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Gagosian, 20 Grosvenor Hill, London, UK. 29 September 2022. Backcountry, an exhibition of new paintings by Mark Grotjahn (29 Sept-5 Nov), is his first exhibition at the gallery in London since 2016. Grotjahn interweaves various modes of abstraction, employing an expansive and evolving vocabulary of motifs and techniques. Exploring colour, perspective, seriality, and the sublime, he also reflects on the broad history of nonrepresentational painting, from ancient to modern times. Image: Untitled (Backcountry Capri 54.72), 2021. Credit: Malcolm Park/Alamy Live News

Gagosian, 20 Grosvenor Hill, London, UK. 29 September 2022. Backcountry, an exhibition of new paintings by Mark Grotjahn (29 Sept-5 Nov), is his first exhibition at the gallery in London since 2016. Grotjahn interweaves various modes of abstraction, employing an expansive and evolving vocabulary of motifs and techniques. Exploring colour, perspective, seriality, and the sublime, he also reflects on the broad history of nonrepresentational painting, from ancient to modern times. Image: Untitled (Backcountry Capri 54.72), 2021. Credit: Malcolm Park/Alamy Live News Stock Photo

RMID:2K4137A

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Contributor:

Malcolm Park / Alamy Stock Photo

Image ID:

2K4137A

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59.9 MB (2.5 MB Compressed download)

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Dimensions:

5607 x 3731 px | 47.5 x 31.6 cm | 18.7 x 12.4 inches | 300dpi

Date taken:

29 September 2022

Location:

London UK

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This image could have imperfections as it’s either historical or reportage.

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20 grosvenor hill 29 september 2022 abstract art backcountry contemporary exhibition of new paintings gagosian london mark grotjahn the arts uk

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RM2K4137J–Gagosian, 20 Grosvenor Hill, London, UK. 29 September 2022. Backcountry, an exhibition of new paintings by Mark Grotjahn (29 Sept-5 Nov), is his first exhibition at the gallery in London since 2016. Grotjahn interweaves various modes of abstraction, employing an expansive and evolving vocabulary of motifs and techniques. Exploring colour, perspective, seriality, and the sublime, he also reflects on the broad history of nonrepresentational painting, from ancient to modern times. Credit: Malcolm Park/Alamy Live News

RM2K4099C–Gagosian, 20 Grosvenor Hill, London, UK. 29 September 2022. Backcountry, an exhibition of new paintings by Mark Grotjahn (29 Sept-5 Nov), is his first exhibition at the gallery in London since 2016. Grotjahn interweaves various modes of abstraction, employing an expansive and evolving vocabulary of motifs and techniques. Exploring colour, perspective, seriality, and the sublime, he also reflects on the broad history of nonrepresentational painting, from ancient to modern times. Credit: Malcolm Park/Alamy Live News

RM2K40997–Gagosian, 20 Grosvenor Hill, London, UK. 29 September 2022. Backcountry, an exhibition of new paintings by Mark Grotjahn (29 Sept-5 Nov), is his first exhibition at the gallery in London since 2016. Grotjahn interweaves various modes of abstraction, employing an expansive and evolving vocabulary of motifs and techniques. Exploring colour, perspective, seriality, and the sublime, he also reflects on the broad history of nonrepresentational painting, from ancient to modern times. Credit: Malcolm Park/Alamy Live News

RM2K4137P–Gagosian, 20 Grosvenor Hill, London, UK. 29 September 2022. Backcountry, an exhibition of new paintings by Mark Grotjahn (29 Sept-5 Nov), is his first exhibition at the gallery in London since 2016. Grotjahn interweaves various modes of abstraction, employing an expansive and evolving vocabulary of motifs and techniques. Exploring colour, perspective, seriality, and the sublime, he also reflects on the broad history of nonrepresentational painting, from ancient to modern times. Credit: Malcolm Park/Alamy Live News

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RM2K4099M–Gagosian, 20 Grosvenor Hill, London, UK. 29 September 2022. Backcountry, an exhibition of new paintings by Mark Grotjahn (29 Sept-5 Nov), is his first exhibition at the gallery in London since 2016. Grotjahn interweaves various modes of abstraction, employing an expansive and evolving vocabulary of motifs and techniques. Exploring colour, perspective, seriality, and the sublime, he also reflects on the broad history of nonrepresentational painting, from ancient to modern times. Credit: Malcolm Park/Alamy Live News

RM2K409AG–Gagosian, 20 Grosvenor Hill, London, UK. 29 September 2022. Backcountry, an exhibition of new paintings by Mark Grotjahn (29 Sept-5 Nov), is his first exhibition at the gallery in London since 2016. Grotjahn interweaves various modes of abstraction, employing an expansive and evolving vocabulary of motifs and techniques. Exploring colour, perspective, seriality, and the sublime, he also reflects on the broad history of nonrepresentational painting, from ancient to modern times. Credit: Malcolm Park/Alamy Live News

RM2K409A8–Gagosian, 20 Grosvenor Hill, London, UK. 29 September 2022. Backcountry, an exhibition of new paintings by Mark Grotjahn (29 Sept-5 Nov), is his first exhibition at the gallery in London since 2016. Grotjahn interweaves various modes of abstraction, employing an expansive and evolving vocabulary of motifs and techniques. Exploring colour, perspective, seriality, and the sublime, he also reflects on the broad history of nonrepresentational painting, from ancient to modern times. Credit: Malcolm Park/Alamy Live News

RM2K4137W–Gagosian, 20 Grosvenor Hill, London, UK. 29 September 2022. Backcountry, an exhibition of new paintings by Mark Grotjahn (29 Sept-5 Nov), is his first exhibition at the gallery in London since 2016. Grotjahn interweaves various modes of abstraction, employing an expansive and evolving vocabulary of motifs and techniques. Exploring colour, perspective, seriality, and the sublime, he also reflects on the broad history of nonrepresentational painting, from ancient to modern times. Image: Untitled (Backcountry Capri 54.74), 2021. Credit: Malcolm Park/Alamy Live News