The Return of the Holy Family from Egypt, 1773.

RMID:2AG0CTA

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Contributor:

Heritage Image Partnership Ltd / Alamy Stock Photo

Image ID:

2AG0CTA

File size:

30 MB (1 MB Compressed download)

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Model - no | Property - noDo I need a release?

Dimensions:

2805 x 3733 px | 23.7 x 31.6 cm | 9.4 x 12.4 inches | 300dpi

Photographer:

Heritage Art/Heritage Images

More information:

This image could have imperfections as it’s either historical or reportage.

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RM2A4F4D4–Nicolas Poussin, painting, The Return of the Holy Family from Egypt, circa 1628

RM2A1052B–The Return of the Holy Family from Egypt - Bartolome Esteban Murillo, circa 1670

RM2R44W3B–Bartolomé Esteban Murillo, The Return of the Holy Family from Egypt, painting before 1682

RMMPWKKC–The Return of the Holy Family from Egypt.

RMPAAX3T–Return of the Holy Family from Egypt (recto); Studies for the Return from Egypt (verso). Artist: Giovanni Baglione (Italian, Rome 1566-1643 Rome). Dimensions: 6-7/8 x 8-1/8 in. (17.5 x 20.6 cm). Date: 1599-1600. Museum: Metropolitan Museum of Art, New York, USA.

RF2HW56DW–Art inspired by Return of the Holy Family from Egypt (recto); Studies for the Return from Egypt (verso), 1599–1600, Pen and brown ink, brush and brown wash, over black chalk (recto and verso), 6-7/8 x 8-1/8 in. (17.5 x 20.6 cm), Drawings, Giovanni Baglione (Italian, Rome 1566–1643 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2JM1R96–Annibale Carracci painting, The Return from the Flight into Egypt, oil on canvas, circa 1590

RFRAKBH9–Return of the Holy Family from Egypt, print maker: Moyses van Wtenbrouck, Joannes Day, 1600 - 1647 and or 1700 - 1710 reimagined

RM2RRHKMT–The Return of the Holy Family from Egypt, mid-late 17th century.

RM2A52M6R–The Return of the Holy Family to Nazareth, c. 1627. When King Herod learned that he would lose his throne to a child born in Bethlehem, he ordered all male infants to be massacred. Mary and Joseph thus fled to Egypt to protect their son, Jesus. The age of the boy in this painting suggests that Poussin depicted the less-common subject of the Holy Family’s return from Egypt. Jesus reaches toward a vision of a cross borne by angels, a reference to both his eventual crucifixion and Herod’s cruel slaughter of innocent children.

RM2A521B3–Return to Nazareth, 1735. Upon hearing rumor of a young king born to a virgin in Bethlehem, Herod, the ruler of Judea, jealously developed a plot to find and murder the infant Jesus. Fearing Herod's wrath, the Holy Family escaped to Egypt and eventually returned to Palestine-an echo of the great Exodus of the Old Testament. Conti trained in Rome but eventually made his career in Florence. Although the pale colours, balletic poses, and attenuated forms bear little resemblance to the other works along this wall, the sharp contrasts of dark and light, with figures emerging from deep shadow, attes

The Return of the Holy Family from Egypt, 1773.

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