RMPB0YDA–Manuscript Leaf with the Dedication of a Church in an Initial T, from a Gradual. Artist: Mariano del Buono (Italian, 1433-1504). Culture: Italian. Dimensions: Overall: 28 3/16 x 20 in. (71.6 x 50.8 cm) Illumination: 8 1/8 x 8 1/8 in. (20.7 x 20.7 cm) Stave Ht: 2 1/16 in. (5.3 cm) Stave interspace: 1 15/16 in. (5 cm) Mat size: 34 3/16 x 27 3/16 in. (86.9 x 69.1 cm). Date: second half 15th century. A prolific artist, Mariano del Buono's commissions include sacred books for both Christian and Jewish use. His painting on this large parchment leaf depicts the arrival of a pope at a church, and
RMPND0N6–Slave Auction. Date/Period: Ca. 1860 - 1911. Painting. Oil on canvas Oil on canvas. Height: 61.50 mm (2.42 in); Width: 40.37 mm (1.58 in). Author: Webber, Charles T.
RMPNE17X–Neales's Stopes, Burra Burra Mine, April 12th 1847. Date/Period: 1847. Watercolour. Watercolour on paper. Height: 19.50 mm (0.76 in); Width: 31.30 mm (1.23 in). Author: S. T. GILL.
RMRX77GK–Double-Barrel Revolving Flintlock Holster Pistol (One of a Pair). Gunsmith: T. (Thomas) Thiermay (Flemish, active about 1720-50); Barrelsmith: Daniel Thiermay (Flemish, active about 1700-40); Liège. Date: 1720-1730. Dimensions: . Steel, brass, gilding, and walnut. Origin: Liège. Museum: The Chicago Art Institute.
RMPAAHW7–Fragment of a Lintel. Culture: Byzantine. Dimensions: Overall: 20 x 19 1/2 x 7in. (50.8 x 49.5 x 17.8cm). Date: 400-550. The deeply carved decoration on this fragment resembles that on the door and window frames of early monumental churches in Syria. The symbol that divides the central roundel was understood as both a cross and a Christogram, the monogram for Christ's name formed from the first two letters of his name in Greek, chi (X) and rho (r). The alpha (A) and omega (w) that flank the cross, the first and last letters of the Greek alphabet, were widely used by Christians as symbols of t
RMPAM566–Thetis Transporting Arms for Achilles. Artist: William Theed the Elder (British, 1764-1817). Culture: British. Dimensions: Overall: 50 3/8 × 56 5/16 × 47 1/4 in. (128 × 143 × 120 cm). Date: ca. 1804-12. Led by a triton, the sea nymph Thetis carried weaponry and armor across the seas to her son Achilles, knowing that he would be among the last to die in the Trojan wars. Neo-classical sculptor William Theed shows her mourning, head bowed in grief, already knowing that her sacrifice is necessary. The subject had particular resonance in Britain in 1805 when Theed first exhibited the model for t
RMP2EYRN–Cartel publicitario con motivo del 50 Aniversario de la U.G.T. de España. Agosto de 1938. Cataluña. Guerra civil 1936-1939.
RMPMBHGA–Micajah T. Williams. Date/Period: 1819. Painting. Oil on canvas. Height: 35.25 mm (1.38 in); Width: 30.50 mm (1.20 in). Author: UNKNOWN.
RMP2W3WB–LA VIRGEN CON EL NIÑO ENTRE DOS SANTAS - HACIA 1490 - O/T - 77x104 - RENACIMIENTO ITALIANO - NP 50. Author: Giovanni Bellini (1430-1516). Location: MUSEO DEL PRADO-PINTURA, MADRID, SPAIN.
RMREPP1E–The Windmill. Dating: c. 1880 - c. 1886. Measurements: h 59.5 cm × w 50 cm × t 3.3 cm; d 12 cm. Museum: Rijksmuseum, Amsterdam. Author: JACOB MARIS.
RMREWN6M–'Meditation'. Dating: 1896. Measurements: h 50.7 cm × w 61 cm × t 4.1 cm; d 9 cm. Museum: Rijksmuseum, Amsterdam. Author: Jozef Israëls (mentioned on object).
RMREP7J0–Barnyard. Dating: c. 1640. Place: Southern Netherlands. Measurements: h 32 cm × w 45.5 cm × h 50 cm × w 63 cm × t 8 cm. Museum: Rijksmuseum, Amsterdam.
RMRETRX9–Portrait of a Painter. Dating: 1700 - 1799. Place: Noord-Italië. Measurements: h 50.1 cm × w 37.2 cm × t 3.3 cm; d 5.3 cm. Museum: Rijksmuseum, Amsterdam.
RMREPGK9–Fishermen and Farmers. Dating: c. 1625 - 1631. Measurements: support: h 25.5 cm × w 50.5 cm; t 0.9 cm; d 5.5 cm; w 2 kg. Museum: Rijksmuseum, Amsterdam. Author: Arent Arentsz.
RMRENXCX–Two Men in a Seventeenth-century Interior, Called 'A Conference'. Dating: 1870. Measurements: h 38.3 cm × w 50 cm × t 1.0 cm; d 9 cm. Museum: Rijksmuseum, Amsterdam. Author: Lambertus Lingeman.
RMREWNRB–Fish in an Aquarium. Dating: 1890 - 1924. Place: Netherlands. Measurements: h 50.2 cm × w 70.5 cm × t 3 cm; d 6.3 cm. Museum: Rijksmuseum, Amsterdam. Author: Gerrit Willem Dijsselhof (mentioned on object).
RMREWYDA–Portrait of Willem Bentinck van Rhoon (1704-1774). Dating: 1755 - 1756. Measurements: h 59.1 cm × w 50 cm × t 3.1 cm; d 6.2 cm. Museum: Rijksmuseum, Amsterdam. Author: Jean-Etienne Liotard (copy after).
RMREP75N–Portrait of Maria Adriana van der Sluys, Wife of Hermanus Martinus Eekhout. Dating: 1830 - 1838. Measurements: h 61.7 cm × w 50.2 cm × t 3.8 cm; d 9.1 cm. Museum: Rijksmuseum, Amsterdam. Author: Hillebrand Dirk Loeff.
RMREXHMJ–The Sick Child. Het zieke kind. Dating: c. 1664 - c. 1666. Measurements: h 32.2 cm × w 27.2 cm; h 50.5 cm × w 56 cm × t 7 cm. Museum: Rijksmuseum, Amsterdam. Author: Gabriël Metsu (mentioned on object). GABRIEL METSU. MetsuGabriel, Gabriel.
RMPNCPEA–A Girl with a Watering Can facing left: Sarah Hough, Mrs. T.P. Sandby's Nursery Maid. Date/Period: Ca. 1805. Portrait. Gray wash, pen and gray ink and graphite on moderately thick, cream, slightly textured laid paper. Height: 137 mm (5.39 in); Width: 89 mm (3.50 in). Author: Paul Sandby.
RMRERPRB–Fishermen on the Bank of the Amstel near the Pauwentuin, Amsterdam. Dating: c. 1625 - c. 1630. Measurements: support: h 25.4 cm × w 50.5 cm × t 0.8 cm; frame: h 41.2 cm × w 66.5 cm × t 5 cm; sight size: h 25 cm × w 50. Museum: Rijksmuseum, Amsterdam. Author: Arent Arentsz.
RMPA9BYR–Handkerchief. Culture: British. Date: 1897. The Diamond Jubilee was a significant moment in the reign of Queen Victoria, celebrating 60 years of her reign. This handkerchief summarizes in its imagery the many remarkable industrial and territorial conquests made during that time. These triumphs include the printing machine that could make 50,000 copies per hour; advances in machine loom weaving; the ability to send telegrams at 100 miles per minute; production of the maxim gun, allowing 600 shots per minute; the West Coast railway's corridor train's ability to travel 60 miles per hour; and t
RMPAA8CF–Man's Under-Kimono (Nagajuban) with Scene of the Russo-Japanese War featuring General Nogi. Culture: Japan. Dimensions: Overall: 50 1/2 x 51 in. (128.3 x 129.5 cm). Date: early 20th century. A nagajuban is an informal robe often decorated with eye-catching designs. This piece may be a one-of-a-kind commemorative garment related to Japan's victory in the Russo-Japanese War of 1904-5. The scene refers to the lengthy Japanese siege of Port Arthur, an engagement lasting from August 1, 1904 to January 2, 1905, when the Russian general, Anatoly Stessel, surrendered to General Nogi Maresuke. After t
RMRFH1RF–Temple of Edfu. Artist: Gustave Le Gray (French, 1820-1884). Dimensions: Image: 31.4 x 41 cm (12 3/8 x 16 1/8 in.) Mount: 50.1 x 64.6 cm (19 3/4 x 25 7/16 in.). Date: 1867. This photograph, taken in the great court of the Temple of Horus at Edfu, shows members of the party accompanying the sons of Egypt's viceroy Ismacil Pasha on their voyage through the country. The Temple of Edfu, built by the Ptolemy dynasty between 237 and 57 B.C., is the best preserved of all Egyptian temples. It had remained buried in the sands until it was cleared by the archaeologist Auguste Mariette in 1859. It is t
RMRX77YK–Retable of Saints Athanasius, Blaise, and Agatha. Master of Riglos; Spanish (Aragon), active c. 1435-60. Date: 1400-1500. Dimensions: Christ on the Cross: 69.8 x 81.2 cm (27 1/2 x 32 in.) Painted surface: 61 x 73 cm (24 1/2 x 28 3/4 in.) Coronation of the Virgin: 87.4 x 80.3 cm (34 3/8 x 31 5/8 in.) Painted surface: 87.3 x 73 cm (34 x 28 3/4 in.) Scenes from the Life of Saint Blaise: 154.3 x 69.8 cm (60 3/4 x 27 1/2 in.) Painted surface: 125.7 x 66 cm (49 1/2 x 26 in.) Saint Athanasius: 128.6 x 82 cm (50 5/8 x 32 1/4 in.) Painted surface: 124.7 x 73.7 cm (49 1/8 x 29 in.) Scenes from t
RMP4XN2B–S.E.A.T. factory in Barcelona's Zona Franca. Laboratory. Rear facade. 'Journal of Architecture', No 49. National Library. Madrid.
RMP50CFW–S.E.A.T. factory in Barcelona's Zona Franca. Car store. Exterior. 'Journal of Architecture', 1960. No. 41. National Library. Madrid.
RMP50TN6–S.E.A.T. factory in Barcelona's Zona Franca. Car store. Interior. 'Journal of Architecture', 1960. No. 41. National Library. Madrid.
RMRF5XB7–Civil War (Guerre civile). Dated: 1871. Dimensions: image: 40 x 50.7 cm (15 3/4 x 19 15/16 in.) sheet: 47.6 x 60.4 cm (18 3/4 x 23 3/4 in.). Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: EDOUARD MANET.
RMREPKF1–Portrait of Jan Nieuwenhuyzen. Dating: 1780 - 1806. Measurements: h 63 cm × w 50.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Adriaan de Lelie.
RMPNDN19–Charles Pinfold. Date/Period: 1756. Painting. Oil on canvas. Height: 1,270 mm (50 in); Width: 1,016 mm (40 in). Author: HUDSON, THOMAS.
RMPND995–Borlase Cokayne as a Boy riding Sultana. Date/Period: 1751. Painting. Oil on canvas. Height: 470 mm (18.50 in); Width: 645 mm (25.39 in). Author: Thomas Smith Of Derby.
RMRXG1BM–The Potter House Atlanta. George N. Barnard; American, 1819-1902. Date: 1864. Dimensions: 25.6 x 36 cm (image/paper); 51 x 50.9 cm (album page). Albumen print, plate 38 from the album 'Photographic Views of the Sherman Campaign' (1866). Origin: United States. Museum: The Chicago Art Institute.
RMRXFGEG–City of Atlanta, GA, No. 1. George N. Barnard; American, 1819-1902. Date: 1866. Dimensions: 25.5 x 35.9 cm (image/paper); 40.9 x 50.7 cm (album page). Albumen print, plate 45 from the album 'Photographic Views of the Sherman Campaign' (1866). Origin: United States. Museum: The Chicago Art Institute.
RMRXK5K5–Ruins in Charleston, S.C. George N. Barnard; American, 1819-1902. Date: 1865-1866. Dimensions: 25.3 x 36 cm (image/paper); 41 x 50.4 cm (album page). Albumen print, plate 60 from the album 'Photographic Views of the Sherman Campaign' (1866). Origin: United States. Museum: The Chicago Art Institute.
RMRXFG2G–City of Atlanta, GA, No. 2. George N. Barnard; American, 1819-1902. Date: 1866. Dimensions: 25.4 x 36 cm (image/paper); 41 x 50.7 cm (album page). Albumen print, plate 46 from the album 'Photographic Views of the Sherman Campaign' (1866). Origin: United States. Museum: The Chicago Art Institute.
RMRXMH14–Sherman and His Generals. George N. Barnard; American, 1819-1902. Date: 1865. Dimensions: 25.4 x 36 cm (image/paper); 41 x 50.9 cm (album page). Albumen print, plate 1 from the album 'Photographic Views of the Sherman Campaign' (1866). Origin: United States. Museum: The Chicago Art Institute.
RMREYCH2–Book of hours with seven historiated initials with engravings in the eye of the initials, with decorated initials and penwork. Draughtsman: anonymous. Print maker: Monogrammist S. Dating: 1475 - 1500. Place: Netherlands. Measurements: h 148 mm × w 110 mm × t 50 mm. Museum: Rijksmuseum, Amsterdam.
RMPAY8DG–T.W. Doswell, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes. Dimensions: Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm). Publisher: Allen & Ginter (American, Richmond, Virginia). Date: 1888. Trade cards from the 'Racing Colors of the World' series (N22b), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. The series was published in two variations. N22a includes a white edge around the perimeter of each card and N22b does not. Museum: Metropolitan Museum of Art, New York, USA.
RMPAX3JM–R. T. Van Horn, Kansas City Daily Journal, from the American Editors series (N35) for Allen & Ginter Cigarettes. Dimensions: Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm). Publisher: Issued by Allen & Ginter (American, Richmond, Virginia). Date: 1887. Trade cards from the 'American Editors' series (N35), issued in 1887 in a set of 50 cards to promote Allen & Ginter brand cigarettes. This series is a physically larger version of the 'American Editors' set (N1), including the corresponding small card design with other pictorial matter added. Museum: Metropolitan Museum of Art, New York, USA.
RMRFC8G5–Speculum Romanae Magnificentiae: View of Rome from the East. Artist: Nicolas Beatrizet (French, Lunéville 1515-ca. 1566 Rome (?)). Dimensions: sheet: 19 3/4 x 26 1/2 in. (50.2 x 67.3 cm) plate: 13 7/8 x 18 9/16 in. (35.2 x 47.1 cm). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 16th century. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked t
RMRF63GH–The Action off Dogger Bank (5 August 1781). Draughtsman: J. Weuyster (signed by artist). Dating: 1783. Place: Netherlands. Measurements: frame: h 48 cm × w 64.5 cm × t 2.1 cm; image: h 29 cm × w 50.4 cm. Museum: Rijksmuseum, Amsterdam.
RM2T696P5–Wild cat 50 and domestic cat 51, Felis catus. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barrs edition of Comte Buffons Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
RMP5N9EM–Sorghum, Sorghum bicolor 48 and Holcus saccharatus 49, and Johnson grass, Sorghum halepense 50. Handcolored copperplate engraving of a botanical illustration from G. T. Wilhelm's 'Unterhaltungen aus der Naturgeschichte' (Encyclopedia of Natural History), Augsburg, 1811. Gottlieb Tobias Wilhelm (1758-1811) was a clergyman and naturalist in Augsburg, Bavaria.
RMRF780Y–Het Gezigt van de Groote Battery Chavonis van de Strand, Capo de Goede hop Af te Sien in 't Wt., Nd., Wt. (title on object). Draughtsman: Johannes Rach (signed by artist). Dating: 1762. Place: Kaapstad. Measurements: h 35.6 cm × w 50.1 cm. Museum: Rijksmuseum, Amsterdam.
RM2WYY9YA–Hypermarket, TVs.
RM2WYAWT0–40 Woman talking on the phone. Shopping on the street. Donostia. San Sebastian. Gipuzkoa. Basque Country. Spain.
RM2WYWWXN–40 Woman talking on the phone. Shopping on the street. Donostia. San Sebastian. Gipuzkoa. Basque Country. Spain.
RM2WYNB80–40 Woman talking on the phone. Shopping on the street. Donostia. San Sebastian. Gipuzkoa. Basque Country. Spain.
RMPAM5BF–T. Ray, Pole Vault, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes. Dimensions: Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3 cm). Lithographer: Lindner, Eddy & Claus (American, New York). Publisher: Allen & Ginter (American, Richmond, Virginia). Date: 1888. Trade cards from 'World's Champions,' Second Series (N43), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Museum: Metropolitan Museum of Art, New York, USA.
RMPB3JXX–Shakespeare - Sacrificed; or, The Offering to Avarice. Artist: James Gillray (British, Chelsea 1756-1815 London). Dimensions: image: 18 5/8 x 14 15/16 in. (47.3 x 37.9 cm) plate: 19 13/16 x 15 1/4 in. (50.3 x 38.8 cm) sheet: 21 15/16 x 17 3/8 in. (55.7 x 44.1 cm). Publisher: James Aitken (British, active 1788-1801). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: June 20, 1789. Between 1789 and 1805, the publisher John Boydell ran the Shakespeare Gallery, a popular London exhibition space financed by print subscriptions. When Boydell failed t
RM2T6A17T–Crab spiders, Xysticus luctuosus 37, Xysticus cristatus 38, Xysticus audax 39, Xysticus erraticus 40, Xysticus sabulosus 41, Tmarus piger 42, Xysticus sabulosus 43, Diaea dorsata 44, Xysticus luctuosus 45, Xysticus bifasciatus 46, Xysticus luctator 47, Ozyptila atomaria 48, Ozyptila atomaria 49, Ozyptila trux 50, Ozyptila praticola 51, Ozyptila blackwalli 52, Misumena vatia 53, and Thomisus onustus 54. Handcoloured lithograph by W. West after Tuffen West from John Blackwalls A History of the Spiders of Great Britain and Ireland, Ray Society, London, 1861.
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