Andrea del Castagno's "Saint Sebastian" (circa 1450): Housed in the National Gallery of Art, Washington D.C., this painting depicts Saint Sebastian, a Christian martyr, tied to a tree and pierced by arrows. Del Castagno's portrayal is noted for its dramatic intensity and the physicality of the figure, reflecting the early Renaissance interest in human anatomy and emotion.

Andrea del Castagno's "Saint Sebastian" (circa 1450): Housed in the National Gallery of Art, Washington D.C., this painting depicts Saint Sebastian, a Christian martyr, tied to a tree and pierced by arrows. Del Castagno's portrayal is noted for its dramatic intensity and the physicality of the figure, reflecting the early Renaissance interest in human anatomy and emotion. Stock Photo

RMID:2WX3FF3

Image details

Contributor:

Evolution Images / Alamy Stock Photo

Image ID:

2WX3FF3

File size:

60 MB (1.1 MB Compressed download)

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Dimensions:

3051 x 6874 px | 25.8 x 58.2 cm | 10.2 x 22.9 inches | 300dpi

Date taken:

13 September 2023

Photographer:

More information:

This image could have imperfections as it’s either historical or reportage.

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RM2HH6E28–Saint Sebastian Francesco Botticini (Francesco di Giovanni) Italian The picture was purchased as a work of Andrea del Castagno. The treatment of the landscape, however, is uncharacteristic of Castagno's work, as is the feebly constructed figure. The closest affinities of style are with works by Francesco Botticini (about 1446–97), who seems to have been active in the workshop of Verrocchio in the late 1460s. Although the picture has been dated as early as 1465, it seems to depend from a famous altarpiece by Botticelli of 1473–74 in the Gemäldegalerie, Berlin-Dahlem. The picture has suffered co

RMR2MDEH–Saint Sebastian. Artist: Francesco Botticini (Francesco di Giovanni) (Italian, Florentine, ca. 1446-1497). Dimensions: Overall, with arched top and engaged frame, 56 3/4 x 26 1/4 in. (144.1 x 66.7 cm); painted surface 53 3/4 x 23 in. (136.5 x 58.4 cm). The picture was purchased as a work of Andrea del Castagno. The treatment of the landscape, however, is uncharacteristic of Castagno's work, as is the feebly constructed figure. The closest affinities of style are with works by Francesco Botticini (about 1446-97), who seems to have been active in the workshop of Verrocchio in the late 1460s. Al