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40 23 7 cm Stock Photos and Images
RM2PMDAEB–Drawing, View of Guayaquil, Ecuador; Frederic Edwin Church (American, 1826–1900); USA; graphite on white wove paper; Sheet: 10.9 x 18.9 cm (4 5/16 x 7 7/16 in.) Mat: 55.9 x 40.6 cm (22 x 16 in.) Frame H x W x D: 60.3 x 55.6 x 2.5 cm (23 3/4 x 21 7/8 x 1 in.)
RF2HTT9AJ–Art inspired by Helmet, Arm Guard, and Shield, 1751, Indian, Steel, silver, Helmet (a); H. including mail 25 1/4 in. (64.1 cm); H. including nasal 16 in. (40.6 cm); H. excluding mail and nasal 10 1/2 in. (26.7 cm); W. 8 1/2 in. (21.6 cm); D. 9 1/4 in. (23.5 cm); Wt. 3 lbs. 13.3 oz. (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW26NH–Art inspired by Teakettle, ca. 1840, Made in New York, New York, United States, American, Silver and ivory, Overall: 15 3/4 x 9 5/16 in. (40 x 23.7 cm); 68 oz. 4 dwt. (2120.7 g), Silver, William Forbes (baptized 1799, active New York, 1826–63, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![[A Bacchante]; Julia Margaret Cameron, British, born India, 1815 - 1879; Freshwater, England, Europe; June 20, 1867; Albumen silver print; Image: 32.4 x 26.7 cm (12 3/4 x 10 1/2 in.), Mount: 58.4 x 46.4 cm (23 x 18 1/4 in.); 84.XM.443.40 1 "A Bacchante", by Julia Margaret Cameron (1867) Stock Photo](https://c8.alamy.com/comp/P5HHCW/a-bacchante-julia-margaret-cameron-british-born-india-1815-1879-freshwater-england-europe-june-20-1867-albumen-silver-print-image-324-x-267-cm-12-34-x-10-12-in-mount-584-x-464-cm-23-x-18-14-in-84xm44340-1-quota-bacchantequot-by-julia-margaret-cameron-1867-P5HHCW.jpg "[A Bacchante]; Julia Margaret Cameron, British, born India, 1815 - 1879; Freshwater, England, Europe; June 20, 1867; Albumen silver print; Image: 32.4 x 26.7 cm (12 3/4 x 10 1/2 in.), Mount: 58.4 x 46.4 cm (23 x 18 1/4 in.); 84.XM.443.40 1 "A Bacchante", by Julia Margaret Cameron (1867) Stock Photo")
RMP5HHCW–[A Bacchante]; Julia Margaret Cameron, British, born India, 1815 - 1879; Freshwater, England, Europe; June 20, 1867; Albumen silver print; Image: 32.4 x 26.7 cm (12 3/4 x 10 1/2 in.), Mount: 58.4 x 46.4 cm (23 x 18 1/4 in.); 84.XM.443.40 1 "A Bacchante", by Julia Margaret Cameron (1867)
RF2HW5AEC–Art inspired by The Mocking of Christ, 1560–1635, Black chalk, brush and brown ink, gray and white oil paint, on blue paper; squared in black chalk, 9-5/16 x 16 in. (23.7 x 40.6 cm), Drawings, Domenico Tintoretto (Italian, Venice 1560–1635 Venice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMMH59W–. English: Creation Date: 19th century Display Dimensions: 9 7/8 in. x 7 5/32 in. (25.1 cm x 18.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1468 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 23 August 2006, 01:11:40. English: thesandiegomuseumofartcollection Hazrat Ali with two sons (from the inscription verso) (6124607623)
![To the Honourable John Scott, MP. / This accurate Delineation of Pompey's Pillar at Alexandria is respectfully Inscribed. Author Storer, James 7.40.gg. Place of publication: [London] Publish'd March 23 1801 by A. Molteno Pall Mall. [March 23 1801] Item type: 1 print Medium: etching Dimensions: platemark 53.9 x 36.3 cm , sheet 61. 4 x 45.0 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FEAG/to-the-honourable-john-scott-mp-this-accurate-delineation-of-pompeys-pillar-at-alexandria-is-respectfully-inscribed-author-storer-james-740gg-place-of-publication-london-publishd-march-23-1801-by-a-molteno-pall-mall-march-23-1801-item-type-1-print-medium-etching-dimensions-platemark-539-x-363-cm-sheet-61-4-x-450-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FEAG.jpg "To the Honourable John Scott, MP. / This accurate Delineation of Pompey's Pillar at Alexandria is respectfully Inscribed. Author Storer, James 7.40.gg. Place of publication: [London] Publish'd March 23 1801 by A. Molteno Pall Mall. [March 23 1801] Item type: 1 print Medium: etching Dimensions: platemark 53.9 x 36.3 cm , sheet 61. 4 x 45.0 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9FEAG–To the Honourable John Scott, MP. / This accurate Delineation of Pompey's Pillar at Alexandria is respectfully Inscribed. Author Storer, James 7.40.gg. Place of publication: [London] Publish'd March 23 1801 by A. Molteno Pall Mall. [March 23 1801] Item type: 1 print Medium: etching Dimensions: platemark 53.9 x 36.3 cm , sheet 61. 4 x 45.0 cm Former owner: George III, King of Great Britain, 1738-1820
RMMMH51H–. English: Creation Date: 18th century Display Dimensions: 6 13/16 in. x 9 23/32 in. (17.3 cm x 24.7 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.549 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 29 October 2001, 12:40:12. English: thesandiegomuseumofartcollection Elephant ridden by a female mahout (6124549105)
RF2HTW9F9–Art inspired by Eliezer and Rebecca, third quarter 17th century, British, Silk and satin on canvas, H. 15 3/4 x W. 20 inches (40.0 x 50.8 cm); Framed: H. 20 x W. 23 1/2 x D. 1 1/2 inches (50.8 x 59.7 x 3.8 cm), Textiles-Embroidered, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMPA3XW–. English: Creation Date: ca. 1760 Display Dimensions: 16 1/32 in. x 11 23/32 in. (40.7 cm x 29.8 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.411 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 2 October 2001, 16:04:53. English: thesandiegomuseumofartcollection 1029 Princess and Companions on a Moonlit Terrace (6125080840)
RF2HTT9YY–Art inspired by Halberd, ca. 1760, New Hampshire, American, Hinsdale, New Hampshire, Steel, wood, L. 88 in. (223.5 cm); L. of head 15 13/16 in. (40.2 cm); W. 9 1/4 in. (23.5 cm); Wt. 2 lbs. 13.7 oz. (1296 g), Shafted Weapons, This halberd was given to John Colby by Indians, when he was, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMP8GHR–. English: Creation Date: 1705 Display Dimensions: 9 11/32 in. x 15 25/32 in. (23.7 cm x 40.1 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.615 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 27 July 2001, 10:26:01. English: thesandiegomuseumofartcollection 845 Maharana Amar Singh II receiving a prince (6124554791)
RMKND6PM–Bowl MET AD-38-40-132a(front) 449343 Bowl, 9th century, Earthenware; white glaze with polychrome decoration under transparent colorless glaze, incised, 38.40.132a: H. 4 11/16 in. (11.9 cm) W. 10 1/16 in. (25.5 cm) D. 9 13/16 in. (25 cm) 38.40.132b: H. 6 in. (15.2 cm) W. 9 5/16 in. (23.7 cm) D. 5/16 in. (0.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1938 (38.40.132a, b)
RMMW4PHA–. Nederlands: Zomer. oil on canvas. 60 × 40.5 cm (23.6 × 15.9 in). Dordrecht, Dordrechts Museum. In bruikleen van de Rijksdienst voor het Cultureel Erfgoed. Vroeger Rijksmuseum Amsterdam (SK-A-2461). . 1889. Jacob Maris (1837–1899) Alternative names Jacobus Hendricus Maris Description Dutch painter, draughtsman, aquarellist and printmaker Date of birth/death 25 August 1837 7 August 1899 Location of birth/death The Hague Karlovy Vary Work period 1849-1899 Work location The Hague (1849-1854), Antwerp (1854-1857), The Hague (1857-1864), Cologne (1859-1860), Mannheim (1859-1860), Hei
RM2B0M1X3–After Winslow Homer, Station-House Lodgers (Harper's Weekly, Vol. XVIII), After Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine), February 7, 1874, Wood engraving, image: 9 1/8 x 13 1/2 in. (23.2 x 34.3 cm), sheet: 10 11/16 x 15 7/8 in. (27.2 x 40.4 cm), Prints
RMPANGCG–Elevation of a Catafalque: Obelisks at the Corners and One in Center. Artist: Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696-1756 Berlin). Dimensions: 23-1/2 x 17-3/8 in. (59.7 x 44.1 cm). Date: ca. 1720-40. Museum: Metropolitan Museum of Art, New York, USA.
RM2PMF1P3–Drawing, Ruin Fantasy; Louis-Joseph Le Lorrain (French, 1715–1759); France; brush and black, gray wash, black chalk on cream laid paper; Overall sheet size with additions: 34.9 x 23.2 cm (13 3/4 x 9 1/8 in.) Mat: 55.9 x 40.6 cm (22 x 16 in.) Original Sheet size: 26.8 x 21.4 cm (10 9/16 x 8 7/16 in.)
![Windsor Castle from Eaton play ground Visual Material information: Title: Windsor Castle from Eaton play ground 7.40.dd. Place of publication: [London] Publisher: Published Oct.r 10.1790 by W. Payne Thornhaugh Street Bedford Square Date of publication: [1790.] Item type: 1 print Medium: etching Dimensions: platemark 19.6 x 23.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FEAJ/windsor-castle-from-eaton-play-ground-visual-material-information-title-windsor-castle-from-eaton-play-ground-740dd-place-of-publication-london-publisher-published-octr-101790-by-w-payne-thornhaugh-street-bedford-square-date-of-publication-1790-item-type-1-print-medium-etching-dimensions-platemark-196-x-235-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FEAJ.jpg "Windsor Castle from Eaton play ground Visual Material information: Title: Windsor Castle from Eaton play ground 7.40.dd. Place of publication: [London] Publisher: Published Oct.r 10.1790 by W. Payne Thornhaugh Street Bedford Square Date of publication: [1790.] Item type: 1 print Medium: etching Dimensions: platemark 19.6 x 23.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9FEAJ–Windsor Castle from Eaton play ground Visual Material information: Title: Windsor Castle from Eaton play ground 7.40.dd. Place of publication: [London] Publisher: Published Oct.r 10.1790 by W. Payne Thornhaugh Street Bedford Square Date of publication: [1790.] Item type: 1 print Medium: etching Dimensions: platemark 19.6 x 23.5 cm Former owner: George III, King of Great Britain, 1738-1820
RF2HW31W4–Art inspired by Shirt of Mail and Plate, dated A.H. 1042/A.D. 1632–33, Indian, Steel, iron, gold, leather, as mounted, H. 32 in. (81.3 cm)l; L. 31 in. (78.8 cm); W. 40 in. (101.5 cm); Wt. 23 lb. 10 oz. (10.7 kg), Mail, This shirt ranks as one of the most beautiful surviving Mughal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTX9ET–Art inspired by Vessel stand with ibex support, Early Dynastic III, ca. 2600–2350 B.C., Mesopotamia, Sumerian, Copper alloy, inlaid with shell and lapis lazuli, H. 15 3/4 x W. 9 1/4 x D. 9 7/16 in. (40 x 23.5 x 23.9 cm), Metalwork-Sculpture, Temple rituals during the Early Dynastic, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMY6YM6–. Nederlands: Zomer. oil on canvas. 60 × 40.5 cm (23.6 × 15.9 in). Dordrecht, Dordrechts Museum. In bruikleen van de Rijksdienst voor het Cultureel Erfgoed. Vroeger Rijksmuseum Amsterdam (SK-A-2461). . 1889. Jacob Maris (1837–1899) Alternative names Jacobus Hendricus Maris Description Dutch painter, draughtsman, aquarellist and printmaker Date of birth/death 25 August 1837 7 August 1899 Location of birth/death The Hague Karlovy Vary Work period 1849-1899 Work location The Hague (1849-1854), Antwerp (1854-1857), The Hague (1857-1864), Cologne (1859-1860), Mannheim (1859-1860), Hei
RM2B0JY7E–Attributed to Jacques LePautre, Ceiling Design, pl. 40, Curieuses recherches de plusieurs beaus morceaus d'ornemens antiques et modernes, Attributed to Jacques LePautre (French, ca. 1653–ca. 1684), After Adam Philippon (French, active 1640–50), 1645, Etching, Plate: 9 3/16 x 5 1/8 in. (23.3 x 13 cm), Sheet: 11 1/8 × 7 9/16 in. (28.2 × 19.2 cm
RF2HW2RNH–Art inspired by Dressing glass, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, mother-of-pearl, brass, and mirror glass, 23 1/4 × 15 3/4 × 10 1/2 in. (59.1 × 40 × 26.7 cm), Furniture, George A. Schastey & Co. (1873–97), George A. Schastey (1839–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPA94CN–Madonna and Child with Saints Jerome and Francis. Artist: Italian (Umbrian) Painter (ca. 1500). Dimensions: Overall 24 5/8 x 16 3/4 in. (62.5 x 42.5 cm); painted surface 23 5/8 x 15 7/8 in. (60 x 40.3 cm). Museum: Metropolitan Museum of Art, New York, USA.
RF2HW5TCH–Art inspired by Design for a Crucifix with the Virgin Mary, Saint Mary Magdalen, and Saint John, n.d., Pen and brown ink, brush and brown wash, over traces of black chalk, 15 7/8 x 9 5/16 in. (40.3 x 23.6 cm), Drawings, Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2PMG8AN–Drawing, Design for the Bottom Corner of a Woven Fabric; impressed lines, brush and opaque paint on several pieces of oily tracing paper; (Left and Top edges): 64.2 × 40.4 cm (25 1/4 × 15 7/8 in.) (Right and Bottom edges): 24.8 × 7.3 cm (9 3/4 × 2 7/8 in.) (Center Leaf A): 59.8 cm (23 9/16 in.) (Center Leaf B): 28.5 cm (11 1/4 in.)
RF2HTT97P–Art inspired by Helmet, 18th century; bowl, 17th century, Indian; bowl, probably Turkish, Steel, gold, brass, H. including mail 23 1/2 in. (59.7 cm); H. including nasal 16 in. (40.6 cm); H. excluding mail and nasal 9 in. (22.9 cm); W. 8 3/4 in. (22.2 cm); D. 9 in. (22.9 cm); Wt. 4 lb, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2PMG7P0–Print, Plate 3, Developement d'un Trumeau de glace fait pour le Portugal (Design for a Pier Glass with Varation for Portugal), Oeuvre de Juste-Aurèle Meissonnier (Works of Juste-Aurèle Meissonnier); Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695–1750); Engraved by Gabriel Huquier (French, 1695–1772); France; engraving on white laid paper; Platemark: 36.5 × 25.7 cm (14 3/8 × 10 1/8 in.) Sheet: 59.1 × 40.6 cm (23 1/4 × 16 in.)
RF2HW2THH–Art inspired by Wheellock Pistol, dated 1630, Zürich, Swiss, Zürich, Steel, bronze, wood (beech), silver, L. 23 1/4 in. (59.1 cm); L. of barrel 16 in. (40.6 cm); L. of plug 1 3/4 in. (4.4 cm); L. of lock 6 1/2 in. (16.5 cm); Cal. 458 in. (11.6 mm); Wt. 3 lb. 7 oz. (1559 g), Firearms-, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2PMCDXN–Drawing, The Study of Czarina Alexandra Feodorovna; Josef Sotira; brush and gray wash, watercolor, gouache, pen and black ink on off- white wove paper; Mat: 40.6 x 55.9 cm (16 x 22 in.) Sheet: 27.4 x 40.7 cm (10 13/16 x 16 in.) Frame H x W x D: 45.1 x 60.3 x 2.5 cm (17 3/4 in. x 23 3/4 in. x 1 in.); Thaw Collection; 2007-27-16
RF2B8Y9YE–Group Portrait, 1855, James Robertson, Scottish, c. 1813–d. after 1881, Scotland, Albumen print, 23.7 x 28.8 cm (image/paper), 30.6 x 40.6 cm (mount/page), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
![TYNEMOUTH, NORTHUMBERLAND. Author Sarjent, Francis James 33.23.f. Place of publication: London Publisher: Publisher July 19 1810 by F.J. Sarjent 57 Upper John Street, Fitzroy Square. Successor to Mr F. Jukes., Date of publication: [July 19 1810] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: plate 26.7 x 36 cm, on sheet 28.6 x 40.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HMAR/tynemouth-northumberland-author-sarjent-francis-james-3323f-place-of-publication-london-publisher-publisher-july-19-1810-by-fj-sarjent-57-upper-john-street-fitzroy-square-successor-to-mr-f-jukes-date-of-publication-july-19-1810-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-plate-267-x-36-cm-on-sheet-286-x-408-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HMAR.jpg "TYNEMOUTH, NORTHUMBERLAND. Author Sarjent, Francis James 33.23.f. Place of publication: London Publisher: Publisher July 19 1810 by F.J. Sarjent 57 Upper John Street, Fitzroy Square. Successor to Mr F. Jukes., Date of publication: [July 19 1810] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: plate 26.7 x 36 cm, on sheet 28.6 x 40.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9HMAR–TYNEMOUTH, NORTHUMBERLAND. Author Sarjent, Francis James 33.23.f. Place of publication: London Publisher: Publisher July 19 1810 by F.J. Sarjent 57 Upper John Street, Fitzroy Square. Successor to Mr F. Jukes., Date of publication: [July 19 1810] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: plate 26.7 x 36 cm, on sheet 28.6 x 40.8 cm Former owner: George III, King of Great Britain, 1738-1820
RMMX2C57–. Nederlands: Zomer. oil on canvas. 60 × 40.5 cm (23.6 × 15.9 in). Dordrecht, Dordrechts Museum. In bruikleen van de Rijksdienst voor het Cultureel Erfgoed. Vroeger Rijksmuseum Amsterdam (SK-A-2461). . 1889. Jacob Maris (1837–1899) Alternative names Jacobus Hendricus Maris Description Dutch painter, draughtsman, aquarellist and printmaker Date of birth/death 25 August 1837 7 August 1899 Location of birth/death The Hague Karlovy Vary Work period 1849-1899 Work location The Hague (1849-1854), Antwerp (1854-1857), The Hague (1857-1864), Cologne (1859-1860), Mannheim (1859-1860), Hei
RM2B0MRWK–Reliquary Bust of Saint Yrieix, French, ca. 1220–40, with later grill, Made in Limoges, France, French, Silver and gilded silver with rock crystal, gems, and glass, Overall (Reliquary): 15 x 9 3/16 x 10 1/4 in. (38.1 x 23.4 x 26.1 cm), Other (Wooden core): 14 7/16 x 8 7/8 x 9 13/16 in. (36.6 x 22.5 x 24.9 cm), Metalwork-Silver
RMMYYFP9–. Nederlands: Strand met boten en schelpenvissers. oil on panel. 40 × 51 cm (15.7 × 20 in). RCE (B3). Vroeger Rijksmuseum Amsterdam (SK-A-2385). . circa 1860-1907. Hendrik Willem Mesdag (1831–1915) Description Dutch painter, draughtsman, printmaker and panorama painter Date of birth/death 23 February 1831 10 July 1915 Location of birth/death Groningen The Hague Work location Brussels (1867-1869), Norderney (1868), Scheveningen, Oosterbeek Authority control : Q474238 VIAF:?57417584 ISNI:?0000 0000 6677 849X ULAN:?500014234 LCCN:?n82164738 MusicBrainz:?8a973c34-c005-4ded-aa1d-a2df
RMPAM3TC–Salon des cent. Artist: Louis John Rhead (American (born England), Etruria 1857-1926 Amityville, New York). Dimensions: Sheet: 23 7/8 in. × 16 in. (60.6 × 40.7 cm). Publisher: and printer: Imprimerie Chaix (Ateliers Chéret). Date: 1897. Museum: Metropolitan Museum of Art, New York, USA.
RM2PMD9Y2–Print, Rocaille (rococo design), in Nouveaux morceaux pour des paravents (New concepts for screens); Designed by François Boucher (French, 1703–1770); Engraved by Claude Augustin Duflos (French, 1700–1786); France; etching, engraving on white paper; 49.4 x 24.8 cm (19 7/16 x 9 3/4 in.) Frame: 60.3 x 44.8 x 2.5 cm (23 3/4 x 17 5/8 x 1 in.) Mat: 55.9 x 40.6 cm (22 x 16 in.)
RF2HK67RM–Inspired by Centerpiece, English, possibly Leeds Pottery, England, 1760–1820, or Wedgwood, Etruria, England, founded 1759, c.1790, Glazed earthenware with painted and transfer-printed decoration, Leeds, England, Europe, Staffordshire, England, Europe, Ceramics, assembled: 23 3/4 x 15 1/4 x 16 in. (60, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
![A Geometrical View of One of the 2 pillars which Support the Sounding Board = A View of the Buildings on the six sides of the pulpit of St Katharine. Author Bayly, J. 23.22.c.2 Place of publication: [London] Publisher: [publisher not identified] Date of publication: [1765 and 1766] Item type: 2 prints Medium: etchings, printed on one sheet Dimensions: platemarks 40.8 x 11.3 cm and 27.7 x 34.2 cm, on sheet 43.8 x 56.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HFPH/a-geometrical-view-of-one-of-the-2-pillars-which-support-the-sounding-board-=-a-view-of-the-buildings-on-the-six-sides-of-the-pulpit-of-st-katharine-author-bayly-j-2322c2-place-of-publication-london-publisher-publisher-not-identified-date-of-publication-1765-and-1766-item-type-2-prints-medium-etchings-printed-on-one-sheet-dimensions-platemarks-408-x-113-cm-and-277-x-342-cm-on-sheet-438-x-568-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HFPH.jpg "A Geometrical View of One of the 2 pillars which Support the Sounding Board = A View of the Buildings on the six sides of the pulpit of St Katharine. Author Bayly, J. 23.22.c.2 Place of publication: [London] Publisher: [publisher not identified] Date of publication: [1765 and 1766] Item type: 2 prints Medium: etchings, printed on one sheet Dimensions: platemarks 40.8 x 11.3 cm and 27.7 x 34.2 cm, on sheet 43.8 x 56.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9HFPH–A Geometrical View of One of the 2 pillars which Support the Sounding Board = A View of the Buildings on the six sides of the pulpit of St Katharine. Author Bayly, J. 23.22.c.2 Place of publication: [London] Publisher: [publisher not identified] Date of publication: [1765 and 1766] Item type: 2 prints Medium: etchings, printed on one sheet Dimensions: platemarks 40.8 x 11.3 cm and 27.7 x 34.2 cm, on sheet 43.8 x 56.8 cm Former owner: George III, King of Great Britain, 1738-1820
RM2B0N02N–Dulcimer, Spanish, 18th century, Spanish, wood and various materials, Length - long edge/short edge, 99.2/43.5 cm. (38.69 in./17.13 in.), Body width perpendicular to long edge: 46.8 cm. (18.25 in.), Body depth including molding:, 7.9 cm. (3.15 in.), Vibrating length of strings:, 80.5/30.0 cm (31.40 in./30 in.), Diameter of rosette:, 7.5 cm. (2.93 in.), Length of hammers:, app. 23.5 cm. (9.17 in.), Chordophone-Zither-struck-dulcimer
RMMMRE8D–. English: The Adoration of the Magi Jacques Bellange, French (Lorraine), active in 1595, died in 1616 Platemark: 60.5 x 42.8 cm (23 13/16 x 16 7/8 in.); Sheet: 61 x 43.4 cm (24 x 17 1/16 in.) (trimmed irregularly) Etching and burin; fifth state Classification: Prints Catalogue: Robert-Dumesnil 02; Walch 20; Reed-Worthenthird 32; fifth state Accession number: 40.106 . between 1600 and 1616. Jacques Bellange (1575–1616) Alternative names Jacques de Bellange; Jacques Charles de Bellange; Jacques. Bellange; Jacques Belange; Charles Bellange; Jac. Bellange; Charles de Bellange Description
RMPAX3P2–Vase of Flowers with Two Birds. Artist: Engraved by Nicolaes de Bruyn (Netherlandish, Antwerp 1571-1656 Rotterdam); After ? Jacob Savery I (Netherlandish, ca. 1565-1603). Dimensions: sheet: 23 3/8 x 15 7/8 in. (59.4 x 40.3 cm). Date: 1590-1656. Museum: Metropolitan Museum of Art, New York, USA.
RMKCDK86–Apothecary vase (vaso da farmacia), ca. 1530–40, Italian, Castelli, Maiolica (tin-glazed earthenware), Height: 9 5/16 in. (23.7
RMKC57DF–Biedermeier frame, 1830–40, German, Munich, Pine with satinwood cross-grain veneer on top and back edges., 35.1 x 23.7, 31 x 19
RM2T8P5DT–The Martyrdom of Saint Catherine, Hans Schäufelin (Upper Rhine c. 1482/83 - 1539/40 Nördlingen), c. 1510, print, woodcut, sheet: 23.3 x 15.7 cm
RM2PMGP7J–Fragments , Diane et Endymion; Produced by Petitpierre et Cie; France; cotton; Warp x Weft (a): 92 × 92.5 cm (36 1/4 × 36 7/16 in.) Warp x Weft (b): 145.5 × 56 cm (57 5/16 × 22 1/16 in.) Warp x Weft (c): 58.5 × 35.5 cm (23 1/16 in. × 14 in.) Repeat H (Plate H): 104 cm (40 15/16 in.); Bequest of Elinor Merrell; 1995-50-149-a/c
RF2HKMFAT–Art inspired by Centerpiece, English, possibly Leeds Pottery, England, 1760-1820, or Wedgwood, Etruria, England, founded 1759, c.1790, Glazed earthenware with painted and transfer-printed decoration, Leeds, England, Europe, Staffordshire, England, Europe, Ceramics, assembled: 23 3/4 x, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![A PLAN of the Borough of NEW SHOREHAM in the County of SUSSEX, from an Actual Survey taken in the Year 1789. Map information: Title: A PLAN of the Borough of NEW SHOREHAM in the County of SUSSEX, from an Actual Survey taken in the Year 1789. 42.23.3. Place of publication: [unknown place of publication] Publisher: Publish'd as the Act directs, by J. Edwards, Aug.st 1.st., Date of publication: 1789. Item type: 1 map Medium: copperplate engraving with extensive hand-colouring Dimensions: 26.7 x 40.8 cm Former owner: George III, King of Great Britain, 1738- Stock Photo](https://c8.alamy.com/comp/2E9HT32/a-plan-of-the-borough-of-new-shoreham-in-the-county-of-sussex-from-an-actual-survey-taken-in-the-year-1789-map-information-title-a-plan-of-the-borough-of-new-shoreham-in-the-county-of-sussex-from-an-actual-survey-taken-in-the-year-1789-42233-place-of-publication-unknown-place-of-publication-publisher-publishd-as-the-act-directs-by-j-edwards-augst-1st-date-of-publication-1789-item-type-1-map-medium-copperplate-engraving-with-extensive-hand-colouring-dimensions-267-x-408-cm-former-owner-george-iii-king-of-great-britain-1738-2E9HT32.jpg "A PLAN of the Borough of NEW SHOREHAM in the County of SUSSEX, from an Actual Survey taken in the Year 1789. Map information: Title: A PLAN of the Borough of NEW SHOREHAM in the County of SUSSEX, from an Actual Survey taken in the Year 1789. 42.23.3. Place of publication: [unknown place of publication] Publisher: Publish'd as the Act directs, by J. Edwards, Aug.st 1.st., Date of publication: 1789. Item type: 1 map Medium: copperplate engraving with extensive hand-colouring Dimensions: 26.7 x 40.8 cm Former owner: George III, King of Great Britain, 1738- Stock Photo")
RM2E9HT32–A PLAN of the Borough of NEW SHOREHAM in the County of SUSSEX, from an Actual Survey taken in the Year 1789. Map information: Title: A PLAN of the Borough of NEW SHOREHAM in the County of SUSSEX, from an Actual Survey taken in the Year 1789. 42.23.3. Place of publication: [unknown place of publication] Publisher: Publish'd as the Act directs, by J. Edwards, Aug.st 1.st., Date of publication: 1789. Item type: 1 map Medium: copperplate engraving with extensive hand-colouring Dimensions: 26.7 x 40.8 cm Former owner: George III, King of Great Britain, 1738-
RMMP8WDK–. English: Associated place north India (place of creation) Date 1598 Mughal Period (1526 - 1858) Artist/maker Sadiq (active c. 1598) Associated people probably 'Abd ur-Rahim Khankhanan (1556 - 1626) (commissioner) Material and technique gouache with gold on paper Dimensions mount 40.1 x 27.7 cm (height x width) page 30.2 x 17 cm (height x width) painting with border 24 x 14.2 cm (height x width) painting without border 23.2 x 13.5 cm (height x width) Material index paper, gold Technique index painted, painted, painted, painted Object type index manuscript No. of it
RMPANP7K–Eliezer and Rebecca. Culture: British. Dimensions: H. 15 3/4 x W. 20 inches (40.0 x 50.8 cm); Framed: H. 20 x W. 23 1/2 x D. 1 1/2 inches (50.8 x 59.7 x 3.8 cm). Date: third quarter 17th century. Museum: Metropolitan Museum of Art, New York, USA.
RM2T8P5P6–Sorrowful Mary and St. Joseph, Hans Schäufelin (Upper Rhine around 1482/83 - 1539/40 Nördlingen), around 1510, print, woodcut, sheet: 23.1 x 15.7 cm
RM2PMCTP9–Drawing, Panel of Arabesques for the Hôtel de Salm, Paris; Designed by Jean-Guillaume Moitte (French, 1746–1810); France; pen and black ink, brush and gouache, black chalk on toned paper, lined; 43 x 10.1cm (16 15/16 x 4in.) Mat: 55.9 x 40.6 cm (22 x 16 in.) Mount: 46.8 x 13.8 cm (18 7/16 x 5 7/16 in.) Frame: 60.3 x 44.8 x 2.5 cm (23 3/4 in. x 17 5/8 in. x 1 in.)
RM2A2R1W9–Unknown (American), Chair, between 1760 and 1790, mahogany, Overall: 40 × 23 1/2 × 21 1/2 inches (101.6 × 59.7 × 54.6 cm
RF2B8Y9XY–The Malakoff Tower, 1855, James Robertson, Scottish, c. 1813–d. after 1881, Scotland, Albumen print, 23.5 x 29.5 cm (image/paper), 30.7 x 40.6 cm (mount/page), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2E9HGJ4–A North West View of the Tower of London = VuÃàe du coteÃÅ du Nord ouest de la Tour de Londres. Author Maurer, John 24.23.h. Place of publication: London Publisher: Printed for , Sold by T. Bowles in St. Pauls Church Yard, John Bowles , Son in Cornhill, Rob.t Sayer in Fleet Street , Hen. Overton without Newgate. Publish'd according to Act of Parliament, Date of publication: 1753. Item type: 1 print Medium: etching and engraving Dimensions: platemark 26.3 x 40.5 cm, on sheet 27.5 x 41.7 cm Former owner: George III, King of Great Britain, 1738-1820
RM2JMRGB4–Jansen Hermann (1869-1945), development plan for Berlin-Reinickendorf (January 23, 1919): Overview plan 1: 8000. Pencil and colored pencils on transparent, 33.8 x 40.7 cm (including scan edges) Jansen Hermann (1869-1945): Bebauungsplan Berlin-Reinickendorf
RM2M94EDG–Textile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. Silk, 23 1/2 x 16 in. (59.7 x 40.6 cm). 1948-1959
![. Part of Classical Legends (Antike Legenden), a portfolio of twelve drypoints, (variant of plate 1), plate: 9 7/16 x 14' (23.9 x 35.6 cm); sheet: 15 7/8 x 23 3/4' (40.3 x 60.3 cm). Paper: Beige, smooth, laid Japan. Publisher: Marées-Gesellschaft, R. Piper & Co., Munich. Printer: Alfred Ruckenbrod, Berlin. Edition: 150 (including deluxe edition of 50 on Japan paper [this ex.] with additional plate and a regular edition of 100 on handmade 'Bütten' paper) . Deutsch: Urteils des Paris English: Judgement of Paris . 1919 65 Lovis Corinth Judgement of Paris 1919 Stock Photo](https://c8.alamy.com/comp/P00FPT/part-of-classical-legends-antike-legenden-a-portfolio-of-twelve-drypoints-variant-of-plate-1-plate-9-716-x-14-239-x-356-cm-sheet-15-78-x-23-34-403-x-603-cm-paper-beige-smooth-laid-japan-publisher-mares-gesellschaft-r-piper-co-munich-printer-alfred-ruckenbrod-berlin-edition-150-including-deluxe-edition-of-50-on-japan-paper-this-ex-with-additional-plate-and-a-regular-edition-of-100-on-handmade-btten-paper-deutsch-urteils-des-paris-english-judgement-of-paris-1919-65-lovis-corinth-judgement-of-paris-1919-P00FPT.jpg ". Part of Classical Legends (Antike Legenden), a portfolio of twelve drypoints, (variant of plate 1), plate: 9 7/16 x 14' (23.9 x 35.6 cm); sheet: 15 7/8 x 23 3/4' (40.3 x 60.3 cm). Paper: Beige, smooth, laid Japan. Publisher: Marées-Gesellschaft, R. Piper & Co., Munich. Printer: Alfred Ruckenbrod, Berlin. Edition: 150 (including deluxe edition of 50 on Japan paper [this ex.] with additional plate and a regular edition of 100 on handmade 'Bütten' paper) . Deutsch: Urteils des Paris English: Judgement of Paris . 1919 65 Lovis Corinth Judgement of Paris 1919 Stock Photo")
RMP00FPT–. Part of Classical Legends (Antike Legenden), a portfolio of twelve drypoints, (variant of plate 1), plate: 9 7/16 x 14' (23.9 x 35.6 cm); sheet: 15 7/8 x 23 3/4' (40.3 x 60.3 cm). Paper: Beige, smooth, laid Japan. Publisher: Marées-Gesellschaft, R. Piper & Co., Munich. Printer: Alfred Ruckenbrod, Berlin. Edition: 150 (including deluxe edition of 50 on Japan paper [this ex.] with additional plate and a regular edition of 100 on handmade 'Bütten' paper) . Deutsch: Urteils des Paris English: Judgement of Paris . 1919 65 Lovis Corinth Judgement of Paris 1919
RMPA9DJW–Table. Artist: Joseph Urban (American (born Austria), Vienna 1872-1933 New York). Dimensions: H. 23-7/8, W. 16, D.16 in. (60.6 x 40.6 x 40.6 cm) Insert: H. 17, W. 17-1/2 in. (43.2 x 44.5 cm). Date: ca. 1920. Museum: Metropolitan Museum of Art, New York, USA.
RM2PMEP7W–Drawing, Inkstand; Designed by Giuseppe Barberi (Italian, 1746–1809); Italy; pen and brown ink, brush and brown wash, graphite on off-white laid paper; Image: 30.7 x 44.9 cm (12 1/16 x 17 11/16 in.) Mat: 40.6 x 55.9 cm (16 x 22 in.) Frame H x W x D: 44.8 x 60.3 x 2.5 cm (17 5/8 in. x 23 3/4 in. x 1 in.) Mount: 34.1 x 45.7 cm (13 7/16 in. x 18 in.)
RM2A2R1WA–Unknown (American), Chair, between 1760 and 1790, mahogany, Overall: 40 × 23 1/2 × 21 1/2 inches (101.6 × 59.7 × 54.6 cm
RF2HK69NE–Inspired by The Capture of Ping-Yang, in Corea, by the Japanese Army, September 16, from the 'Supplement to the Illustrated London News,' November 24, 1894, British, The Illustrated London News and Sketch, Limited, 1894, Wood engraving on paper, London, Greater London, England, Europe, Prints, sheet, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RM2M94ET9–Textile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. Acetate and Rayon, 40 1/2 x 23 1/2 in. (102.9 x 59.7 cm). 1948-1959
RMMA737R–. The effect of structures and lake level on bluff and shore erosion in Berrien County, Michigan, 1970-74 . Bluff Recession Shoreline Chonges '''!'â â ''''' - 4 2 0 --2 - --4 ^ 6 -8 -10 10 20 30 Station 40 50 60 Figure 24. Rates of bluff recession and shoreline change alon| reach C from 15 April 1971 to 23 November 1974. Table 7. Summary of bluff shore, and beach data for re ach C (5 1 stations). Dat e lUuff recession Shorel ine change | Beach width' | Period length Rate 0 Max. Kate 0 Max. 0 Change Cm) (m/yr) (m/yr) (m/yr) (m) (m/yr) (m/yr) (m/yr) (m) (m) (ra) (mo) 15 Apr. 1971 13.3 9.2 1.5 2.
RMPB1KBB–The Adoration of the Christ Child. Artist: Workshop of the Master of Frankfurt (Netherlandish, active Antwerp, ca. 1496-1518). Culture: Netherlandish. Dimensions: Overall 23 1/8 x 16 1/4 in. (58.7 x 41.3 cm); painted surface 22 7/8 x 16 in. (58.1 x 40.1 cm). Date: possibly 1496-1502. Museum: Metropolitan Museum of Art, New York, USA.
RM2PMJ911–Bound Print, Two Upright Panels, Livre de Paneaux à divers usages (Book of Panels for Various Uses); Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Karl Albert von Lespilliez (1723–1796); France; engraving on off-white laid paper; Platemark: 36 x 23.5 cm (14 3/16 x 9 1/4 in.) Sheet: 39.2 x 28.3 cm (15 7/16 x 11 1/8 in.) Album: 3 x 30.3 x 40.1 cm (1 3/16 x 11 15/16 x 15 13/16 in.) Album open: 13.5 x 58.6 x 40 cm (5 5/16 x 23 1/16 x 15 3/4 in.)
RM2A2K51E–The Malakoff Tower, 1855, James Robertson, Scottish, c. 1813–d. after 1881, Scotland, Albumen print, 23.5 x 29.5 cm (image/paper), 30.7 x 40.6 cm (mount/page
RF2HKMH5H–Art inspired by The Capture of Ping-Yang, in Corea, by the Japanese Army, September 16, from the 'Supplement to the Illustrated London News,' November 24, 1894, British, The Illustrated London News and Sketch, Limited, 1894, Wood engraving on paper, London, Greater London, England, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2M94F1Y–Textile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. 40 mohair, 37 wool, 23 silk, 23 x 18 in. (58.4 x 45.7 cm). 1948-1959
RMMEEDN9–. Die Beteiligung deutschlands an der internationalen Meeresforschung: Jahresbericht . cm 5 10 15 20 25 30 35 40 cm Fi^. 2. Heincke, Prozentual-Kurven der Zusammensetzung zweier Doppelfänge von Schollen (A u. B). A Juist. 23. Vn. 03. 13—16 m. A, 366 Schollen m. Helg. Trawl; Aj 3351 Schollen m. gr. Trawl 90'. B Helgoland. 30. VIII. —1. IX. 0.5. 22-38 m. B, 315 Seh. m. Helg. Trawl; B. 1219 Seh. m. gr. Trawl 90'. tember 1905 auf einem Fangplatz NW. von Helgoland in 22—38 m Tiefe gemacht sind. A, und B, sind Fänge mit dem Helgoländer Jungfisch- trawl (Maschenweite im Sack etwa 7—8 mm); Aj und B^ d
RMPATJTB–Relief with Enthroned Virgin and Child surrounded by Angels. Culture: North Italian. Dimensions: Overall: 32 1/4 x 23 3/4 x 5 7/8 in. (81.9 x 60.3 x 14.9 cm). Date: ca. 1425-40. Musical angels herald the heavenly coronation of the Virgin in this elegant and refined carving. Its original context is uncertain, but it was possibly made as an independent devotional image or as part of an altar decoration. Museum: Metropolitan Museum of Art, New York, USA.
RM2AJHR20–Transactions . ton capacity, with Hyatt roller-bearing wheels. Five-ton bar frame Westinghouse electric locomotives areused, operating at 260 volts from an overhead trolley wire. The standardtrack gage on all levels, except the 700-ft. main railroad tunnel level,for both hand and electric tramming is 20 in. (50.8 cm.). Hand trammingtracks use 16-lb. (7.23 kg.) rails and electric tracks use 40-lb. (18.14-kg.)rails. 398 GEOLOGY AND MINING METHODS AT PILARES MINE The mine employs about 1300 men underground and 300 men on thesurface. All labor is Mexican. The only Americans are the divisionforemen
RM2A2PC5C–Unknown (American), Day Bed, between 1700 and 1725, walnut and cane, Overall: 40 3/4 inches × 60 inches × 23 1/2 inches (103.5 × 152.4 × 59.7 cm
RF2B9GRCG–Pierre-Auguste Renoir: Pomegranate and Figs (Grenade et figues), Pierre-Auguste Renoir, 1917, Oil on canvas, Overall: 9 3/16 x 15 7/8 in. (23.3 x 40.3 cm)
RM2T8P511–Christ before the high priest Caiaphas, Ulrich Pinder, Speculum passionis, Nuremberg 1507, Hans Schäufelin (Upper Rhine around 1482/83 - 1539/40 Nördlingen), 1507, print, woodcut, verso type print, sheet: 23.7 x 16.2 cm
RM2H12FHT–Two Pieces of Embroidery, 1723-1774. Philippe de Lasalle (French, 1723-1805). Embroidery, silk; overall: 23.7 x 40.2 cm (9 5/16 x 15 13/16 in.).
RM2H105YK–Sheath, 1800s. Africa, 19th century. Leather or rawhide; blade: 23.5 cm (9 1/4 in.); scabbard: 10.2 cm (4 in.); knife including handle: 40.7 cm (16 in.).
RM2M941RF–Gadwall Duck John James Audubon (American, born Haiti, 1785-1851). Gadwall Duck, 1861. Lithograph, 16 x 23 1/2 in. (40.6 x 59.7 cm). American Art 1861
RMMEBD0P–. Die Gartenkunst . garantiert allerbeste Ware Läng cm Ige Dicke o/ TV/T Länge! Dicke [ o n mm 1^^ mm mm 67 115 115 115 115 115 115 150 150 150 150 7— 9 7— 9 8-10 9-11 10-11 11-12 12-15 11-13 12-15 14—17 16-19 9.— 12.- 16.- 17..50 22.- 26.— 37.— 31.— 40.- 56.— 78.- °/oo M. 175 180 200 200 200 225 250 250 800 300 360 17- 20- 11- 13- 20- 12- 19- 22- 15- 19- 22- -21 -23 -14 -15 -23 -15 -23 -26 -17 -23 -26 94.- 11.5.- 45.- 52.- 120.- 55.- 150.- 185.- 100.- 5.5.- 250.- Preise verzollt, kleine Posten mit üblichem Aufschlag. Grosse Quanten billiger. Grösse 115 cm für Ausland wesentlich billiger, da o
RMPB66E6–Krishna Is Welcomed into Mathura: Page from a Dispersed Bhagavata Purana Manuscript. Culture: India (Delhi Agra area). Dimensions: 6 7/16 x 9 1/8 in. (16.4 x 23.2 cm). Date: ca. 1520-40. The upper and lower registers illustrate Krishna's entry into Mathura, where he will ultimately confront and kill the evil king Kamsa. The Bhagavata Purana describes at length the joyous welcome that he received, especially by the women of the town, who abandoned what they were doing and rushed to see him. The excitement of the moment is emphasized by the musicians in both registers and the appearance of Kris
RM2AX3YTD–Mitteilungen der Deutschen Dendrologischen Gesellschaft . olita haben sich für unser Klima nicht als winterharte Artenerwiesen. Larix(Russisch: Listwenniza). 2 der stärkstenExemplare ter Duichmesser,30 m gemessen fähres Alter 1 S 5 1 Bemerkungen Höh Stärksauf I OD s13 11 m cm • americana I3.Ö 23,0 45 * — hibrida 14,6 38 50 * Nach Schröder: dahurica x ameri- dahurica 18,4 46,3 60 * cana* europaea 18,4 70,5 80 * Wächst hier nicht gerade. — glauca pendula . 9 22 28 * — multicaulis .... 8,0 8,0 40 * — pendula .... 12,6 28 45 * — — pendulina . . 10 25 40 * kurilensis 5 5,5 18 leptolepis 7^0 12,0 30
RF2B98MW9–Two Amorins, Painting, Oil on canvas, Height, 59 cm (23.2 inches), Width, 40 cm (15.7 inches), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2T8PC0K–Triumphal procession of Emperor Charles V and Pope Clement VII after the imperial coronation on February 24, 1530 in Bologna: sheet 16, series of 40 etchings on 23 sheets, around 1610, print, etching on paper, sheet: 26.7 × 55 cm
RM2M941R9–Gadwall Duck John James Audubon (American, born Haiti, 1785-1851). Gadwall Duck, 1861. Lithograph, 16 x 23 1/2 in. (40.6 x 59.7 cm). American Art 1861
RMMCX0CH–. authorities. Sal or Salt Island: North Point South Point Lion's Head, summit 16 51 0 16 34 15 16 41 35 Bonavista: Sol or N.W. Point 16 13 10 Pontinha or N.E. Point! 16 11 45 English Road, Lightho.i on Small Island ' 16 9 10 Cm-ral Velho or South. Point 15 57 Leton Rock Mayo, or Isle of May : North Point English Road, Light on Fort South Point 15 48 15 19 0 15 7 30 15 6 40 22 55 0 22 56 30 22 59 40 22 56 30 22 44 0 22 57 15 22 49 10 23 9 5 23 12 5 23 13 20 23 10 15 I 20 15 20 5 The Survey by Lieutenants (afterwards Captains) Vidal and Mudge, R.N.,1819—1821; compared with the obser- vations of
RMPB3J30–Helmet. Culture: Indian; bowl, probably Turkish. Dimensions: H. including mail 23 1/2 in. (59.7 cm); H. including nasal 16 in. (40.6 cm); H. excluding mail and nasal 9 in. (22.9 cm); W. 8 3/4 in. (22.2 cm); D. 9 in. (22.9 cm); Wt. 4 lb. 4.5 oz. (1941.9 g). Date: 18th century; bowl, 17th century. Museum: Metropolitan Museum of Art, New York, USA.
RM2M94369–Landscape George Inness (American, 1825-1894). Landscape, ca. 1882-1883. Oil on board, 16 x 23 13/16 in. (40.7 x 60.5 cm). American Art ca. 1882-1883
RM2H105Y6–Knife, 1800s. Africa, 19th century. Steel with horn handle; blade: 23.5 cm (9 1/4 in.); scabbard: 10.2 cm (4 in.); knife including handle: 40.7 cm (16 in.).
RM2M9436D–Landscape George Inness (American, 1825-1894). Landscape, ca. 1882-1883. Oil on board, 16 x 23 13/16 in. (40.7 x 60.5 cm). American Art ca. 1882-1883
![The White Pine (Pinus strobus Linnaeus) . 120 100 k Si^8U I Dominant Co-dominant-Oppressed— 0 20 40 60 80 100 120 RGE yio. 22.—!>iapraiii ^4|llluiIly liti^ht jirow th uK <ioniimint. i-odoiniiiaiit, laO 160 180 200 220 iiiil i)])j)reHRfd tn-cM lliroiit;lniiit ranpe. TABi.iis uF measuki:mi;nts. 97 260rT. ISO 2O0 Fni. 23.—Biagr-iini slmwiii^ vkIiimih ^mwlli c.l <l -()L.J3—No. !iL 7 I2D lao IPO miiiuint, i-o(ioii]iTi;iiit, ;iinl njiprcssird tri-i-s t)ir(iu IHIMINANT TKKRf*. [Avuraj^t) in WiMriiimin.](fiX trwH.) A(!0. Dlamnternt hflflit T.ilalof 21 fwt lioitlit(witlinnt olln-o.bark). Jnehf Stock Photo](https://c8.alamy.com/comp/2AJ70TF/the-white-pine-pinus-strobus-linnaeus-120-100-k-si8u-i-dominant-co-dominant-oppressed-0-20-40-60-80-100-120-rge-yio-22!gtiapraiii-4llluiily-litiht-jirow-th-uk-ltioniimint-i-odoiniiiaiit-lao-160-180-200-220-iiiil-i-jrehrfd-tn-cm-lliroiitlniiit-ranpe-tabiiis-uf-measukimints-97-260rt-iso-2o0-fni-23biagr-iini-slmwiii-vkiiimih-mwlli-cl-ltl-lj3no-!il-7-i2d-lao-ipo-miiiuint-i-oioii-itiiiit-iinl-njiprcssird-tri-i-s-tiriu-ihiminant-tkkrf-avurajt-in-wimriiimin-fix-trwh-a!0-dlamnternt-hflflit-tilalof-21-fwt-lioitlitwitlinnt-olln-obark-jnehf-2AJ70TF.jpg "The White Pine (Pinus strobus Linnaeus) . 120 100 k Si^8U I Dominant Co-dominant-Oppressed— 0 20 40 60 80 100 120 RGE yio. 22.—!>iapraiii ^4|llluiIly liti^ht jirow th uK <ioniimint. i-odoiniiiaiit, laO 160 180 200 220 iiiil i)])j)reHRfd tn-cM lliroiit;lniiit ranpe. TABi.iis uF measuki:mi;nts. 97 260rT. ISO 2O0 Fni. 23.—Biagr-iini slmwiii^ vkIiimih ^mwlli c.l <l -()L.J3—No. !iL 7 I2D lao IPO miiiuint, i-o(ioii]iTi;iiit, ;iinl njiprcssird tri-i-s t)ir(iu IHIMINANT TKKRf*. [Avuraj^t) in WiMriiimin.](fiX trwH.) A(!0. Dlamnternt hflflit T.ilalof 21 fwt lioitlit(witlinnt olln-o.bark). Jnehf Stock Photo")
RM2AJ70TF–The White Pine (Pinus strobus Linnaeus) . 120 100 k Si^8U I Dominant Co-dominant-Oppressed— 0 20 40 60 80 100 120 RGE yio. 22.—!>iapraiii ^4|llluiIly liti^ht jirow th uK <ioniimint. i-odoiniiiaiit, laO 160 180 200 220 iiiil i)])j)reHRfd tn-cM lliroiit;lniiit ranpe. TABi.iis uF measuki:mi;nts. 97 260rT. ISO 2O0 Fni. 23.—Biagr-iini slmwiii^ vkIiimih ^mwlli c.l <l -()L.J3—No. !iL 7 I2D lao IPO miiiuint, i-o(ioii]iTi;iiit, ;iinl njiprcssird tri-i-s t)ir(iu IHIMINANT TKKRf*. [Avuraj^t) in WiMriiimin.](fiX trwH.) A(!0. Dlamnternt hflflit T.ilalof 21 fwt lioitlit(witlinnt olln-o.bark). Jnehf
RM2H105X6–Knife, 1800s. Africa, 19th century. Steel, leather or rawhide, and horn; blade: 23.5 cm (9 1/4 in.); scabbard: 10.2 cm (4 in.); knife including handle: 40.7 cm (16 in.).
RF2B98T4G–Anna Munthe-Norstedt, Still Life, painting, 1899, oil on canvas, Height, 23 cm (9 inches), Width, 40 cm (15.7 inches), Signed, Anna Munthe, -Norstedt 1899, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2T8PC0B–Triumphal procession of Emperor Charles V and Pope Clement VII after the imperial coronation on February 24, 1530 in Bologna: sheet 19, series of 40 etchings on 23 sheets, around 1610, print, etching on paper, sheet: 33.4 × 78.7 cm
RM2H12Y4A–Bottle, 800-1500. Peru, Chimú, 9th-15th Century. Pottery; overall: 40.1 x 25.7 x 23.5 cm (15 13/16 x 10 1/8 x 9 1/4 in.).
RMRY80AC–Liber Studiorum: Plate 40, Lakenham, near Norwich, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 23.7 x 16.1 cm (9 5/16 x 6 5/16 in
RM2DCFAK7–American 19th Century, (artist), Winslow Homer, (artist after), American, 1836 - 1910, The Songs of War, From 'Harper's Weekly', November 23, 1861, p.744-45, (series), published 1861, wood engraving on newsprint, image: 35.2 x 50.8 cm (13 7/8 x 20 in.), sheet: 40.2 x 56.4 cm (15 13/16 x 22 3/16 in
RM2DHWJEK–Lord Craven's Yacht, July 23, 1817, Joseph Cartwright, c.1789–1829, British, 1817, Watercolor, with pen, in brown ink and graphite on medium, slightly textured, cream, wove paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 15 7/8 × 15 5/8 inches (40.3 × 39.7 cm) and Sheet: 7 5/8 × 10 15/16 inches (19.4 × 27.8 cm
RM2T8KBJ2–The sealing of the 144 thousand, Revelation 7, The book of the New Testament, Teütsch with beautiful figures, Augsburg 1523, Hans Schäufelin, Upper Rhine around 1482/83 - 1539/40 Nördlingen, 1523, print, woodcut, type print on the reverse, sheet: 23.6 x 16.1 cm
RMPAXRAR–Spindle-back armchair. Culture: American. Dimensions: 44 3/4 x 23 1/2 x 15 3/4 in. (113.7 x 59.7 x 40 cm). Date: 1640-80. The rarest and grandest of the early turned chairs are those with rows of spindles below the seat as well as above it. Although its boxlike form may look simple at first glance, this chair is a complex composition with subtle variations in the shaping of the rungs and in the spacing of its horizontal and vertical members. Museum: Metropolitan Museum of Art, New York, USA.
Search Results for 40 23 7 cm Stock Photos and Images (732)
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