Excise inquisition erecting by English slaves under the scourge of their task-masters the excise officers Abstract: A British satire on an attempt by William Pitt and George Rose to transfer to excise law certain import duties; standing in opposition is Edward Thurlow. The central image shows Britannia, wrapped in a blanket labeled Extension of Excise, being rocked to sleep in a cradle by Pitt and Rose. Another man, possibly William Mainwaring, is holding Britannia's spear and shield which is labeled Maner and saying By, by, lullaby; to the right of his feet is the British lion, blindfolded an

Excise inquisition erecting by English slaves under the scourge of their task-masters the excise officers Abstract: A British satire on an attempt by William Pitt and George Rose to transfer to excise law certain import duties; standing in opposition is Edward Thurlow. The central image shows Britannia, wrapped in a blanket labeled Extension of Excise, being rocked to sleep in a cradle by Pitt and Rose. Another man, possibly William Mainwaring, is holding Britannia's spear and shield which is labeled Maner and saying By, by, lullaby; to the right of his feet is the British lion, blindfolded an Stock Photo
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Contributor:

Alpha Stock / Alamy Stock Photo

Image ID:

WB621P

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57.2 MB (3 MB Compressed download)

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5394 x 3707 px | 45.7 x 31.4 cm | 18 x 12.4 inches | 300dpi

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Excise inquisition erecting by English slaves under the scourge of their task-masters the excise officers Abstract: A British satire on an attempt by William Pitt and George Rose to transfer to excise law certain import duties; standing in opposition is Edward Thurlow. The central image shows Britannia, wrapped in a blanket labeled Extension of Excise, being rocked to sleep in a cradle by Pitt and Rose. Another man, possibly William Mainwaring, is holding Britannia's spear and shield which is labeled Maner and saying By, by, lullaby; to the right of his feet is the British lion, blindfolded and chained to the ground. The destruction of the Bastille is shown in the upper right corner; by depicting the Bastille in a state of ruin, reference is made to the recent liberation of the French, and by implication, to the tyranny under which the British continue to live.