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Thomas tegg Stock Photos and Images
RMKCBHX7–Drawings and Prints, Print, Rural Sports: Balloon Hunting, Artist, Publisher, Thomas Rowlandson, Thomas Tegg, British, London
RMWHB8XB–Sports of a Country Fair - published 5th October 1810 by Thomas Tegg, No. 111 Cheapside, London, price one shilling coloured..
RM2A2JJ82–Equity, or a Sailor’s Prayer before Battle, 1805, Charles Williams (English, active 1797-1830), published by Thomas Tegg (English, 1776-1845), England, Hand-colored etching on ivory wove paper, 255 × 355 mm
RF2HWA1T5–Art inspired by Drawings and Prints, Print, Rural Sports: Balloon Hunting, Artist, Publisher, Thomas Rowlandson, Thomas Tegg, British, London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRXK6W8–Equity, or a Sailor's Prayer before Battle. Charles WIlliams (English, active 1797-1830); published by Thomas Tegg (English, 1776-1845). Date: 1805. Dimensions: 255 × 355 mm. Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute.
RMPJTW6X–Battle of Assaye 23 September 1803 engraved by J.C. Stadler published by Thomas Tegg 1st April 1818.
RMJ4F2FC–Battle of Assaye 23 September 1803 engraved by J.C. Stadler published by Thomas Tegg 1st April 1818
RMHKEYYP–Battle of Assaye, 23 September 1803, engraved by J.C. Stadler, published by Thomas Tegg, 1st April 1818
RM2A4YYD7–A French valet playing the fife in the kitchen of an auberge in Amiens. The chambermaid, cook, scullion and maitre d’hotel dance. The Dance at Amiens. Handcoloured copperplate engraving by Thomas Rowlandson from Laurence Sterne’s A Sentimental Journey through France and Italy, Thomas Tegg, London, 1809.
RMGC8DEE–fine arts, Rowlandson, Thomas (1756 - 1827), graphic, 'Land Stores', aquatinta, Thomas Tegg, London, 1812, Muinch Stadtmuseum,
RM2A4YYBY–Regency gentleman flirting with a pretty shopgirl in a Paris boutique, Magasin des Modes. The shop sells gloves and hats. Yorick feeling the Grissette’s pulse. Handcoloured copperplate engraving by Thomas Rowlandson after an illustration by Richard Newton from The Beauties of Sterne, Thomas Tegg, London, 1809.
RMGC8DEG–events, Peninsular War, 1808 - 1814, caricature, 'Puss in boots od General Junot taken by surprise', aquatinta, Thomas Tegg, London, 1811, Munich Stadtmuseum, , Additional-Rights-Clearences-Not Available
RM2A4YYEK–English parson exchanging snuff boxes with a monk in Calais. Two porters carry a trunk, and a woman gets a bucket of water from a well. Yorick and Father Lorenzo. Handcoloured copperplate engraving by Thomas Rowlandson from Laurence Sterne’s A Sentimental Journey through France and Italy, Thomas Tegg, London, 1809.
RM2AHWAP6–Thomas Tegg (Publisher). Hobbies or Attitude is Everything, Dedicated with permission to all Dandy Horsemen. 1819. England. Hand-colored etching on ivory wove paper
RM2WEGGNN–Facade of the Thomas Tegg store in London, Anonymous, 1824 - 1846 print paper façade (of house or building) Castle of Villette **
![Ali Pacha, late Vizier of Jannina. The Life of Ali Pasha, of Tepeleni, Vizier of Epir. Thomas Tegg: London, 1837. Ali Pasha, surnamed Arslan, also known as the Lion of Janina. Referred to as the 'Mohammedan Bonaparte'. (c.1741-1822). Portrait. Born in Tepeleni, Albania. A former brigand, he maintained a court and negotiated with both Great Britain and France. Deposed and put to death. Image taken from The Life of Ali Pasha, of Tepeleni, Vizier of Epirus: surnamed Aslan, or the Lion. [With a portrait.]. Originally published/produced in Thomas Tegg: London, 1837. . Source: 12200.gg.15.(1), fro Stock Photo](https://c8.alamy.com/comp/R574XH/ali-pacha-late-vizier-of-jannina-the-life-of-ali-pasha-of-tepeleni-vizier-of-epir-thomas-tegg-london-1837-ali-pasha-surnamed-arslan-also-known-as-the-lion-of-janina-referred-to-as-the-mohammedan-bonaparte-c1741-1822-portrait-born-in-tepeleni-albania-a-former-brigand-he-maintained-a-court-and-negotiated-with-both-great-britain-and-france-deposed-and-put-to-death-image-taken-from-the-life-of-ali-pasha-of-tepeleni-vizier-of-epirus-surnamed-aslan-or-the-lion-with-a-portrait-originally-publishedproduced-in-thomas-tegg-london-1837-source-12200gg151-fro-R574XH.jpg "Ali Pacha, late Vizier of Jannina. The Life of Ali Pasha, of Tepeleni, Vizier of Epir. Thomas Tegg: London, 1837. Ali Pasha, surnamed Arslan, also known as the Lion of Janina. Referred to as the 'Mohammedan Bonaparte'. (c.1741-1822). Portrait. Born in Tepeleni, Albania. A former brigand, he maintained a court and negotiated with both Great Britain and France. Deposed and put to death. Image taken from The Life of Ali Pasha, of Tepeleni, Vizier of Epirus: surnamed Aslan, or the Lion. [With a portrait.]. Originally published/produced in Thomas Tegg: London, 1837. . Source: 12200.gg.15.(1), fro Stock Photo")
RMR574XH–Ali Pacha, late Vizier of Jannina. The Life of Ali Pasha, of Tepeleni, Vizier of Epir. Thomas Tegg: London, 1837. Ali Pasha, surnamed Arslan, also known as the Lion of Janina. Referred to as the 'Mohammedan Bonaparte'. (c.1741-1822). Portrait. Born in Tepeleni, Albania. A former brigand, he maintained a court and negotiated with both Great Britain and France. Deposed and put to death. Image taken from The Life of Ali Pasha, of Tepeleni, Vizier of Epirus: surnamed Aslan, or the Lion. [With a portrait.]. Originally published/produced in Thomas Tegg: London, 1837. . Source: 12200.gg.15.(1), fro
RMBD6FTK–fine arts, Rowlandson, Thomas (1756 - 1827), graphic, 'Rigging out a Smuggler', aquatinta, Th. Tegg, London, circa 1810, Munch Stadtmuseum, , Artist's Copyright has not to be cleared
RF2B8X81C–Equity, or a Sailor’s Prayer before Battle, 1805, Charles Williams (English, active 1797-1830), published by Thomas Tegg (English, 1776-1845), England, Hand-colored etching on ivory wove paper, 255 × 355 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2JJ2A–The Haberdasher Dandy, 1817–20, Charles Williams (English, active 1797-1830), published by Thomas Tegg (English, 1776-1845), England, Etching in black, with hand-colored additions, on cream wove paper, 235 × 330 mm
RMGD265W–sports, boxing, 'Rural Sports', boxing match between Cribb and Molineaux, 18.9.1811, aquatint by Thomas Rowlandson, coloured, 38,5 x 26 cm, publishing house Th. Tegg, London, Munich municipal museum, , Additional-Rights-Clearences-Not Available
RMRXJYKA–Lacing a Dandy. Unknown Artist (English); published by Thomas Tegg (English, 1776-1845). Date: 1819. Dimensions: 300 × 216 mm (image); 322 × 228 mm (sheet); plate mark not visible. Handcolored etching on cream wove paper. Origin: England. Museum: The Chicago Art Institute.
RMMP6NJ3–. Thomas Rowlandson (1756–1827), Breaking Up of the Blue Stocking Club. Etching, hand-colored (London: Thomas Tegg, 1815. NYPL, The Carl H. Pforzheimer Collection of Shelley and His Circle) . 1815. Thomas Rowlandson (1756–1827) Description English painter, draughtsman, etcher and illustrator Date of birth/death 14 July 1756 22 April 1827 Location of birth/death London London Work location London, Paris (1774), France, Germany, Italy, Rotterdam (ca. 1794), Amsterdam (ca. 1794), Netherlands (ca. 1794) Authority control : Q318584 VIAF: 56672964 ISNI: 0000 0001 2134 1830 ULAN: 5000069
RMKNK4MM–A Flint, Anonymous, British, 19th century, Publisher: Thomas Tegg (British, London 1776–1846 London), 1811
RMPCEK6F–75 Battle of Assaye, 23 September 1803, engraved by J.C. Stadler, published by Thomas Tegg, 1st April 1818
RM2AHWA1C–Thomas Tegg (Publisher). Lacing a Dandy. 1819. England. Handcolored etching on cream wove paper As the current exhibition Impressionism, Fashion, and Modernity demonstrates, women in the late 19th century were regularly defined by their attire. Clothing, makeup, and accessories frequently reflected not only a woman’s social status but also her character and morality. Scholar Justine De Young has observed of the period, “Dressing fashionably and in good taste thus became one of the central concerns of a bourgeois woman’s daily life, as not merely her appearance but also her reputation was at st
RM2WEKFYH–Facade of the Thomas Tegg store in London, Anonymous, After George Smith, 1824 - 1846 print paper etching façade (of house or building) Castle of Villette **
RM2HGYMG1–The Discovery January 1809 Thomas Rowlandson. The Discovery. Thomas Rowlandson (British, London 1757–1827 London). January 1809. Etching. Thomas Tegg (British, 1776–1846). Prints
RF2B8X7KK–The Haberdasher Dandy, 1817–20, Charles Williams (English, active 1797-1830), published by Thomas Tegg (English, 1776-1845), England, Etching in black, with hand-colored additions, on cream wove paper, 235 × 330 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2JJ2P–Lacing a Dandy, published January 26, 1819, Unknown Artist (English), published by Thomas Tegg (English, 1776-1845), England, Handcolored etching on cream wove paper, 300 × 216 mm (image), 322 × 228 mm (sheet), plate mark not visible
RMGBWG34–sports, boxing, fight Molineux versus Gribb, 18.9.1811, coloured aquatint by Thomas Rowlandson (1756 - 1827), printed by Th. Tegg, London, 38.5x26 centimeter, municipal museum Munich, Puppentheater museum, 'Rural Sports', winner Gribb after 19 minutes 10 seconds, Additional-Rights-Clearences-Not Available
RMRXJXYF–Hobbies or Attitude is Everything, Dedicated with permission to all Dandy Horsemen. Attributed to William Heath (English, 1794-1840); published by Thomas Tegg (English, 1776-1845). Date: 1819. Dimensions: 225 × 312 mm (image); 232 × 323 mm (sheet, trimmed within platemark). Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute.
RMBHFCAE–medicine, caricature, 'Medical Dispatch or Doctor Doubledose killing two Birds with one Stone.', aquatinta by Thomas Rowlandson, published by Th. Tegg, London, 1810, private collection, ,
RMKNK4MN–A Flint (A Snug Birth in a Shower), Anonymous, British, 19th century, Publisher: Thomas Tegg (British, London 1776–1846 London), 1811
RMMMX71A–. English: Title: Part of the Crew of the Abergavenny East Indiaman, delivered from their Perilous Situation . Hand coloured acquatint, 176 mm x 234 mm . 24 December 1808. Thomas Tegg Earl of Abergavenny sinking
RM2B6HK9B–The Corsican Spider in its web, 1808 The Corsican Spider in His Web (title object) Napoleon like a spider at the center of its web devours foreign nations represented like flies. Napoleon occupied Spain for eating, many other countries (Where: under Netherlands) already trapped in the web, other countries (Great Britain, Turkey, Russia and the Pope) still fly freely and comment. Numbered top left: 49. Manufacturer : printmaker Thomas Rowlandson (listed property) to drawing: George Moutard Woodward (listed building) Publisher: Thomas Tegg (listed property) Place manufacture: printmaker: England
RM2HGW7GP–Love and Dust 1810 Thomas Rowlandson. Love and Dust. Thomas Rowlandson (British, London 1757–1827 London). 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
RF2B8Y2E6–Inconvenient Partners in Waltzing, 1817/19, Isaac Robert Cruikshank (English, 1789-1856), published by Thomas Tegg (English, 1776-1846), England, Hand-colored etching on paper, 222 × 328 mm (image), 250 × 359 mm (plate), 267 × 410 (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2K05J–Durham Mustard Too Powerfull for Italian Capers, 1807, Isaac Cruikshank (English, 1764-1811), published by Thomas Tegg (English, 1776-1846), England, Hand-colored etching on paper, 220 × 335 mm (image), 247 × 350 mm (plate), 255 × 425 mm (sheet
RM2BT5F8F–A French valet playing the fife in the kitchen of an auberge in Amiens. The chambermaid, cook, scullion and maitre dhotel dance. The Dance at Amiens. Handcoloured copperplate engraving by Thomas Rowlandson from Laurence Sternes A Sentimental Journey through France and Italy, Thomas Tegg, London, 1809.
RMMYRXMM–. English: An Irish Leap, or a Pat reply to a plain Question (caricature) No.22 Hand-coloured. . June 1807. George Murgatroyd Woodward; Thomas Tegg (publisher) 351 An Irish Leap, or a Pat reply to a plain Question (caricature) No.22 RMG PZ9835
RMP09D16–. English: A Design for a Monument To be erected in commemoration of the... Grand Expidition... 1809 (caricature) (Flushing) Hand-coloured.; Plate No.107.; No.92. Bound in album PAG8512 with prints PAG8513-PAG8647; PAG8649- PAG8666. . 14 September 1809. Rowlandson, Thomas (engraver); Thomas Tegg (publisher) (publisher) 88 A Design for a Monument To be erected in commemoration of the - Grand Expidition - 1809 (caricature) (Flushing) RMG PX8604
RMP042EK–. English: A Cruize to Covent Garden!! (caricature) Hand-coloured.; Plate No.8. . 1 December 1806. Thomas Tegg (1776–1845) Description British publisher, printer, bookseller and stationer English publisher Date of birth/death 4 March 1776 21 April 1845 Location of birth/death Wimbledon Wimbledon Work period 1799-1846 Work location London Authority control : Q7794394 VIAF:?2902902 ISNI:?0000 0000 8351 1340 LCCN:?no89020646 GND:?104331933 SUDOC:?159196906 WorldCat 77 A Cruize to Covent Garden!! (caricature) RMG PW4168
RM2B6E8TA–Bookseller talking to a customer for the Irish Binding Caricature Magazine (title object) on the counter of a bookstore records are from 'the Caricature Magazine. The bookseller is talking to a customer who wants this binding offer. Upper right numbered 42. Manufacturer : printmaker Charles Williams to drawing: George Moutard Woodward (listed building) Publisher: Thomas Tegg (listed property) Place manufacture: London Date: May 1812 Physical features: etching, hand-colored material: paper Technique : etching / hand color dimensions: plate edge: h 246 mm × W 348 mmToelichtingDe customer does no
RM2HGWR24–Methodist Preacher April 1808 Thomas Rowlandson. Methodist Preacher. Thomas Rowlandson (British, London 1757–1827 London). April 1808. Etching. Thomas Tegg (British, 1776–1846). Prints
RF2B8X7KX–Lacing a Dandy, published January 26, 1819, Unknown Artist (English), published by Thomas Tegg (English, 1776-1845), England, Handcolored etching on cream wove paper, 300 × 216 mm (image), 322 × 228 mm (sheet), plate mark not visible, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2K1E5–Inconvenient Partners in Waltzing, 1817/19, Isaac Robert Cruikshank (English, 1789-1856), published by Thomas Tegg (English, 1776-1846), England, Hand-colored etching on paper, 222 × 328 mm (image), 250 × 359 mm (plate), 267 × 410 (sheet
RMRXMDX6–Wet Under Foot. Thomas Rowlandson (English, 1756-1827); published by Hannah Humphrey (English, 1745-1818) and Thomas Tegg (English, 1776-1845). Date: 1812. Dimensions: 255 x 200 mm. Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute.
RM2B7P9HX–Implements Animated, Pl. 2, Dedicated to the Housemaids and Cooks of the United Kingdoms, ca. 1811.
RMP042EE–. English: A Cruize to Covent Garden!! (caricature) Hand-coloured.; Page No.121. . 1 December 1812. Thomas Tegg (1776–1845) Description British publisher, printer, bookseller and stationer English publisher Date of birth/death 4 March 1776 21 April 1845 Location of birth/death Wimbledon Wimbledon Work period 1799-1846 Work location London Authority control : Q7794394 VIAF:?2902902 ISNI:?0000 0000 8351 1340 LCCN:?no89020646 GND:?104331933 SUDOC:?159196906 WorldCat 76 A Cruize to Covent Garden!! (caricature) RMG PW3832
RM2B6Y9NP–Karikaturale figuren Top center of a mirror with a jester with on either side figures commenting magazine: left the situation in the countryside, right in the city. Bottom center a smiling man in a Harlequin with wings, called the genius of caricature flanked processions: left towards the temple of Fame, right from the temple Momus. Manufacturer : printmaker Charles Williams to design: George Moutard Woodward Publisher: Thomas Tegg (listed property) Place manufacture: London Date: 1807 Physical features: etching, hand-colored material: paper Technique: etching / hand color dimensions: plate ed
RM2HGWR21–Connoisseur April 1808 Thomas Rowlandson. Connoisseur. A Lecture on Heads. Thomas Rowlandson (British, London 1757–1827 London). April 1808. Etching. Thomas Tegg (British, 1776–1846). Prints
RF2B8Y0D4–Durham Mustard Too Powerfull for Italian Capers, 1807, Isaac Cruikshank (English, 1764-1811), published by Thomas Tegg (English, 1776-1846), England, Hand-colored etching on paper, 220 × 335 mm (image), 247 × 350 mm (plate), 255 × 425 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2JJ5F–Pull Devil, Pull Baker!, published April 30, 1819, George Cruikshank (English, 1792-1878), published by Thomas Tegg (English 1776-1846), England, Hand-colored engraving on paper, 205 × 327 mm (image), 240 × 340 mm (sheet, cut to plate mark
RMRXMGWN–The Four Seasons of Love. Thomas Rowlandson (English, 1756-1827); published by Thomas Tegg (English, 1776-1845). Date: 1814. Dimensions: 225 × 330 mm (image); 243 × 340 mm (sheet, trimmed to platemark). Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute.
RMP093ME–. English: A Long Pull a Strong Pull and a Pull Altogether (caricature) Hand-coloured.; Plate 233. . 25 November 1813. Thomas Tegg (1776–1845) Description British publisher, printer, bookseller and stationer English publisher Date of birth/death 4 March 1776 21 April 1845 Location of birth/death Wimbledon Wimbledon Work period 1799-1846 Work location London Authority control : Q7794394 VIAF:?2902902 ISNI:?0000 0000 8351 1340 LCCN:?no89020646 GND:?104331933 SUDOC:?159196906 WorldCat 128 A Long Pull a Strong Pull and a Pull Altogether (caricature) RMG PW3991
RM2B6M2NP–Etalage van uitgever Thomas Tegg te Londen Tail Piece to Volume Three (titel op object) View of a street with crowds to showcase publisher Thomas Tegg, with a rifle, the personification of Folly from air strikes. Four green figures, the genii of the caricature, pulling a net with new inspiration direction of the publishing. Right tower of St Mary-le-Bow. Among print a two-line verse of Alexander Pope. Manufacturer : printmaker Thomas Rowlandsonnaar drawing: George Moutard Woodward (listed building) Publisher: Thomas TeggPlaats manufacture: London Date: on or after 1819 Physical features: etchi
RM2HGWR3C–Frenchman April 1808 Thomas Rowlandson. Frenchman. A Lecture on Heads. Thomas Rowlandson (British, London 1757–1827 London). April 1808. Etching. Thomas Tegg (British, 1776–1846). Prints
RF2B8XX88–Irish Poets Grace to Short Allowance!, 1805–1810, Isaac Cruikshank (English, 1764-1811), published by Thomas Tegg (English, 1776-1846), England, Etching with hand-coloring on wove paper, 210 × 320 mm (image), 252 × 390 mm (sheet, cut within plate mark), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2JJ2X–Dandy Pickpockets Diving, published December 2, 1818, Isaac Robert Cruikshank (English, 1789-1856), published by Thomas Tegg (English, 1776-1846), England, Hand-colored etching on paper, 223 × 325 mm (image), 240 × 330 mm (sheet cut within plate mark
RMPB0D30–The Carter and the Gipsies. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: 9 1/2 x 13 3/4 in. (24.1 x 34.9 cm). Publisher: Thomas Tegg (British, 1776-1846). Date: May 10, 1815. Museum: Metropolitan Museum of Art, New York, USA.
RMMNXJFE–. 'TAMEING A SHREW. or PETRUCHIO'S PATENT FAMILY BEDSTEAD, GAGS & Thumscrews' October 1815 London caricature by 'Williams', whose title is an allusion to Shakespeare's play 'The Taming of the Shrew'. Most spousal abuse at the time tended to be due to inebriated louts who crudely pounded on their wives in fits of drunken rage after returning home from an evening of heavy carousing -- but Petruchio in this print seems to take a rather more dispassionately systematic approach (using techniques similar to modern bondage practices) to establishing who's the boss in the marriage. Mrs. Petruchio is s
RM2B6NYY2–Gevel van de winkel van Thomas Tegg te Londen The Old Mansion-House, London (titel op object) Facade of the shop of Thomas Tegg to LondenThe Old Mansion-House, London (title object) Object type: picture Item number: RP-P-2015-26-966 Inscriptions / Brands: collector's mark, verso opzetvel, stamped : Lugt 2228 collector's mark , recto opzetvel, stamped: Lugt 4779 Manufacturer : printmaker: anonymous date: 1824 - 1846 Physical features: wood engra material: paper Technique: wood engra dimensions: sheet: h 74 mm × W 54 mmToelichting
RM2HGWR30–A Freeholder 1808 Thomas Rowlandson. A Freeholder. A Lecture on Heads. Thomas Rowlandson (British, London 1757–1827 London). 1808. Etching. Thomas Tegg (British, 1776–1846). Prints
RF2B8X7M3–Dandy Pickpockets Diving, published December 2, 1818, Isaac Robert Cruikshank (English, 1789-1856), published by Thomas Tegg (English, 1776-1846), England, Hand-colored etching on paper, 223 × 325 mm (image), 240 × 330 mm (sheet cut within plate mark), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2JY50–Irish Poets Grace to Short Allowance!, 1805–1810, Isaac Cruikshank (English, 1764-1811), published by Thomas Tegg (English, 1776-1846), England, Etching with hand-coloring on wove paper, 210 × 320 mm (image), 252 × 390 mm (sheet, cut within plate mark
RMPB3YBF–The Quaker, and the Commissioners of Excise. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 7/16 × 13 1/4 in. (23.9 × 33.7 cm). Publisher: Thomas Tegg (British, 1776-1846). Date: July 9, 1807. Museum: Metropolitan Museum of Art, New York, USA.
RM2B6F0BW–Brothel Scene in the port of Wapping in London, 1807. Four prostitutes in the window beckon to passersby. Women are a black woman, a woman with blond hair and a woman with brown hair. The window are a Chinese, a Dutchman and a Frenchman watch. Left is a black man with a woman inside. The caption three achtregelige verses in Engels. Manufacturer : printmaker Thomas Rowlandson (listed property) to drawing: Henry William Bunbury (listed building) Publisher: Thomas Tegg (listed property) Place manufacture: London Date: May 6 -1807 Physical characteristics: etching, with the hand-colored material:
RM2HGWR1X–Spaniard April 1808 Thomas Rowlandson. Spaniard. A Lecture on Heads. Thomas Rowlandson (British, London 1757–1827 London). April 1808. Etching. Thomas Tegg (British, 1776–1846). Prints
RF2B8X80M–Pull Devil, Pull Baker!, published April 30, 1819, George Cruikshank (English, 1792-1878), published by Thomas Tegg (English 1776-1846), England, Hand-colored engraving on paper, 205 × 327 mm (image), 240 × 340 mm (sheet, cut to plate mark), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2JY4Y–Irish Decency ! ! ! no. 2, published August 30, 1819, George Cruikshank (English, 1792-1878), published by Thomas Tegg (English 1776-1846), England, Hand-colored etching on wove paper, 219 × 331 mm (image), 255 × 393 mm (sheet, cut to plate mark
RMPB9WCJ–The Double Disaster, or New Cure for Love. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 8 9/16 × 11 1/8 in. (21.8 × 28.3 cm). Publisher: Thomas Tegg (British, 1776-1846). Date: October 1807. Museum: Metropolitan Museum of Art, New York, USA.
RM2B6W4TM–Humor en Satire Title Print with Humor and Satire sitting on a chair under a painting (Humor under a masquerade, Satire under a Boerendans) with parts of the 'Caricature Magazine 'for itself. Keep in the middle two putti fixed mask. Top left a sketchbook with a quill and a chalk holder; the upper right a schilderpalet. Manufacturer : print maker: Thomas Rowlandson (indicated on object) to drawing of: George Moutard Woodward (indicated on object) publisher: Thomas Tegg (indicated on object) Place manufacture: London Date: 1809 Physical characteristics: etching, with the hand colored material :
RM2HGWR42–Politician April 1808 Thomas Rowlandson. Politician. A Lecture on Heads. Thomas Rowlandson (British, London 1757–1827 London). April 1808. Etching. Thomas Tegg (British, 1776–1846). Prints
RF2B8XX87–Irish Decency ! ! ! no. 2, published August 30, 1819, George Cruikshank (English, 1792-1878), published by Thomas Tegg (English 1776-1846), England, Hand-colored etching on wove paper, 219 × 331 mm (image), 255 × 393 mm (sheet, cut to plate mark), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2JY4X–Sports of a Country Fair. Part the Third, 1810, Thomas Rowlandson (English, 1756-1827), published by Thomas Tegg (English, 1776-1845), England, Hand-colored etching on ivory wove paper, 220 × 325 mm (image), 250 × 348 mm (plate): 255 × 392 mm (sheet
RMRXMH7M–A Man of Feeling. Thomas Rowlandson (English, 1756-1827); published by Thomas Tegg (English, 1776-1845). Date: 1811. Dimensions: 314 × 225 mm (image); 355 × 250 mm (plate); 417 × 270 mm (sheet). Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute.
RM2B6J67J–The Prince of Orange toy for Princess Charlotte, 1814 A Dutch Toy - or, a pretty play-thing for a young Princess (title object) Cartoon by William Frederick George Louis, Prince of Orange-Nassau ( later king William II), presented as a puppet, a plaything in the hands of the English princess Charlotte. The prince has in his hand a flag with the inscription 'Orange Top. In the background a fountain. Charlotte broke in May 1814 her engagement to the Prince of Orange. Numbered top right: 332. Manufacturer : printmaker: George Cruikshank (listed building) Publisher: Thomas Tegg (listed property) P
Search Results for Thomas tegg Stock Photos and Images (787)
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