View of South Street, from Maiden Lane, New York City. Artist: William James Bennett (American, London 1787-1844 New York). Dimensions: 9 5/8 x 13 5/8 in. (24.4 x 34.6 cm). Date: ca. 1827. Born and trained in London, Bennett learned well the conventions of the architectural and street views perfected by the Venetian artist Antonio Canaletto, who worked in England in the mid-eighteenth century. Immigrating to the United States about 1826, Bennett adapted the conventions to New York, then undergoing rapid urbanization with the opening of the Erie Canal in 1825. Unlike the Bennett watercolor, "W

View of South Street, from Maiden Lane, New York City. Artist: William James Bennett (American, London 1787-1844 New York). Dimensions: 9 5/8 x 13 5/8 in. (24.4 x 34.6 cm). Date: ca. 1827.  Born and trained in London, Bennett learned well the conventions of the architectural and street views perfected by the Venetian artist Antonio Canaletto, who worked in England in the mid-eighteenth century. Immigrating to the United States about 1826, Bennett adapted the conventions to New York, then undergoing rapid urbanization with the opening of the Erie Canal in 1825. Unlike the Bennett watercolor, "W Stock Photo
Preview

Image details

Contributor:

Album / Alamy Stock Photo

Image ID:

RFFREX

File size:

35.2 MB (1.4 MB Compressed download)

Releases:

Model - no | Property - noDo I need a release?

Dimensions:

4192 x 2936 px | 35.5 x 24.9 cm | 14 x 9.8 inches | 300dpi

Photographer:

Album

More information:

This image could have imperfections as it’s either historical or reportage.

View of South Street, from Maiden Lane, New York City. Artist: William James Bennett (American, London 1787-1844 New York). Dimensions: 9 5/8 x 13 5/8 in. (24.4 x 34.6 cm). Date: ca. 1827. Born and trained in London, Bennett learned well the conventions of the architectural and street views perfected by the Venetian artist Antonio Canaletto, who worked in England in the mid-eighteenth century. Immigrating to the United States about 1826, Bennett adapted the conventions to New York, then undergoing rapid urbanization with the opening of the Erie Canal in 1825. Unlike the Bennett watercolor, "Weehawken from Turtle Grove" (54.90.107) the topography here is entirely man-made, with the bustle of South Street mediating the forest of masts and the opposing palisade of warehouses. Bennett engraved this watercolor for "Megarey's Street Views in the City of New-York" (1834). Museum: Metropolitan Museum of Art, New York, USA.