RME749F8–The Crucifixion - by Segna di Buonaventura, 1315
RMCTWW26–Saint John the Evangelist 1320 Segna di Buonaventura 1298 – 1326 Italy Italian
RMKC8784–Saint Silvester Gozzolini, Segna di Buonaventura, 1320s
RMKWDJJE–CHRIST BLESSING, by Segna di Buonaventura, 1311, Italian Proto-Renaissance tempera painting. Christs face, hand and red clock are painted in modeled forms. These contrast with the to gold lines on the blue garment from the traditional Byzantine style (BSLOC 2017 16 50)
RMKWDM9A–CHRIST BLESSING, by Segna di Buonaventura, 1311, Italian Proto-Renaissance tempera painting. Christs face, hand and red clock are painted in modeled forms. These contrast with the to gold lines on the blue garment from the traditional Byzantine style (BSLOC 2017 16 50)
RMPAM4A2–Saint Silvester Gozzolini. Artist: Segna di Buonaventura (Italian, active Siena by 1298-died 1326/31). Dimensions: Overall, with framing elements, 49 x 21 in. (124.5 x 53.3 cm); Saint Silvester, painted surface 27 7/8 x 16 1/4 in. (70.8 X 41.3 cm); pinnacle, painted surface 10 x 15 5/8 in. (25.4 x 39.7 cm). Date: 1320s. Museum: Metropolitan Museum of Art, New York, USA.
RMJ4GT28–Segna di Buonaventura. Crocifisso. No 567.
RMHRDP6F–Segna di Buonaventura - Madonna and Child - 87.64 - Minneapolis Institute of Arts
RMPC3PHN–550 Segna di Buonaventura. Crocifisso. Museum of Fine Art, Moscow
RMG1DEA9–Crucifix by Segna di Bonaventura, an Italian painter of the Sienese School. Dated 14th Century
RMPC9BBX–550 Segna di Buonaventura. Crocifisso, no. 21, Siena, Pinacoteca Nazionale
RM2TCYJJ0–The Crucifixion 1975 by Segna di Buonaventura
RMMWPK0B–. Crocifisso 550 Segna di Buonaventura. Crocifisso. Museum of Fine Art, Moscow
RF2HW8W96–Art inspired by Madonna and Child with Nine Angels, ca. 1315, Tempera on panel, Left wing, overall, with engaged frame, 15 1/8 x 10 5/8 in. (38.4 x 27 cm); right wing, overall, with engaged frame, 15 x 10 5/8 in. (38.1 x 27 cm), Paintings, Segna di Buonaventura (Italian, active Siena, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HFAJ8Y–Segna di Buonaventura. Crocifisso.
RM2HHXH0N–Saint Benedict 1320s Segna di Buonaventura Italian. Saint Benedict 442750
RMTXGKTB–Crucifix by Segna di Bonaventura, an Italian painter of the Sienese School. Dated 14th Century
RM2AKPY5D–Meisterwerke der Älteren Pinakothek in München ... . Pappelhol: 44x29 cm Segna di Buonaventura. Die Heilige Magdalena 251. K a s t a n i e n li o 12 42X43 cm Giotto di Bondone. Das heilige Abendmahl 252
RF2HGK13T–The Crucifixion - 1315c. - tempera su tavola 38, x 27 cm - Di Buonaventura Segna
RM2AX1H2F–Saint Benedict, 1320s.
RF2HGJN2Y–Madonna and child - 1320c. - tempera su tavola fondo oro 94 x 58,7 cm - Di Buonaventura Segna
RMKCD053–Madonna and Child with Nine Angels, Segna di Buonaventura, ca. 1315
RM2B0KG48–Segna di Buonaventura, Saint John the Evangelist, Segna di Buonaventura (Italian, active Siena by 1298–died 1326/31), ca. 1320, Tempera on wood, gold ground, Overall, with engaged (largely modern) frame, 35 x 22 in. (88.9 x 55.9 cm); painted surface 27 1/4 x 16 1/2 in. (69.2 x 41.9 cm), Paintings
RMPAXRB2–Saint Benedict. Artist: Segna di Buonaventura (Italian, active Siena by 1298-died 1326/31). Dimensions: Overall, with framing elements, 49 x 20 7/8 in. (124.5 x 53 cm); Saint Benedict, painted surface 27 7/8 x 16 in. (70.8 x 40.6 cm); pinnacle, painted surface 10 1/4 x 15 3/8 in. (26 x 39.1 cm). Date: 1320s. Museum: Metropolitan Museum of Art, New York, USA.
RMKCD054–The Crucifixion, ca. 1315, Tempera on panel, Left wing, overall, with engaged frame, 15 1/8 x 10 5/8 in. (38.4 x 27 cm); right
RMJ4GCBC–Segna di Buonaventura. Crocifisso. Museum of Fine Art, Moscow
RMHRCKEX–Segna di Buonaventura, Italian, c. 1298-1331 Madonna with Child. North Carolina Museum of Art
RMJ4HG4G–Segna di Buonaventura. Crocifisso, no. 21, Siena, Pinacoteca Nazionale
RM2TCYJHB–Christ Blessing 1965 by Segna di Buonaventura
RMPC3PHR–550 Segna di Buonaventura. Crocifisso. No 567. National Gallery, London
RF2HTYDEC–Art inspired by The Crucifixion, ca. 1315, Tempera on panel, Left wing, overall, with engaged frame, 15 1/8 x 10 5/8 in. (38.4 x 27 cm); right wing, overall, with engaged frame, 15 x 10 5/8 in. (38.1 x 27 cm), Paintings, Segna di Buonaventura (Italian, active Siena by 1298–died 1326/31, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HFAJ9A–Segna di Buonaventura - Madonna and Child
RM2HHXH0X–Saint Silvester Gozzolini 1320s Segna di Buonaventura Italian. Saint Silvester Gozzolini 442749
RM2HF6BDB–Segna di Buonaventura. Crocifisso, no. 21, Siena, Pinacoteca Nazionale.
RM2HH8A3R–Christ Blessing ca. 1311 Segna di Buonaventura Italian This panel was the pinnacle of an unidentified altarpiece. Its softly modeled forms were inspired by Duccio, with whom Segna must have worked. The gold striations derive from Byzantine icons and indicate the sacred character of the figure.. Christ Blessing. Segna di Buonaventura (Italian, active Siena by 1298–died 1326/31). ca. 1311. Tempera on wood, gold ground. Paintings
RM2HFAJ9E–Segna di Buonaventura, Italian, c. 1298-1331 Madonna with Child.
RM2HJ1705–The Crucifixion ca. 1315 Segna di Buonaventura Italian This panel and another in the Lehman Collection portraying the Madonna and Child (1975.1.1) formed a diptych (two panels hinged together so they could open and close) and would have been used for private devotion. The radiant beauty of the Virgin’s court, enhanced by the ornamental detail, contrasts with the tragic drama of the Crucifixion, thus offering the worshipper two very different images on which to meditate. These panels reveal Segna di Buonaventura’s appropriation of the language and motifs of his master, Duccio. The greatest Sien
RM2AKR011–Meisterwerke der Älteren Pinakothek in München ... . Mahagoniholz Jan van Huijsum. Früchte, Blumen und Insekten248 )X60 cm Italienische Meister ??^^mmri^^m^smir^-m i..MISIISm^i.:.¥aatiA,SM<itm.%. Pappelhol: 44x29 cm Segna di Buonaventura. Die Heilige Magdalena 251
RM2HH84D5–Madonna and Child with Nine Angels ca. 1315 Segna di Buonaventura Italian This panel and another in the Lehman Collection portraying the Crucifixion (1975.1.2) formed a diptych (two panels hinged together so they could open and close) and would have been used for private devotion. The radiant beauty of the Virgin’s court, enhanced by the ornamental detail, contrasts with the tragic drama of the Crucifixion, thus offering the worshipper two very different images on which to meditate. These panels reveal Segna di Buonaventura’s appropriation of the language and motifs of his master, Duccio. The
RF2HGJMXT–Saint Benedict - 1320c. - tempera su tavola fondo oro 70,8 x 41,3 cm - Di Buonaventura Segna
RM2HHXH3D–Madonna and Child ca. 1320 Segna di Buonaventura Italian This Madonna and Child is from an important altarpiece painted for a church of the Silvestrine order (a branch of the Benedictines founded in 1231). The figures above are Christ flanked by Saints Paul and Peter. Segna’s figures are notable for their somewhat austere, regal bearing—so different from the delicately nuanced, affectively human world Duccio explored. He also retained the Byzantine web of gold striations on draperies to enhance their status as sacred icons. For more information about this painting, including a reconstruction o
RMPARYG6–The Crucifixion. Artist: Segna di Buonaventura (Italian, active Siena by 1298-died 1326/31). Dimensions: Left wing, overall, with engaged frame, 15 1/8 x 10 5/8 in. (38.4 x 27 cm); right wing, overall, with engaged frame, 15 x 10 5/8 in. (38.1 x 27 cm). Date: ca. 1315. This panel and another in the Lehman Collection portraying the Madonna and Child (1975.1.1) formed a diptych (two panels hinged together so they could open and close) and would have been used for private devotion. The radiant beauty of the Virgin's court, enhanced by the ornamental detail, contrasts with the tragic drama of the
RMKC8783–Saint Benedict, 1320s, Tempera on wood, gold ground, Overall, with framing elements, 49 x 20 7/8 in. (124.5 x 53 cm); Saint
RF2HGJRF4–Christ Blessing - 1311c. - tempera su tavola fondo oro 35,6 x 20,6 cm - Di Buonaventura Segna
RMHKEWGW–Segna di Buonaventura. Crocifisso. Museum of Fine Art, Moscow
RF2HGJMXB–Saint Silvester Gozzolini - 1320c. - tempera su tavola fondo oro 70,8 x 40,6 cm - Di Buonaventura Segna
RM2AX1947–Christ Blessing, ca. 1311.
RM2TCYJH0–Saint Benedict 1924 by Segna di Buonaventura
RMMY21FE–. Crocifisso 480 Segna di Buonaventura. Crocifisso. Museum of Fine Art, Moscow
RF2HTY3M8–Art inspired by Christ Blessing, ca. 1311, Tempera on wood, gold ground, Overall, with shaped top, 15 1/2 x 9 1/2 in. (39.4 x 24.1 cm); painted surface 14 x 8 1/8 in. (35.6 x 20.6 cm), Paintings, Segna di Buonaventura (Italian, active Siena by 1298–died 1326/31), This panel was the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAB22N–Madonna and Child with Nine Angels. Artist: Segna di Buonaventura (Italian, active Siena by 1298-died 1326/31). Dimensions: Left wing, overall, with engaged frame, 15 1/8 x 10 5/8 in. (38.4 x 27 cm); right wing, overall, with engaged frame, 15 x 10 5/8 in. (38.1 x 27 cm). Date: ca. 1315. This panel and another in the Lehman Collection portraying the Crucifixion (1975.1.2) formed a diptych (two panels hinged together so they could open and close) and would have been used for private devotion. The radiant beauty of the Virgin's court, enhanced by the ornamental detail, contrasts with the tragic
RMKC8K3J–Christ Blessing, ca. 1311, Tempera on wood, gold ground, Overall, with shaped top, 15 1/2 x 9 1/2 in. (39.4 x 24.1 cm); painted
RMHKFTRD–Segna di Buonaventura. Crocifisso. No 567. National Gallery, London
RF2HGJWMB–Saint John the Evangelist - 1320c. - tempera su tavola fondo oro 69,2 x 41,9 cm - Di Buonaventura Segna
RM2AX16F5–Madonna and Child with Nine Angels, ca. 1315.
RM2TCYJGW–Saint Silvester Gozzolini 1924 by Segna di Buonaventura
RMMW0D3F–. Crocifisso 550 Segna di Buonaventura. Crocifisso. Museum of Fine Art, Moscow
RF2HTY4R0–Art inspired by Saint Benedict, 1320s, Tempera on wood, gold ground, Overall, with framing elements, 49 x 20 7/8 in. (124.5 x 53 cm); Saint Benedict, painted surface 27 7/8 x 16 in. (70.8 x 40.6 cm); pinnacle, painted surface 10 1/4 x 15 3/8 in. (26 x 39.1 cm), Paintings, Segna di, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMW4FJ6–. Crocifisso . 1310 550 Segna di Buonaventura. Crocifisso, no. 21, Siena, Pinacoteca Nazionale
RF2HGK1EC–Madonna and child - 1310c. - tempera e fondo oro su tavola di pioppo 69,9 x 48,9 cm - mwxDi Buonaventura Segna
RMPAB5EG–Madonna and Child. Artist: Segna di Buonaventura (Italian, active Siena by 1298-died 1326/31). Dimensions: Overall, with framing elements, 60 1/8 x 26 3/8 in. (152.7 x 67 cm); Madonna and Child, painted surface 37 x 23 1/8 in. (94 x 58.7 cm); pinnacle, painted surface 12 1/8 x 23 in. (30.8 x 58.4 cm). Date: ca. 1320. This Madonna and Child is from an important altarpiece painted for a church of the Silvestrine order (a branch of the Benedictines founded in 1231). The figures above are Christ flanked by Saints Paul and Peter. Segna's figures are notable for their somewhat austere, regal bearin
RMKC8782–Madonna and Child, ca. 1320, Tempera on wood, gold ground, Overall, with framing elements, 60 1/8 x 26 3/8 in. (152.7 x 67 cm
RMHX7KFG–Segna di Buonaventura. Crocifisso. Museum of Fine Art, Moscow
RMHX5NAP–Segna di Buonaventura. Crocifisso, no. 21, Siena, Pinacoteca Nazionale
RM2TCYJHY–Saint John the Evangelist 1941 by Segna di Buonaventura
RMHX8TAE–Segna di Buonaventura. Crocifisso. No 567. National Gallery, London
RF2HW8KE1–Art inspired by Saint Silvester Gozzolini, 1320s, Tempera on wood, gold ground, Overall, with framing elements, 49 x 21 in. (124.5 x 53.3 cm); Saint Silvester, painted surface 27 7/8 x 16 1/4 in. (70.8 X 41.3 cm); pinnacle, painted surface 10 x 15 5/8 in. (25.4 x 39.7 cm), Paintings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMX12MW–. Crocifisso . 1310 550 Segna di Buonaventura. Crocifisso, no. 21, Siena, Pinacoteca Nazionale
RM2AX16F0–The Crucifixion, ca. 1315.
RM2TCYJHR–Madonna and Child with Nine Angels 1975 by Segna di Buonaventura
RF2HTY3KJ–Art inspired by Madonna and Child, ca. 1320, Tempera on wood, gold ground, Overall, with framing elements, 60 1/8 x 26 3/8 in. (152.7 x 67 cm); Madonna and Child, painted surface 37 x 23 1/8 in. (94 x 58.7 cm); pinnacle, painted surface 12 1/8 x 23 in. (30.8 x 58.4 cm), Paintings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMY68EF–. Crocifisso . 1310 480 Segna di Buonaventura. Crocifisso, no. 21, Siena, Pinacoteca Nazionale
RM2AX1945–Madonna and Child, ca. 1320.
RMMY21FF–. Crocifisso. between 1310 and 1315 480 Segna di Buonaventura. Crocifisso. No 567. National Gallery, London
RM2AX1H28–Saint Silvester Gozzolini, 1320s.
RMMWPK0D–. Crocifisso . between 1310 and 1315 550 Segna di Buonaventura. Crocifisso. No 567. National Gallery, London
RMP00N3F–. English: Madonna and Child . circa 1310 92 Segna di Buonaventura - Madonna and Child - 87.64 - Minneapolis Institute of Arts
RMMNX75R–Madonna with Child circa 1298-1331. 1109 Segna di Buonaventura, Italian, c. 1298-1331 Madonna with Child. North Carolina Museum of Art
Download Confirmation
Please complete the form below. The information provided will be included in your download confirmation