Small family on the terrace of Ali Qapu Palace overlooking the Naqsh-e Jahan Square and Shah Mosque. Isfahan, Iran.
Image details
Contributor:
Bert de Ruiter / Alamy Stock PhotoImage ID:
2FNG1Y5File size:
103.4 MB (2.7 MB Compressed download)Releases:
Model - no | Property - noDo I need a release?Dimensions:
7360 x 4912 px | 62.3 x 41.6 cm | 24.5 x 16.4 inches | 300dpiDate taken:
8 November 2019Location:
Isfahan, IranMore information:
Wikipedia: Ali Qapu Palace (Persian: عالی قاپو, ‘Ālī Qāpū) or the Grand Ālī Qāpū is an imperial palace in Isfahan, Iran. It is located on the western side of the Naqsh-e Jahan Square, opposite to Sheikh Lotfollah Mosque, and had been originally designed as a vast portal entrance to the grand palace which stretched from the Naqsh-e Jahan Square to the Chahar Baq Boulevard. The palace served as the official residence of Persian Emperors of the Safavid dynasty. UNESCO inscribed the Palace and the Square as a World Heritage site due to its cultural and historical importance. The palace is forty-eight meters high and there are six floors, each accessible by a difficult spiral staircase. In the sixth floor, Music Hall, deep circular niches are found in the walls, having not only aesthetic value, but also acoustic. Ālī Qāpū is regarded as the best example of Safavid architecture and a symbol of Iran's Islamic heritage. Fresco from the portico of the palace, depicting a Persian woman The name Ali Qapu, from Persian ‘Ālī (meaning "imperial" or "great"), and Azerbaijani Qāpū (meaning "gate"), was given to this place as it was right at the entrance to the Safavid palaces which stretched from the Naqsh-e Jahan Square to the Chahar Baq Boulevard. The building, another wonderful Safavid edifice, was built by decree of Shah Abbas I in the early seventeenth century. It was here that the great monarch used to entertain noble visitors, and foreign ambassadors. Shah Abbas, here for the first time, celebrated the Nowruz (Iranian New Year) of 1006 AH / 1597 C.E. Ali Qapu is rich in naturalistic wall paintings by Reza Abbasi, the court painter of Shah Abbas I, and his pupils. There are floral, animal, and bird motifs in his works. The highly ornamented doors and windows of the palace have almost all been pillaged at times of social anarchy. Only one window on the third floor has escaped the ravages of time. Ali Qapu was repaired and restored substantially during the reign of Shah Sul