Que se rompe la cuerda 1863 is the date of publication of the first edition. The plates were executed 1810-1820. The paper is described according to the guidelines in The Print Council of America's paper sample book. Printed in sepia ink. The ink, along with the paper, corresponds to the description of the first edition according to Tomás Harris, Goya: engravings and lithographs. Holdings checked in departmental copy of Loys Delteil, Le Peintre-graveur illustré, v. XIV and v. XV. Citation/Reference: 77 According to Tomás Harris, Goya: engravings and lithographs, the plate was retouched posthu

Que se rompe la cuerda  1863 is the date of publication of the first edition. The plates were executed 1810-1820. The paper is described according to the guidelines in The Print Council of America's paper sample book. Printed in sepia ink. The ink, along with the paper, corresponds to the description of the first edition according to Tomás Harris, Goya: engravings and lithographs. Holdings checked in departmental copy of Loys Delteil, Le Peintre-graveur illustré, v. XIV and v. XV. Citation/Reference: 77 According to Tomás Harris, Goya: engravings and lithographs, the plate was retouched posthu Stock Photo
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Que se rompe la cuerda 1863 is the date of publication of the first edition. The plates were executed 1810-1820. The paper is described according to the guidelines in The Print Council of America's paper sample book. Printed in sepia ink. The ink, along with the paper, corresponds to the description of the first edition according to Tomás Harris, Goya: engravings and lithographs. Holdings checked in departmental copy of Loys Delteil, Le Peintre-graveur illustré, v. XIV and v. XV. Citation/Reference: 77 According to Tomás Harris, Goya: engravings and lithographs, the plate was retouched posthumously with the drypoint. Citation/Reference: D196(IV/IV); Que se rompe la cuerda.