Side chair 1870 Edward Welby Pugin British The obvious joinery of the side chair expresses the philosophy of truth to materials and construction that recall the teachings of Augustus Welby Northmore Pugin. A follower of the Arts and Crafts movement, Pugin's son, Edward Welby Pugin, frequently borrowed designs and ideas that his father had produced decades earlier. The chair, with its curved klismos-type back deriving from Grecian prototypes and Gothic-style base, was designed and registered in 1870 for the Granville Hotel, Ramsgate, Kent, and manufactured by Pugin's own company. Listen to expe
Image details
Contributor:
MET/BOT / Alamy Stock PhotoImage ID:
2HGYCA8File size:
36.6 MB (626.7 KB Compressed download)Releases:
Model - no | Property - noDo I need a release?Dimensions:
3199 x 4000 px | 27.1 x 33.9 cm | 10.7 x 13.3 inches | 300dpiDate taken:
20 January 2022More information:
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Side chair 1870 Edward Welby Pugin British The obvious joinery of the side chair expresses the philosophy of truth to materials and construction that recall the teachings of Augustus Welby Northmore Pugin. A follower of the Arts and Crafts movement, Pugin's son, Edward Welby Pugin, frequently borrowed designs and ideas that his father had produced decades earlier. The chair, with its curved klismos-type back deriving from Grecian prototypes and Gothic-style base, was designed and registered in 1870 for the Granville Hotel, Ramsgate, Kent, and manufactured by Pugin's own company. Listen to experts illuminate this artwork's story Listen Play or pause #419. The Arts and Crafts Movement Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Side chair. British. 1870. Stained oak, ebony, brass. Woodwork-Furniture