Poster for the Buzzcocks single , what do i get, United artists vinyl 45 UP36348
Image details
Contributor:
Tony Smith / Alamy Stock PhotoImage ID:
2MKF77XFile size:
35.7 MB (1 MB Compressed download)Releases:
Model - no | Property - noDo I need a release?Dimensions:
3047 x 4090 px | 25.8 x 34.6 cm | 10.2 x 13.6 inches | 300dpiDate taken:
27 January 2023Location:
Wigan, Greater Manchester, Lancashire, England, UK, WN1 1BHMore information:
Buzzcocks are an English punk rock band formed in Bolton, England in 1976 by singer-songwriter-guitarist Pete Shelley and singer-songwriter Howard Devoto. They are regarded as a seminal influence on the Manchester music scene, the independent record label movement, punk rock, power pop, and pop punk. They achieved commercial success with singles that fused pop craftsmanship with rapid-fire punk energy. These singles were collected on Singles Going Steady, an acclaimed compilation album described by music journalist and critic, Ned Raggett, as a "punk masterpiece". Devoto and Shelley chose the name "Buzzcocks" after reading the headline, "It's the Buzz, Cock!", in a review of the TV series Rock Follies in Time Out magazine. The "buzz" is the excitement of playing on stage; "cock" is northern English slang meaning "friend". They thought it captured the excitement of the nascent punk scene, as well as having humorous sexual connotations following Pete Shelley's time working in a Bolton adult shop. Devoto left the band in 1977, after which Pete Shelley became the principal singer-songwriter. After releasing three albums, as well as Singles Going Steady, the band broke up in 1981 following a dispute with their then-record label, but reunited in 1989, since releasing six more albums. Shelley died in 2018, [9] but the band has remained active. Steve Diggle, the guitarist and co-founder of the band, is now singer. They added a new guitarist Mani Perazzoli. They are still touring. Their first UA Buzzcocks single, "Orgasm Addict", was a playful examination of compulsive sexuality that was, and remains, uncommonly bold. The BBC refused to play the song, and the single did not sell well. Later, more ambiguous songs staked out a territory defined by Shelley's bisexuality and punk's aversion to serious examination of human sexuality. The next single, "What Do I Get?" reached the UK top 50 chart. "Lipstick", the B-side to "Promises, " shared the same ascending progression of note