Pompeii, its history, buildings, and antiquities : an account of the destruction of the city with a full description of the remains, and of the recent excavations, and also an itinerary for visitors . 112 POMPEII.. From the paintings on lUe wa.ls of the Temple of Augustus. DESCRIPTION OF TEMPLES. 113 side. The columns of this portico were of course larger andloftier than those of the Forum. Within, the pavement ofthe area is raised above the level of the portico. On eachside, upon entering, are two large recesses, with pedestals

Pompeii, its history, buildings, and antiquities : an account of the destruction of the city with a full description of the remains, and of the recent excavations, and also an itinerary for visitors . 112 POMPEII.. From the paintings on lUe wa.ls of the Temple of Augustus. DESCRIPTION OF TEMPLES. 113 side. The columns of this portico were of course larger andloftier than those of the Forum. Within, the pavement ofthe area is raised above the level of the portico. On eachside, upon entering, are two large recesses, with pedestals Stock Photo

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RM2AMYNCP–Pompeii, its history, buildings, and antiquities : an account of the destruction of the city with a full description of the remains, and of the recent excavations, and also an itinerary for visitors . I. m

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RM2AN35K8–Pompeii, its history, buildings, and antiquities : an account of the destruction of the city with a full description of the remains, and of the recent excavations, and also an itinerary for visitors . Mosaic Picture by Dioscorides of Samos. in Pompeii, which may truly be called pictures in mosaic,and surpass in beauty any specimens which have been found. MOSAIC OK BAT IM OS [SSI -

RM2AN41M8–Pompeii, its history, buildings, and antiquities : an account of the destruction of the city with a full description of the remains, and of the recent excavations, and also an itinerary for visitors . at least, welearn from Vitruvius, was the general practice; and this gal-lery was usually appropriated to the use of those who had themanagement of the public revenue. The area of the Forum was. adorned with pedestals, for thestatues of those who merited or could procure this distinction.Some are of the proportion adapted to equestrian statues.They were- all coated with white marble, ornamented w

RM2AN3H8D–Pompeii, its history, buildings, and antiquities : an account of the destruction of the city with a full description of the remains, and of the recent excavations, and also an itinerary for visitors . of state carried thither by their slaves. Flanking theorchestra, and elevated considerably above it, are observabletwo divisions, appropriated, one perhaps to the proconsul, orduumvirs and their officers, the other to the vestal virgins,or to the use of the person who gave the entertainments.This is the more likely, because in the smaller theatre, wherethese boxes, if we may call them so, are als

RM2AN3DA8–Pompeii, its history, buildings, and antiquities : an account of the destruction of the city with a full description of the remains, and of the recent excavations, and also an itinerary for visitors . * The marble is broken, so that the first name {jprxnomen) and the firstletteis of the name are lost. The latter has been differently read, AriciusCastricius, Palricius. Which is right is of Rule importance. The beginningsot all the longer lines are wanting, and the symmetry of the inscription wouldlead us to suppose that the cipher which stands for a thousand should beprefixed once oftener in th

RM2AN353C–Pompeii, its history, buildings, and antiquities : an account of the destruction of the city with a full description of the remains, and of the recent excavations, and also an itinerary for visitors . much mutilated, and the back part of Scipioshead and most of his figure are destroyed ; but the faceremains perfect, and is recognized by Visconti as coincidingwith the most authentic busts, and especially with a finebronze head in the Museum at Naples. This we believe isthe only known portrait which has been found. It showsthat artists did introduce the likenesses of great men intotheir historic

RM2AN38A6–Pompeii, its history, buildings, and antiquities : an account of the destruction of the city with a full description of the remains, and of the recent excavations, and also an itinerary for visitors . ered as Roman, its original Greekdesign having been changed by a coat of plaster, as we havealready observed. The theatres and amphitheatre are evi-dently Roman. That the former were so is ascertainedfrom inscriptions,* while the latter was, as we well know, of * The inscriptions do not necessarily mean that the theatres were built bythose whose names they record. At all events, if they are origi

RM2AN30AN–Pompeii, its history, buildings, and antiquities : an account of the destruction of the city with a full description of the remains, and of the recent excavations, and also an itinerary for visitors . one of the laudatory inscriptionsin honour of an sedile, or some other high officer, common inPompeii; and that though the cedile Pansa is as likely tohave lived here as any other person, there is no dependenceon the correctness of the name thus given. We shall con-tinue, however, for the sake of clearness, to use the nameunder which it is generally known. Several inscriptionsbearing the name of

RM2AN22J0–Pompeii, its history, buildings, and antiquities : an account of the destruction of the city with a full description of the remains, and of the recent excavations, and also an itinerary for visitors . three remarkable houses, lying contiguous to one another.These have been named the House of Castor and Pollux, theHouse of the Centaur, and the House of Meleager. The House of Castor and Pollux, also called the House ofthe Quasstor, is the most southern of the three, and was theearliest discovered, that is, between April 1828 and May1829. The name given to it by the ciceroni of Pompeiimust not be

RM2AN37TA–Pompeii, its history, buildings, and antiquities : an account of the destruction of the city with a full description of the remains, and of the recent excavations, and also an itinerary for visitors . ces of the more wealthy indivi-duals among them may be termed, and of the distribution andpurposes of the rooms, for a general resemblance is to befound in the ground-plan of all of them. We shall also givean explanation of those architectural terms which we shallhave occasion most frequently to employ. If we ascend to the earliest period of Eoman story, andmention the thatched cottage of Romulus