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Turner's Liber Studiorum. Lake of Thun, Caroline Bertolacci (British, born 1825, active 1860s - 1890), about 1863, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RFID:2B9ER60

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Contributor:

Penta Springs Limited / Alamy Stock Photo

Image ID:

2B9ER60

File size:

31.8 MB (1.4 MB Compressed download)

Releases:

Model - no | Property - noDo I need a release?

Dimensions:

3630 x 3058 px | 30.7 x 25.9 cm | 12.1 x 10.2 inches | 300dpi

Photographer:

Gibon Art

More information:

This image could have imperfections as it’s either historical or reportage.

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RM2HHGD80–Lake of Thun, Swiss (Liber Studiorum, part III, plate 15) June 10, 1808 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe a Swiss mountain lake agitated by an approaching storm, wit

RM2HH4WX1–Lake of Thun, Swiss (Liber Studiorum, part III, plate 15) June 10, 1808 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe a Swiss mountain lake agitated by an approaching storm, wit

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