Utagawa Hiroshige. Act 11, Part 1 The Approach to the Night Attack (Juichidanme ichi, yochi oshiyose), from the series The Revenge of the Loyal Retainers (Chushingura). 1835–1845. Japan. Color woodblock print; oban Hiroshige enhanced the dramatic impact of his series by expanding the final act into six separate scenes; the last three are not based on the kabuki play. This image has been described as the masterpiece of the series and depicts the (revenge of the) ronin on a very snowy, isolated evening starting their march on Kira’s home. The whole group crosses a bridge out of Kamakura (Edo) ne

Utagawa Hiroshige. Act 11, Part 1 The Approach to the Night Attack (Juichidanme ichi, yochi oshiyose), from the series The Revenge of the Loyal Retainers (Chushingura). 1835–1845. Japan. Color woodblock print; oban Hiroshige enhanced the dramatic impact of his series by expanding the final act into six separate scenes; the last three are not based on the kabuki play. This image has been described as the masterpiece of the series and depicts the (revenge of the) ronin on a very snowy, isolated evening starting their march on Kira’s home. The whole group crosses a bridge out of Kamakura (Edo) ne Stock Photo
Preview

Image details

Contributor:

WBC ART / Alamy Stock Photo

Image ID:

2AHRHR2

File size:

17 MB (1.4 MB Compressed download)

Releases:

Model - no | Property - noDo I need a release?

Dimensions:

3000 x 1980 px | 25.4 x 16.8 cm | 10 x 6.6 inches | 300dpi

More information:

This image is a public domain image, which means either that copyright has expired in the image or the copyright holder has waived their copyright. Alamy charges you a fee for access to the high resolution copy of the image.

This image could have imperfections as it’s either historical or reportage.

Utagawa Hiroshige. Act 11, Part 1 The Approach to the Night Attack (Juichidanme ichi, yochi oshiyose), from the series The Revenge of the Loyal Retainers (Chushingura). 1835–1845. Japan. Color woodblock print; oban Hiroshige enhanced the dramatic impact of his series by expanding the final act into six separate scenes; the last three are not based on the kabuki play. This image has been described as the masterpiece of the series and depicts the (revenge of the) ronin on a very snowy, isolated evening starting their march on Kira’s home. The whole group crosses a bridge out of Kamakura (Edo) near Kira’s mansion. At the lower right, there is an escape boat (not seen in the play) that ensures, in the event of a counterattack by Kira’s supporters, that several ronin would be able to flee with the proof of Kira’s death.