Stock Photos and Images
(39,168)Page 1 of 392
Stock Photos and Images
RM2W9DP1H–Bernardino Campi (1522-1591). Italian painter. Madonna and Child on the throne, Saint Francis, Saint Benedict and Saint Joseph. Oil on canvas, 1548. From the Church of San Francesco in Cremona, Italy. Museo Civico Ala Ponzone. Cremona. Italy.
RM2W9DP26–Vincenzo Campi (1536-1591). Italian painter. The Incredulity of Saint Thomas. Oil on canvas. From the church di San Lorenzo in Cremona. Museo Civico Ala Ponzone. Cremona. Lombardy. Italy.
RM2WA0A4M–Tommaso Aleni, called il Fadino. Italian painter active in Cremona from 1500 to 1526. Madonna Worshipping the Child between Saint John the Baptist and Saint Anthony the Abbot, 1515. Tempera (panel transferred to canvas). From the church of San Domenico, Cremona. Museo Civico Ala Ponzone. Cremona. Italy.
RM2W9DP1G–Camillo Procaccini (1561-1629). Italian painter. Cain and Abel. Oil on canvas. Museo Civico Ala Ponzone. Cremona. Lombardy. Italy.
RM2WA0A5C–Francesco da Ponte Bassano (1549-1592). Italian painter. The Spoliation of Christ. Oil on canvas. Detail. Museo Civico Ala Ponzone. Cremona. Lombardía. Italia.
RM2W9DP22–Saint helping a beggar. Oil on panel by a Cremonese painter, 1525-1530. Museo Civico Ala Ponzone. Cremona. Lombardy. Italy.
RM2W9J94W–Felice Giuseppe Vertua (1820-1862). Italian painter. View of Cremona from the Po. Detail. Museo Civico Ala Ponzone. Cremona. Lombardy. Italy.
RM2W9DP1W–Flemish painter, early 16th century. Job's Suffering. Tempera on canvas, 167 x 260 cm. Detail. Museo Civico Ala Ponzone. Cremona. Lombardy. Italy.
RM2REWWBA–Anders Zorn (1860-1920). Swedish painter. Portrait of Cristina Morphy, 1884. She was the only daughter of Guillermo Morphy (1836-1899), Spanish music critic. Watercolour on paper, 680 x 450 mm. Prado Museum. Madrid. Spain.
RM2W88P9B–Carlos Luis de Ribera (1815-1891). Spanish painter. Portrait by Federico de Madrazo (1815-1894), 1839. Pencil on agarbanced paper, 215 x 165 mm. Prado Museum. Madrid. Spain.
RM2TDRWY7–Louis I of Etruria (1773-1803). Infante of Spain. House of Bourbon. Infante Louis I, King of Etruria, Prince of Parma. Portrait by Francisco de Goya Lucientes (1746-1828), 1800. Oil on canvas, 72,5 x 59,4 cm. Prado Museum. Madrid. Spain.
RM2W8X5D2–Antonio Maria Esquivel Suarez de Urbina (1806-1857). Spanish painter. Ventura de la Vega reading a play at the Teatro del Príncipe (Theatre of the Prince), 1846. Oil on canvas, 147 x 209,5 cm. Detail. Prado Museum. Madrid. Spain.
RM2TDRWYE–Victor Balaguer Cirera (1824-1901). Spanish politician and writer. Overseas Minister (1871, 1874 and 1886-1888). Portrait of Victor Balaguer, 1888, by Juan Luna y Novicio (1857-1899). Oil on canvas. Prado Museum. Madrid. Spain.
RM2REWWB1–Ignacio Pinazo (1849-1916). Spanish painter. The Artist's Son, Ignacio, Seated, 1887. Oil on canvas, 65 x 53 cm. Prado Museum. Madrid. Spain.
RM2REWWB6–Ignacio Pinazo (1849-1916). Spanish painter. Girl with a Doll, ca. 1890. Oil on canvas, 69.5 x 51 cm. Prado Museum. Madrid. Spain.
RM2W8X5D1–Pelegrín Clavé Roqué (1811-1880). Spanish painter. The Painter Pelegrín Clavé, 1842. Portrait by Federico de Madrazo (1815-1894). Pencil on dark yellow paper, 250 x 190 mm. Prado Museum. Madrid. Spain.
RM2TDRX05–Ignacio Pinazo Camarlench (1849-1916). Spanish painter. Self-portrait with a Hat, 1901. Oil on canvas, 57 x 45 cm. Prado Museum. Madrid. Spain.
RM2REWW8K–Antonio María Esquivel y Suárez de Urbina (1806-1857). Spanish painter. Santiago Miranda, 1832-1836. Portrait of Santiago Miranda y Montijano, appointed supernumerary knight of the Order of Charles III in 1836. Oil on canvas, 77,5 x 56 cm. Prado Museum. Madrid. Spain.
RM2REWWBM–Joaquin Espalter Rull (1809-1880). Spanish painter. Manuel and Matilde Alvarez Amorós, 1853. Oil on canvas, 159 x 126 cm. Detail. Prado Museum. Madrid. Spain.
RM2TK45G1–Francisco Domingo Marqués (1842-1920). Spanish painter. Interior of Muñoz Degrain's Studio in Valencia, 1867. Oil on panel, 38 x 50 cm. Detail. Prado Museum. Madrid. Spain.
RM2REWWAN–Francisco Masriera Manovens (1842-1902). Spanish painter. Oriental, 1892. Oil on canvas, 55 x 43 cm. Prado Museum. Madrid. Spain.
RM2WGE1TD–Man fighting a panther. Detail of the relief on a plate. First half of the 2nd century AD. From Stara Zagora (Augusta Traiana), Bulgaria. National Archaeological Museum. Sofia. Bulgaria.
RM2WGE1PT–Treaty of 815. 30-year peace agreement signed in Constantinople between the Bulgarian Khan Omurtag (814-831) and the Byzantine Emperor Leo V 'the Armenian' (813-820). Detail of a column bearing the text of the peace treaty between Bulgaria and Byzantium. From Sechishte village (Suleiman kyuoi), Shumen region, Bulgaria. Around year 815. National Archaeological Museum. Sofia. Bulgaria.
RM2WHD007–The Holy Face. Wall painting. From the Church of St. Nicholas. 16th century. Zhelezna, Montana region, Bulgaria. National Archeological Museum. Sofia. Bulgaria.
RM2WGE1TB–Gordian III (225-244). Roman emperor from 238 to 244. Bronze head. From Radanovo, Veliko Tarnovo region. National Archaeological Museum. Sofia. Bulgaria.
RM2WHCYYF–Ending of a gladiator fight. A defeated retiarius begs the spectators for mercy, while the arbiter holds back the heavy weight pulsator category victor, Epiptas. Two men are playing a water organ in the background. Inscription in Greek: Epiptas pulsator (the one who strikes). Marble sculpture. Late 2n century AD - 3rd century AD. From a Late Roman sanctuary area, Tatarevo, Purvomay region, Bulgaria. National Archaeological Museum. Sofia. Bulgaria.
RM2WGP2WJ–Head from a statue of Apollo. Bronze. 2nd-3rd centuries AD. From Serdica (Sofia), Bulgaria. National Archaeological Museum. Sofia. Bulgaria.
RM2WGP2PY–Sarcophagus decorated with reliefs. 2nd century AD. From Archar (Ratiaria), Vidin province, Bulgaria. National Archaeological Museum. Sofia. Bulgaria.
RM2WH6JH0–Ceramic storage vessel with a lid. Late Chalcolithic. Second half of the 5th millennium BC. From the tell site 'Skritata Mogila', Poroy, Burgas province, Bulgaria. National Archaeological Museum. Sofia. Bulgaria.
RM2WH6JG5–Poster invitation for a venatio. Reliefs on a panel with scenes from the circus games with animals (venatio) at Serdica: fights between animals, and between men and animals (bestiarii). Detail. Marble. First half of the 4th century. Serdica (Sofia), Bulgaria. National Archaeological Museum. Sofia. Bulgaria.
RM2WGP2Y3–Helmet. Bronze. Late 6th century BC. From Tomb I of the necropolis of Trebenista, North Macedonia. National Archaeological Museum. Sofia. Bulgaria.
RM2WH6JGR–Acroterion. 2nd century AD. From the Sanctuary of the Nymphs and Aphrodite. Kasnakovo, Haskovo region, Bulgaria. National Archaeological Museum. Sofia. Bulgaria.
RM2WH6JH3–Armour, spear points and sword. Bronze and iron. Late 5th century BC. From the Svetitsa tumulus. Krun, near Shipka, Stara Zagora region, Bulgaria. National Archaeological Museum. Sofia. Bulgaria.
RM2WGE1W8–Helmet. Bronce. 4th century BC. Unknown provenance. National Archaeological Museum. Sofia. Bulgaria.
RM2PJPFX8–Emile Loubet (1838-1929). President of the French Republic during the Third Republic. Portrait by Albert Lambert (1854-?), 1905, after a painting by Fernand Cormon (1845-1924) from the Musee Orsay, Paris. National Art Gallery. Sofia. Bulgaria.
RM2PJPFX9–Eleonora Reuss of Köstritz (1860-1917). Queen consort of Bulgaria. Wife of Tsar Ferdinand I of Bulgaria. Portrait of Queen Eleonora, 1909, by Tseno Todorov (1877-1953). Part of the Collection of Tsar Ferdinand I. National Art Gallery. Sofia. Bulgaria.
RM2J6D0KA–Visigothic capital. Cristo de la Luz Shrine, a former mosque, built at the end of the 10th century and converted into a Christian church in the 12th century. Toledo, Castile-La Mancha, Spain.
RM2J6D0KC–Toledo, Spain. Cristo de la Luz Shrine. Former mosque, built at the end of the 10th century and converted into a Christian church in the 12th century. Main facade, facing west. Built in brick with interlaced blind horseshoe arches, frieze with sebka decoration and topped by a cornice of corbels.
RM2J6D0HA–Spain, Toledo. Panoramic view of the city in which it can be seen the New Bisagra Gate (Puerta Nueva de Bisagra) of Moorish origin, rebuilt in the 16th century by Alonso de Covarrubias (1488-1570). On the left, the Church of Santiago el Mayor, built in the 13th century in Mudejar style. Restored in the 20th century.
RM2J86T1K–Spain, Castile-La Mancha, Toledo. Cathedral of Saint Mary. Built in Gothic style between 1227 and 1493. Detail of the sculptures above the Door of the Last Judgement on the main facade.
RM2WK484F–Spain, Toledo. Church of San Román. Built in Mudejar style in the 13th century. Mural paintings on the north wall. Depiction of a dragon being speared, a scene interpreted as St Michael's fight against the dragon.
RM2WKFEDE–Impost block. Circle decoration with eight-petal rosette and inscribed Stars of David. Limestone. 7th century. From Santa Cruz Hospital, Toledo, Spain. Museum of Visigoth Councils and Culture. Toledo, Castile-La Mancha, Spain.
RM2WKFED2–'Liber Commicus'. Fragment which formed part of a Liber Commicus, a compilation of sacred readings that were used during the year in the office of the mass. The preserved folios correspond to the Gospel Book, written in Latin, in Visigothic lower-case characters with annotations in Arabic in the margins. It contains several passages from the Gospels of John, Luke and Matthew. Two-colour manuscript on parchment. Second half of the 12th century. Provenance unknown. On loan, Parroquia de las Santas Justa y Rufina, Toledo. Museum of Visigoth Councils and Culture. Toledo, Castile-La Mancha, Spain.
RM2WK484T–Fragment of a frieze decorated with secant circles forming octopetal flowers. In the upper moulding, ornamentation with cross-shaped motifs. Limestone. 7th century. From Toledo's Vega Baja archaeological site. Museum of Visigoth Councils and Culture. Toledo, Castile-La Mancha, Spain.
RM2WK483J–Tombstone of Juan López del Arroyo. Seven lines in Gothic characters, with heraldic shield with fleur-de-lis at the corners. Slate. 15th century. From the Church of San Román, Toledo, Spain. Museum of Visigoth Councils and Culture. Toledo, Castile-La Mancha, Spain.
RM2J8AGYR–Spain, Castile-La Mancha, Toledo. Synagogue of Santa Maria la Blanca. Architectural detail of the Renaissance dome built during the reform of 1550, attributed to Alonso de Covarrubias (1488-1570). It is located at the head of the central nave of the Prayer Hall.
RM2WK484K–Baptismal font decorated with gadroons under arches. Inscription in Gothic characters around the rim. Sandstone. 15th century. From the Church of San Román, Toledo, Spain. Museum of Visigoth Councils and Culture. Toledo, Castile-La Mancha, Spain.
RM2WK482E–Detail of a pilaster decorated with a vegetal stem on its front face. Limestone. 7th century. From Toledo, Weapon Factory. Spain. Museum of Visigoth Councils and Culture. Toledo, Castile-La Mancha, Spain.
RM2J8AGYC–Spain, Castile-La Mancha, Toledo. Synagogue of Santa Maria la Blanca. In 1180 the Jewish community of Toledo financed the construction of the church in Mudejar style, work that was carried out by Muslim builders. Nave with its octagonal pillars and capitals with geometric ornamentation.
RM2WK483H–Spain, Toledo. Church of San Román. Built in Mudejar style in the 13th century. Paintings on the eastern front of the Nave of the Epistle. In the upper part: Saint Matthew, Saint Mark and Saint Luke, three of the evangelists. They are depicted winged and with their faces changed by their zoomorphic symbol, as they write the Gospels. In the lower part, three Confessors of the Catholic Church: Saint Eugene, Saint Isidore and Saint Gregory.
RM2WKFEDC–Niche carved on a fragment of the shaft of a Roman column. Decorated with a large gadrooned scallop, under which is depicted a cross pattée. Marble. 7th century. From the Church of San Andrés (Church of St Andrew), Toledo, Spain. Museum of Visigoth Councils and Culture. Toledo, Castile-La Mancha, Spain.
RM2WKFECF–Fragment of a niche plate with bevelled decoration, scallop on a gadrooned hinge line. Limestone. 7th century. From the Cigarral del Aserradero, Toledo, Spain. Museum of Visigoth Councils and Culture. Toledo, Castile-La Mancha, Spain.
RM2WKFEE0–Plaque of chancel decorated with imbricated semicircles showing fleur-de-lis and palmettes. Marble. 7th century. Unknown provenance. Museum of Visigoth Councils and Culture. Toledo, Castile-La Mancha, Spain.
RM2WK483B–Detail of the tombstone of Juan López del Arroyo. Gothic characters. Slate. 15th century. From the Church of San Román, Toledo, Spain. Museum of Visigoth Councils and Culture. Toledo, Castile-La Mancha, Spain.
RM2WKR7YP–Bar of chancel. Decorated with vegetal motifs and a cross pattée. Marble. 7th century. From Santa Maria de Melque Church, San Martín de Montalbán, province of Toledo, Spain. Museum of Visigoth Councils and Culture. Toledo, Castile-La Mancha, Spain.
RM2M5JWYJ–Armour. Gauntlets. Glove of metal plates which protected the hand. Pair of Prince's gauntlets. Europe, 16th century. Army Museum. Toledo, Spain.
RM2M5JWYG–Automobile vehicle 'Marmon 34'. Marmon 34 Limousine, 1917. Car with License Plate ARM-121 in which Eduardo Dato Iradier, President of the Spanish Council of Ministers, was travelling when he was assassinated in Madrid on 8 March 1921. Army Museum. Toledo, Spain.
RM2M665F4–Light cavalryman from the Kingdom of Granada shooting a compound bow. Replica, detail. Army Museum. Toledo, Spain.
RM2M5JWY9–Armour. Gauntlet. Glove of metal plates which protected the hand. Europe, 16th century. Army Museum. Toledo, Spain.
RM2M5WNAC–Colt pistol. M1911 A1, 1921. American-made, it was designed by John Moses Browning. Steel, wood and bakelite. Army Museum. Toledo, Spain.
RM2M5WNA4–Second World War (1939-1945). German winter earmuffs. 1941. Metal and felt. Army Museum. Toledo, Spain.
RM2JGXDH1–Benigno de la Vega-Inclán y Flaquer, 2nd Marquis of la Vega-Inclán (1858-1942). Spanish patron, founder of the El Greco Museum. Portrait of the Marquis de la Vega-Inclán, by Joaquín Sorolla y Bastida (1863-1923), 1910. Oil on canvas. El Greco Museum. Toledo, Spain.
RM2JGKFW3–El Greco (Doménikos Theotokópoulos) (1541-1614). Spanish painter born in Crete. Crucifixion. Detail. Oil on canvas, ca. 1575-1577. El Greco Museum. Toledo, Spain.
RM2JGKFWR–Antonio de Covarrubias y Leyva (1514-1602). Spanish humanist, canon and legal adviser. Portrait by El Greco (1541-1614), ca. 1600. Oil on canvas. El Greco Museum. Toledo, Spain.
RM2JGKFTX–Raimundo de Madrazo y Garreta (1841-1920). Spanish painter. Holy Family, 1908. Copy of the original by El Greco (1541-1614). Oil on canvas (106 x 87 cm). Detail. El Greco Museum. Toledo, Spain.
RM2M5JWWR–Luis de Requesens y Zuñiga (1528-1576). Spanish military and politician. Commander in Castile of the Order of Santiago and Governor-General of the Netherlands. Portrait. Oil on canvas by Francisco Jover y Casanova (1836-1890), 1882. Army Museum. Toledo, Spain. (On loan from Prado Museum, Spain).
RM2M5JWY3–Francisco Ramirez de Madrid (c. 1445-1501), the Artilleryman. Artillery General and Secretary to the Catholic Monarchs. He took part in the capture of Granada. Died fighting against the Muslims in Sierra Bermeja on 18 March 1501, where he had been commissioned by royal order to put down the uprising of the Mudejars of the Serrania de Ronda. Portrait by Jose Sanchez Pescador (1839-1887) in 1880. Oil on canvas. Army Museum. Toledo, Spain.
RM2M5JWPH–Ferdinand VI (1713-1759). King of Spain (1746-1759). Bourbon dynasty. Portrait. Anonymous, c. 1746. Oil on canvas. Army Museum. Toledo, Spain.
RM2M5JWX4–Fernando Alvarez de Toledo y Pimentel (1507-1582). Spanish military. 3rd Duke of Alba. Governor of Milan, Viceroy of Naples, Governor of the Netherlands and 1st Viceroy of Portugal and the Algarves. Portrait of the Captain General don Fernando Alvarez de Toledo y Pimentel, Great Duke of Alba. Oil on canvas by Mariano Oliver Aznar (1863-1927), 1915. Army Museum. Toledo, Spain.
RM2KRK1GF–Funerary stele with Hebrew inscription. 11th century. Copy. Granite. From Monzón de los Campos (province of Palencia, Castile and Leon, Spain). Deposit of the Museum of Palencia. Sephardic Museum. Toledo. Castile-La Mancha. Spain.
RM2KRK1GJ–Funerary stele of Mar Hiyyah with Hebrew inscription. 12th century. Marble. From Puente Castro (León). Deposit of the Archaeological Museum of León. Sephardic Museum. Toledo. Castile-La Mancha. Spain.
RM2KRK1G9–Scroll of Esther (Megillah of Esther). Book read on the feast of Purim, to commemorate the salvation of the Jews from the Persians thanks to the intervention of Esther. Written in Hebrew. Parchment and wooden guide. 19th century. From Morocco. Sephardic Museum. Toledo. Castile-La Mancha. Spain.
RM2KYKRHM–Tiles in 'arista technique'. 15th century. Toledo. Sephardic Museum. Toledo. Castile-La Mancha. Spain.
RM2KX7879–Funerary gravestone belonging to a Jew. 6th-7th centuries. Marble. From Emerita Augusta (Mérida, province of Badajoz, Extremadura, Spain). Sephardic Museum. Toledo. Castile-La Mancha. Spain.
RM2KRK1FC–Sephardic Museum. Located in the El Transito Synagogue, built in the 14th century. Architectural detail of the interior. Toledo. Castile-La Mancha. Spain.
RM2KRK1G0–Sephardic Museum. Synagogue of El Tránsito. Detail of the primitive pavement decorated with borders. Toledo. Castile-La Mancha. Spain.
RM2KX787R–Funerary stele with Hebrew inscription. Tomb of R. Samuel bar saltiel el Nasi, died in 1097. 11th century. White granite. From Monzón de los Campos (province of Palencia, Castile and Leon, Spain). Deposit of the Museum of Palencia. Sephardic Museum. Toledo. Castile-La Mancha. Spain.
RM2R1W1CB–Baptismal font, 15th century. Unknown provenance. Carmo Archaeological Museum. Lisbon, Portugal.
RM2R21Y8K–Saint John Nepomuk (Nepomuk, 1340-Prague, 1393). Patron saint of Bohemia (Czech Republic). Statue of the saint by Giovanni Antonio Bellini (1690-1755). Originally stood on the Ponte de Alcântara (Lisbon), 1743. Carmo Archaeological Museum. Lisbon, Portugal.
RM2R21YDX–Muse Sarcophagus. 3rd-4th centuries. Marble. Decorated with reliefs depicting the muses of theatre and music, on either side of a central male figure. On the right Erato, Calliope, Thalia, Euterpe and Polyhymnia are represented. On the left, an unidentified muse, Terpsichore, Urania and Melpomene. Both ends are depicted funerary geniuses. Valado dos Frades, Alfeizeriao (Alcobaça, Portugal). Carmo Archaeological Museum. Lisbon, Portugal.
RM2R25PJ9–Stele of hindu warrior with the arms of the Sousa family (do Prado) on the reverse. Detail. Unknown provenance. 10th-13th and 16th centuries. Carmo Archaeological Museum. Lisbon, Portugal.
RM2R21YC9–Tomb of King Ferdinand I of Portugal (1345-1383). Limestone. Detail of the Manuels' sculpted heraldic coats of arms, ca. 1382. From the Convent of Sao Francisco (Santarém, Portugal). Carmo Archaeological Museum. Lisbon, Portugal.
RM2R1W1BH–Manueline-style arcosolium and tomb of a knight. 16th century. From the Sao Domingos Convent (Santarem, Portugal). Carmo Archaeological Museum. Lisbon, Portugal.
RM2PKM8R2–Two-masted lateen rigged caravel. It was the most common type of ship used in maritime exploration from 1440 until the end of the 15th century. Model. Maritime Museum. Lisbon, Portugal.
RM2PK9N5N–Our Lady of the Valley. Replica of a sculpture that is currently located in the Parish of Our Lady of the Valley in Ceuta (Spain). It is a Romanesque virgin that was taken as patron saint by King John I of Portugal during the conquest of Ceuta in 1415. Maritime Museum. Lisbon, Portugal.
RM2PKM8T6–Armillary Sphere. Instrument used for astronomical calculations and the study and representation of the cosmos. At the center of its axis stands a sphere that depicts the Earth. The armillary sphere was adopted as a personal symbol by King Manuel I of Portugal, incorporating it into the country's coat of arms in 1495. Maritime Museum. Lisbon, Portugal.
RM2PKYY0K–Portable oak wood altar, painted red. According to tradition, this altar accompanied Vasco da Gama on board the 'Sao Gabriel' on the maiden voyage to India in 1497. However, it is very similar to the portable altars commonly used in church services on board the so-called Portuguese Indiamen (merchant ships that operated for the East India Company). Maritime Museum. Lisbon, Portugal.
RM2PKM8MX–Fishing craft. Small fishing boat. It was used in the first voyages of exploration. In ancient chronicles it is referred to as a 'fishing caravel'. Model. Maritime Museum. Lisbon, Portugal.
RM2JBH9G3–Nicolas-Bernard Lépicié (1735-1784). French painter. The Astronomer, ca. 1777. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal.
RM2JBH9G6–Vittore Carpaccio (ca.1460-1525/1526). Italian painter. Holy Family with Donors, 1505. Tempera and oil (?) on wood. Calouste Gulbenkian Museum. Lisbon, Portugal.
RM2J6XM3D–Tapestry depicting 'Fishing'. It belongs to the series known as 'Children Playing'. After drawings by Giulio Romano (1499-1546). Mantua, Italy, ca.1540. Wool, silk, gold and silver threads. Calouste Gulbenkian Museum. Lisbon, Portugal.
RM2J6R40E–Pair of tiles with phoenix. Early 14th century. From Kashan (Iran). Ilkhanid Period (125-1353). Stonepaste, moulded and painted under and over the glaze in lustre. Calouste Gulbenkian Museum. Lisbon, Portugal.
RM2JBH9FT–Virgin and Child, ca. 1485-1490. Unknown artist. Flanders. Tempera and oil (?) on wood. Calouste Gulbenkian Museum. Lisbon, Portugal.
RM2JBH9F9–Cima da Conegliano (ca. 1459/1460-1517/1518). Italian Renaissance painter. Sacra Conversazione or Rest on the Flight into Egypt, ca. 1496-1498. Tempera and oil on wood. Calouste Gulbenkian Museum. Lisbon, Portugal.
RM2JB7M7B–Francesco Guardi (1712-1793). Venetian painter. The Rialto Bridge after the design by Palladio, ca. 1770. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal.
RM2J6XKWW–Book of Hours. Use of Rome. Poitiers and/or Tours?, France, ca. 1460-1470. Unknown scribe. Manuscript on parchment. Illuminators: Two disciples of the Master of Adelaide of Saboia; Master of the Madrid Hours and the Master of Jeanne de France (artist from Tours belonging to the style of Fouquet). Fol. 116r. Miniature depicting the elect and the damned thrown into Hell. Calouste Gulbenkian Museum. Lisbon, Portugal.
RM2J6XKXH–Diptych with scenes from the Passion of Christ: Crucifixion, Deposition, Flagellation and Entombment. Ivory. France, ca. 1290-1310. Calouste Gulbenkian Museum. Lisbon, Portugal.
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