:?n50044673 NLA:?35
RMRXHCME–Woman Resting Her Head on a Book. Angelica Kauffmann; Swiss, 1741-1807. Date: 1770. Dimensions: 192 x 158 mm (plate); 216 x 176 mm (sheet). Etching and aquatint in brown on buff laid paper. Origin: Switzerland. Museum: The Chicago Art Institute.
RMPYY9CH–Anna Amalia of Brunswick-Wolfenbüttel (1739-1807), Duchess of Saxe-Weimar-Eisenach, regent, patron and composer, Angelika Kauffmann 1881
RM2T8HNDD–HUGO KAUFFMANN, after JAKOBFürCHTEGOTT DIELMANN, Little girl with child on the floor, 1860, sheet, 45 x 45 mm, pencil, watercolored, on thin vellum paper, drawn on rag cardboard, Little girl with child on the floor, HUGO KAUFFMANN, inventor, after JAKOBFürchtegott DIELMANN, 19TH CENTURY, DRAWING, pencil, watercolored, on thin vellum paper, drawn on ragboard, GRAPHITE-CLAY MIXTURE, WATERCOLOR, VELIN PAPER, PENCIL DRAWING, WATERCOLOR, GERMAN, COPY, Signed, dated and inscribed lower left, in pencil, Hugo Kauffmann 60 / after Dielmann
RM2T88DEW–Francesco Bartolozzi (Engraver) Angelika Kauffmann when drawing. Dotier manner, etching 1799 , 1799
RMPH2553–Image from page 111 of 'Paris depuis ses origines jusqu'en l'an 3000 . Illustré . par P. Kauffmann, etc' .
RMRXHCDB–Juno and the Peacock. Angelica Kauffmann; Swiss, 1741-1807. Date: 1780. Dimensions: 205 x 167 mm (plate); 234 x 189 mm (sheet). Etching and aquatint on ivory laid paper. Origin: Switzerland. Museum: The Chicago Art Institute.
RM2WN856P–Johann Gottfried Herder (1744-1803), poet and philosopher of Weimar Classicism, Herder in his middle years. Painted by Angelika Kauffmann during Herder's presence in Rome., , Angelika Kauffmann (literary history book, 1881), Johann Gottfried Herder (1744-1803), Dichter und Philosoph der Weimarer Klassik, Herder in mittleren Jahren. Gemalt von Angelika Kauffmann während Herders Anwesenheit in Rom, Johann Gottfried Herder (1744-1803), poète et philosophe du classicisme de Weimar, Herder à l'âge mûr. Peint par Angelika Kauffmann pendant la présence de Herder à Rome.
RM2T8HN7P–HUGO KAUFFMANN, after JAKOBFürchtegott DIELMANN, farmer with child in his arms, 1860, sheet, max. 82 x max. 37 mm, pencil and watercolor on thin vellum paper, drawn on rag cardboard, farmer with child in his arms, HUGO KAUFFMANN, inventor, after JAKOBFürchtegott DIELMANN, 19TH CENTURY, DRAWING, pencil and watercolor on thin vellum paper, drawn on ragboard, GRAPHITE-CLAY MIXTURE, WATERCOLOR, VELIN PAPER, PENCIL DRAWING, WATERCOLOR, BRUSH DRAWING, GERMAN, COPY, Signed, dated and inscribed lower left, with pencil, 60 / Hugo Kauffmann / after Dielmann
RM2WG5T8T–Venus in Love, Angelica Kauffmann, 1751 - 1807 drawing paper. ink. chalk pen / brush (story of) Venus (Aphrodite). (story of) Cupid, Amor (Eros)
RMPH3J65–Image from page 361 of 'Paris depuis ses origines jusqu'en l'an 3000 . Illustré . par P. Kauffmann, etc' .
RMPAAGX6–Design for Ceiling: Apollo and the Hours. Artist: Angelica Kauffmann (Swiss, Chur 1741-1807 Rome). Dimensions: Image (diameter): 11 5/16 in. (28.8cm) Sheet: 12 7/8 x 12 15/16 in (32.7 x 32.8 cm). Former Attribution: Formerly attributed to Giovanni Battista Cipriani (Italian, Florence 1727-1785 Hammersmith (active London)). Date: 1760-1807. Museum: Metropolitan Museum of Art, New York, USA.
RM2T8HN7E–HUGO KAUFFMANN, after JAKOB ZUERCHTEGOTT DIELMANN, walking woman, 1860, sheet, max. 58 x max. 31 mm, pencil and watercolor on thin vellum paper, drawn on rag cardboard, walking woman, HUGO KAUFFMANN, inventor, after JAKOB FürCHTEGOTT DIELMANN, 19TH CENTURY, DRAWING, pencil and watercolor on thin vellum paper, drawn on ragboard, GRAPHITE-CLAY MIXTURE, WATERCOLOR, VELIN PAPER, PENCIL DRAWING, WATERCOLOR, BRUSH DRAWING, GERMAN, COPY, Signed, dated and inscribed lower left, in pencil, 60 / Hugo Kauffmann / according to Dielmann
Search Results for Kauffmann drawing Stock Photos and Images (612)
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