Hogarth painting. "Marriage a-la-Mode: 2, The Tête à Tête" by William Hogarth (1697-1764), oil on canvas, c.1743.
Image details
Contributor:
IanDagnall Computing / Alamy Stock PhotoImage ID:
HYHYR0File size:
74.3 MB (4.3 MB Compressed download)Releases:
Model - no | Property - noDo I need a release?Dimensions:
5860 x 4431 px | 49.6 x 37.5 cm | 19.5 x 14.8 inches | 300dpiDate taken:
22 March 2017Location:
.More information:
This image could have imperfections as it’s either historical or reportage.
This is the second in Hogarth’s series of six paintings titled Marriage A-la-Mode. It is a few months after the wedding of the Earl of Squander’s son to the Alderman’s daughter. The bride stretches sleepily, apparently after spending the whole night playing cards. The groom sprawls in his chair, exhausted from a night of debauchery on the town – the small dog tugs a girl’s muslin cap out of his pocket, and a second muslin cap is wound round the hilt of his broken sword. The large black spot on his neck denotes syphilis. Two fiddle cases lie on top of one another on an overturned chair, suggesting that the Viscountess has been spending the evening in activities more intimate than simply playing whist. The drawing room is a battleground for the silent dislike between the couple and the disharmony of their possessions. The steward of the household rolls his eyes up to heaven as he exits with a wad of unpaid bills.