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Mujer india Stock Photos and Images
RMRFJ2KA–Ellen Terry at Age Sixteen. Date/Period: Negative 1864; print ca. 1875. Print. Carbon. Height: 243 mm (9.56 in); Width: 243 mm (9.56 in). Author: Julia Margaret Cameron.
![Doon School Stall [at the] Fancy Fair in Aid of the Indian Red Cross for War Purposes Fund, Savoy Hotel, Mussoorie. Two women at a stall selling artwork. Hallett Collection: '[Album] Presented to Lady Hallett by the District War Commitee, Dehra Dun, April 22, 1941'. 10-Jun-40. Photograph. Source: Photo 117/7(11). Author: UNKNOWN. Stock Photo](https://c8.alamy.com/comp/RCE8NF/doon-school-stall-at-the-fancy-fair-in-aid-of-the-indian-red-cross-for-war-purposes-fund-savoy-hotel-mussoorie-two-women-at-a-stall-selling-artwork-hallett-collection-album-presented-to-lady-hallett-by-the-district-war-commitee-dehra-dun-april-22-1941-10-jun-40-photograph-source-photo-117711-author-unknown-RCE8NF.jpg "Doon School Stall [at the] Fancy Fair in Aid of the Indian Red Cross for War Purposes Fund, Savoy Hotel, Mussoorie. Two women at a stall selling artwork. Hallett Collection: '[Album] Presented to Lady Hallett by the District War Commitee, Dehra Dun, April 22, 1941'. 10-Jun-40. Photograph. Source: Photo 117/7(11). Author: UNKNOWN. Stock Photo")
RMRCE8NF–Doon School Stall [at the] Fancy Fair in Aid of the Indian Red Cross for War Purposes Fund, Savoy Hotel, Mussoorie. Two women at a stall selling artwork. Hallett Collection: '[Album] Presented to Lady Hallett by the District War Commitee, Dehra Dun, April 22, 1941'. 10-Jun-40. Photograph. Source: Photo 117/7(11). Author: UNKNOWN.
RMPNY2H8–Malinche (c.1496-1529). Nahua woman. Interpreter of the spanish conqueror Hernan Cortes. Mexican engraving, 1885. Colored. Library of Catalonia. Barcelona. Spain.
RMPNWED8–Malinche (c.1496-1529). Nahua woman. Interpreter of the spanish conqueror Hernan Cortes. Mexican engraving, 1885. Library of Catalonia. Barcelona. Spain.
RMR5DHCN–An illustration of Nizami's story of Khusraw & Shirin showing the death of Farhad who has fallen from Mount Behistun. Shirin kneels at his side and her ladies stand behind her bemoaning the occurrence. A Europeanised landscape in the distance includes clumps of trees, buildings and a scene at a well. c.1770. Opaque watercolour. Source: J.9,11. Author: Mir Kalan Khan.
![The Parable of the [Ten] Virgins (he Parables of Our Lord and Saviour Jesus Christ). Artist: After Sir John Everett Millais (British, Southampton 1829-1896 London). Dimensions: image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm) sheet: 7 5/16 x 6 1/16 in. (18.6 x 15.4 cm). Engraver: Engraved and printed by Dalziel Brothers (British, active 1839-1893). Date: 1864. It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, 'I can do Stock Photo](https://c8.alamy.com/comp/PA4KRA/the-parable-of-the-ten-virgins-he-parables-of-our-lord-and-saviour-jesus-christ-artist-after-sir-john-everett-millais-british-southampton-1829-1896-london-dimensions-image-5-12-x-4-516-in-139-x-109-cm-sheet-7-516-x-6-116-in-186-x-154-cm-engraver-engraved-and-printed-by-dalziel-brothers-british-active-1839-1893-date-1864-it-took-millais-seven-years-to-design-twenty-images-inspired-by-new-testament-parables-for-the-dalziel-brothers-and-the-resulting-prints-are-considered-pinnacles-of-wood-engraved-illustration-the-artist-wrote-to-his-publishers-i-can-do-PA4KRA.jpg "The Parable of the [Ten] Virgins (he Parables of Our Lord and Saviour Jesus Christ). Artist: After Sir John Everett Millais (British, Southampton 1829-1896 London). Dimensions: image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm) sheet: 7 5/16 x 6 1/16 in. (18.6 x 15.4 cm). Engraver: Engraved and printed by Dalziel Brothers (British, active 1839-1893). Date: 1864. It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, 'I can do Stock Photo")
RMPA4KRA–The Parable of the [Ten] Virgins (he Parables of Our Lord and Saviour Jesus Christ). Artist: After Sir John Everett Millais (British, Southampton 1829-1896 London). Dimensions: image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm) sheet: 7 5/16 x 6 1/16 in. (18.6 x 15.4 cm). Engraver: Engraved and printed by Dalziel Brothers (British, active 1839-1893). Date: 1864. It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, 'I can do
RMR505EH–A group of Khasi women. Native Christians. 1870s. Source: Photo 913/(16). Author: Jean Baptiste Oscar Mallitte.
RMPAB4A1–'Tumanba Khan, His Wife, and His Nine Sons', Folio from a Chingiznama (Book of Genghis Khan). Artist: Basawan (Indian, active ca. 1556-1600); Bhim Gujarati (active 1590s). Dimensions: Page: 15 x 10 in. (38.1 x 25.4 cm). Date: ca. 1596. The text of the Chingiznama records the life of the legendary conqueror Chingiz Khan (Genghis Khan) and his family. The emperor Akbar (r. 1556-1605) commissioned many historical manuscripts in the 1590s, but because the Mughals claimed descent from Genghis Khan, this book must have had particular resonance for him. This illustration depicts the ruler Tumanba K
![General view of the stalls [at the] Fancy Fair in Aid of the Indian Red Cross for War Purposes Fund, Savoy Hotel, Mussoorie. A group of women at a stall selling arts and crafts. Hallett Collection: '[Album] Presented to Lady Hallett by the District War Commitee, Dehra Dun, April 22, 1941'. 10-Jun-40. Photograph. Source: Photo 117/7(9). Author: UNKNOWN. Stock Photo](https://c8.alamy.com/comp/R5ER1N/general-view-of-the-stalls-at-the-fancy-fair-in-aid-of-the-indian-red-cross-for-war-purposes-fund-savoy-hotel-mussoorie-a-group-of-women-at-a-stall-selling-arts-and-crafts-hallett-collection-album-presented-to-lady-hallett-by-the-district-war-commitee-dehra-dun-april-22-1941-10-jun-40-photograph-source-photo-11779-author-unknown-R5ER1N.jpg "General view of the stalls [at the] Fancy Fair in Aid of the Indian Red Cross for War Purposes Fund, Savoy Hotel, Mussoorie. A group of women at a stall selling arts and crafts. Hallett Collection: '[Album] Presented to Lady Hallett by the District War Commitee, Dehra Dun, April 22, 1941'. 10-Jun-40. Photograph. Source: Photo 117/7(9). Author: UNKNOWN. Stock Photo")
RMR5ER1N–General view of the stalls [at the] Fancy Fair in Aid of the Indian Red Cross for War Purposes Fund, Savoy Hotel, Mussoorie. A group of women at a stall selling arts and crafts. Hallett Collection: '[Album] Presented to Lady Hallett by the District War Commitee, Dehra Dun, April 22, 1941'. 10-Jun-40. Photograph. Source: Photo 117/7(9). Author: UNKNOWN.
RMR50YXD–Woman spinning outside her house. Album of 57 views and animal studies in pen and ink and pencil with a number of prints. Ruined thatched hut. Pen and ink; 15.5 by 11.2 cm. Source: WD 4044 f.32. Language: English. Author: d'Orbigny, Charles.
![Washing [Madura]. Distant view of women washing clothes beside a river or tank. . c.1935. Source: Photo 628/1(67). Language: English. Stock Photo](https://c8.alamy.com/comp/R5FX8C/washing-madura-distant-view-of-women-washing-clothes-beside-a-river-or-tank-c1935-source-photo-628167-language-english-R5FX8C.jpg "Washing [Madura]. Distant view of women washing clothes beside a river or tank. . c.1935. Source: Photo 628/1(67). Language: English. Stock Photo")
RMR5FX8C–Washing [Madura]. Distant view of women washing clothes beside a river or tank. . c.1935. Source: Photo 628/1(67). Language: English.
RMR5J5Y2–The Begum Samru of Sardhana (c.1750-1836). Half-length portrait, seated smoking a hookah. She wears a fur hat with dangling pearl 'sarpech' and a pearl necklace, and is enveloped in a heavy yellow shawl. 1812. Watercolour on ivory. Source: Add.Or.4362.
RMR5676H–A view of a woman spinning outside a hut. (Winship Collection). 1860s. Photograph. Source: Photo 798/(122). Author: UNKNOWN.
RMP9E179–India. Women belonging to a different social classes. Lemaitre direxit. Engraving. Anonymous. 'Panorama Universal, India, 1845.'.
RMR5AP2X–Collector's Tent, Monghyr. (Winship Collection). 1860s. Photograph. Source: Photo 798/(93). Language: English. Author: UNKNOWN.
RMP7F68G–Queen Victoria (1819-1901). Queen of the United Kingdom of Great Britain and Ireland and Empress of India. Engraving in the Almanac of The Illustration, 1888.
RMR5C6XR–A mixed group of police officers and ladies taken during Punjab Police Week at the Police Training School, Phillaur. Portraits of Indian police Groups. Feb. 1935. Source: Photo 348/(10). Author: UNKNOWN.
RMP7F5EX–Queen Victoria (1819-1901). Queen of the United Kingdom of Great Britain and Ireland and Empress of India. Engraving by Llanta in Universal Gallery, 1868.
RMR57E2F–A princess killing a snake, watched by her maids, in the manner of a Bijapuri painting. c.1770. Opaque watercolour. Source: J.15,8. Author: Mir Kalan Khan.
RMRC4K26–Colonialism. 19th century. Holland. Rotterdam. Troops destined for the Dutch colonies in India. Kellenbach Engraving for 'The Artistic Illustration', 1886.
RMR5FW70–A Kafir woman. Full-length portrait of a seated woman. The photograph shows the characteristic headdress of married Bashgal women: 'Here, for the first time, Bashgal women were seen in their own country by any European, and the novel experience was not pleasing. They had hard, forbidding faces, and were very dirty. Their only dress was a long goat's-hair gown, reaching from the neck to below the knee, and they, like the men, wore ankle boots of soft brown leather. The married women wore a head-dress, but only out of doors. Their head-dress is peculiar to the Bashgal Kafirs. It consists of a ca
RMP7F79J–Victoria I (1819-1901). Queen of the United Kingdom of Great Britain and Ireland (1837-1901) and Empress of India (1876-1901). Portrait. Engraving. 'La Ilustracion', 1887.
RMRCGHFE–A girl standing at a window with a bottle and cup. Johnson Collection. c.1660. Opaque watercolour. Gouache with gold. Source: J.4,5v.
RMP7F6AN–Victoria I (1819-1901). Queen of the United Kingdom of Great Britain and Ireland (1837-1901) and Empress of India (1876-1901). Portrait. Engraving by A. Soler. 'La Ilustracion Nacional', 1887.
RMRC4CWM–Courtyard of a temple at Brindaban. Hastings Albums. 1815. watercolour. Source: Add.Or.4840. Language: English. Author: SITA RAM.
RM2PWRBN9–Queen Victoria (1819-1901). Queen of the United Kingdom of Great Britain and Ireland (1837-1901). Empress of India. Portrait. Lithography by Martínez. 'Reyes Contemporáneos'. Volume I. Published in Madrid, 1855. Author: Martínez. 19th century Spanish lithographer.
RMR5H97X–'New Court House and Chandpal Ghaut' . 1787. etching; coloured aquatint. Source: P1109. Author: DANIELL, THOMAS.
RM2PWRBMG–Queen Victoria (1819-1901). Queen of the United Kingdom of Great Britain and Ireland (1837-1901). Empress of India. Portrait. Lithography by Martínez. 'Reyes Contemporáneos'. Volume I. Published in Madrid, 1855. Author: Martínez. 19th century Spanish lithographer.
![Gandikotta Pass, on the Pennar River; a landscape with steep, tree-covered hills; rocks on either side; figures riding through a cut between the rocks, towards buildings in the background; buildings in the distance. Southern Entrance of GUNDECOTTA PASS. [London] ; [Bengal] : Published according to Act of Parliament Jan 1st 1799 by Thos. Anburey Bengal & by F. Jukes, Howland Street London, [January 1 1799]. Source: Maps K.Top.115.20.1.c. Stock Photo](https://c8.alamy.com/comp/R5DTEB/gandikotta-pass-on-the-pennar-river-a-landscape-with-steep-tree-covered-hills-rocks-on-either-side-figures-riding-through-a-cut-between-the-rocks-towards-buildings-in-the-background-buildings-in-the-distance-southern-entrance-of-gundecotta-pass-london-bengal-published-according-to-act-of-parliament-jan-1st-1799-by-thos-anburey-bengal-by-f-jukes-howland-street-london-january-1-1799-source-maps-ktop115201c-R5DTEB.jpg "Gandikotta Pass, on the Pennar River; a landscape with steep, tree-covered hills; rocks on either side; figures riding through a cut between the rocks, towards buildings in the background; buildings in the distance. Southern Entrance of GUNDECOTTA PASS. [London] ; [Bengal] : Published according to Act of Parliament Jan 1st 1799 by Thos. Anburey Bengal & by F. Jukes, Howland Street London, [January 1 1799]. Source: Maps K.Top.115.20.1.c. Stock Photo")
RMR5DTEB–Gandikotta Pass, on the Pennar River; a landscape with steep, tree-covered hills; rocks on either side; figures riding through a cut between the rocks, towards buildings in the background; buildings in the distance. Southern Entrance of GUNDECOTTA PASS. [London] ; [Bengal] : Published according to Act of Parliament Jan 1st 1799 by Thos. Anburey Bengal & by F. Jukes, Howland Street London, [January 1 1799]. Source: Maps K.Top.115.20.1.c.
RMP493B4–NUEVA CRONICA Y BUEN GOBIERNO - 1613/1615 - MANUSCRITO INDIO - CURA PEGANDO A UNA INDIA EMBARAZADA. Author: Felipe Guamán Poma de Ayala (c. 1535-c. 1617). Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN.
RMR552N9–A cricket group photograph taken at Amritsar on the occasion of the match against Jullundur (Northamptonshire Regiment). Portraits of Indian police Groups. 1934. Source: Photo 348/(5).
RMP7F68H–Queen Victoria (1819-1901). Queen of the United Kingdom of Great Britain and Ireland and Empress of India. First Council of Ministers presided by Queen Victoria, 1838. Engraving by H. E. Davey after a painting by Sir David Wilkie. Almanac of The Illustration, 1888.
RMR52FF1–A drum slab. 85 sheets of drawings of the site and sculptures at Amaravati and two notes. 1816 - 1819. Source: WD 1061, f.18. Language: English. Author: ANON.
RMP493B8–NUEVA CRONICA Y BUEN GOBIERNO - 1613/1615 - MANUSCRITO INDIO - FRAILE DOMINICO TIRANDO DEL PELO A UNA INDIA QUE TRABAJA EN UN TELAR. Author: Felipe Guamán Poma de Ayala (c. 1535-c. 1617). Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN.
RMR5EPFB–Presentation of address & casket to Rai Bahadur Babu Abinash Chunder Sen, CIE, at the Albert Hall, Jaipur. Stotherd Collection: Miscellaneous photographs. 22 Jan. 1923. Photograph. Source: Photo 448/12(2). Author: UNKNOWN.
RMPB1KJY–'Steerage Emigrants' (The Graphic). Artist: Arthur Boyd Houghton (British, Madras, India 1836-1875 London). Dimensions: image: 5 7/8 x 8 7/8 in. (15 x 22.5 cm) sheet: 8 1/16 x 11 1/4 in. (20.5 x 28.6 cm). Date: March 19, 1870. Museum: Metropolitan Museum of Art, New York, USA.
RMR54X29–Man and woman from Jammu. 1838 - 1839 Punjab style. Pencil watercolour. Inscribed in Persian characters: ‘Mardum i kuh i Jaamun;’ in English: ‘Inhabitants of Jummoo nr. Cashmere.’. Source: Add.Or.1373. Language: Persian. Author: ANON.
RMP5KPTA–Luculia gratissima is an ornamental plant in the Rubiaceae family, native to northern India and western China. It grows up to 6 meters in the wild, and has pink perfumed flowers.. . Augusta Innes Withers (17931877): Augusta Baker, a clergyman's daughter, lived and worked in London all her life. She married an accountant, Theodore Withers, 20 years her senior, and gave lessons in flower painting. She became Flower Painter in Ordinary to Queen Adelaide. During the 1830s and 40s, she drew for books and magazines such as Lindley's Pomological Magazine, Curtis's Botanical Magazine, and Transaction
RMRC5YTT–The new Mint on the Strand, from the south, with shipping beyond, inscribed on album page: 'Calcutta and New Mint Calcutta'. c.1829. Watercolour. Source: WD 4190. Author: Prinsep, Thomas.
RMR5CBYK–A lady holding a flower. Johnson Collection. c.1670. Tinted drawing, on an album page with coloured borders sprinkled with gold. Source: J.13,5. Author: ANON.
RMPNM8PW–ALFONSO DE ALBURQUEQUE EN 1509 ENTRANDO EN GOA - DETALLE DE SU SEQUITO - MUJER EN BALDAQUINO - Códice 1889. Location: BIBLIOTECA CASANATENSE. Rome. ITALIA.
RMR54NC4–European girls, playing in front of the School (Sanawur Girls' School). Pupils playing croquet and dancing round a maypole in the foreground. Photographs of industries, transport, architecture, social life and portraits, mainly in Calcutta and West Bengal. 1860s. Photograph. Source: Photo 703/(32). Language: English. Author: Bourne, Samuel.
RMP45ACB–CODICE TRUJILLO DEL PERU - TOMO II E 83 - INDIA PASTORA PARIENDO - ACUARELA - SIGLO XVIII. Author: Baltasar Jaime Martínez Compañón (1737-1797). Location: PALACIO REAL-BIBLIOTECA, MADRID, SPAIN.
RMR56MN9–A drum slab. 85 sheets of drawings of the site and sculptures at Amaravati and two notes. 1816 - 1819. Source: WD 1061, f.16. Language: English. Author: ANON.
RMP45A7K–CODICE TRUJILLO DEL PERU - TOMO II E 18 - INDIA DE CELAN CON TRAJE DE IGLESIA - ACUARELA - SIGLO XVIII. Author: Baltasar Jaime Martínez Compañón (1737-1797). Location: PALACIO REAL-BIBLIOTECA, MADRID, SPAIN.
RMR5AWMK–Figures standing in the courtyard; the temple gateway to the left; the Holy house and the holy bull to the right. The Thillai Nataraja Temple. c. 1760-1770. Pen and black ink with monochrome wash over pencil. Source: Maps K.Top.115.82.b.2. Author: Francis Swain Ward.
RMP4MYGJ–CODICE TRUJILLO DEL PERU - TOMO II E 82 - INDIA PASTORA CERCA DE SU CHOZA - ACUARELA - SIGLO XVIII. Author: Baltasar Jaime Martínez Compañón (1737-1797). Location: PALACIO REAL-BIBLIOTECA, MADRID, SPAIN.
RMR5GFR5–Coolies of Rajmahal. A large group of Indian men and women employed on the railways?. (Winship Collection). 1860s. Photograph. Source: Photo 798/(99). Language: English. Author: UNKNOWN.
RMP5KRBF–Herbaceous shrub growing up to 1 meter in height, with large white flowers and large vine-shaped leaves.. . This genus of plants, as its Greek name implies, was known to the ancients. It was in reference to the Anemone coronaria that they invented the fable of the Anemone originating in the grief of Venus for the love of Adonis. The species inhabit the woods, thickets and mountains of the temperate regions. A. vitifolia was discovered by Dr. Hamilton Buchanan at Suemba in Upper Nepal, and also in the Himalayas. This showy species was introduced to England in 1829 by seeds brought from India by
RMR577CY–A lady visiting a Saiva shrine. c.1740. Opaque watercolour. Source: J.17,3. Author: Khan, Muhammad Faquirullah.
RMP3Y0DE–REINA VICTORIA I REINA DE GRAN BRETAÑA E IRLANDA Y EMPERATRIZ DE LA INDIA - 1841. Author: William Charles Ross (1794-1860). Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN.
RMR58H0J–A tall rectangular stele showing a column with a wheel on top. 85 sheets of drawings of the site and sculptures at Amaravati and two notes. 1816 - 1819. Source: WD 1061, f.14. Language: English. Author: ANON.
RMRC4P1H–Jeronimus Becx (active c. 1649-1658). Dutch artist. The Arms of the Dutch East India Company, 1651. Detail. Rijksmuseum. Amsterdam. Holland.
![Ceremony of admitting water to Victoria Dock by Lady Reay [Victoria Dock construction, Bombay]. A general view of water pouring into the Victoria Dock, with dignitaries and guests gathered along the top of the entrance to the dam. Bombay Port Trust. Prince's Dock Extension Works. 21 Feb. 1888. Photograph. Source: Photo 173/(64). Language: English. Stock Photo](https://c8.alamy.com/comp/R567BK/ceremony-of-admitting-water-to-victoria-dock-by-lady-reay-victoria-dock-construction-bombay-a-general-view-of-water-pouring-into-the-victoria-dock-with-dignitaries-and-guests-gathered-along-the-top-of-the-entrance-to-the-dam-bombay-port-trust-princes-dock-extension-works-21-feb-1888-photograph-source-photo-17364-language-english-R567BK.jpg "Ceremony of admitting water to Victoria Dock by Lady Reay [Victoria Dock construction, Bombay]. A general view of water pouring into the Victoria Dock, with dignitaries and guests gathered along the top of the entrance to the dam. Bombay Port Trust. Prince's Dock Extension Works. 21 Feb. 1888. Photograph. Source: Photo 173/(64). Language: English. Stock Photo")
RMR567BK–Ceremony of admitting water to Victoria Dock by Lady Reay [Victoria Dock construction, Bombay]. A general view of water pouring into the Victoria Dock, with dignitaries and guests gathered along the top of the entrance to the dam. Bombay Port Trust. Prince's Dock Extension Works. 21 Feb. 1888. Photograph. Source: Photo 173/(64). Language: English.
RMP6BJWF–Jeronimus Becx (active c. 1649-1658). Dutch artist. The Arms of the Dutch East India Company and of the Town of Batavia, 1651. Rijksmuseum. Amsterdam. Holland.
RMR5EJYW–Man and woman from Pothohar (Rawalpindi District). 1838 - 1839 Punjab style. penci watercolour. Inscribed in Persian characters: ‘Mardum i Pothohar.’. Source: Add.Or.1361. Author: ANON.
RMP9HB6T–Different types of sari and clothes worn by Indian women. Woman of distinction in sari and veil seated on sofa, and woman of lower rank in short sari. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
RMR5FXNK–A European group, Hyderabad. This is most likely Hyderabad in Sindh, not the Deccan. Lieut-Colonel Reilly is sitting in a rattan chair right of centre . 1889. Photograph. Source: Photo 639/3(55). Author: Bremner, Frederick.
RMP6EY90–European woman in a tonjon, or ladies carriage, carried by Indian bearers in loincloth, and attended by an umbrella carrier. Handcoloured copperplate engraving by an unknown artist from 'Asiatic Costumes,' Ackermann, London, 1828.
RMR52614–Figures swimming in a tank of water and sitting on steps in the foreground; the temple tower rising to the left. The Thillai Nataraja Temple and the tank at Chidambaram. c. 1760-1770. Pen and black ink with monochrome wash over pencil. Source: Maps K.Top.115.82.b.3. Author: Francis Swain Ward.
RMP9HAPX–An Indian woman at a gala seated on a rich carpet with containers of betelnut and perfume, attended by an ayah or servants with punya (fan), pawn and snake hookah pipe. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
RMR5751J–Accident on the EIR (East Indian Railway) near Ahmoodpore. A view of a collapsed bridge and train. (Winship Collection). 1860s. Photograph. Source: Photo 798/(102). Language: English. Author: UNKNOWN.
RMP6F9FM–Burmese woman in long loose striped silk petticoat, wearing slippers and carrying an umbrella. She wears painted fingernails and sandalwood perfume. Handcoloured copperplate engraving by an unknown artist from 'Asiatic Costumes,' Ackermann, London, 1828.
RMR587K1–The Main Street, Bangalore. On either side, there are open stalls or bazaars where tradesmen display their wares . Curzon Collection: 'Souvenir of Mysore' Album. 1890s. Photograph. Source: Photo 430/41(88). Language: English. Author: UNKNOWN.
RMP6BGNR–Woman playing the tumboora (guitar) wearing embroidered pants of silk, shawl, veil, and slippers. Handcoloured copperplate engraving by an unknown artist from 'Asiatic Costumes,' Ackermann, London, 1828.
RMR52EP6–Rajgurh. - A Chutree. A view looking towards the main façade of the building, with figures in the street in the foreground. Captain E.C. Impey, 'Delhi, Agra, and Rajpootana, illustrated by eighty photographs' (Cundall, Downes, & Co., London, 1865). Early 1860s. Photograph. Source: Photo 971/(57). Language: English. Author: Impey, Eugene Clutterbuck.
RMP6BGGG–Indian woman preparing thread for the loom, wearing muslin petticoat, jacket and shawl. Handcoloured copperplate engraving by an unknown artist from 'Asiatic Costumes,' Ackermann, London, 1828.
![Paraswa Rama Sabha. The interior of this cave, dedicated to the Jain saint Parsvanath, has columns with square shafts, turning into the vase and foliage motif, amalaka capitals and plain brackets. Hindoo excavations in the mountain of Ellora near Aurungabad in the Decan: in twenty four views respectfully dedicated to Sir Charles Warre Malet Bart. late the British Resident at Poonah: engraved from the drawings of James Wales, by and under the direction of Thomas Daniell. [With descriptive letterpress and plans.]. London : Thos. Daniell, 1803-1804. Coloured aquatint. Source: X432/6(5). Language: Stock Photo](https://c8.alamy.com/comp/R5G39R/paraswa-rama-sabha-the-interior-of-this-cave-dedicated-to-the-jain-saint-parsvanath-has-columns-with-square-shafts-turning-into-the-vase-and-foliage-motif-amalaka-capitals-and-plain-brackets-hindoo-excavations-in-the-mountain-of-ellora-near-aurungabad-in-the-decan-in-twenty-four-views-respectfully-dedicated-to-sir-charles-warre-malet-bart-late-the-british-resident-at-poonah-engraved-from-the-drawings-of-james-wales-by-and-under-the-direction-of-thomas-daniell-with-descriptive-letterpress-and-plans-london-thos-daniell-1803-1804-coloured-aquatint-source-x43265-language-R5G39R.jpg "Paraswa Rama Sabha. The interior of this cave, dedicated to the Jain saint Parsvanath, has columns with square shafts, turning into the vase and foliage motif, amalaka capitals and plain brackets. Hindoo excavations in the mountain of Ellora near Aurungabad in the Decan: in twenty four views respectfully dedicated to Sir Charles Warre Malet Bart. late the British Resident at Poonah: engraved from the drawings of James Wales, by and under the direction of Thomas Daniell. [With descriptive letterpress and plans.]. London : Thos. Daniell, 1803-1804. Coloured aquatint. Source: X432/6(5). Language: Stock Photo")
RMR5G39R–Paraswa Rama Sabha. The interior of this cave, dedicated to the Jain saint Parsvanath, has columns with square shafts, turning into the vase and foliage motif, amalaka capitals and plain brackets. Hindoo excavations in the mountain of Ellora near Aurungabad in the Decan: in twenty four views respectfully dedicated to Sir Charles Warre Malet Bart. late the British Resident at Poonah: engraved from the drawings of James Wales, by and under the direction of Thomas Daniell. [With descriptive letterpress and plans.]. London : Thos. Daniell, 1803-1804. Coloured aquatint. Source: X432/6(5). Language:
RMP7DJTW–Indian men and women under an Indian banyan tree, Ficus benghalensis, with temple in the background, 1800s. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, Batelli, Florence, 1843.
RMRC5YJC–A general view of the temples at Bhuvaneswar (Orissa). MacKenzie Collection. July 1820. watercolour. Source: WD 679. Author: ANON.
RMP5KT8H–Cypripedium insigne. . The large-flowered lady's slipper orchid has large, distinctive pale green, brown and purplish flowers up to 3cm in size. It is a native of Nepal and was introduced into England via Calcutta in 1821. . . Miss Jane Taylor (active 18361842) was a painter of still lives and contributor of flower drawings to the Society of British Artists in London.. . Benjamin Maund's The Botanist was a five-volume series that introduced 250 new plants from 1836 to 1842. The series is notable for its many female artists: the plates were drawn by Maund's daughters Sarah and Eliza, Augusta W
RMR504FA–Maheshwar fort. 1843. pencil; ink. Source: WD 3448. Language: English. Author: ABOTT, JAMES.
RMP4EMJ3–MODO DE VESTIR DE LAS INDIAS DE SORSOGON - ISLAS FILIPINAS - VOLCAN DE ALBAY O MAYON HUMEANDO - DIBUJO SIGLO XVIII - EXPEDICION MALASPINA. Author: Juan Ravenet (1766-1821). Location: MUSEO DE AMERICA-COLECCION, MADRID, SPAIN.
RMR5ETGD–The Ashes of Ravana. The cave known as Ravana-ki Khai is a single-storeyed excavation dating from the 7th century and consists of a square columned mandapa and a verandah. The facade has lost several of its piers revealing the large pillared hall behind. The columns of the hall have pot and foliage capitals and rectangular brackets. Figural panels include Shaivite sculptures on the south wall and Vaishnava images on the north wall . Hindoo excavations in the mountain of Ellora near Aurungabad in the Decan: in twenty four views respectfully dedicated to Sir Charles Warre Malet Bart. late the B
RMP5NJH1–Costumes of Indian farmer with shield and rifle, woman farmer with baby, and monk with begging bowl and saffron robes. Handcoloured lithograph from Friedrich Wilhelm Goedsche's 'Vollstaendige Völkergallerie in getreuen Abbildungen' (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. Goedsche (1785-1863) was a German writer, bookseller and publisher in Meissen. Many of the illustrations were adapted from Bertuch's 'Bilderbuch fur Kinder' and others.
![Group: H.R.H. The Prince of Wales, the Viceroy, Hon. Miss Baring and others [at Government House, Calcutta]. Group portrait: 'The Prince will at once be recognised in this capital photograph. His Royal Highness, the only person in the group not uncovered, has Lord Northbrook on his right and Miss Baring on his left. Prince Louis of Battenberg is sitting next to Lord Northbrook, Lord Suffield just behind, and Sir Henry Norman behind him. The Prince's suite are chiefly to the left of the picture, the Indian officials to the right' . Bourne & Shepherd, 'Royal photographic album of scenes and pers Stock Photo](https://c8.alamy.com/comp/R5183P/group-hrh-the-prince-of-wales-the-viceroy-hon-miss-baring-and-others-at-government-house-calcutta-group-portrait-the-prince-will-at-once-be-recognised-in-this-capital-photograph-his-royal-highness-the-only-person-in-the-group-not-uncovered-has-lord-northbrook-on-his-right-and-miss-baring-on-his-left-prince-louis-of-battenberg-is-sitting-next-to-lord-northbrook-lord-suffield-just-behind-and-sir-henry-norman-behind-him-the-princes-suite-are-chiefly-to-the-left-of-the-picture-the-indian-officials-to-the-right-bourne-shepherd-royal-photographic-album-of-scenes-and-pers-R5183P.jpg "Group: H.R.H. The Prince of Wales, the Viceroy, Hon. Miss Baring and others [at Government House, Calcutta]. Group portrait: 'The Prince will at once be recognised in this capital photograph. His Royal Highness, the only person in the group not uncovered, has Lord Northbrook on his right and Miss Baring on his left. Prince Louis of Battenberg is sitting next to Lord Northbrook, Lord Suffield just behind, and Sir Henry Norman behind him. The Prince's suite are chiefly to the left of the picture, the Indian officials to the right' . Bourne & Shepherd, 'Royal photographic album of scenes and pers Stock Photo")
RMR5183P–Group: H.R.H. The Prince of Wales, the Viceroy, Hon. Miss Baring and others [at Government House, Calcutta]. Group portrait: 'The Prince will at once be recognised in this capital photograph. His Royal Highness, the only person in the group not uncovered, has Lord Northbrook on his right and Miss Baring on his left. Prince Louis of Battenberg is sitting next to Lord Northbrook, Lord Suffield just behind, and Sir Henry Norman behind him. The Prince's suite are chiefly to the left of the picture, the Indian officials to the right' . Bourne & Shepherd, 'Royal photographic album of scenes and pers
RMP6HE5Y–Ferdinand de Lesseps (1805-1894). French diplomat and entrepreneur. Lesseps with his family. Engraving in The Artistic Illustration, 1886. Colored.
RMRCE7H9–A view of the five rathas, Mamallapuram. 23rd July 1816. MacKenzie Collection. 1816. watercolour. Source: WD 2625. Language: English. Author: ANON.
RMPP6R3A–Ferdinand de Lesseps (1805-1894). French diplomat and entrepreneur. Lesseps with his family. Engraving in The Artistic Illustration, 1886.
RMRCBWJB–The Lahore Gate of the Delhi Fort. Hastings Albums. 1815. watercolour. Source: Add.Or.4828. Language: English. Author: SITA RAM.
RMR56HC8–A rectangular slab showing the birth of the Buddha. 85 sheets of drawings of the site and sculptures at Amaravati and two notes. 1816 - 1819. Source: WD 1061, f.17. Language: English. Author: ANON.
RMPP8093–Alonso de Molina (?-1531). Spanish military and conqueror, active between 1526-1531. Alonso de Molina with the chief of Tumbes (Peru), Orozimbo, who offers him a young Inca girl. Engraving, 1820.
RMR54FGH–Side portrait of Indian man; Front portrait of Indian woman . Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. London : Robt Bowyer, 1795, 97. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) Daniell, Thomas, 1749-1840. Source: Tab.599.a plate XII.
RMP7F6AF–Victoria I (1819-1901). Queen of the United Kingdom of Great Britain and Ireland (1837-1901). Coronation of Victoria as a Queen, 28 June 1838, in the Westminster Abbey. Engraving by E. Cremer after a painting of E. T. Parris. 'Nuestro Siglo' , 19th century.
RMR52W1B–Studio portrait of two young women. Captioned dancing girls. . 1860s. Photographer: Unknown . Source: Photo 662 (5).
RMP7F79H–Victoria I (1819-1901). Queen of the United Kingdom of Great Britain and Ireland (1837-1901). Coronation of Victoria as a Queen, 28 June 1838, in the Westminster Abbey. Engraving after a painting of G. Hayter. 'Almanaque de La Ilustracion', 1888.
![Gandikotta Pass, on the Pennar River; women by a body of water; figures by a cave on the right; rocks and cliffs on either side; the points of a minaret in the distance. Northern Entrance of GUNDECOTTA PASS. [London] ; [Bengal] : Published according to Act of Parliament Jan 1st 1799 by Thos. Anburey Bengal & by F. Jukes, Howland Street London, [January 1 1799]. Source: Maps K.Top.115.20.1.d. Language: English. Stock Photo](https://c8.alamy.com/comp/R56M73/gandikotta-pass-on-the-pennar-river-women-by-a-body-of-water-figures-by-a-cave-on-the-right-rocks-and-cliffs-on-either-side-the-points-of-a-minaret-in-the-distance-northern-entrance-of-gundecotta-pass-london-bengal-published-according-to-act-of-parliament-jan-1st-1799-by-thos-anburey-bengal-by-f-jukes-howland-street-london-january-1-1799-source-maps-ktop115201d-language-english-R56M73.jpg "Gandikotta Pass, on the Pennar River; women by a body of water; figures by a cave on the right; rocks and cliffs on either side; the points of a minaret in the distance. Northern Entrance of GUNDECOTTA PASS. [London] ; [Bengal] : Published according to Act of Parliament Jan 1st 1799 by Thos. Anburey Bengal & by F. Jukes, Howland Street London, [January 1 1799]. Source: Maps K.Top.115.20.1.d. Language: English. Stock Photo")
RMR56M73–Gandikotta Pass, on the Pennar River; women by a body of water; figures by a cave on the right; rocks and cliffs on either side; the points of a minaret in the distance. Northern Entrance of GUNDECOTTA PASS. [London] ; [Bengal] : Published according to Act of Parliament Jan 1st 1799 by Thos. Anburey Bengal & by F. Jukes, Howland Street London, [January 1 1799]. Source: Maps K.Top.115.20.1.d. Language: English.
RMR50HPB–A street scene in the village of Raniya. In the foreground a young woman sits spinning, a child beside her and other women around her. In the background between the houses and giant jars are cattle, camels and numerous other figures going about their business. 1816-1820. Opaque watercolour. Source: Add.Or.4057.
RMR5HE34–View from the island of Elephanta. Taken from the island's landing-place, looking towards Bombay Harbour in the far distance beyond Butchers Island and Cross Island. Local versions of the sedan and palanquin are depicted in the foreground. Bombay Views: Twelve Views Of The Island Of Bombay And Its Vicinity Taken In The Years 1791 And 1792. London, R. Cribb, 1804. Source: X 436, plate 12. Language: English. Author: JAMES WALES.
RMRCC40R–A general view of the modern temple, great rock sculptures and caves, Mahabalipuram. c.1825. watercolour. Source: WD 4205. Author: Gantz, John.
RMR5C6RH–The Tomb of Hafiz Rahmat Khan, Bareilly (U.P.). 22nd May 1789. Bromley-Davenport Collection. 1789. pencil; watercolour. Source: WD 187. Language: English. Author: DANIELL, WILLIAM. DANIELL, THOMAS.
RMR556KW–A formal group portrait of the Nawab of Janjira, Court officials and British guests, at the Palace, Murud. Wilberforce-Bell Collection: 'His Highness Nawab Sahib Sidi Muhammad Khan, Janjira, Investiture and Marriage, 1933 A.D.'. 9 Nov. 1933. Photograph. Source: Photo 1/1(32). Language: English.
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