The Fishing Boat. Artist: Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz). Dimensions: 25 1/2 x 32 in. (64.8 x 81.3 cm). Date: 1865. Courbet painted this work during an intensely productive visit to Trouville with James McNeill Whistler from September until November 1865; in a letter to his father, the artist boasted that he had executed "thirty-five paintings" in a very short time, which "stunned everybody." In his choice of subject, Courbet followed in the wake of Eugène Isabey, Johan Barthold Jongkind, and Eugène Boudin; but unlike many of the canvases executed at the time, thi

The Fishing Boat. Artist: Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz). Dimensions: 25 1/2 x 32 in. (64.8 x 81.3 cm). Date: 1865.  Courbet painted this work during an intensely productive visit to Trouville with James McNeill Whistler from September until November 1865; in a letter to his father, the artist boasted that he had executed "thirty-five paintings" in a very short time, which "stunned everybody." In his choice of subject, Courbet followed in the wake of Eugène Isabey, Johan Barthold Jongkind, and Eugène Boudin; but unlike many of the canvases executed at the time, thi Stock Photo
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Album / Alamy Stock Photo

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PANWPE

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40.5 MB (2 MB Compressed download)

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4190 x 3381 px | 35.5 x 28.6 cm | 14 x 11.3 inches | 300dpi

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Album

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This image could have imperfections as it’s either historical or reportage.

The Fishing Boat. Artist: Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz). Dimensions: 25 1/2 x 32 in. (64.8 x 81.3 cm). Date: 1865. Courbet painted this work during an intensely productive visit to Trouville with James McNeill Whistler from September until November 1865; in a letter to his father, the artist boasted that he had executed "thirty-five paintings" in a very short time, which "stunned everybody." In his choice of subject, Courbet followed in the wake of Eugène Isabey, Johan Barthold Jongkind, and Eugène Boudin; but unlike many of the canvases executed at the time, this fishing boat, rigged and filled with equipment, is the focus of the composition rather than a subordinate element. In 1899, this became the first work by Courbet to enter the Museum's collection. Museum: Metropolitan Museum of Art, New York, USA.