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"Popular tales of the West Highlands : orally collected" (1860)

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FLHC 91 / Alamy Stock Photo

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PKKE4D

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6.9 MB (401.2 KB Compressed download)

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1485 x 1615 px | 25.1 x 27.3 cm | 9.9 x 10.8 inches | 150dpi

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This image could have imperfections as it’s either historical or reportage.

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RMPKKDBH–'Popular tales of the West Highlands : orally collected' (1860)

RMHE0TTN–Popular tales of the West Highlands - orally collected (1860)

RM2AN51BA–Popular tales of the West Highlands : orally collected . th fish; so has that of the twostories which follow ; so, as an illustration, I have copied all thefish which are figured in the sculptured stones of Scotland,together with some of the characteristic ornaments which accom-pany them. It is remarkable that, with the exception of two, all these areswimming from the left to the right of an observer, and that anondescript creature which is often figured on the same stoneswith fish, heads the same way. I take the monster to be a repre-sentation of a water animal, a walrus, by an artist who had

RMPKKDT6–'Popular tales of the West Highlands : orally collected' (1860)

RMHE0WYW–Popular tales of the West Highlands - orally collected (1860)

RM2AJ06PY–Popular tales of the West Highlands : orally collected . d structure, is modern, yet there are words andphrases which appear to be more ancient, and whichare now obsolete, and these, as well as the absence of * It is to be remarked that the published Ossian, and the?whole of the suspected class, are also entirely free from any such?words, though the construction of the language is different fromthat of the ballads.—J. F. C. 168 GAELIC POETRY OF KNOWN AND UNKNOWN BARDS, English corruptions, distinguish them from all otherScoto-Gaelic poetry ; and with regard to peculiarphrases, and curious anti

RMPKKDBN–'Popular tales of the West Highlands : orally collected' (1860)

RM2AJ00W8–Popular tales of the West Highlands : orally collected . nd above all these, on thecover of the vessel, are eight compartments, of whichone is figured above; and the rest are in like manneroccupied by figures which appear to represent divinitiesor the heavenly bodies. Two of these comprise legendswhich are almost effaced; one is in a Persian charac-ter, the other has not been identified, and neither hasbeen read. Still it is evident that this is of Eastern,probably Hindu workmanship; that the designsrelate to matters connected with the heavens, and thegods ; that the sun is one of these, and t

RMPKKDTE–'Popular tales of the West Highlands : orally collected' (1860)

RM2AJ088A–Popular tales of the West Highlands : orally collected . ly manuscripts, and indeed the period whenGaelic can be traced as a written language is comparativelymodern. But the next sentence admits that ancient poems werepreserved in the Highlands of Scotland, and the notesflatly contradict the text. The Bishop of Clonfert andthe report of the Highland Society are quoted. Thediscoveries of the one in 1784 are mentioned above,the other gives an account of many ancient Gaelicmanuscripts which contain poems, including Dean!MacGregors, which is some forty years older than theMS. of George Bannatyne,

RM2AN52AG–Popular tales of the West Highlands : orally collected . s more curious. It is wilder altogether, and savours more of anold Bardic composition. It is, in fact, the version of a practisednarrator, who cannot read. All the fights, are described by boththe men in nearly the same words ; but each has a different setof phrases, though sometimes they are very like each other.When these are rapidly given, the effect is that of a kind ofchant; something which, with music, would almost be a rudechorus, and might be so uttered as to express the battle. The Barra battles are thus arranged, and they have

RMPKKDBR–'Popular tales of the West Highlands : orally collected' (1860)

"Popular tales of the West Highlands : orally collected" (1860)

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