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Rudolph ackermann Stock Photos and Images
RF2B8WDGD–Andernach, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel (English, 1789-1850), probably published by Rudolph Ackermann (English, 1764-1834), England, Lithograph in black on grayish-ivory chine, laid down on ivory wove paper, 290 × 425 mm (image), 310 × 445 mm (primary support), 345 × 500 mm (secondary support), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutio
RM2BT5K9H–Young English gentleman flirting with the Fair Limonadiere in the Cafe de Mille Colonnes, Palais Royal, Paris. Waiters bringing hot chocolate to fashionable ladies, soldiers and officers. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from William Combes The Dance of Life, Rudolph Ackermann, London, 1817.
RM2HYYR15–Fashion Plate, ‘Ball Dress’ for ‘The Repository of Arts’. Rudolph Ackermann (England, London, 1764-1834). England, London, June 1, 1826. Prints; engravings. Hand-colored engraving on paper
RMKCCYY8–Drawings and Prints, Print, A Bankrupt Cart, or The Road to Ruin in the East!, Publisher, Artist, After, Rudolph Ackermann
RM2KA641T–Egyptian Hall, Mansion House. Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the artist responsible for the architectural elements in the Microcosm pictures; Thomas Rowlandson was hired to add the lively human figures.
RM2CFHPPJ–Festooned draperies from Grecian consoles in black and gold. Fawn curtains with black fringes, and muslin net curtains edged with tea-green chenille. Boudoir or breakfast-parlour window curtains, 1815. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
RF2B8WDGM–Cologne, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel (English, 1789-1850), probably published by Rudolph Ackermann (English, 1764-1834), England, Lithograph in black on grayish-ivory chine, laid down on ivory wove paper, 290 × 425 mm (image), 310 × 445 mm (primary support), 345 × 500 mm (secondary support), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutioni
RM2T6CRKR–Drawing room window curtain, cornices, ornamented with French fringe and muslin curtains under blue damask. Grecian sofa and stool, patent pedestal lamp. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
RM2HYYRC6–Fashion Plate, 'Morning Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, April 1, 1812. Prints; engravings. Hand-colored engraving on paper
RMKCCYXY–Drawings and Prints, Print, The Visit, Artist, Publisher, Thomas Rowlandson, Rudolph Ackermann, British, London 1757–1827 London
RM2K8N754–Court of Common Pleas, Westminster Hall. Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the artist responsible for the architectural elements in the Microcosm pictures; Thomas Rowlandson was hired to add the lively human figures.
RM2CFHR7C–Regency era bedroom chair in mahogany or satin wood upholstered in green for a mansion, and cottage chair with ornate carving in 16th century design suitable for a castellated house. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
RF2B8WDGA–Kraenstrate Maline, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel (English, 1789-1850), probably published by Rudolph Ackermann (English, 1764-1834), England, Lithograph in black on grayish-ivory chine, laid down on ivory wove paper, 290 × 425 mm (image), 310 × 445 mm (primary support), 345 × 500 mm (secondary support), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and
RM2T68NRP–Salon chair and library chair, 1810. The Roman chair and footrest are ideal for the saloon, in carved or gilt mahogany, The library chair comes with matching Grecian footstool. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
RM2HYYPNA–Fashion Plate, ‘Walking Dress’ for ‘The Repository of Arts’. Rudolph Ackermann (England, London, 1764-1834). England, London, July 1, 1826. Prints; engravings. Hand-colored engraving on paper
RMKCCYYG–Drawings and Prints, Print, The Dinner Spoil'd!, Matrimonial Comforts, Publisher, Artist, After, Rudolph Ackermann
RM2K7N7Y5–Court of Chancery, Lincoln's Inn Hall. Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the artist responsible for the architectural elements in the Microcosm pictures; Thomas Rowlandson was hired to add the lively human figures.
RM2CFX30D–Sideboard with cellaret drawers and cupboards in each pedestal, and a pair of vase knife-cases. Can be adapted to store a dining table and its leaves. Manufactured by Thomas Morgan and Joseph Sanders, Catherine Street, Strand. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
RF2B8WDGB–Sachsenhausen Francfort, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel (English, 1789-1850), probably published by Rudolph Ackermann (English, 1764-1834), England, Lithograph in black on grayish-ivory chine, laid down on ivory wove paper, 290 × 425 mm (image), 310 × 445 mm (primary support), 345 × 500 mm (secondary support), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed
RM2T696MC–Two Georgian rectors in a churchyard in Oxford. Doctor Broadbase checks his watch against the sundial. Symptoms of a Dinner. Handcoloured wood engraving after an illustration by Thomas Rowlandson from W. H. Harrisons The Humourist, a Companion for the Christmas Fireside, Rudolph Ackermann, 19 Strand, London, 1831.
RM2HYYTG3–Fashion Plate, 'Morning Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, September 1, 1824. Prints; engravings. Hand-colored engraving on paper
RMKCCWF2–Drawings and Prints, Print, Veneration, Le Brun Travested, or Caricatures of the Passions, After, Rudolph Ackermann
RM2K8N750–Freemasons' Hall, Great Queen Street. Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the artist responsible for the architectural elements in the Microcosm pictures; Thomas Rowlandson was hired to add the lively human figures.
RM2CFHPN8–Regency-era French window curtains, 1813. The space between the windows is filled with a matching curtained mirror in the central bay. The circular cornices in the manner of Roman archivolts are supported by therms. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
RF2B8XAMH–Grotesque Borders for Halls & Rooms, published August 1799, Thomas Rowlandson (English, 1756-1827), after George Moutard Woodward (English, c. 1760-1809), published by Rudolph Ackermann (English, 1734-1834), England, Hand-colored etching and stipple engraving on ivory wove paper, 460 × 322 mm (image), 490 × 350 mm (plate), 490 × 380 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize cu
RM2T6CWDF–Hall chairs with coats of arms, 1814. Solid mahogany with carved ornaments 1, mahogany with ebony inlay 2, and Gothic style chair in oak 3. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
RM2HYYT66–Fashion Plate, 'Morning Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, August 1, 1818. Prints; engravings. Hand-colored engraving on paper
RMKCCWF1–Drawings and Prints, Print, Admiration, Le Brun Travested, or Caricatures of the Passions, After, Rudolph Ackermann
RM2KDKGN4–The hall and stair case, British Museum. Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the artist responsible for the architectural elements in the Microcosm pictures; Thomas Rowlandson was hired to add the lively human figures.
RM2CFX308–French drapery window curtains, 1810. Lemon-silk drapes and embroidered muslin curtains hanging from large rosette pins, and fine fringed muslin drapery hung over a gilt dart. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
RF2B8X808–I Smell a Rat or a Rogue in Grain, published May 16, 1807, Thomas Rowlandson (English, 1756-1827), published by Rudolph Ackermann (English, 1764-1834), England, Hand-colored etching on ivory wove paper, 212 × 322 mm (image), 245 × 350 mm (plate), 260 × 372 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2T68P0H–Cabinet and dwarf table, 1813. The cabinet in mahogany, rosewood with brass or ebony inlay, suitable for a collector. The dwarf table for the library has a marble top. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
RM2HYYTPP–Fashion Plate, 'Head Dresses' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, November 1, 1823. Prints; engravings. Hand-colored engraving on paper
RMKCCWEY–Drawings and Prints, Print, Desire, Le Brun Travested, or Caricatures of the Passions, After, Rudolph Ackermann
RM2KA2W20–Water Engine, Coldbath Fields Prison. Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the artist responsible for the architectural elements in the Microcosm pictures; Thomas Rowlandson was hired to add the lively human figures.
RM2CFX354–Sofa or French bed, 1809. Sofa with mahogany frame ornamented in gilt, white satin cushions and bolster, blue velvet canopy under a blue satin dome with gold moldings and Vitrurian scroll in the frieze. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
RF2B8X8A5–Grotesque Borders for Halls & Rooms, published July 21, 1799, Thomas Rowlandson (English, 1756-1827), after George Moutard Woodward (English, c. 1760- 1809), published by Rudolph Ackermann (English, born Germany, 1764-1834), England, Etching in black, with hand-colored additions, on cream wove paper, 365 × 450 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2T696P2–Banquette, 1810. Sofa and chair banquetees in mahogany and brass, with French-stuffed seat covered in morocco leather, back in lattice or trellis work. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
RM2HYYPTP–Fashion Plate, ‘Evening Dress’ for ‘The Repository of Arts’. Rudolph Ackermann (England, London, 1764-1834). England, London, September 1, 1825. Prints; engravings. Hand-colored engraving on paper
RMKCCWEW–Drawings and Prints, Print, Horror, Le Brun Travested, or Caricatures of the Passions, After, Rudolph Ackermann
RM2KDKGN7–Court of Kings Bench, Westminster Hall. Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the artist responsible for the architectural elements in the Microcosm pictures; Thomas Rowlandson was hired to add the lively human figures.
RM2CFX332–Metamorphic library chair, 1811. It has curved back legs like the Trafalgar chair, armrests, cushion, and folds out into a step ladder. Patented by Robert Campbell, manufactured by Thomas Morgan and Joseph Stanley, Catherine Street, Strand. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
RF2B8WDG0–Zwinger Palace, Dresden, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel (English, 1789-1850), probably published by Rudolph Ackermann (English, 1764-1834), England, Lithograph in black on grayish-ivory chine, laid down on ivory wove paper, 290 × 425 mm (image), 310 × 445 mm (primary support), 345 × 500 mm (secondary support), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed
RM2T68TTJ–Mahogany dining chair enhanced with inlaid ebony 1, rosewood chair with gilt 2, and rosewood chair with ormolu 3. Dining and drawing-room chair 1815. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
RM2HYYTK5–Fashion Plate, 'Promenade Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, January 1, 1826. Prints; engravings. Hand-colored engraving on paper
RMKCCWH9–Drawings and Prints, Print, Despair, Le Brun Travested, or Caricatures of the Passions, Artist, After, Rudolph Ackermann
RM2K7N7RK–Hospital, Middlesex. Lying in hospital. Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the artist responsible for the architectural elements in the Microcosm pictures; Thomas Rowlandson was hired to add the lively human figures.
RM2CFX333–Ladies toilette, fauteuil, footstool, bidet, 1809. Lady’s dressing table in mahogany with a large mirror, ottoman footstool covered in green morocco leather, matching armchair, and chamber bath for the promotion of health. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
RF2B8WDFE–Part of the Castle at Heidelberg, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel (English, 1789-1850), probably published by Rudolph Ackermann (English, 1764-1834), England, Lithograph in black on grayish-ivory chine, laid down on ivory wove paper, 290 × 425 mm (image), 310 × 445 mm (primary support), 345 × 500 mm (secondary support), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, moveme
RM2T6CJ0W–Three Georgian quack doctors in wigs and frock coats discussing a medical case in a library. The Doctors Puzzled. Handcoloured wood engraving after an illustration by Thomas Rowlandson from W. H. Harrisons The Humourist, a Companion for the Christmas Fireside, Rudolph Ackermann, 19 Strand, London, 1831.
RM2HYYR94–Fashion Plate, 'Half Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, January 1, 1812. Prints; engravings. Hand-colored engraving on paper
RMKCCWHE–Drawings and Prints, Print, Admiration, Le Brun Travested, or Caricatures of the Passions, Artist, After, Rudolph Ackermann
RM2KDKGMX–Mounting Guard, St. James's Park. Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the artist responsible for the architectural elements in the Microcosm pictures; Thomas Rowlandson was hired to add the lively human figures.
RM2CFHR89–Regency writing desk and chair, named for the London residence of the Prince Regent (later King Georige IV). Carlton House table and chair. Manufactured by Thomas Morgan and Joseph Sanders, Catherine Street, Strand, London, 1814. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
RF2B8WDFW–S’Omer, Strasbourg, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel (English, 1789-1850), probably published by Rudolph Ackermann (English, 1764-1834), England, Lithograph in black on grayish-ivory chine, laid down on ivory wove paper, 290 × 425 mm (image), 310 × 445 mm (primary support), 345 × 500 mm (secondary support), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and
![Mistakes at Cavaillon, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", January 1, 1822. Stock Photo](https://c8.alamy.com/comp/2BT1YWB/mistakes-at-cavaillon-from-quotjournal-of-sentimental-travels-in-the-southern-provinces-of-france-shortly-before-the-revolutionquot-january-1-1822-2BT1YWB.jpg "Mistakes at Cavaillon, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", January 1, 1822. Stock Photo")
RM2BT1YWB–Mistakes at Cavaillon, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", January 1, 1822.
RM2BT5CJ4–English gentleman and ladies listening to a harpist at a ball in a stately home. Two lovers flirt in a corner, and four people play cards in another room. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from William Combes The Dance of Life, Rudolph Ackermann, London, 1817.
RM2HYYPHC–Fashion Plate, ‘Dinner Dress’ for ‘The Repository of Arts’. Rudolph Ackermann (England, London, 1764-1834). England, London, May 1, 1824. Prints; engravings. Hand-colored engraving on paper
RMKCCYYN–Drawings and Prints, Print, Stocks Are Up! Huzza!!, City Fluctuations, Publisher, Artist, After, Rudolph Ackermann
RM2KA63WR–Bow Street Office. Bow Street Magistrates' Court. Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the artist responsible for the architectural elements in the Microcosm pictures; Thomas Rowlandson was hired to add the lively human figures.
RM2CFHR4C–Regency-era ladies toilette dressing case, 1812. Dressing table with folding lid, slide-out writing drawer, cosmetic drawers, adjustable mirrors, etc. Designed and manufactured by Thomas Morgan and Joseph Sanders, London. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
RF2B8WDGY–Thein Church, Prague, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel (English, 1789-1850), probably published by Rudolph Ackermann (English, 1764-1834), England, Lithograph in black on grayish-ivory chine, laid down on ivory wove paper, 290 × 425 mm (image), 310 × 445 mm (primary support), 345 × 500 mm (secondary support), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed an
![Searched by the Douaniers on the French Frontiers, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", 1821. Stock Photo](https://c8.alamy.com/comp/2BT24HJ/searched-by-the-douaniers-on-the-french-frontiers-from-quotjournal-of-sentimental-travels-in-the-southern-provinces-of-france-shortly-before-the-revolutionquot-1821-2BT24HJ.jpg "Searched by the Douaniers on the French Frontiers, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", 1821. Stock Photo")
RM2BT24HJ–Searched by the Douaniers on the French Frontiers, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", 1821.
RM2T688MY–Grecian sofa, 1811. Elegant Grecian sofa for the library or boudoir. In mahogany ornamented with ormolu, French-stuffed squab, bolsters and cushions covered with morocco leather. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
RM2HYYPTY–Fashion Plate, ‘Evening Dress’ for ‘The Repository of Arts’. Rudolph Ackermann (England, London, 1764-1834). England, London, February 1, 1826. Prints; engravings. Hand-colored engraving on paper
RMKCCYYJ–Drawings and Prints, Print, The Soldier's Departure, Artist, Publisher, Thomas Rowlandson, Rudolph Ackermann, British, London
RM2KDKGMA–The Roman Catholic Chapel, Lincoln's Inn Fields. Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the artist responsible for the architectural elements in the Microcosm pictures; Thomas Rowlandson was hired to add the lively human figures.
RM2CFHR8W–Royal patent invalid chair, 1810. Wheelchair with reclining back and slide-out footrest that can become a flat bed. Mahogany chair with hair-stuffed canvas upholstery, with iron-rim wheels and brass interior steering wheel. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
RF2B8WDGP–Roman Pillar at Igel, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel (English, 1789-1850), probably published by Rudolph Ackermann (English, 1764-1834), England, Lithograph in black on grayish-ivory chine, laid down on ivory wove paper, 290 × 425 mm (image), 310 × 445 mm (primary support), 345 × 500 mm (secondary support), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed an
RM2T6870F–A Georgian commercial traveller with his saddlebags arriving at The Woolpack Inn. A maid welcomes him at the door, while a porter leads his horse to the stables. A Bagman. Handcoloured wood engraving after an illustration by Thomas Rowlandson from W. H. Harrisons The Humourist, a Companion for the Christmas Fireside, Rudolph Ackermann, 19 Strand, London, 1831.
RM2HYYTFJ–Fashion Plate, 'Opera Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, July 1, 1824. Prints; engravings. Hand-colored engraving on paper
RMKCD00N–Drawings and Prints, Print, Justice, Country Characters, Artist, Publisher, Artist, After, Thomas Rowlandson, Rudolph Ackermann
RM2KDKGNA–Dining Hall, Asylum. The asylum in Lambeth. Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudolph Ackermann. Pugin was the artist responsible for the architectural elements in the Microcosm pictures; Thomas Rowlandson was hired to add the lively human figures.
RMWWC511–Customs inspectors opening luggage at the border, 18th century. Searched by the Douaniers at the French frontiers. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from Journal of Sentimental Travels in the Southern Provinces of France, translated and abridged from Moritz August von Thummel’s Reise in die mittäglichen Provinzen van Frankreich im Jahre 1785–1786, Rudolph Ackermann, London, 1821.
RF2B8WDGH–Cathedral at Mayence, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel (English, 1789-1850), probably published by Rudolph Ackermann (English, 1764-1834), England, Lithograph in black on grayish-ivory chine, laid down on ivory wove paper, 290 × 425 mm (image), 310 × 445 mm (primary support), 345 × 500 mm (secondary support), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed an
RM2T6CRW3–Patent Mongolfier smoke conductor fireplace for the remedying of smoky chimnies. Based on the Mongolfier Principle, this smoke conductor was made by Joseph Gregson of Charles Street, Grosvenor Square. Handcoloured copperplate engraving from The Upholsterer's and Cabinet-Maker's Repository consisting of seventy-six designs of modern and fashionable furniture, Rudolph Ackermann, London, 1830.
Search Results for Rudolph ackermann Stock Photos and Images (3,452)
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