SAVE 40% ON SINGLE IMAGE PURCHASES - OFFER ENDS SOON, USE CODE: IMAGESAVE40%

National Gallery London England April 2022 Visitors return to London after the two year Covid lockdown restrictions seen here at the National Gallery in Trafalgar Square in the centre of London. Visitors admire:The Baptism of Christ (centre) and St Michael (on Left) is a painting by the Italian Renaissance master Piero della Francesca. Painted in egg tempera on two panels of poplar wood, the dating is controversial – some give it a very early date, perhaps 1439; others much later, around 1460. It is held by the National Gallery, London. The composition is centred on the figure of Christ being

National Gallery London England April 2022 Visitors return to London after the two year Covid lockdown restrictions seen here at the National Gallery in Trafalgar Square in the centre of London. Visitors admire:The Baptism of Christ (centre) and St Michael (on Left) is a painting by the Italian Renaissance master Piero della Francesca. Painted in egg tempera on two panels of poplar wood, the dating is controversial – some give it a very early date, perhaps 1439; others much later, around 1460. It is held by the National Gallery, London. The composition is centred on the figure of Christ being Stock Photo
Preview

Image details

Contributor:

BRIAN HARRIS / Alamy Stock Photo

Image ID:

2J74XRA

File size:

68.1 MB (2.7 MB Compressed download)

Releases:

Model - yes | Property - noDo I need a release?

Dimensions:

5976 x 3984 px | 50.6 x 33.7 cm | 19.9 x 13.3 inches | 300dpi

Date taken:

1 April 2022

Location:

London England

More information:

This image could have imperfections as it’s either historical or reportage.

National Gallery London England April 2022 Visitors return to London after the two year Covid lockdown restrictions seen here at the National Gallery in Trafalgar Square in the centre of London. Visitors admire:The Baptism of Christ (centre) and St Michael (on Left) is a painting by the Italian Renaissance master Piero della Francesca. Painted in egg tempera on two panels of poplar wood, the dating is controversial – some give it a very early date, perhaps 1439; others much later, around 1460. It is held by the National Gallery, London. The composition is centred on the figure of Christ being baptised in the River Jordan by the figure of John the Baptist on the right. Behind John, a man in white briefs, his feet already in the water, is struggling to get out of his undershirt. Above Christ is a dove, representing the Holy Spirit, with the shape of its foreshortened wings resembling the clouds in the sky.

Available for editorial use only. Get in touch for any commercial
or personal uses
.